Seung Seop Lim

laying on the moon

2010-

Text by Terence Sharpe There is a moment in Andrei Tarkovsky’s Solaris (1972) when the character Hari commits suicide by drinking liquid oxygen. As she is not actually a human, but an artificial hybrid product of the mysterious planet and the protagonists’ memories, she heals rapidly and is alive again minutes later. Her choice to take her own life is poignant, seemingly the action of a being becoming aware of its hopeless infinitude. Her realization that while the men will die on the space station or elsewhere, her existence is that of immortality, a deeply alienating notion that causes her to seek her own destruction. The Montreal artist Guillaume Lachapelle has one work that prompts a sense of eternal alienation that echoes Hari’s tragedy. The work greets the viewer with a empty doorway flanked by clinically white bookshelves...

Text by Terence Sharpe There is a moment in Andrei Tarkovsky’s Solaris (1972) when the character Hari commits suicide by drinking liquid oxygen. As she is not actually a human, but an artificial hybrid product of the mysterious planet and the protagonists’ memories, she heals rapidly and is alive again minutes later. Her choice to take her own life is poignant, seemingly the action of a being becoming aware of its hopeless infinitude. Her realization that while the men will die on the space station or elsewhere, her existence is that of immortality, a deeply alienating notion that causes her to seek her own destruction. The Montreal artist Guillaume Lachapelle has one work that prompts a sense of eternal alienation that echoes Hari’s tragedy. The work greets the viewer with a empty doorway flanked by clinically white bookshelves...

Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...

CICA Vancouver is proud to release this brand new limited edition sculpture, in collaboration with Hajime Sorayama Studio and Nanzuka. This sculpture is a miniature version of the “Untitled_Sexy Robot_Space traveler” sculpture by Hajime Sorayama. LIMITED EDITION 2023 ED: 300 + AP: 50 ABS, alloy, kirsite, aluminum alloy, acrylic, PP, TPE, LED Work size (H x W x D): 15.75 x 8.5 x 8.25 in Package size (H x W x D): 25.2 x 13.4 x 12.2 in Weight:  33lb Authentication ZHEN. authentication system is equipped in the item as an initiative to prevent forgery of the product. For the verification, the purchaser needs to agree to share one’s personal information with ZHEN. for authentication purposes. The purchaser’s information will never be sold nor transferred. ZHEN. is an art authentication platform that makes authentication and provenance radically transparent. Powered by blockchain, ZHEN. guarantees the authenticity of the purchased artwork with a simple tap via ZHEN. mobile app. Instructions on how to use ZHEN. is included in the package. To learn more about ZHEN., please read the Privacy Policy...

Text by Terence Sharpe There is a moment in Andrei Tarkovsky’s Solaris (1972) when the character Hari commits suicide by drinking liquid oxygen. As she is not actually a human, but an artificial hybrid product of the mysterious planet and the protagonists’ memories, she heals rapidly and is alive again minutes later. Her choice to take her own life is poignant, seemingly the action of a being becoming aware of its hopeless infinitude. Her realization that while the men will die on the space station or elsewhere, her existence is that of immortality, a deeply alienating notion that causes her to seek her own destruction. The Montreal artist Guillaume Lachapelle has one work that prompts a sense of eternal alienation that echoes Hari’s tragedy. The work greets the viewer with a empty doorway flanked by clinically white bookshelves...

Karine Payette builds vast dreamlike settings from hyperrealistic, banal objects in order to produce something narrative that evokes the precariousness of the world. The artist plays...