Bronze Sculptures

Edition of 31 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and ne...

Ed. 7/21.

Rumsey’s specialties included equestrian sculptures – portraits of polo players and prize horses, as well as of cowboys, cattle and horses as metaphors. He worked principally in bron...

From the estate of the Artist Charles Cary Rumsey The Artist, Charles Rumsey, was a child prodigy sent to Paris as a young boy to study sculpture. He later was a world class sports...

Charles Rumsey was a child prodigy sent to Paris to train in sculpting at age 12. He was not only a prodigy sculptor but an avid horseman and sportsman...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 81 Inches Tall Medium: Bronze Sculpture Dated 2006 "The Spirit Of Texas" Bucking Bronco & Rider They are very scarce. I only know about 2 others that have even come up for sale in the last 10 years or so. Please not the dedication on the wooden base of the sculpture. There is one on Gerald Harvey Jones (G. Harvey) tombstone in the Texas State Cemetery in Austin, Texas. Western, Cowboy, Horse, Bronc, Bronco Riata, Rodeo G. Harvey (Gerald Harvey Jones) (1933-2017) Known for paintings closely linked in mood and subject matter to Edouard Cortes [1882-1962], G Harvey creates romanticized street scenes of turn of the century towns in America. Rain slick streets reflect urban lights, and the weather is obviously cold. He grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend for his grandson. So the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. G. Harvey lived in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. It is obligation of fine artists to present us with more than pretty pictures. They must also make us feel. Among the western painters of today, there is none more capable of accomplishing this than G. Harvey. In his paintings, the viewer into only sees the physical elements of his subject, but also senses the mood that surrounds them. It is a remarkable aspect of fine art, which few artists are able to master. Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by a wide-eyed boy and became the genesis of G. Harvey's art. A graduate in fine arts at North Texas State University, Harvey taught full-time and painted nights and weekends for several years. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earliest work. With the development of his talent and the growth of his following, Harvey began to expand his artistic horizons. He left teaching and concentrated on a career in fine art. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities. The streets of Dallas once echoed with the sound of horse hooves and the jingle of spurs. Historic photographs reveal what it looked like, but only an artist like Harvey can enable a viewer to experience the mood and flavor or the time. Contemporary western art has too often centered on the literal representations from its roots in illustrations. Artists like G. Harvey take us a step further, to the subjective impressions that are unique to each great talent and which constitutes something special and basic to fine art expression. Harvey was a soft-spoken and unassuming man who cared deeply about what he painted without becoming maudlin or melodramatic. We sense there is more in each Harvey painting than just that which is confined to the canvas. Resources include: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986 Artist G. Harvey grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend. The American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduation cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Two years as a struggling artist followed, but 1965 brought acclaim for the artist's first prestigious show, The Grand National exhibition in New York, and the American Artists' Professional League presented him with their New Master's Award. President Lyndon Johnson discovered his fellow Texan's talent, became a Harvey collector and introduced John Connally to the artist's work. Connally was enthusiastic about Harvey's art, and, on one occasion, he presented a G. Harvey original to each governor of Mexico's four northern states. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Through his art, our history lives. Gerald Harvey Jones, better known as G. Harvey, grew up in the Texas Hill Country listening to his father and grandfather tell stories about ranch life, frontier days in Texas, and driving cattle across the Red River. Early in his career, he began to draw inspiration from that collective memory for paintings that would eventually earn him the reputation as one of America's most recognized and successful artists. His art is rooted in the scenic beauty of the land he grew up in and the staunch independence of the people who live there. He says, "My paintings have never been literal representations. They are part first-hand experience, and part dreams generated by those early stories I heard. They are a product of every place I have been, everything I have ever seen and heard." G. Harvey graduated from North Texas State University. He taught in Austin, but continued to study art in his spare time, eventually devoting full time to his painting. The year 1965 was a turning point when he won the prestigious New Masters Award in the American Artist Professional League Grand National Exhibition in New York. It is often said that in viewing a work of art, one is granted a unique look into the thoughts and expressions of values that give meaning to the artist work. Nowhere does this ring truer than the art of G. Harvey. Though Harvey has had nearly two decades of sell-out shows, an outstanding honor came with a series of one-man shows in Washington, D.C. in 1991. The first was at the National Archives featuring his paintings of the Civil War era, then a selection of paintings of notable Washington landmarks was exhibited at the Treasury Department, culminating in a one-man show of 35 paintings at the Smithsonian Institution during their exhibition of The All-American Horse. His work was featured in Gilcrease Museum exhibitions from 1992-1997. In 1987 his alma matter...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 27 inches tall Medium: Bronze Sculpture 1983 "Green Broke" Bronco Buster G. Harvey, known for paintings closely linked in mood and subject matter to Edouard Cortes [1882-1962], G Harvey creates romanticized street scenes of turn of the century towns in America. Rain slick streets reflect urban lights, and the weather is obviously cold. He grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend for his grandson. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. It is obligation of fine artists to present us with more than pretty pictures. They must also make us feel. Among the western painters of today, there is none more capable of accomplishing this than G. Harvey. In his paintings, the viewer into only sees the physical elements of his subject, but also senses the mood that surrounds them. It is a remarkable aspect of fine art, which few artists are able to master. Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by a wide-eyed boy and became the genesis of G. Harvey's art. A graduate in fine arts at North Texas State University, Harvey taught full-time and painted nights and weekends for several years. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earliest work. With the development of his talent and the growth of his following, Harvey began to expand his artistic horizons. He left teaching and concentrated on a career in fine art. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities. The streets of Dallas once echoed with the sound of horse's hooves and the jingle of spurs. Historic photographs reveal what it looked like, but only an artist like Harvey can enable a viewer to experience the mood and flavor or the time. Contemporary west art has too often centered on the literal representations from its roots in illustrations. Artists like G. Harvey take us a step further, to the subjective impressions that are unique to each great talent, and which constitutes something special and basic to fine art expression. Harvey is a soft-spoken and unassuming man who cares deeply about what he paints without becoming maudlin or melodramatic. We sense there is more in each Harvey painting than just that which is confined to the canvas. Resources include: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986 Artist G. Harvey grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduation cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Two years as a struggling artist followed, but 1965 brought acclaim for the artist's first prestigious show, The Grand National exhibition in New York, and the American Artists' Professional League presented him with their New Master's Award. President Lyndon Johnson discovered his fellow Texan's talent, became a Harvey collector and introduced John Connally to the artist's work. Connally was enthusiastic about Harvey's art, and, on one occasion, he presented a G. Harvey original to each governor of Mexico's four northern states. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Through his art, our history lives. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. Gerald Harvey Jones, better known as G. Harvey, grew up in the Texas Hill Country listening to his father and grandfather tell stories about ranch life, frontier days in Texas, and driving cattle across the Red River. Early in his career, he began to draw inspiration from that collective memory for paintings that would eventually earn him the reputation as one of America's most recognized and successful artists. His art is rooted in the scenic beauty of the land he grew up in and the staunch independence of the people who live there. He says, "My paintings have never been literal representations. They are part first-hand experience, and part dreams generated by those early stories I heard. They are a product of every place I have been, everything I have ever seen and heard." G. Harvey graduated from North Texas State University. He taught in Austin, but continued to study art in his spare time, eventually devoting full time to his painting. The year 1965 was a turning point when he won the prestigious New Masters Award in the American Artist Professional League Grand National Exhibition in New York. It is often said that in viewing a work of art, one is granted a unique look into the thoughts and expressions of values that give meaning to the artist work. Nowhere does this ring truer than the art of G. Harvey. Though Harvey has had nearly two decades of sell-out shows, an outstanding honor came with a series of one-man shows in Washington, D.C. in 1991. The first was at the National Archives featuring his paintings of the Civil War era, then a selection of paintings of notable Washington landmarks was exhibited at the Treasury Department, culminating in a one-man show of 35 paintings at the Smithsonian Institution during their exhibition of The All-American Horse. His work was featured in Gilcrease Museum exhibitions from 1992-1997. In 1987 his alma matter...

A study in bronze Egretta ardesiaca – Black Heron Famous for its “umbrella” feeding technique in which it hunts for food inside of its own spread and curled wings. Edition 1 of 9. L...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 9 inches across Frame Size: 10 inches tall Medium: Bronze Sculpture Dated 1982 "Ixtapan Burro" G. Harvey, known for paintings closely linked in mood and subject matter to Edouard Cortes [1882-1962], G Harvey creates romanticized street scenes of turn of the century towns in America. Rain slick streets reflect urban lights, and the weather is obviously cold. He grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend for his grandson. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. It is obligation of fine artists to present us with more than pretty pictures. They must also make us feel. Among the western painters of today, there is none more capable of accomplishing this than G. Harvey. In his paintings, the viewer into only sees the physical elements of his subject, but also senses the mood that surrounds them. It is a remarkable aspect of fine art, which few artists are able to master. Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by a wide-eyed boy and became the genesis of G. Harvey's art. A graduate in fine arts at North Texas State University, Harvey taught full-time and painted nights and weekends for several years. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earliest work. With the development of his talent and the growth of his following, Harvey began to expand his artistic horizons. He left teaching and concentrated on a career in fine art. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities. The streets of Dallas once echoed with the sound of horse's hooves and the jingle of spurs. Historic photographs reveal what it looked like, but only an artist like Harvey can enable a viewer to experience the mood and flavor or the time. Contemporary west art has too often centered on the literal representations from its roots in illustrations. Artists like G. Harvey take us a step further, to the subjective impressions that are unique to each great talent, and which constitutes something special and basic to fine art expression. Harvey is a soft-spoken and unassuming man who cares deeply about what he paints without becoming maudlin or melodramatic. We sense there is more in each Harvey painting than just that which is confined to the canvas. Resources include: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986 Artist G. Harvey grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduation cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Two years as a struggling artist followed, but 1965 brought acclaim for the artist's first prestigious show, The Grand National exhibition in New York, and the American Artists' Professional League presented him with their New Master's Award. President Lyndon Johnson discovered his fellow Texan's talent, became a Harvey collector and introduced John Connally to the artist's work. Connally was enthusiastic about Harvey's art, and, on one occasion, he presented a G. Harvey original to each governor of Mexico's four northern states. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Through his art, our history lives. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. Gerald Harvey Jones, better known as G. Harvey, grew up in the Texas Hill Country listening to his father and grandfather tell stories about ranch life, frontier days in Texas, and driving cattle across the Red River. Early in his career, he began to draw inspiration from that collective memory for paintings that would eventually earn him the reputation as one of America's most recognized and successful artists. His art is rooted in the scenic beauty of the land he grew up in and the staunch independence of the people who live there. He says, "My paintings have never been literal representations. They are part first-hand experience, and part dreams generated by those early stories I heard. They are a product of every place I have been, everything I have ever seen and heard." G. Harvey graduated from North Texas State University. He taught in Austin, but continued to study art in his spare time, eventually devoting full time to his painting. The year 1965 was a turning point when he won the prestigious New Masters Award in the American Artist Professional League Grand National Exhibition in New York. It is often said that in viewing a work of art, one is granted a unique look into the thoughts and expressions of values that give meaning to the artist work. Nowhere does this ring truer than the art of G. Harvey. Though Harvey has had nearly two decades of sell-out shows, an outstanding honor came with a series of one-man shows in Washington, D.C. in 1991. The first was at the National Archives featuring his paintings of the Civil War era, then a selection of paintings of notable Washington landmarks was exhibited at the Treasury Department, culminating in a one-man show of 35 paintings at the Smithsonian Institution during their exhibition of The All-American Horse. His work was featured in Gilcrease Museum exhibitions from 1992-1997. In 1987 his alma matter...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 8 inches tall Frame Size: 8 inches across Medium: Bronze Sculpture "A Texas Breed" Longhorn Dated 2011 G. Harvey, known for paintings closely linked in mood and subject matter to Edouard Cortes [1882-1962], G Harvey creates romanticized street scenes of turn of the century towns in America. Rain slick streets reflect urban lights, and the weather is obviously cold. He grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend for his grandson. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. It is obligation of fine artists to present us with more than pretty pictures. They must also make us feel. Among the western painters of today, there is none more capable of accomplishing this than G. Harvey. In his paintings, the viewer into only sees the physical elements of his subject, but also senses the mood that surrounds them. It is a remarkable aspect of fine art, which few artists are able to master. Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by a wide-eyed boy and became the genesis of G. Harvey's art. A graduate in fine arts at North Texas State University, Harvey taught full-time and painted nights and weekends for several years. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earliest work. With the development of his talent and the growth of his following, Harvey began to expand his artistic horizons. He left teaching and concentrated on a career in fine art. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities. The streets of Dallas once echoed with the sound of horse's hooves and the jingle of spurs. Historic photographs reveal what it looked like, but only an artist like Harvey can enable a viewer to experience the mood and flavor or the time. Contemporary west art has too often centered on the literal representations from its roots in illustrations. Artists like G. Harvey take us a step further, to the subjective impressions that are unique to each great talent, and which constitutes something special and basic to fine art expression. Harvey is a soft-spoken and unassuming man who cares deeply about what he paints without becoming maudlin or melodramatic. We sense there is more in each Harvey painting than just that which is confined to the canvas. Resources include: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986 Artist G. Harvey grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend. So, the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduation cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Two years as a struggling artist followed, but 1965 brought acclaim for the artist's first prestigious show, The Grand National exhibition in New York, and the American Artists' Professional League presented him with their New Master's Award. President Lyndon Johnson discovered his fellow Texan's talent, became a Harvey collector and introduced John Connally to the artist's work. Connally was enthusiastic about Harvey's art, and, on one occasion, he presented a G. Harvey original to each governor of Mexico's four northern states. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Through his art, our history lives. Today, G. Harvey lives in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. Gerald Harvey Jones, better known as G. Harvey, grew up in the Texas Hill Country listening to his father and grandfather tell stories about ranch life, frontier days in Texas, and driving cattle across the Red River. Early in his career, he began to draw inspiration from that collective memory for paintings that would eventually earn him the reputation as one of America's most recognized and successful artists. His art is rooted in the scenic beauty of the land he grew up in and the staunch independence of the people who live there. He says, "My paintings have never been literal representations. They are part first-hand experience, and part dreams generated by those early stories I heard. They are a product of every place I have been, everything I have ever seen and heard." G. Harvey graduated from North Texas State University. He taught in Austin, but continued to study art in his spare time, eventually devoting full time to his painting. The year 1965 was a turning point when he won the prestigious New Masters Award in the American Artist Professional League Grand National Exhibition in New York. It is often said that in viewing a work of art, one is granted a unique look into the thoughts and expressions of values that give meaning to the artist work. Nowhere does this ring truer than the art of G. Harvey. Though Harvey has had nearly two decades of sell-out shows, an outstanding honor came with a series of one-man shows in Washington, D.C. in 1991. The first was at the National Archives featuring his paintings of the Civil War era, then a selection of paintings of notable Washington landmarks was exhibited at the Treasury Department, culminating in a one-man show of 35 paintings at the Smithsonian Institution during their exhibition of The All-American Horse. His work was featured in Gilcrease Museum exhibitions from 1992-1997. In 1987 his alma matter...

American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces a...

Edition of 21 Jane DeDecker, American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-kn...

Ex Nihilo Fragment 7 is a detail from the full-scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the Creation Sculptures at Washington National Cathe...

Charming little bronze by the great animal sculptor Auguste-Nicolas Cain, signed A.Cain on the side, inscribed Ane d’Afrique (Donkey from Africa) and Susse Fres on the terrace. The...

Forward Still by JaneDeDecker Abstract Figurative Sculpture ©2015 80x54x10" limited edition of 21 A contemplative person walks on the top of a large ring ABOUT THE ARTIST: 'Part of...

Kudu Bull - Limited Edition of 12, Bronze sculpture on bronze base, L 35 cm x W 12 cm x H 36 cm, brown patina. The majestic Kudu bull has one of the most recognisable silhouettes of ...

Dawn by Jane DeDecker Abstract Figurative Cast Bronze Sculpture ©2008 Family of four waking to the rising sun 116x84x27" (base not included) limited edition of 11. Shipping price in...

The Painter Titian in his maturity. In left hand, his palette. Posture in majesty of this genial painter born in Poeve, in 1488 and dead in .Venice in 1575. Rare Bronze, lost wax c...

Earth by Jane DeDecker Allegorical Element Figurative Bronze 72x32x20" bronze ed/17 (available patina is a darker blue-grey hue) Shipping price includes the custom packing/crating n...

Fire by Jane DeDecker Allegorical Element Figurative Bronze with Gold Leaf 72x14x20" bronze ed/17 (available patina is the darker blue-grey hue) Shipping price includes the custom p...

Water by Jane DeDecker Allegorical Element Figurative Bronze 72x25x15" bronze ed/17 (available patina is a darker blue-grey hue) Shipping price includes the custom packing/crating n...

Posthumous C.M. Russell (1864-1926) Bronze on wood plaque Foundry: Cottonwood 8" x 11" x 7" Edition #59/100 Charles Marion Russell (1864–1926) masterfu...

'Tusker' - African Elephant Bull in bronze on Sandstone base, limited edition of 24. Once roaming throughout Africa, great Tuskers are now rarely seen. As sculpture is made on order ...

Black Rhino Bust in Bronze Blue Verdigris patina, Limited Edition of 12, bronze sculpture on Sandstone base. The first time I was sculpting in the field, all I saw oft this magnificent Black Rhino was its head sticking out from behind the bush...

The Place of Refuge on the Big Island of Hawaii is a sacred place for Hawaiians. It signifies rebirth and health. During one of my visits to this heritage sight, I was inspired to fe...

Cheval marchant au pas relevé is one of the artist’s most elegant and exacting models of a horse. It underscores Degas’s deep understanding of equine anatomy and his ability to render it with lightness and charm. Known for his focus on contemporary subjects, Degas first began depicting horses in the 1860s. As a member of the prestigious Jockey Club in Paris, Degas was a habitué of the racecourses at Deauville and Longchamps, where he could study the beauty of thoroughbred horses at close quarters. Although the artist was not an active participant himself, equestrian sports fascinated Degas throughout his life, as it allowed him to capture the full range of the horse’s movement in a wealth of poses. Bronze with dark brown patina bearing the stamp of the signature "Degas", numbered IV/IX and dated 1998. Posthumous lost wax casting as of 1998. Stamp of Valsuani. The work is a sought-after rarity in terms of Degas’ sculptures. This bronze is distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these bronzes are second generation, they are smaller and far less detailed than the current bronze. This example, however, was cast by Valsuani from a plaster that was taken directly from Degas’ waxes, according to scholarship by the art historian Dr. Gregory Hedberg. These plasters were created by Degas’ sculptor friend Albert Bartholomé shortly after Degas completed his wax figurines. Thus, they record the earliest versions of Degas’ wax sculptures, before they were damaged by time or handling, and before Degas himself altered the works. The Hébrard bronzes...

Edition of 50 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture...

Cast Bronze Sculpture. Brad Rude, in the western tradition, is a storyteller. But he spins a different kind of tale, one that requires imagination and curiosity. In his bronze, wood, and found-object sculptures of wildlife, created with a flair for mechanical whimsy, and in his deceptively simple paintings...

"The Ties that Bind" by Jane DeDecker Cast bronze depiction of a father taking a time out from playing ball to help tie his child's shoe. 36" x 44" x 31" limited edition of 17, sign...

Bernie, Smitten with Mittens by Jane DeDecker Abstract Figurative Sculpture of Bernie Sander's iconic image from the 2021 Inauguration. 15x10x10" Bronze (base not included, figure ca...

Horse Clearing an Obstacle (work number 48) Bronze with dark brown green patina bearing the stamp of the signature "Degas", Numbered IV/IX and dated 1998 Posthumous lost wax casting as of 1998. Stamp of Valsuani. Signed Degas The work is a sought-after rarity in terms of Degas’ sculptures. This bronze is distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these Hebrard bronzes...

Edition of 17 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and n...

Riding Moderna by Jane DeDecker Cast Bronze 22x15x20" Ed/17 number 6 in stock A woman stands on the backs of two running horse, holding the reins. A symbol of courage and determinati...

Marianne Texas Artist Image Size: 9 1/2 " tall by 12 " across Medium: Bronze "Prairie Legend"

Scy Colorado / Texas Artist Image Size: 17" tall. 18" wide. 10" deep. Medium: Bronze "Roma Passato" Scy has been surrounded by fine art throughout her entire life. She grew up beside the easel and sculpting stand...

Edition of 17 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her t...

Very Rare! Ex Nihilo, working model, is the intermediate scale model for the full-scale plaster for the final stone sculpture of Ex Nihilo, commissioned as part of The Creation Sculptures at Washington National Cathedral...

American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces a...

Edition of 31 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and ne...

Scy Colorado / Texas Artist Image Size: 12" Medium: Bronze "Antica" Scy has been surrounded by fine art throughout her entire life. She grew up beside the easel and sculpting stand...

Ram of Mendes by Sandy Scott Bronze Wildlife Ram / Big Horned Sheep Bust Sculpture 13x14x10" cast bronze, completed/sold out edition, circa 1995 This particular casting is available...

Edition of 21 Jane DeDecker, American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture...

Rex Dietderich (American, 20th C.) "Frank, Age 14" Original Bronze Sculpture C.1970s The walnut base measures 7" wide x 3.5" deep x 2.5" high The bronze bust measures 7" wide x 4" ...

Scy Texas Artist Size: 5 feet tall. Medium: Bronze Artist Proof / 44 "Zenith" Scy has been surrounded by fine art throughout her entire life. She grew up beside the easel and sculpting stand...

Scy Colorado Artist Image Size: 36 inches tall Medium: Bronze "Rise" The carvings on the hip are an ancient symbol representing the journey of life. The carving in the middle of her core represents leadership. The ribbon is rough textured on one side and smooth on the other as it represents life. She has a grasp on the ribbon representing her strength through life. I wanted to convey the strength within...

Spring Song, Edition AP 1/5, signed. Nobe's art is highly integrated, deeply sensitive, and provocative of thought in a manner seldom reached by the multi...

"Mother and Child" an impressionist bronze sculpture of baboons by sculptor Blanca Will, American, 1881-1978, dated 1912. Works by Will are rare. Blanca Will Exhibited at the National Academy of Design, Pennsylvania Academy of Fine Arts...

Scy Colorado / Texas Artist Image Size: 13 inches tall "La Dolce Vita" Scy has been surrounded by fine art throughout her entire life. She grew up beside the easel and sculpting stand...

Scy Colorado / Texas Artist Image Size: 9" Tall Medium: Bronze "Salute" Scy has been surrounded by fine art throughout her entire life. She grew up beside the easel and sculpting stand...

Scy Colorado Artist Image Size: 32 x 30 x 15 Medium: Bronze "Precious Cargo" Scy has been surrounded by fine art throughout her entire life. She grew up beside the easel and sculpting stand...

One of a series of sculpted dancers created by the incomparable Edgar Degas, this exceptional bronze exudes all of the expressivity one expects from this 20th-century great. Degas captures the essence of his model in the graceful work, as she strikes a particularly difficult pose of the arabesque. The dancer's features have been manipulated and simplified, executed in a manner that seems almost as if one of Degas' Impressionist canvases has come to life. Degas was obsessed with capturing the dancer in motion throughout his career. He rendered their grace and movement in oil, pastel, pencil, chalk and wax - in fact, of the seventy-four wax sculptures created by Degas during his lifetime, forty of them depicted dancers. Seven of these belong to his series that capture the various forms of the arabesque, and the present work is included among them. It details one of the most difficult and animated poses of the ballet. Degas’ dancer is precariously posed in a study of balance and motion, one leg gracefully thrust into the air as she tilts her body down towards the earth and extends her arm forward. The sense of her movement is perfectly captured in the extraordinary work, as well as the fluid lines of her body. The bronze is a sought-after rarity in terms of Degas’ sculptures. Not only are his dancers the most desirable of his work, but this bronze is also distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s pose as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these bronzes are second generation, they are smaller and far less detailed that the current bronze. This example, however, was cast by Valsuani from a plaster that was taken directly from Degas’ waxes, according to scholarship by the art historian Dr. Gregory Hedberg. These plasters were created by Degas’ sculptor friend Albert Bartholomé shortly after Degas completed his wax figurines. Thus, they record the earliest versions of Degas’ wax sculptures, before they were damaged by time or handling, and before Degas himself altered the works. The Hébrard bronzes...

Wearing Thin by Jane DeDecker Abstract Figurative Bronze 29x15x11" Ed/11 ABOUT THE ARTIST: Jane DeDecker has been making a major contribution to the world sculpture scene since 1986...

Standing Together by Jane DeDecker Figurative Bronze. 42x24x24" Sandstone base is included. Two Girls stand back to back holding hands Sisters, or Best Friends. A union for life. A...

Caged Bird by Jane DeDecker Abstract Figurative Bronze on Glass ©2021 13" x 12" x 8" Ed/11 A piece about the Covid19 pandemic and the spirit that lives on ...

Alberto Saucedo (Born 1960) Texas Artist (Sculptor/Painter) 21.5 inches tall Medium: Bronze 2016 "The Enigma of The Egg" Alberto was born in 1960. He was raised in Mexico City. Alberto Saucedo began his career as self-taught artist who demonstrated at a young age a remarkable talent and passion for art that eventually at seventeen years of age led him to formal studies at Universidad Nacional Autónoma de México and later on enrolled at San Diego City College. There he focused on Commercial Art and Interior Design. It was there, where he evolved his unique personal style. It was also at this time that he discovered the work of Master sculptor Francisco Zuñiga and studied sculpture with him. Sculpture subsequently became a major part of Saucedo’s work, and achieved his first real recognition in his field. Saucedo’s training has included a generous study of art history, where he incorporates his sensuous, spiritual and classical techniques, transforming it into a style that becomes evident in his work. A few Notable Clients: Bodybuilder/Actor/Governor Arnold Schwarzenegger. Actress Rita Moreno. Businessman (Founder of SeaWorld) George Millay. Mr Gary Lillian Former Vice President Marketing of PepsiCo, Inc. and now President of Javo Beverages in California. Italian Ambassador to Mexico. Exhibits 1985 – Arts and Crafts Fair, México City. 1985 – Solo show Casa Pedro Domeq, México City 1988 – 1989 – Una noche de Arte, México City 1995 – Solo show Galeria Dagen Bela, San Antonio, TX 1996 – Introspecciones (KVDA Channel 60) San Antonio, TX 1996 – Two Artist from Mexico City, Galería Sol y Luna, San Antonio, TX 1996 – Expo-Formalidades, Universidad Nacional Autónoma de México (UNAM), México City. 1998 Jamboree, San Antonio Art League Museum, San Antonio, TX 1999 – Group Show, Galería 10/10, México City. Publications: 1985 – Prepara muestra Alberto Saucedo, Excelsior, México 1989 – Revista Impacto. Alberto Saucedo escultor de raigambre prehispánica. 1994 – Southwest Art Magazine, April 1996 – Architectural Digest, Rita Moreno, April pg 204 also view letters August issue, 1996. 1996 – Mural’s wedding. San Antonio Express News 1999 – Oblate Virgin winning admirers. San Antonio Express News. 2004 – The Hill Country Edge. Art on the Edge, Alberto Saucedo. October and December magazines. 2007 – Explore Magazine. Alberto Saucedo a master in many mediums. October. 2008 – The Sun News Paper. Wild Flower Wonderlands Butterfly granite sculpture. April. 2002 – “Contemporary Chicana and Chicano Art Vol.2, Bilingual Press. Arizona State University. 2005 – Triumph of Our Communities. Four Decades of Mexican American Art. Bilingual Press. Arizona State University. Commissions: 1989 – Life size sculpture of “Sitting woman” for a private collection. Bronze . 1996 – Commission to paint outside mural “Humanity in its Cosmos”. Wildwood Management Group Building. San Antonio, TX 1999 – Commission of the “Virgin of Guadalupe” for the Oblate School of Theology. San Antonio. TX 2002 – Commission for a life size sculpture in black granite. Private collection. Kerrville, TX. 2005 – 21 Plaques of the U.S. Mexican American War (1847). Port Isabel, TX. 2006 – Commission for a granite Baptismal Fountain, St Joseph Catholic Church, Spring Branch, TX 2007 – 2012, Six Plaques for the U.S. Air Force Academy, USAFA, Co. 2007 – 8’ Granite Butterfly Sculpture for Our Lady of the Rosary Cemetery, Georgetown, TX. 2008 – Murals for “El Chaparral” Restaurant, San Antonio, TX. 2007 – 2012 Over 80 portrait plaques, including Littlefield plaque at The Littlefield Stadium, UT, Austin, TX. Admiral Benjamin Hacker and George Millay (Founder of Sea World). Main plaques for the: Central Security Service of the United States National Security Agency (NSA). Air force ISR Agency Joint Information Operation. Warfare Command. United States Cyber Command. 2014 – “The Olive Tree”. First Presbyterian Church. San Antonio, TX. Sitting Woman Please view my 1stdibs store front for other Great Vintage Texas...

Artist/ School: artist unknown, dates to circa 1970's period; there are possibly markings to the underside. Title: Head sculpture of the American President, Richard Nixon (1913-1994). Medium: exceptionally heavy bronze Size: height: 14.5 inches depth : 9 inches ( back of head...

Coolhand Luke by JaneDeDecker Figurative Sculpture A young child dressed up in cowboy attire 50x25x16" ed/31 (few remain) Comes with Sandstone Base as pictured in first photo. ABOU...

Check It Out by Jane DeDecker 48x22x15" ed/31 Figurative Bronze with Sandstone base A child steadies a stack of books on their head, ABOUT THE ARTIST: 'Part of Jane's artistic geniu...