Unknown

An Italian Antique Inlaid White and Red Marble Tabernacle High Relief Sculpture

after 1700

an elegant pair of grand tour sculptured obelisks, carved in a warm and elegant green marble with two squared three orders bases carved in a Siena Yelllow Marble. The two marble used...

The head of Jiulis Caesar stand on a central pin on a squared base in black metal in an archeological grand tour style, classical Roman carved in white statuary marble aged. Gaius Ju...

a white marble statuary aged torso sculpture of Heracles, standing on a three order circular white veined marble with a stainless steel pin. The sculpture anatomically and detailed c...

An aged statuary classical greek roman marble torso sculpture of an athlete, grand tour style central Italy early 20th century. The nude body of the athlete standing on his right le...

An Italian marble sculpture head, carved in white aged statuary marble probably in central Italy in the first half of the 20th Century, depicting the Roman Emperor Nero Claudius Caes...

an interesting sculpture carved in Rome in 1871 by F.Guliani as signed and dated on the bottom rear of the sculpture; the boy fisherman is portrayed as he collects his net which is ...

Joan of Arc is depicted here at a solo exhibition in St. Edwards chapel at St. David's Cathedral, South Wales. Hand carved from a solid block of Carrara marble imported from Italy, Davies used traditional tools also used by the master sculptors of the renaissance. She is life size and expresses purity of soul as you see her in Divine contemplation. This portrait bust sits proportionately on a marble socle, the design of which is from the classical Ionic order.

This lamb is also featured in my statue of Saint David. It conveys such character and gentleness that I decided to present it as a sculpture in its own right. I lays on a base of bla...

A beautifully hand carved, full size Carrara marble figure of a boy. The robe is elegantly draped with clasps.

An extraordinary 17th century, hand-carved, solid Carrara marble, life sized figure fragment on raised base of the same. The subject is swaddled in a luxurious, gathered robe and tun...

Signed: A. Carrier-Belluese Two large bronze matching busts of an unknown male and female 22 x 10 x 11" male 23 x 10 x 9" female Both show signs of wear with their age but are in fa...

This monumental bust is a museum-quality example of Roman Baroque sculpture. Crafted by the legendary Domenico Guidi and carved from Carrara marble, the impressive portrait captures the visage of Pope Innocent XI, Benedetto Odescalchi (1611-1689). It presents a larger-than-life example of Guidi’s remarkable skill as a sculptor, which ultimately made his workshop one of the most important in Rome during his age. Today, his works are rarely found on the market, particularly his extraordinary works in marble. Pope Innocent XI was born Benedetto Odescalchi into an Italian noble family of prominent bankers. Spending his early years in banking, he eventually turned to the law, earning his doctorate in 1639. His background would serve him well in his service to the papacy, and he became known as a frugal and devout member of the Church. In 1676, he was unanimously elected Pop after the death of Clement X. During his nearly 13-year reign, he instilled his own personal ideals of austerity and frugality onto the Church, with a deep commitment to reform and piety. He is captured here by Guidi in his traditional Pope’s mozzetta and camauro cap. A wide stole is draped over his shoulders, ornamented by acanthus leaves and the coat of arms of the Odescalchi family. It displays Guidi’s mastery over the chiaroscuro effect, particularly in the high level of contrast in his cheeks and his eyes, which Guidi achieved through various methods of high polish. A very similar portrait sculpture of Pope Innocent XI by Guidi can be found in the collection of the Royal Castle in Warsaw. The Warsaw bust belongs to a series of portraits of popes which the Odescalchi family commissioned from Domenico Guidi in the 1690s. Compared to that example, the present bust is far more dramatic, with deeper cut lines and a more precise expression. It is likely that the present piece was seen by the Odescalchi family, who ordered a similar one to be made. The piece was almost certainly intended to be displayed in a niche, given its dramatic cutting and its roughly carved back. Others of Guidi’s busts can be found in important collections throughout Italy, England and the United States, though many of these are lesser bronze repetitions. A bronze bust of the Pope Alexander VIII by Guidi is currently in the collection of the Victoria & Albert Museum (London), while a terracotta version of the same is in the Los Angeles County Museum. A bronze of Pope Alexander VIII can be found in the Princely Collection of Lichtenstein, and his impressive marble papal bust of Clement IX graces the pope’s tomb in Santa Maria Maggiore. The present bust of Pope...