Gillie and Marc Schattner

They were the Authentic Vespa Riders in Rome

2018

A beautiful modernist 20th Century Bronze piece by Joachim Berthold. Here we find this stylish figure sitting in a hoping position looking up that eludes thought and complexity. A me...

A wonderful yet very playful piece depicting Harold, a magpie standing on a short rope from Gillie and Marc's collection which explores all the interesting, complex characteristics o...

A whimsical yet very strong piece depicting the Rabbit and Weim from Gillie and Marc's iconic figures of the Dog/Bunny Human Hybrid, which has picked up much esteem across the globe....

A whimsical yet very strong piece depicting the Dog Man from Gillie and Marc's iconic figures of the Dog/Bunny Human Hybrid, which has picked up much esteem across the globe. Here we...

A whimsical yet very strong piece depicting the two figures from Gillie and Marc's iconic figures of the Dog/Bunny Human Hybrid, which has picked up much esteem across the globe. Her...

A whimsical yet very strong piece depicting the two figures from Gillie and Marc's iconic figures of the Dog/Bunny Human Hybrid, which has picked up much esteem across the globe. Her...

Benedict Tatti (1917-1993) worked in New York city as a sculptor, painter, educator, and video artist. He studied stone and wood carving under Louis Slobodkin at the Roerich Museum. He later attended the Leonardo da Vinci School of Art studying under Attilio Piccirelli. In l939 he taught adult classes with the Teachers Project of the WPA and attended the Art Students League for three and a half years on full scholarship. He studied under William Zorach and Ossip Zadkine and later became Zorach’s assistant. Later in his career, he attended the Hans Hofmann School of Fine Arts. During World War II, Tatti served in the United States Army Air Force, where he spent three years assigned to variety of projects. In 1948, Benedict Tatti married Adele Rosenberg in New York City. Throughout his career, Tatti continuously experimented with various media. From 1952-1963, Tatti executed sculptural models of architectural and consumer products for the industrial designers, Raymond Loewy Associates; later he became a color consultant for the firm. In the 1960s, influenced by the Abstract Expressionists, Tatti turned from carving directly in wood and stone to creating assemblage architecture sculptures, using bronze metal and other industrial materials. He was included in the important show "Aspects de la Sculpture Americaine", at Galerie Claude Bernard Paris, France, in October 1960 along with Ibram Lassaw, Theodore Roszak, David Smith, Louise Bourgeois, Danese Corey, Dorothy Dehner, Lin Emery...

"Land & Sea" Bronze sculpture 16" x 14" inch by Ibrahim Abd Elmalak Double-faced Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic figures of femin...

"Equine Spirit II" Bronze sculpture 23" x 14.5" inch by Ibrahim Abd Elmalak Equine Spirit II, 1997 Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic...

"Gloria" Bronze and Marble sculpture 27" x 11" in by Ibrahim Abd Elmalak Gloria, 2007 Bronze & Marble 68 x 27 cm, Signed & Dated Sculptures that mostly depict his characteristic ...

"Entropy" Bronze sculpture 22" x 9" inch by Ibrahim Abd Elmalak Entropy, 2005 Bronze & Marble Signed & Dated Sculptures that mostly depict his ...

"Grecian Stallion I" Bronze sculpture 24" x 11" inch by Ibrahim Abd Elmalak Grecian Stallion I, 2007 Bronze & Marble Signed & Dated Sculptures that mostly depict his characterist...