Miss Bugs

Junk Caps - Reeses Peanut Butter Cups

2022

Miss Bugs The Harley Street Cabinet, 2023 Multiple PU pigmented resin, polished stainless steel lolly stick and plinth in sliding door medical cabinet18 x 24 x 6 in (45.72 x 60.96 x ...

Miss Bugs was founded in the early part of 2007 in London, originally coming from a background in photography and graphics. Miss Bugs is a Bristol, UK based artistic duo known for their colorful and contemporary kaleidoscopic patterns of resin-encapsulated razorblades, drug paraphernalia, and pop culture icons which explore a common theme of society's obsession and consumption of social media and technology and how these innovations filter what we see. Working in partnership, they developed fast, spontaneous working methods, cutting and pasting existing images; ‘remixing and sampling classics’ in art to make new pieces with their own mark. Miss Bugs began in the early days making small scale works on paper, using screen printing with hand painted elements. They then scaled the work up, making life size cut outs of characters to place in situ on the streets of London. These were left in place to become part of the cityscape and recorded through photography. Their most recent works are larger scale pieces, incorporating laser cut planes of wood, hundreds of small component objects and poured resin. These pieces are time consuming and labor intensive, and a long way from the quickly constructed art pieces of the early days. Miss Bugs has always taken a broad and varied approach to creating work. The combining of materials and objects, alongside the way contemporary imagery can be collaged together, either by hand, through photography, or using a digital process is important to the duo. The focus of the work has always been the human form, as Miss Bugs’ interest lies in developing ‘characters’ to tell a story. Archetypal imagery from magazines, art history and films are used as a starting point, which are then cut, overlaid, and distorted to produce character-portraits with an arresting graphic look. The influence of collage and graphic artists like Hannah Hoch and Allen Jones can clearly be seen in the work. The layering and placing of color and pattern are also intrinsic to the work and is very much a hands-on element for Miss Bugs in the construction of the final pieces. Miss Bugs have exhibited in New York, LA, San Francisco, Paris, and London. Their artwork has been in several significant exhibitions around the world including- Art Miami 2021; The Saatchi gallery Permanent Collection; Palm Beach Modern + Contemporary 2022; Market Art & Design Hamptons 2021; Hamptons Fine Art Fair 2022; Echo Chamber, Miss Bugs, Mayfair, London, UK; Parlour, Miss Bugs, Brooklynite Gallery, NY, USA; The State of Art, Miss Bugs, ink gallery, UK; SASML ft. Faile, Swoon, Cave Gallery, LA, USA; Bingo Night at the Promised Land, New Image Gallery, LA, USA; The Lost Ones ft. Shepard Fairey, The Date Farmers...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds, as well as his large-scale sculptures and restorations of forgotten historic homes. Slonem’s works can be found in the permanent collections of 250 museums around the world, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation and the New Orleans Museum of Art. Since his first solo show at the Fischbach Gallery in 1977, Slonem’s work has been showcased internationally hundreds of times, most recently at the Moscow Museum of Modern Art and the State Russian Museum in St. Petersburg. In 2017 and 2018, he was featured by the National Museum of the Republic of Kazakhstan, the National Gallery in Bulgaria, and in countless galleries across the United States and around the world. His flair and admiration for far-flung destinations has been a staple of his life since childhood. Slonem was born in 1951 in Kittery, Maine, and his father’s position as a Navy officer meant the family moved often during Hunt’s formative years, including extended stays in Hawaii, California and Connecticut. He would continue to seek out travel opportunities throughout his young-adult years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style. After graduating with a degree in painting and art history from Tulane University in New Orleans, Slonem spent several years in the early 1970s living in Manhattan. It wasn’t until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began getting exhibited around New York, propelling his reputation and thrusting him into the city’s explosive contemporary arts scene. He received several prestigious grants, including from Montreal’s Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation’s Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would represent him for 18 years. Hunt Slonem tends to embrace the ephemeral beauty of nature, a characteristic that brings a nurturing, spiritual effect to his creations. Throughout his extensive career as a New York artist, Slonem has favored the subject of exotic birds, rabbits, and butterflies. Lately, his compositions have consisted of flat spaces with simple forms pushed to the front of the picture plane. The artist creates exotic forms with expressive and highly textural brushstrokes that are full of intense color, loosely inspired by artists of the German Expressionism movement such as Ernst Ludwig and Emil Nolde. Henry Geldzahler, a scholar of Hunt Slonem, notes that of contemporary artists, “he particularly admires the work of Malcolm Morely...

Miss Bugs Algorithm Chamber Prisms, 2021 Hand cast polyurethane crystal resin on wood and aluminum - with aerosol and silk screen 66.90 x 47.20 in

Purvis Young (1943 - 2010) Hangin Out, 1993 Mixed Media 40.50 x 30 in

Individual Lollies available by special order and priced at $350 plus shipping.

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

This piece titled "Cotton Candy Octopus Chandelier" is an original artwork by PJ Linden in collaboration with Adam Wallacavage and is made from acry...

This piece titled "Chanel Tentacle Candelabra" is an original artwork by PJ Linden in collaboration with Adam Wallacavage and is made from acrylic, dimensional paint, lamp parts, and epoxy clay. This piece measures 10.5”h x 6”w 8”d. Born 1985 Bethlehem, Pennsylvania. PJ Linden is a New York City and Pennsylvania-based fine artist known for her abstract, three-dimensional work. She paints with machine-like precision, creating microscopic patterns on found objects, fashion, and technology. Linden got her start working with Patricia Field, creating custom, one-of-a-kind art and fashion under the name Wonderpuss Octopus. At Field's iconic, namesake boutique, Linden's work caught the eye of celebrity clients including Beyonce, Willow Smith, Kelly Osborne, and Solange Knowles...

Kathleen Vance, “Traveling Landscape, "Golden Interior” found case, artificial foliage, resin, paint (12.5”x5”x8”) 2022 Kathleen Vance is an environmental artist who creates sculptures and installations that connect people to local aspects of nature that are overlooked or under-appreciated. Vance received her B.F.A. from Pratt Institute and her M.F.A. from Hunter College in sculpture. She has received numerous grants and awards for her artwork including: a travel grant to research the geo-thermal regions of Iceland, a grant from the Puffin foundation for public sculpture, a development grant from Aljira, Center for Contemporary Art in conjunction with the Creative Capital Foundation, and a grant from the Brooklyn Arts council which aided the development and implementation of an outdoor community based art project in East New York. Ms. Vance was artist in resident in Berlin, Germany, presenting a workshop on environmental arts in connection with the Grunewald Parks Department in Germany. Her sculptural installations have been featured at the Museum of Contemporary Art in Krakow, the Museum of Contemporary Art in Jacksonville, the Orlando Museum of Art, the Weatherspoon Art Museum, the Peeler Art Center, the Weisman Art Museum, the Brandywine River Museum of Art, the Bruce Museum, the Ellen Noel Art Museum, Nassauischer Kunstverein Wiesbaden, the Hillwood Art Museum, VOLTA New York, PULSE New York and Miami, and EXPO Chicago, as well as many private and public institutions. Kathleen Vance has exhibited extensively in New York and internationally and continues to live and work in New York. Kathleen Vance Artist Statement, “Traveling Landscapes” With the series “Traveling Landscapes” Vance creates miniature landscapes inside vintage suitcases and trunks...

Kathleen Vance, “Traveling Landscape, "Golden Interior” found case, artificial foliage, resin, paint (12.5”x5”x8”) 2022 Kathleen Vance is an environmental artist who creates sculptures and installations that connect people to local aspects of nature that are overlooked or under-appreciated. Vance received her B.F.A. from Pratt Institute and her M.F.A. from Hunter College in sculpture. She has received numerous grants and awards for her artwork including: a travel grant to research the geo-thermal regions of Iceland, a grant from the Puffin foundation for public sculpture, a development grant from Aljira, Center for Contemporary Art in conjunction with the Creative Capital Foundation, and a grant from the Brooklyn Arts council which aided the development and implementation of an outdoor community based art project in East New York. Ms. Vance was artist in resident in Berlin, Germany, presenting a workshop on environmental arts in connection with the Grunewald Parks Department in Germany. Her sculptural installations have been featured at the Museum of Contemporary Art in Krakow, the Museum of Contemporary Art in Jacksonville, the Orlando Museum of Art, the Weatherspoon Art Museum, the Peeler Art Center, the Weisman Art Museum, the Brandywine River Museum of Art, the Bruce Museum, the Ellen Noel Art Museum, Nassauischer Kunstverein Wiesbaden, the Hillwood Art Museum, VOLTA New York, PULSE New York and Miami, and EXPO Chicago, as well as many private and public institutions. Kathleen Vance has exhibited extensively in New York and internationally and continues to live and work in New York. Kathleen Vance Artist Statement, “Traveling Landscapes” With the series “Traveling Landscapes” Vance creates miniature landscapes inside vintage suitcases and trunks...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including P...