Raphaël Jaimes-Branger

Scientia Vos Liberabit

2019

Media: Plaster, Blue, Gold Leaf Signed and titled in pencil on base. Stamped with a wax seal.

Plaster, Gold Leaf. Signed and titled in pencil on base. Stamped with a wax seal.

Signed on 2nd book. The Ocean Library stacks incorporate physical and emotional reminders of Hall’s husband, Mark S. Weil, while also reflecting upon en...

Dudley Vaill Talcott (American, 1899-1986), The Gate, 1930s. From the estate of the artist. In fine condition. This large aluminum gate is decorated with the...

Dudley Vaill Talcott, American (1899-1986), Child's Restaurant Waitress, circa 1929. Number 1 of 12, cast 2011. Stamped with the artists' initials; DVT and dated on base. Other ve...

Signed on base: "Hazel Brill Jackson". Also with artist's monogram. In fine condition. Hazel Brill Jackson (Born December 15, 1894, in Philadelphia) spent most of her early childhoo...

Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural...

Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural work she speaks about lo...

After da Vinci, Holbein, Claese, Cézanne, Klimpt, Van Cough, Picasso, Dali, Warhol, Hurst & Everyone Else That I Have Forgotten. Nicholas Crombach has ...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

TESTA F - MI RICORDO DI TE NELLA GLORIA 2021 Ceramic, iron and gold leaf Measurement: CM CM 30x34x101 Weight: 6 kg These are figurative works, of classical or archaic inspiration...

These are figurative works, of classical or archaic inspiration, reinterpreted using strictly contemporary signs and communicative languages, decontextualized and transformed into decorative elements: bar codes, qr codes, wi-fi icons, @, symbols of well-known advertising campaigns, numbers / formulas, which combine to form the vision of a dystopian archeology of the future which bring the individual closer to goods or objects, traces of mechanical or computer elements, which testify to a reality, ours, which has already happened, already lived. It is like an eye on the archeology of a distant future, or on a contemporary discovery that indicates an end already seen, towards which we can move. The metal structures are supports that enter the composition and the aesthetic vision and communication of the topics covered. The "cages" at the same time constrain but support, they root to the ground but soar upwards, in a liberating tension. ATLETA 2 - LA FORMA...