15th Century and Earlier Sculptures

A Chinese Procession Ornament dating from the Liao Dynasty, from 907 to 1125 AD. The Liao Dynasty, also known as the Khitan Empire, was an empire in northern China that ruled over the regions of Manchuria, Mongolia, and parts of northern China proper. It was founded by the Yelu family of the Khitan people in the final years of the Tang Dynasty, even though its first ruler, Yelu Abaoji, did not declare an era name until 916. The Liao Empire was destroyed by the Jurchen of the Jin Dynasty in 1125. However, remnants of its people led by Yelu Dashi established the Xi (or Western) Liao Dynasty 1125 - 1220, also known as Kara - Khitan Khanate, which survived until the arrival of Genghis Khan...

ITALIAN MEDIEVAL CAPITAL Italy, 12th/13th Century marble 19 x 23 x 23 cm 7 1/2 x 9 x 9 in total height 31 cm (12 1/4 in)

In celebration of the Year of the Rabbit, Hunt Slonem’s iconic muse is revisited in timeless powder-coated aluminum. Each edition is signed, numbered, and comes with a certificate of...

Virgin and Child Franco-Spanish sculptor from the Catalan/Pyrenean area Late Middle Ages, 13th-14th century Carved oak, flat back Height: 67 cm Fascinating and rare wooden sculpt...

Paranthropus Robustus. An early man (hominid), one of the Australopiths from the subepochs of the early to middle Pleistocene period 2.6 - 1.5 million years ago. Some distinctive fea...

PORTRAIT HEAD OF A GIRL Rome, circa 2nd/3rd century A.D. Marble height 18.4 cm height 7 1/4 in Provenance: Sotheby's, London, May 23rd, 1988, no. 240,...

The images of this sculpture are of a larger original than the scaled down version for sale here. This sword was a gift from Zeus to Perseus to defeat the gorgon Medusa. Davies desig...

Davies designed this urn by drawing on extensive research culminating in adopting classical elements from Graeco-Roman antiquity. It's elegant shape is subtly embellished with a Roma...

Virgin of the Annunciation Burgundy, cercle of Claus de Werve (Haarlem? - Dijon, 1439) Early 15th century Walnut carved in the round Hight: 60 cm The Virgin Mary stands, her right ...

Perseus was in Greek mythology the son of Zeus and Danae, founder of Mycenae and of the Perseid dynasty. He beheaded the Gorgon Medusa for King Polydectes and saved Andromeda from th...

Xiphactinus (higher classification Ichthyodectidae) lived during the late Cretaceous period 90 - 65 million years ago.It was a predatory fish weighing approximately 1000lbs and measu...

They may be damaged and battered, but real historic objects will always give you a sense of awe. Can you sense it, looking at this ancient carved granite which depicts, as it is call...

Standing angel with banner Flemish Around 1450/60 Sandstone 60 x 21 x 15 cm This museum figurine shows a standing angel with a banner in his right hand and a small box in his left. The youthful, ageless figure wears a coat held together with a triangular, floral brooch in front of the chest over a long robe. The angel’s gaze is directed forward, his head tilted slightly to the left. The elongated face is sculpted: the large almond-shaped eyes with accentuated upper and lower eyelids are alertly open and sharp eyebrows lead directly into the root of the nose. The straight nose above the pronounced mouth completes the idealized oval face of the angel and his calm, internalized facial expression. What is particularly remarkable, however, is the magnificent curls, which are only partially tamed by a simple headband. As if puffed up by the wind, the hair, which is sometimes streaked in parallel, sometimes wildly twisted and richly curled, stands out dynamically from the ears. The tilted head with these sideways protruding waves of hair thus conveys an immediate impression of movement. The physicality of the sculpture is expressed particularly through this organic, lifelike movement of the loosened hair. The lively overall impression of the figure is further enhanced by the multiple rolled banners that the angel presents to the viewer. The outstretched palm of the right hand appears both intimate and confidential as well as mystically revealing. This banderole winds in gentle curves in front of the figure’s body, throws a fold over the second attribute in the angel’s left hand and falls downwards in a loose manner. The volute-shaped rolled up end of the banner clearly shows the fine texture of the banner and at the same time draws the viewer’s attention to the small cube-shaped box that the angel is holding in its slender, long-limbed fingers. The cube is decorated with a Gothic quatrefoil motif, which is often seen in the architectural tracery of windows, but was also often used to decorate caskets and other small treasures. The sweeping gestures in the presentation of the attributes suggest three-dimensionality, in contrast to the tubular folds at the base of the neck and the intricate draperies in flat and multiple overlapping garment sections. The soft curves of the folds give the impression that the clothing is made of a heavy fabric that falls diagonally down the front and is laid in several bowl folds under the right hand. Overall, the sculptural work testifies to the highest artistic skill, which emphasizes the virtuosity of sculpture in its precious and representative overall impression. The memorable characteristics recognizable here can be seen in comparable pictorial works from Utrecht around the middle of the 15th century, when sculptural art – especially stone sculpture – was characterized by a remarkably high quality. Particularly noteworthy is the accentuated Utrecht head type with an elongated oval face, almond-shaped eyes with heavy lids and dense, vividly protruding tufts of hair framing the head. For example, the figure is comparable to a capital of an angel on the east side of the rood screen of the Joriskerk in Amersfoort (province of Utrecht) from the second quarter of the 15th century. Not only the physiognomy and hair, which in the comparative example stand somewhat more horizontally to one side, but also the garment puff above the girdle are similar. Even more related motifs, such as the cleverly placed bowl folds, can be found on the limestone figure...

Provenance: - via Stefano Bardini purchased in 1896 by Prince Johannes II of Liechtenstein; - Stadtpalais, Vienna, 1906; - Gartenpalais, Rossau, Vienna, 1912; - Stadtpalais, Vienna,...

ITALIAN RENAISSANCE CAPITAL WITH MYTHOLOGICAL FIGURES, 15th Century marble H 18 x Diam 33.5 cm H 7 x Diam 13 1/4 in

Sculpted in walnut wood In Germany the use of walnut was quite rare, in some cities in Northern Germany such as Lüneberg and Hamburg the use of walnut was allowed by gild regulation...

Head of apostle or Christ in carved limestone. Elongated face with a large forehead and long hair with thick wavy locks on the sides. The almond-shaped eyes are underlined by the hem...

A superb Han Dynasty pair of terra cotta figures, a horse with its attendant, in superb condition. Ex. Hamrick collection, New Orleans. They purchased...

PAIR OF ROMANESQUE MARBLE COLUMNS Italy, 13th/14th Century marble 86 x 16 x 13 cm 33 3/4 x 6 1/4 x 5 in

ITALIAN RENAISSANCE MARBLE RELIEF WITH COAT OF ARMS OF POPE SIXTUS IV DELLA ROVERE Italy, 15th Century marble 49.5 x 47.5 x 7.5 cm 19 1/2 x 18 3/4 x 3 in

Relief with saint Georges France, 15th Century limestone 26 x 20 cm (10 1/4 x 7 3/4 in) without base

Natura gaint amber crystal specimen weight 120 kilograms origin Africa

Gypsum cast-medieval tile, inspired from Central Europe. Could be also adjusted in a frame, ready to hang or install ( price will be different).

In celebration of the Year of the Rabbit, Hunt Slonem’s iconic muse is revisited in timeless powder-coated aluminum. Each edition is signed, numbered, and comes with a certificate of...

In celebration of the Year of the Rabbit, Hunt Slonem’s iconic muse is revisited in timeless powder-coated aluminum. Each edition is signed, numbered, and comes with a certificate of...

Natural amber specimen organic gem stone 1.8 kilos

Natural Australia white fire opal 28.5 carats

Natural Ethiopian welo opal 32 carats not treated certificate available on request

Gypsum cast - medieval tile, from Central Europe. Adjusted in a frame, ready to hang or install.

This set of two painted earthenware attendant figures are a pair from the Tang dynasty. Both figures wearing long red coats in standing position, the female with her hands clasped, w...

This set of two Earthenware Groom burial figures are from the Sui-Tang dynasty (581 - 618 AD). The two pieces are in great condition for their age with minor repairs to head and mini...

Description: A Spanish Gothic Statue of Saint Mary Magdalene, Late 15th Century, polychromed wood Statue: Saint Mary Magdalene Object Type: Statuet...

Gypsum cast-medieval tile, inspired from Central Europe. Adjusted in a frame, ready to hang or install.

An evocative, 14th century, carved wood statue of a seated Mary with the Christ child in her lap. The piece with a beautiful patina featuring polychrome paint traces. Now mounted on ...

Rare, Late Roman Empire (3rd to 5th centuries, C.E.), solid marble bust of a young man. Beautiful patina. Mounted on a later, Carrara marble base.

Sensitively carved, solid marble bust of a young boy mounted on a custom, Lucite base. Carved fully in the round, though originally the figure was part of a larger group. Acquired di...

TERRACOTTA FIGURINE OF A COMIC ACTOR , Greece, c. 350 B.C. Labeled to the reverse, 'LAWRENCE COLL./LOT 426. SOTHEBY./APR. 1892. P. 816.'; Terracotta height 15.2 cm height 6 in Prove...

Gypsum cat-medieval tile, inspired from Central Europe. Sold without the frame.

Sinosaurusopterx Prima

This is a beautiful ceramic vase with a mountain shaped lid circa 206 BC-220 AD during China's Han Dynasty. It measures 21" x 12" and is in good condition. Provenance: Marc Richards ...

Nok culture Sitting 500 B.C. - 200 A.D. Terracotta Height 60 cm TL expert opinion of the University of Vienna Prof. Dr. Rudolf Erlach Provenance: Private collection Nice

Large romanesque statue of Saint Lucy of Syracuse is dated from the 12th century. The saint is represented veiled and diademed, she wears a long dress, with an important tie. Stone s...

Corpus Christi South German/Tyrol Around 1500 Softwood/lime wood(?) carved Remains of original polychromy Height 32 cm

Large romanesque capital with water leaf in red Verona marble. This type of capital is typical of 12th century Cistercian abbeys and represents a tr...

"Roman Bronze Figure Of A Romping Dog" Roman Empire, circa 1st Century B.C.- 1st Century A.D. Bronze width 7 cm width 2 3/4 in Provenance: Leo Mildenberg (1913-2001) Private Collection, Zurich, prior to 1986 American Private Collection, acquired in 1991 Literature: A.P. Kozloff, et al., More Animals in Ancient Art...

Sedes Sapientiae Pustertal um 1220/30 Weichholz/Lindenholz(?)geschnitzt Reste von originaler Polychromie Höhe 57 cm

4x3 Ceramic Ancient clay perfume jug from the Iron Age discovered in Jerusalem.

Small marble head representing a bearded man in profile, an apostle or a prophet. This sculpture comes from the Joseph Altounian collection dispersed...

Upper Italy 2nd half 12th century Maple Original version Height 67 cm

Large crowned queen's head with trace of polychromy in half-bump. The crown features a fleur-de-lis and cabochons. The almond-shaped eyes are framed by well-marked eyelids with incis...

MUSEUM CORPUS CHRISTI Spain/Catalonia or Asturias Around 1250 Corpus hardwood, arms softwood Remains of the original polychrome setting Height 109.5...

Magnificent standing figure, Costa Rica, ca. 1000-1500. Carved volcanic stone. Measures 16.5 x 9 x 5.5 inches. Outstanding condition with no damage. The figure represents a captured...

MUSEUM CORPUS CHRISTI Nuremberg or Poland/Krakow Around 1490/1500 Workshop of Veit Stoß (1447-1533) ascribed Boxwood carved Height 31 cm This Corpus C...

ANCIENT DEITY Seated representation of God Southern Arabia Pre sabean 2nd - 1st millennium BC. Oolite limestone Height 24,5 cm Comparable works in the British Museum/London ...

Bust of Gothic Virgin. Lorraine 14th century. Important bust of Saint or Virgin of the Annunciation. Life size veiled woman. Full-featured face with almond-shaped eyes and large locks of curly wawy hair...

Catalan School of the 13th century. Bishop statue in polychrome wood. Large polychrome wooden statue representing a holy bishop carrying a crosier and ma...

Large catalan Virgin of the Annunciation in polychrome wood. Our Virgin is represented in the phase of the Conturbatio, Mary expresses her amazement a...

Provenance: Sables de Fontainbleau, Seine-et-Marne, France “Gogottes” are natural creations formed out of sands deposited in Northern France during the Oligocene Period, approximately 30 million years ago. Much later, in a process that has only recently become understood, groundwater rich in silica flowed through the sands...