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Unknown
DOGON COUPLE

1950-1980

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  • MUMUYE FIGURE
    Located in Three Oaks, MI
    Within Nigeria's Benue River Valley region, such representations have been associated with a range of functions, including reinforcement of the status of male elders and used by heal...
    Category

    Early 20th Century Tribal Figurative Sculptures

    Materials

    Wood

  • SENUFO Woman
    Located in Three Oaks, MI
    “Scattered across the Ivory Coast, Mali and Burkina Faso, the million and a half Senufo tribespeople live principally off the fruits of agriculture and occasionally hunting. They in...
    Category

    Mid-20th Century Tribal Figurative Sculptures

    Materials

    Wood

  • Akane sculpture of woman representing fetility
    Located in Three Oaks, MI
    Representing the forces of female fecundity, these statues were used in rituals to make these forces work. This type of figure was known under the tribal name of Alangua. Standing an...
    Category

    Mid-20th Century Tribal Figurative Sculptures

    Materials

    Wood

  • Mali woman bronze sculpture
    Located in Three Oaks, MI
    These cast figures and objects express status, prestige, and power. This cast metal figure exhibits the technical skill and artistry that Dogon blacksmiths brought to their work. Mad...
    Category

    Early 20th Century Tribal Figurative Sculptures

    Materials

    Bronze

  • Mali woman bronze sculpture
    Located in Three Oaks, MI
    These cast figures and objects express status, prestige, and power. This cast metal figure exhibits the technical skill and artistry that Dogon blacksmiths brought to their work. Mad...
    Category

    Early 20th Century Tribal Figurative Sculptures

    Materials

    Bronze

  • ASANTE GOLD WEIGHT CONTAINER
    Located in Three Oaks, MI
    Elephant lidded kuduo container from the Ashanti peoples of Ghana. Kuduo were created to store valuable possessions such as gold dust and served the sym...
    Category

    Late 19th Century Tribal Figurative Sculptures

    Materials

    Brass, Bronze, Copper

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    This artwork titled "Kwa-Giulth, Thundrbird" 1987 is a wood carving bas-relief by Canadian artist Kevin Cranmer, b.1968 It is signed, titled and dated in...
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    Late 20th Century Tribal Figurative Sculptures

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  • "Dan Guéré" African Tribal Art Mask Sculpture from Ivory Coast, 20th Century
    Located in Coimbra, PT
    Rare African art mask in carved wood from the Ivory Coast or Liberia 20th Century. This mask is carved in wood, representing female face in painted ca...
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  • 19th C, Religious, Statue of the Hindu Monkey-God Hanuman, Népal, Bronze
    Located in brussel, BE
    In Indian mythology, Hanuman is a zoomorphic character. As the monkey child of Vayu, God of the Wind and Anjana, he is endowed with great strength and understanding. Hanuman figures ...
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    19th Century Tribal Figurative Sculptures

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  • "Dan Guéré" African Tribal Art Mask Sculpture from Ivory Coast, 20th Century
    Located in Coimbra, PT
    Rare African art mask in carved wood from the Ivory Coast or Liberia 20th Century. This mask is carved in wood, representing female face in painted ca...
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    20th Century Tribal Figurative Sculptures

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  • A Large Scale, Beautifully Sculpted and Patinated Batcham Cameroon Mask.
    Located in Cotignac, FR
    A large scale and beautifully carved wooden ceremonial mask from Cameroon. There are traces of colour and decoration to the surface and the mask has a magnificent patina giving it a wonderful presence as a sculptural object. The Batcham Mask or simply the Batcham originated in western Cameroon although its name refers to the place where it was first found: Batcham. This is a ceremonial mask from the Bamileke culture in the western Grasslands of Cameroon. This tall crest (76 cm in height) has clearly defined features, a powerful yet calm visage, sharply chiselled diamond and triangular furrows, and nearly perfect symmetry. Such painstaking craftsmanship underscores the sophistication and control of the sculptor in preparing this ceremonial piece. It shares the elements of Batcham masks including: The general morphology is built on two axes: a symmetrical vertical axis with chiseled furrows, stylized eyes, lips, nostrils, mouth and teeth; a horizontal axis presenting swollen cheeks, an ovular mouth showing multiple teeth, and triangular ears supported on a hollow cylindrical base. One interpretation is that the masks depict a hippopotamus emerging from watery depths, conveying nature’s power conferred to enthroned royalty. The Batcham mask represents the pi, or double animal of a great dignitary of the kingdom. It was used by a great dignitary of the Msop society who intervened only on rare occasions: during the funeral and enthronement of the king and the nine notables, and to perform the Royal Tso dance, elephant dance...
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    20th Century Tribal Sculptures

    Materials

    Paint, Plaster, Wood

  • "Idgo Nigeria Female Standing, " Wood Statue with Blue & White Pigment circa 1930
    Located in Milwaukee, WI
    "Idgo Nigeria Female Standing" is a wooden statue with blue and white pigment created in Nigeria circa 1930. This figure stands up right with arms out slightly in front of her. A st...
    Category

    1930s Tribal Figurative Sculptures

    Materials

    Wood

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