Osmon "Ajax" Jackson

Erotica

1930

LORRIE GOULET "STANDING NUDE" WOOD, SIGNED AMERICAN, DATED 1963 52 INCHES Lorrie Goulet Born 1925 Biography from David Findlay Jr. Gallery "Geometry and Flesh: The Sculpture a...

ULISIS JIMENEZ "REBECCA" WOOD, SIGNED COSTA RICA, C.2000 68 INCHES OVERALL Ulises Jiménez Obregón was born in La Mansión de Nicoya, Costa Rica, in November 1953. He studied Pl...

Document from the Nashvile Art Association dated 1925. The marble was purchased in Florence, Italy at an exhibit of The Association of of Italian Artists.

ANTONIUCCI VOLTI "RECLINGING WOMAN" BRONZE, SIGNED, NUMBERED 2/6 VALSUANI FOUNDRY ITALiAN, WORKED IN PARIS, C.1960 6.5 X 18.5 X 10.5 INCHES Antoniucci Volti 1915-1989 Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in Italy until 1920 when the family moved to France. Volti studied at the Ecole des Arts Décoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen. After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed. From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris. He died in Paris in 1989 Works by Volti are in leading museums such as the Musée National d'Art Moderne, Paris. Antoniucci Volti is one of the most important Late Modern...

Primarily a figure sculptor in marble and wood, he was born in Russia. In New York City, he studied at the Educational Alliance and Art Workshop and was active in numerous art associ...

ROBERTO LISANO "HOMBRE" WOOD, SIGNED COSTA RICA, DATED 1995 13 X 11.5 INCHES Roberto Lisano Born 1951 Lizano in the work of the significance of the matter is ess...

Illustrated: "Walt Kuhn, Painter, His Life and Work, by Phillip Rhys Adams, page 67, plate 27, Courtesy of Kennedy Galleries-Kuhn Estate Kuhn’s sculptures were collected by the noted early modernist collector John Quinn (1870-1924). Among the works in Quinn’s collection was the icon Brancusi Portait of Mlle Pogany, the work that inspired Kuhn to create the wood carving “Mask” (FA10815). Mlle Pogany was chosen by Kuhn for exhibition at the Armory Show, 1913. Other sculptures by Kuhn are in the collections of the Smithsonian Museum and the Heckscher Museum. The group of 15 wood carvings came from the estate of the artist to his daughter Brenda Kuhn. The Kuhn Estate (Brenda) originally worked with Kennedy Galleries of New York who published a detailed illustrated catalog of offerings from the estate in 1967. The estate left Kennedy Galleries some time prior to 1983. They established estate representation with Barridof Galleries of Portland, Maine in partnership with Salander O’Reilly Galleries Inc. of New York. This partnership published a monograph catalog on the artist in 1984. Of our group of 15 works, three of the early c. 1913 examples have Salander O’Reilly labels affixed to them. The group of works were involved in the Salander O’Reilly bankruptcy liquidation where they were bought from. There have been several related examples that have come to auction since the year 2000. In 1912, Kuhn was one of the founders of the organization Association of American Painters and Sculptors, the organizing body for what became known as The Armory Show, 1913. The Heckscher Museum exhibition, European Modernism, as Told by Americans, gives insight in to Kuhn’s travels, artistic associations and the influences on his artwork. “In 1912 Kuhn traveled through Europe securing loans from artists and dealers to represent Impressionism, Post Impressionism and the newer strains of art like Fauvism and Cubism. Inspired by these developments, Kuhn tried out Fauvism and Cubism for himself.” “Kuhn would later become an adviser to collectors like John Quinn and Lillie Bliss, a supporter of the Armory Show and later one of the founders of the Museum of Modern Art.” Quinn acquired seven Kuhn sculptures in wood, bronze and gilt bronze which are listed in his estate inventory. This work is directly inspired by an Archipenko sculpture, Negress (La Negresse...

Medium: Rose marble Signed at base: Ritchie 95 Jim Ritchie (1929-2017) born in Montreal, Canada, is known for his pastel drawings and bronze sculptures. He is stylistically linked with Cubism, Abstract figurative work, and modernism, and the human figure is the subject of much of his work. Ritchie had several exhibitions in Montreal before moving to the small town of Vence in Provence, where he lived and worked for over thirty years. The Adelson Galleries...

Tree Athena by Troy Williams female nude blonde wood sculpture Santa Fe artist Sculptor Troy Williams unites the timeless and the contemporary in scul...

This is an original, unique ceramic sculpture by Sarah Louise Davey on a black wooden base. The piece measures 44” x 19” x 21”. Please note: This piece is pictured with the base on top of a black pedestal and a white pedestal. The black base of the sculpture is included, but the pedestals are not included. Artist Statement: "The art of making, for me, is very much a response to the human condition of needing to connect to one another, as well as to what lies just beyond the borders of our realities. I am drawn to the idea that art can have the ability to affect those who look upon it, allowing these portraits to be conduits to a realm within our subconscious. Although my females are hard ceramic sculptures, their hollow, eggshell-like interiors feel like a glove or a mask that can easily be slipped on and off, like the psychic armor of a distant self. An introspective dialogue is started as I make each piece, invoking a surreal understanding of the physical and emotional auras of these strange beauties. Heavy in symbolism, they illustrate the psychological scope of a hybrid creature. Their wide-eyed gazes are meant to portray an emotional duality that is constantly evolving. Some are alter egos of women on the verge...

The main theme of Kitade’s artwork is focused on questioning. The sources of the ideas are picked up from his own life experiences, starting from personal experiences and expanding ...

This Sculpture is made by Jos de Wit. It is made of pear wood. The wood, and al other material he uses for his sculptures he also uses for building instrume...