Gail Folwell

Woman 2

2022

Edition of 9 Acclaimed sculptor Gail Folwell's expressive bronze works are exhibit energy and emotion, and she finds the human body, with all of it’s musculature, speed, and grace,...

Bronze, Edition of 3 Sharon Loper creates transitory sculptures out of bronze, stone, and wood and views her work as landscapes of thought based on organic principles. As a classically educated, third-generation Rodin sculptor, Loper’s work is elongated and expressive. She seeks to sculpt an emotional experience rather than a physical reality. An award-winning sculptor, photographer, and printmaker, Sharon Loper developed her sculptural practice through two decades of study, both at the Otis Art Institute in Los Angeles and in private studio practice. At Otis, she worked with and learned from artists such as Charles White, Joseph Mugnaini...

Newell’s formal study of abstract art at the San Francisco Art Institute (B.F.A., M.F.A.) may seem misplaced as one looks at his life-sized bronze sculptures of horses, Angus bulls, ...

California born and educated sculptor Matt Gil graduated from San Jose State University, and his work has been widely exhibited throughout California since 1977. His sophisticated, s...

jd Hansen creates art that explores the juxtaposition of vulnerability and strength using the human and animal form. Her work excavates the intricacies of human psychology, non-verba...

1999 - Comes w/ Base Llisa Demetrios has been a bronze sculptor for over twenty years. She often begins a series by making small wood maquettes and then fabricating in bronze in her studio. The Lunar Asparagus series and the Titan series, ranging in scale from 12 inches to 10 feet tall in both indoor and outdoor settings, are often made in pairs or trios, and incorporate the negative space between the sculptures, forming a virtual additional sculpture. In her Lunar Asparagus series, Demetrios drew inspiration from ancient obelisks and totemic emblems. She enjoys the idea of using modern welding skills with the traditional material of bronze. Demetrios has also had an ongoing interest in portraying time in sculpture, as in the textured layers of the earth in the Inner Core Sample...

Arman Hommage à Nadar, 1986 Bronze with black patina, sliced movie camera 22 x 9 x 12.63 inches AP from edition of 75

2021 Bronze 18 x 11 x 18 1/2 inches Unique Signed and dated, base

Spar, 2021 Bronze 18 x 11 x 18 1/2 inches Signed and dated, lower right

Sherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Windows and Maidens #5, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 9 1/4 x 14 1/4 x 9 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Grandfather's Land, 2021 Bronze, patina, crepe myrtle, paint, wax 30 x 46 x 18 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...