Gregory Orekhov

Gregory Orekhov - Little Gold Agatha - Gold Plated Sculpture

2017

Ian Edwards - The Hour of Darkness - Original Signed Bronze Sculpure Dimensions: 40 x 31 x 31 cm Edition of 8 Edwards’ practice expresses the power and determination of human endea...

Ian Edwards - Born within Fire - Original Signed Bronze Sculpure Dimensions: 160 x 60 x 60 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeav...

GREGORY OREKHOV Little Agatha 2017 Mirror polished stainless steel 230 × 130 × 130 cm (Unique + 1 APs) GREGORY OREKHOV Gregory Orekhov was born in 1976 in Moscow in the family of t...

GREGORY OREKHOV My Egg 2017 Mirror polished stainless steel, electroplating coating 30 × 21 × 21 cm (edition of 30 + 1 APs) GREGORY OREKHOV Gregory Orekhov was born in 1976 in Mosco...

Ian Edwards - Within Unfolding - Original Signed Bronze Sculpure Dimensions: 34 x 25 x 20 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeavo...

Ian Edwards - Born within Fire - Original Signed Bronze Sculpure Dimensions: 155 x 80 x 50 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeav...

"Empfangen" (2022) is part of the exhibition "Connect and Disconnect", running from 20 May - 15 July 2022 at HELDENREIZER Contemporary. Visit the exhibition page on our website to l...

Porcelain on granite Deniz Pireci's works; He tries to rediscover all the meanings contained in ceramics as a tool, to emphasize them even more, and sometimes simply to reveal them. As a tool, it is obvious that porcelain refers to fragility, craft, handcraft as well as mystery and the invisible. The use of porcelain in the field of contemporary art necessarily encompasses all these concepts, which it evokes as a material, within its scope. Pireci produces works that are included in many different trends with its approach to materials and art. At the same time, it not only questions our sovereignty over images, it creates an opportunity for us to lose it for a while. (Aysegul Sonmez) Deniz Pireci, who deals with issues such as migration, locality, identity, cultural difference and gender from different perspectives in her art practice, was born in Istanbul. She graduated, Ceramic Department of Marmara University Fine Arts Faculty. She completed her Master's Degree in Marmara University Fine Arts Institute Ceramic-Glass Main Art Branch in 2006 and still continues her work in her studio in Istanbul. Some of the artists works are on display at; Eczacibasi - VitrA Ceramic Art Studio, Korea Museum of KOCEF, Turkish...

Porcelain Book Holder (Two Piece) Deniz Pireci's works; He tries to rediscover all the meanings contained in ceramics as a tool, to emphasize them even more, and sometimes simply to reveal them. As a tool, it is obvious that porcelain refers to fragility, craft, handcraft as well as mystery and the invisible. The use of porcelain in the field of contemporary art necessarily encompasses all these concepts, which it evokes as a material, within its scope. Pireci produces works that are included in many different trends with its approach to materials and art. At the same time, it not only questions our sovereignty over images, it creates an opportunity for us to lose it for a while. (Aysegul Sonmez) Deniz Pireci, who deals with issues such as migration, locality, identity, cultural difference and gender from different perspectives in her art practice, was born in Istanbul. She graduated, Ceramic Department of Marmara University Fine Arts Faculty. She completed her Master's Degree in Marmara University Fine Arts Institute Ceramic-Glass Main Art Branch in 2006 and still continues her work in her studio in Istanbul. Some of the artists works are on display at; Eczacibasi - VitrA Ceramic Art Studio, Korea Museum of KOCEF, Turkish Ceramics...

The artwork is signed and numbered. Edition 3/20. Artist Biography Chen Wenling is a contemporary Chinese Neo-Realist artist. Through a variety of sur...

These are figurative works, of classical or archaic inspiration, reinterpreted using strictly contemporary signs and communicative languages, decontextualized and transformed into decorative elements: bar codes, qr codes, wi-fi icons, @, symbols of well-known advertising campaigns, numbers / formulas, which combine to form the vision of a dystopian archeology of the future which bring the individual closer to goods or objects, traces of mechanical or computer elements, which testify to a reality, ours, which has already happened, already lived. It is like an eye on the archeology of a distant future, or on a contemporary discovery that indicates an end already seen, towards which we can move. The metal structures are supports that enter the composition and the aesthetic vision and communication of the topics covered. The "cages" at the same time constrain but support, they root to the ground but soar upwards, in a liberating tension. ATLETA 2 - LA FORMA...

ATLETA 1 - CORSA IN TEMPO TERNARIO 2021 Red fireclay, oxides, enamels, iron, copper and gold leaf Measurement: CM 60x80x198 Weight: 18 kg These are figurative works, of classical ...