Eric Lamontagne

Mystérieuse pyramide

2021

Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

Renato Garza Cervera’s work develops in a wide variety of media including painting, drawing, graphic art, sculpture, objects and installations, as well as interventions, action and v...

Laughter, discomfort, perplexity: these are all plausible reactions to the work by sculptor Cal Lane. The artist’s most recent body of work is an affective assemblage of incongruous parts that, taken together, violate our mental patterns and expectations. Charged with contradictions, metaphor, sexual undertones, and unsettling associations, Lane’s unlikely combinations use absurdity as a way of pointing to western society’s normalized habits and conventions, often with an emphasis on gender and sexuality. For the exhibition Try Me, Lane installs a basketball court in the gallery. The two basketball hoops on opposing walls are embellished with silver-coated frames and lustrous mirrors, which serve as decorative backboards. In place of nets, women’s black lace underwear delicately hang from hoops. A decorative rug stenciled with court lines performs as the court floor. It is a mise-en-scène set in motion by viewer’s reconciliation of the individual parts to the whole, and to their original function. Panties regard themselves in the mirror or perhaps measure up their opponent, which, not without irony, is the mirror image of itself. Themes of gender and sexuality are performed and imagined in the upward voyeuristic gaze of the viewer and the expected swoosh of the ball into the net. This is further elaborated by phallic impressions formed by court lines and their likeness to a work of modernist abstraction—a movement wrought by notions of masculinity. The decorative rug’s connection to femininity and domesticity juxtaposes the rigid geometry. Lane further explores the historical gendering of technology, industry, and war in her series of wallpaper drawings, which depict war submarines on cloud patterned wallpaper. The innocence of the submarine in popular culture and its reality as a phallic war object...

Karine Payette builds vast dreamlike settings from hyperrealistic, banal objects in order to produce something narrative that evokes the precariousness of the world. The artist plays...

Jessica Houston has traveled from pole to pole—using photography, painting, oral histories and objects—to evoke natureculture entanglements. Her multimedia projects often include sit...

With its meticulous attention to detail, Karine Payette’s work opens up numerous reflections on the different ways we perceive reality. Payette achieves this by adroitly evoking the notion of doubt. Both playful and offbeat, her universe is built up from stripped-down stagings that conjure up private, domestic stories, and scenes from everyday life. Carefully arranging objects in space, she creates “zones of anxiety” where different elements overlap: loss of control, domination, and forms that might themselves take over. The artworks brought together in L’ombre d’un doute highlight the various touchstones of the multidisciplinary practice Karine Payette has been developing since 2010. The exhibition borrows its title from the Alfred Hitchcock film of the same name (Shadow of a Doubt), where a young girl discovers the dark side of the world. This shadowy reference evokes the fragrance of mystery that wafts among Payette’s works, and the need to decipher, like a riddle, that which takes place before our eyes. As soon as he/she enters the exhibition, the viewer is confronted with a puddle of milk covering the floor, in which he/she finds several kernels of floating Rice Krispies...

Keith Young For Big Mistakes Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 16x16x3in Signed by hand COA provided Ready to hang Ref.: 924802-1135 ------------...

Keith Young I'm an Achiever! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 22x12.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1136 ----------...

"Kara" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are currently endangered. Shtern utilizes common household materials such as produce netting and colored cardboards in her up-cycled process to authenticate her message. An unfortunate truth of our current society that is often forgotten. Shtern creates these beautiful pieces to draw the viewer in and force them to engage with reality head-on. This work is eye-catching with a delicate texture and vibrant colors and would brighten up any room. Artist's Inspiration: "Black Pakistan Cobra (Naja naja karachiensis) is considered by some to be one of the subspecies of Indian cobra...

Series: Origin of Desire Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She mo...

"Lulu" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are currently endangered. Shtern utilizes common household materials such as produce netting and colored cardboards in her up-cycled process to authenticate her message. An unfortunate truth of our current society that is often forgotten. Shtern creates these beautiful pieces to draw the viewer in and force them to engage with reality head-on. This work is eye-catching with a delicate texture and vibrant colors and would brighten up any room. Artist's Inspiration: "Saudi Gazelle was native to the northern and western parts of the Arabian peninsula, preferring rocky habitats with shrubs and acacia trees. It lived alongside Mountain Gazelle and Arabian Sand Gazelle. The populations of these other two gazelle species of the Arabian peninsula have been severely diminished over the last few decades, and they both are classified as vulnerable. Gazelles were some of the most frequently depicted animals in the Neolithic art...

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