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Great Japanese Monk Kukai - Japanese Buddhist Monk - Pottery

19th Century

Signed and dated. «Waited for someone, for something, for anything, for too long» was part of O. F. Hvidsten's first solo-exhibition «This will n...

Eighteen bright golden chrysalis sculptures had in a grid on metal specimen pins. Each chrysalis is meticulously hand sculpted in a durable epoxy clay without the use of molds and p...

This piece was created with a real found snail shell and durable epoxy clay by New York artist, Bethany Krull to traverse the surface of the floral plate. The glistening wet snail f...

This wall piece was created by New York artist, Bethany Krull using found drift would and found snail shells. The glistening snail forms are hand sculpted directly onto the wood usi...

Keith Murray Pottery 6" matte green vessel. Excellent condition, normal wear on the bottom. We also have a larger collection of Keith Murray pottery in large Moonstone and Bombe, celadon polished glaze bowls and many others. Please contact for further details and photographs. Keith Murray was both an architect and industrial designer, considered one of the most famous industrial designers for art deco ceramics. This green piece photographed, has a matching one in yellow. Each are 950.00 or $1700. for the pair. We have an extensive collection of his pieces, many not illustrated here. Please inquire for further photographs. All from Keith Murray designed for Wedgwood in the 1930' and illustrated in the book "Wedgwood Ceramics...

These are figurative works, of classical or archaic inspiration, reinterpreted using strictly contemporary signs and communicative languages, decontextualized and transformed into decorative elements: bar codes, qr codes, wi-fi icons, @, symbols of well-known advertising campaigns, numbers / formulas, which combine to form the vision of a dystopian archeology of the future which bring the individual closer to goods or objects, traces of mechanical or computer elements, which testify to a reality, ours, which has already happened, already lived. It is like an eye on the archeology of a distant future, or on a contemporary discovery that indicates an end already seen, towards which we can move. The metal structures are supports that enter the composition and the aesthetic vision and communication of the topics covered. The "cages" at the same time constrain but support, they root to the ground but soar upwards, in a liberating tension. ATLETA 2 - LA FORMA...