Shannon Landis Hansen

Coming Attractions

2022

"Whitey's Gun" is a found object assemblage by Jimmy Descant. The piece is 14 inches tall, 10 inches wide, and 2 inches in depth. It is hung by a wire on...

"Flirting with Desire" is a sculpture by Kirsten Stingle from the 2022 exhibition Is This Too Much? A Maximalism Group Show. The piece is 31 inches high, 19 inches wide, and 12 inche...

"One Night in Bangkok" is a mixed media sculpture by Shannon Landis Hansen from the 2022 exhibition Is This Too Much? A Maximalism Group Show. Th...

"Cecilia" is a sculpture by Marcy Lally from her 2022 show "Hands of Time." The piece is 27 inches tall, 20 inches wide, and 12 inches in depth. It is an American Bison skull...

"Brighter Days Ahead" is a sculpture by Marcy Lally from her 2022 show "Hands of Time." The piece is 28 inches high, 15 inches wide, and 13 inches in depth. It is a cow skull with vintage plates, an orange glass bird...

"Egyptian Blue Bird" is a sculpture by Rebecca Jones. The piece is 13.5 inches high, 5.5 inches wide, and 4 inches in depth. It is a mixed media, raku-fired...

Artist Nathaniel Covington constructs bold, colorfully sculpted papier-mâché monster masks and large, pop art creature paintings. His art pieces have simple lines, set against solid color backgrounds. For Nathaniel, the process starts with rough sketches on paper, wood, skateboards - just about anything he can draw on, allowing him the vision to finalize his art. The making of masks started about 3 years ago and he fell in love with the process. It’s an opportunity to bring to life all the “Creatures” and wildly funny things living in my head. He says, "I’d like the art pieces that I make to evoke some sort of emotion when they are seen.” He’s predominately influenced by 1969’s-1980’s “Creature Feature Films”, horror soundtracks, Sci-Fi magazines, plus a dash of Ed Roth.

Wearable sculpture created with wheat. Dimensions variable depending upon how the work is displayed.

Sea shells and mixed media, wearable sculpture. Sculpture includes headpiece, skirt and shoes. The pair of shoes can be purchased separately. Dimensions variable depending upon how t...

Headdresses; embroideries, felted and crocheted yarn, stones, linen, and old photography.

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...