Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

Salvador Dalí­
Don Quixote Bas Relief in Original Velvet Box

1979

About the Item

"Don Quixote" 1979 Bronze (encased in original velvet box) Signed Lower right Numbered Lower Left 157/215 Size of Relief: 27" x 18.5" Size of Velvet box: 29.5" x 21" x 3.25" Provenance: Martin Lawrence Galleries Salvador Felipe Jacinto Dali was born May 11, 1904 in the small Spanish town of Figueras in the province of Catalunya. The name 'Salvador' had been given to an older brother who died in infancy. When Dali was born the name was passed on to him. No one could have known just how revolutionary and important this name would become to the art world. Growing up, Dali was a difficult child and refused to conform to family or community customs. Dali's father, a respected notary, his mother and younger sister all encouraged Dali's early interest in art. In fact, a room in the family home was the young artist's first studio. Early on, Dali's talent was already refined beyond his years, and with each year his talent only grew, as did his interests. After receiving private art lessons in Figueras for some time, Dali enrolled at the Escuela de Pintura, Escultura y Grabado de Bellas Artes de San Fernando in Madrid in 1921. There he joined an avant-garde circle of students that included film-maker Luis Bunuel and poet-dramatist Federico Garcia Lorca. Although Dali excelled in his academic pursuits, he never took final examinations, deeming that he had no need for the type of education offered by formal schooling. He was expelled and reinstated, yet it mattered little to him. Salvador Dali's passion for the arts and his need to experience life on his own terms could not be met within the confines of school. He left. This did not sit well with Dali's father however, and Salvador was subsequently disowned. With no true home left to him, Dali moved into a fisherman's shack in the small village of Port Lligat, two miles from Cadaques and not far from the French border. Port Lligat would become the site of Dali's future mansion home where he would spend many years of his life. It was at this time that Dali came under the influence of two forces that shaped his philosophy and his art. The first was Sigmund Freud's theory of the unconscious, introduced to Dali in Freud's book The Interpretation of Dreams. The second was his association with the French surrealists, a group of artists and writers led by the French poet Andre Breton. When Dali visited Paris for the first time, he was introduced to the leading surrealists in the movement, but because of his lack of interest in politics, he was eventually shunned by this group. It was also around this time that Dali met the woman who was to become one the most important people in his life... his wife and soul mate, Gala. Gala was a Russian girl Dali met following her marriage to the French poet Paul Eluard. She served as a stabilizing force through most of the remainder of Salvador Dali's life. Gala saved him from serious nervous disorientation and took charge of every aspect of his existence: financial, artistic and sexual. With Gala's help, Dali became established as a notable painter in Paris. During the 1930's his paintings were exhibited in surrealist shows in most major European cities and in the United States. Under the influence of the surrealist movement, Dali's artistic style crystalized into the disturbing blend of precise realism and dreamlike fantasy that became his trademark. His paintings combined meticulous draftsmanship and detail with a unique and stimulating imagination. Dali often described his pictures as `hand-painted dream photographs,' and had certain favorite and recurring images, such as the human figure with half-open drawers protruding from it, burning giraffes, and watches bent and flowing as if made from melting wax. Dali moved to the U.S. in 1940, where he remained until 1948. His later paintings, often on religious themes, are more classical in style. They include Crucifixion (1954, Metropolitan Museum, New York City) and The Sacrament of the Last Supper (1955, National Gallery of Art, Washington, D.C.). Dali truly created a new movement in art, but it was his own unique brand. Along with his other pursuits in the art realm - which included jewelry design, film production and clothing -- it is his paintings and graphic works which remain the pinnacle of his sweeping importance and mystifying genius. To this day, they hang in museums all over the world. Salvador Dali died January 23, 1989.
  • Creator:
    Salvador Dalí­ (1904 - 1989, Spanish)
  • Creation Year:
    1979
  • Dimensions:
    Height: 27 in (68.58 cm)Width: 18.5 in (46.99 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Missouri, MO
  • Reference Number:
    1stDibs: LU747310023702
More From This SellerView All
  • Woman with Tambourine
    By Pierre Auguste Renoir
    Located in Missouri, MO
    Woman with Tambourine By Pierre Auguste Renoir (French, 1841-1919) Without Frame: 29.5" x 17.75" x 1.25" With Frame: 36" x 24.5" x 3.25" Signed Lower Right Renoir was born on Februa...
    Category

    Late 19th Century Impressionist Figurative Sculptures

    Materials

    Bronze

  • Native American Girl with Doll
    By Dave Powell
    Located in Missouri, MO
    Native American Girl with Doll By Dave Powell (American, b. 1954) Signed on Back 17.5" x 8" Dave Powell is a native son of Montana, in a world of change and transition; few can say they have roots in a single geography that go back four generations. Dave's pedigree in art is just about as deep. He is the son of artists Ace Powell and Nancy McLaughlin Powell. That heritage leads back to the likes of Charlie Russell and Joe De Young, both famous for their abilities to "tell the story" through their art. His father, Ace Powell, was a prolific Western artist whose first childhood paint-box set was a gift from Charlie and Nancy Russell. Dave became a serious student of art in his mid-teens, and has been a professional artist most of his adult life. Over the years he has worked with Bob Scriver, Ned Jacob and Robert Lougheed. Dave will be the first to give thanks...
    Category

    20th Century American Realist Figurative Sculptures

    Materials

    Bronze

  • Going into Battle
    By Carl Kauba
    Located in Missouri, MO
    Carl Kauba "Going into Battle" c. 1920s Bronze with Brown Patina Signed approx 10 x 10 x 4 (including wooden base) This Austrian sculptor was born in Vienna in 1865. His teachers were Karl Waschmann (1848-1905), known for his ivory sculptures and portrait plaquettes of contemporary celebrities, and Stefan Schwartz (1851-1924), who exhibited in Paris, including the Exposition Universelle of 1900 where he won a gold medal. Kauba's intricate bronzes, imported to the United States between 1895 and 1912, were cast at the Roman Bronze Works. Kauba was part of the nineteenth-century tradition of polychrome bronze sculpture. There were several types of patinas on a single statue: he could render the color of buckskin, variously tinted shirts, blankets, feathers, as well as beaded moccasins. Reportedly, Kauba came to America around 1886. Inspired by the Western tales of German author Karl May, he traveled to the West and made sketches and models. Critics, however, pointed out inaccuracies of costume and other details. For instance, the guns that his "mid-nineteenth-century" figures use are models produced after 1898. Apparently he did all of his works back in Vienna. Besides the variety of color, Kauba's bronzes show a great range of textures and his style is highly naturalistic. The sculptor loved ornament, some of which he rendered with coiled wire for reins, rope and feathers in headdresses. He successfully rendered figures in motion and often executed compositions with more than one figure. Berman (1974) illustrates non-Western subjects by Kaula, such as the pendants Where? and There (ca. 1910), a seated Scottish couple, impressive in the expressions and the details on patterned fabrics of both sitters. Another genre piece is Buster Brown...
    Category

    Early 20th Century Realist Figurative Sculptures

    Materials

    Bronze

  • Jockey On Horseback
    By Hans Guradze
    Located in Missouri, MO
    Hans Guradze (German, 1861-1922) "Jockey On Horseback" Bronze Approx. 19.5 x 17 x 6 inches Signed "H. Guradze Berlin" on Base
    Category

    1890s Realist Figurative Sculptures

    Materials

    Bronze

  • 2 Seconds To Go
    By Bob Scriver
    Located in Missouri, MO
    Bob Scriver (American 1914-1999) "2 Seconds To Go" 1971 Bronze approx. 24" H. x 12W Signed and Titled on the Base Ed. 18/35 sculptor who carried on the realist...
    Category

    1970s American Realist Figurative Sculptures

    Materials

    Bronze

  • Regina Enthroned
    By Lazzaro Donati
    Located in Missouri, MO
    Lazzaro Donati (Italian 1926-1977) "La Regina" Bronze Signed on Base Size: approx 19 x 9 x 9 inches Lazzaro Donati (1926-1977) was born in Florence in 1926 and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. Mr. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d'art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. Donati was a born host with a warm welcome, an elegant man who possessed enormous charm a good nature and a keen sense of humor. Apparently shy, he preferred to speak on subjects extraneous to his art, purposely distracting you from his paintings, then leading you back to them, tactfully and without pretension. He spoke fluent French and English as well as some Spanish and German. "After all", he said, "you've got to know how to sell a painting to everyone." He had no sympathy for the "drip and splash" studios of his contemporaries, preferring to keep his studio tidy and spotless. "Painting is a matter of precision", he said, "If a painter can't put his paint where he wants it to go, I don't see how he can call himself a painter. For me it is absolutely necessary to control the paint." When asked to reveal the technique he used to achieve the enamel-like finish typical of his paintings he answered, "That is a secret between me and my butler. Actually, most of my paintings are done by him!" But in fact behind the façade, Donati was a serious craftsman who devoted to his painting as a way of life and means of expression. From the beginning of his career, his paintings revealed a striving for perfection and continual research in problems of style and technique. His early works indicated a momentary interest in surrealism and abstract art; they were predominantly two dimensional, depending on line and strong color. But by 1958, with his painting The Lady with a Fan...
    Category

    Late 20th Century Modern Figurative Sculptures

    Materials

    Bronze

You May Also Like
  • The Michelin Slave
    By Salvador Dalí­
    Located in Long Island City, NY
    Artist: Salvador Dali, Spanish (1904 - 1989) Title: The Michelin Slave Year: 1967 Medium: Bronze Sculpture, Signature and number inscribed Edition: 5/6 Size: 12 in x 6 in d. (...
    Category

    1960s Surrealist Figurative Sculptures

    Materials

    Bronze

  • Swan-Elephant
    By Salvador Dalí­
    Located in Long Island City, NY
    Artist: Salvador Dali, Spanish (1904 - 1989) Title: Swan-Elephant Year: 1967 Medium: Bronze Sculpture, Signature and number inscribed Edition: 5/6 Size: 4.5 in. x 8 in. x 5.5 i...
    Category

    1960s Surrealist Figurative Sculptures

    Materials

    Bronze

  • Bust of John F. Kennedy
    By Salvador Dalí­
    Located in Long Island City, NY
    This iconoclastic sculpture links two of the twentieth century’s most renowned figures: President John Fitzgerald Kennedy and Salvador Dalí. Cast in wax and decorated with paperclip...
    Category

    1960s Surrealist Figurative Sculptures

    Materials

    Bronze

  • Centaur, Outdoor Sculpture by Ernst Neizvestny
    By Ernst Neizvestny
    Located in Long Island City, NY
    Artist: Ernst Neizvestny, Russian (1926 - 2016) Title: Centaur Year: 1973-89 Medium: Bronze Sculpture, signature and numbering inscribed Edition: 7 Size: 84 x 65 x 36 in. (213.36 x 1...
    Category

    1970s Surrealist Figurative Sculptures

    Materials

    Bronze

  • Teutonia, Bronze Sculpture, by Stefan Vladescu 1992
    By Stefan Matty Vladescu
    Located in Long Island City, NY
    Artist: Stefan Vladescu, Romanian (1952 - ) Title: Teutonia Year: 1992 Medium: Bronze Sculpture on marble base, signed and dated Size: 18.5 x 10 x 9 inches Base 2 x 11 x 10 inches
    Category

    1990s Surrealist Figurative Sculptures

    Materials

    Bronze

  • Shadow: After the Egyptian
    By David Cregeen
    Located in Long Island City, NY
    Artist: David Cregeen, British (1945 - ) Title: Shadow: After the Egyptian Year: circa 1985 Medium: Bronze Sculpture with Patina, signature inscribed Edition: 5 Size: 48.5 x 13.5 x ...
    Category

    1980s Surrealist Figurative Sculptures

    Materials

    Bronze

Recently Viewed

View All