Still-life Sculptures

A renowned edition by Joseph Beuys by the title ‘Rose for direct democracy'. These works are collected by major museums: another exemplar is currently in the Museum of Contemporary A...

Copper and wood box. "Americordo #7" is composed of copper tiles inlaid to the bottom half of the box and on the top rests a patinated etched copper or bronze circle. The box when closed measures to be 17" Sq. x 3.5" H. David Barr (1939-2015) is an American sculptor and painter from Detroit, MI. Known for constructivist sculpture, architecture and surrealist, assemblage box sculpture collage works. Born in 1939, Barr is an internationally known artists and has created many installations in natural settings. Vault took over a year to complete. His sculptures represent mathematics, geography and structurist nature, and otherwise known as "geo-structures." This one is kinetic and can be moved around. Barr is a graduate of Wayne State University and recipient of the WSU Distinguished Alumni Award. Influenced by sculptor Charles Biederman. In 1995 he founded the Michigan Legacy Art Park, and has pieces at the Chrysler World Headquarters, Flint's Bishop Airport, the Detroit Zoo, the State of Michigan Historical Museum and the Meadowbrook Festival Grounds Barr earned a master’s of fine arts degree from Wayne State University and was an associate professor of sculpture at Macomb Community College in Warren for 37 years. He worked on perhaps the largest sculpture in the world, the Four Corners Project, with installations at Greenland, Africa, Irian Jaya (New Guinea) and Easter Island. His sculptures are located all over the state of Michigan, but perhaps his most recognizable is Transcending, a blend of bronze, steel and granite that acknowledges the contributions of Detroit’s laborers and skilled tradespeople. David Barr is the founder of Michigan Legacy Art Park. David’s career as an artist, instructor, author and global thinker has crossed borders around the world, bringing people and ideas together. Over fifty years as a sculptor, David created a body of work that includes hundreds of wall-hanging structurist reliefs, sculptures for public spaces (such as Transcending in Hart Plaza, Detroit done with Sergio De Giusti), works for private collections, massive global projects (such as The Four Corners Project) and Michigan Legacy Art Park. David’s studio was in Detroit for fifteen years until he realized he needed nature as a source of inspiration. In 1977 he bought 4 acres of land in rural Oakland County (now Novi) and in 1979 built his home, a contemporary structure that has become the centerpiece of his own art park. His work is included in the collection of outdoor sculptures at The Dennos Museum Center along with Clement Meadmore, Hanna Stiebel...

Additional Information: Provenance: Private Collection, Palm Beach, Florida. Marking(s); notes: signed; 1992 Country of origin; materials: USA; lampwork glass, polished clear glass

Artist: Jim Pallas (1941) Title: Self-portrait on two wheels with bone and magnifying glass Year: 1992 Medium: Pigmented epoxy, bone, plastic, iron Size: 8 x 2 x 3 inches Condition: ...

Artist: Jim Pallas (1941) Title: Duffo Year: 1963 Medium: Glazed ceramic with tempura Size: 8 inches, diameter Condition: Excellent Inscription: Signed and ...

Artist: Jim Pallas (1941) Title: Cosmic Vibes Moon Year: 1999 Medium: Ceramic with glazes Size: 7 x 9 x 5 inches Condition: Excellent Inscription: Signed and dated. JIM PALLAS (1941...

This bronze sculpture of a woman in a chair, is typical of the work of Bruno Lucchese. Born in Italy in 1926, Bruno Lucchesi has been referred to as “the last of the Renaissance scu...

It's a double life-sized hand. Four times the mass of a human hand. I wanted to make a hand that expresses grace, wisdom, and beauty so I chose a woman's hand as the model. I extende...

Eli Ilan (אלי אילן), 1928-1982 was an Israeli sculptor. Abstract organic pod shape. in either steel or iron mounted on a wooden plinth. Ilan was born in Winnipeg, Manitoba. He enrolled in a premedical curriculum at the University of British Columbia in Vancouver and emigrated to Israel in 1948. He then studied prehistoric archaeology and physical anthropology at the Hebrew University of Jerusalem. In 1956, he returned to Canada to study sculpture at the Ontario College of Art & Design. He lived in Kibbutz Sasa from 1959 to 1963. He died in 1982 in Caesarea, Israel. Education 1955 Hebrew University, Jerusalem, pre-historic archaeology and physical anthropology 1956 Ontario College of Art, Toronto, Canada, sculpture under Thomas Bowie 1959 Training College, Ottawa, criminal identification techniques 1969 Art Festival, Painting & Sculpture in Israel. Ganei Hataarucha, Tel Aviv Artists: Chana Orloff, Eli Ilan, Zvi Aldouby, Jacob El Hanani, Ludwig Blum, Aharon Bezalel, Koki Doktori, Israel Hadany, Marcel Janco, Dov Feigin, Abel Pann, Esther Peretz Arad, Reuven Rubin, Ivan Schwebel, Jakob Steinhardt, Boris Schatz, Bezalel (Lilik) Schatz, Louise Schatz...

This beautiful wooden figurine depicts a woman in a long robe with a hood covering her head and carrying a sack over her shoulder. The woman in the sculpture could be viewed as a wo...

This beautiful Sevres vase is made of porcelain with a gold design and meant to hold a single flower. This hand painted porcelain vase is ...

SALE ONE WEEK ONLY John Glick is well-known for his beautifully rendered functional pieces of art. His decorative pieces, especially his large pots, are breathtakingly powerful objects. Glick's creative genius, however, is most exquisitely shown in this unique grouping of objets d'art. The Wall Hanging has a lovely classical scroll shelf. The objets on the shelf include an apple and pear - both fruits frequently rendered by artists from the Dutch Masters to Cezanne because of their perfectly balanced shape and rich colors. In addition is a small Greek or Roman styled dish used as an oil lamp. The other three objets are mysterious twisted tube-like organic shapes. John Glick, at one of his richest, creative bests. The objets are of various sizes, movable and can be displayed as desired. The size given is the overall size of both pieces and the objets d'art. "The works in John Glick’s “Mantel Series” are still life tableaux comprised of ordinary, yet intriguing objects that imply a history of people interacting with objects and each other over time. Imagine a lettr or poem from a loved one, once read, tucked among other fabourite things for safekeeping. Or a salty treasure carried in a dampened pocket and later deposited on a cottage shelf to dry, crackle and change. In essence, the mantels hold suggestive collections in which most people can find a part of themselves a link to a personal memory and a connection to a lost moment in time. His body of work, The Mantel Series, was partially inspired by a memory of a salt box that hung near his grandmother’s kitchen wood stove. For Glick, the unassuming little box, with its pleasing enigmatic shape and wooden lid, conjured pleasant boyhood memories, nostalgia for home and hearth, and vivid awareness of history. Upon his wall-based mantels, the artist placed a well-honed repertoire of distinct objects, all deftly crafted of clay, that become characters in his unspoken drama, each form playing off the others in the ensemble.” Plum Tree Pottery...

SALE ONE WEEK ONLY "Record Player" by Jerome Ferretti, Detroit muralist, painter and sculptor, is a genuine Symphonic Record Player with built...

Red Grooms "Our First Brush With Red Grooms/ It Was Exciting!", 1968 Paint brush with paint inside acrylic casing 11 × 3 1/2 × 2 inches Unframed This paint brush - with original pain...

Brumm Handcrafted Wood Wood box with velvet interior. This beautiful handmade inlaid wood decorative box by artist Norman Brumm (1939 - 2008) is an intri...

Yayoi Kusama Original Limited Edition hand signed and numbered Pumpkin (Red), 1998 Painted cast resin on ceramic tile in the original wood box, display plate and paper box Signed and...

mixed media collage (ink, found objects, acrylic) in acrylic box. Edition 20/75

This elegant Italian box from the 1960's has a wonderful range of color seen in the marble, giving it depth and texture. The colors include light rose, coral, and pink with streaks o...

Artist: Arman, French/American (1929 - 2005) Title: Paintbrushes II Year: 1991 Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed Edition: 20...

Hand painted bronze sculpture. Incised artist's signature with copyright date and edition number on the base. 20.5 inches high on a 2 inch high marble base. Edition of 250. Each pi...

"Two Ray Guns" is a sculptural work by Claes Oldenburg. The work is signed on the verso "Claes Oldenburg". The framed wall sculpture measures 26 x 22 x 3 in. ...

Artist: Claus Oldenburg (1929) Title: Fire Plug Souvenir - "Chicago August 1968" (P. 10) Year: 1968 Medium: Cast plaster multiple with acrylic paint Ed...

"Pod" is a precious sculpture with a decorated tactile surface and a warm glaze giving the piece a soft glow. The transparent glaze enhances the creamy tones of the clay. Ms. Oka Doner created unique hand-size sculptures during the 1960s of which the "Pod" is an exquisite example. Her clay technical skills cover a wide range from enormous wall pieces to small decorative pieces that demand to be touched and held. This piece, despite being a fruit, is the perfect example of her famous "Tatooed" figurative sculptures. Michele Oka Doner (born in Miami Beach, Florida, United States) is an American artist and author who works in a variety of media including sculpture, prints, drawings, functional objects and video. She has also worked in costume and set design and has created over 40 public and private permanent art installations. She is best known for her “A Walk On The Beach,” a one and a quarter mile long bronze and terrazzo concourse at Miami International Airport. It is composed of over 9000 bronzes embedded in terrazzo with mother-of-pearl. At one and quarter linear miles, it is one of the largest artworks in the world. She is granddaughter of painter, Samuel Heller. She attended the University of Michigan, Ann Arbor. Her art instructor Milton Cohen was experimenting with The Space Theater and George Manupelli began the Ann Arbor Film Festival. Their students were engaged in poetry, dance, light, music, all combined into a unitary vision, a motif that shaped Oka Doner's student years and is characteristic of her work today. She participated in a Manupelli experimental film, a "Map Read" performance with art drawing instructor Al Loving and Judsonite dancer Steve Paxton as well as several "Happenings." Another influence was art historian and Islamic scholar, Oleg Grabar, who illustrated how patterns in architecture are able to dissolve space. She received her BS and MFA from the University of Michigan in Ann Arbor. In 2008 she was a U of M Penny Stamps Distinguished Speaker. Solo exhibitions of her work have been held at the Detroit Institute of Arts, Michigan; Germans Van Eck Gallery, New York; Diane Brown Gallery, New York; Art & Industrie Gallery, New York; Willoughby, Marlborough Gallery, New York; Studio Stefania Miscetti in Rome; and Gloria Luria Gallery in Miami, Florida. During the 1960s Michelle Oka Doner was living and working in Detroit, Michigan, where she became acquainted with Charles McGee and his gallery located in the Fisher Building...

Technical Information: Claes Oldenburg Miniature Soft Drum Set 1969 The complete set of 9 sewn screenprinted elements on canvas, some with washline, wood, plastic buttons, rope, metal eye screws and spray enamel with wood base covered with screenprinted paper in colors 9 3/4 x 19 x 13 3/4 in. Artist's Proof - A.P. XVI Initialed and numbered in black ink on the bass drum...

A unique sculpture by the French artist, Arman. This collection of world-class cigars encased in clear resin is a quintessential piece from Arman's 'Accumulations' period in which he...

Beautiful table top sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. it is signed and numbered and dedicated Janet love george Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London. From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1959, he moved to London, where he remained until 1972. He had his first one-man show there in 1965 at the Grosvenor Gallery. His sculptures of the 1960s were Minimalist in style and so designed as to appear to defy gravity. This was achieved either through careful balance and construction, as in Suspense (1966), or by using glass and metal so that the metal appeared unsupported, as in Segments (1968). In 1995, he began painting portraits of sheep. These instantly-recognizable sheep portraits...

A unique bronze sculpture. Born in Vorup near Randers, Sven Dalsgaard was self-taught as a painter. His earliest paintings are Naturalistic but around 1934 he was inspired by Wassily Kandinsky and Paul Klee to paint more Abstract works. He debuted at the Kunstnernes Efterårsudstilling in 1943. Inspired by Marcel Duchamp, he embarked on Surrealism in the 1940s but moved into a simpler, more stylized approach in the 1950s, producing tall thin sculptures...

Bronze sculpture titled "Chama" by Edward (Eduardo) Arcenio Chavez (1917-1995) from circa 1966 presented on a wooden base. Overall dimensions measure 7 ¼ H x 10 W x 3 ¼ De inches. Sculpture is in very good vintage condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Born in Wagonmound, New Mexico, Eduardo Chavez...

Modern collection of realistically rendered tupperware cups made out of beeswax and pigment by California artist George Stoll. The piece features a set of...

Artist's Statement At first I went to state fairs to do small drawings and little gestural sculptures of animals. Eventually I bought some chickens for models but soon realized i...

Almost Asleep by Allan Houser, mother and child bronze sculpture, limited edition, brown patina, walnut base, lifetime casting Allan...

Lacquered bronze sculpture by Yayoi Kusama. Original mould executed in 1974; casted in 1993. This work is number 8 from a limited edition of 30 plus 1 artist's proof. Incised with t...

Lacquered bronze sculpture by Yayoi Kusama. Original mould executed in 1974; casted in 1994. This work is number 20 from a limited edition of 30 plus 1 artist's proof. Incised with ...

A recurring theme in John Denning’s art (both painting and sculpture) has been combining human figures with birds or horses. The bird in the freestanding bronze sculpture "Philosophe...

Artist: Arman, French/American (1929 - 2005) Title: Paintbrushes I Year: 1991 Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed Edition: 20,...

Painted bronze sculpture by Yayoi Kusama. Original mould executed in 1976; casted in 1994. This work is number 12 from a limited edition of 30. Incised with the artist's signature an...

John Blackhorse Hangs Out At Earl's, bronze rez dog sculpture, blue, Navajo limited edition of 15

"Triangular Dish" Dail Behennah, white willow, telephone wire, 23" x 26" x 5", 1998. This abstract willow sculpture was created by UK fiber artist, Dail...

Incised signature by the artist and stamp numbered with foundry and date. Additional images are available upon request. Certificate of Authenticity is included. Please do not hesitat...

SMU Architectural Bronze Dimensions: 16.75 H x 4.75 W x 4.25 D Medium: Bronze "Southern Methodist University"

Menashe Kadishman (Israeli, 1932-2015) Birth Iron 17-1/2 inches (44.5 cm) high on a 6-1/4 inches (15.9 cm) high wood base Hand signed and Inscribed on base Sculpture with base measur...

This sculpture, in the form of a silver electroplated egg with a white porcelain holder, represents esteemed Swiss artist Herbert Distel's most iconic form. He created a 22-ton egg d...

Year: 1966 Medium: Glazed Ceramic Vase, dated on bottom Size: 12 in. x 9 in. x 9 in. (30.48 cm x 22.86 cm x 22.86 cm)

TECHNICAL INFORMATION: Larry Rivers Webster Cigar Box 1964-66 Multiple of wood, canvas, paper, and plexiglass, with screen print, paint, and collage additions 13 3/16 x 15 15/16 x 1...

Ken Price Tequila Cup II clay and glaze 1.75 x 2.25 x 1.75 1992 Ken Price (1935 - 2012) received a BFA from the University of Southern California after studying at Chouinard Art Ins...

Ken Price Tequila Cup I clay and glaze 2 x 2.25 x 1.75 1992 Ken Price (1935 - 2012) received a BFA from the University of Southern California after studying at Chouinard Art Instit...

A very rare original Price Price mug! Ken Price Wave Cup clay and glaze 3.5 x 5 x 4.25” 1992 Ken Price (1935 - 2012) received a BFA from the University of Southern California after ...

Lovers of Chimayo by Eduardo Oropeza, Bronze Sculpture, Couple, Edition,Chicano Lovers of Chimayo by Eduardo Oropeza, bronze sculpture, couple, edition 25 © 1993 Sculptor, painter,...

Contemplating the Angel by Eduardo Oropeza, bronze sculpture, angel, church limited edition of 25 bronze and straw/twigs Sculptor, painter, printmaker, & photographer, Eduardo Orope...

Cast aluminium hand painted with enamel, 1968, stamped with the artist's initials, title, number and date 'CO. COPYRIGHT © 1976 CLAES OLDENBURG FAGEND STUDY, 1968 FABRICATED BY LIPP...

Arman Original Bronze Violin Sculpture Edition: HC 1/2 Signed and Numbered Bronze Dimensions: 36 x 50 x 24 cm Arman is a painter who moved from using objects for the ink or paint traces they leave to using them as the painting itself. He is best known for his "accumulations" and destruction/recomposition of objects. In October 1960, Arman, Yves Klein, François Dufrêne, Raymond Hains, Martial Raysse, Daniel Spoerri, Jean Tinguely and Jacques Villeglé, and art critic and philosopher Pierre Restany founded the Nouveau réalisme group. Joined later by Cesar, Mimmo Rotella, Niki de Saint Phalle, and Christo, the group of young artists defined themselves as bearing in common their "new perspective approaches of reality." They were reassessing the concept of art and the artist for a 20th century consumer society by reasserting the humanistic ideals in the face of Industrial Expansion. In 1961, Arman made his debut in the United States, the country which was to become his second home. During this period, he explored creation via destruction. The "Coupes" and the "Colères" featured sliced, burned, or smashed objects arranged on canvas, often using objects with a strong "identity" such as musical instruments (mainly violins and saxophones) or bronze statues. The son of an antiques dealer and amateur cellist, the artist absorbed an intense appreciation for music, the art of collecting and the cultivation of discriminating taste from an early age. After studies at the Ecole Nationale des Arts Décoratifs in Nice, Arman decamped to Paris to study art history at the Ecole du Louvre. His work in these early years focused on abstract paintings inspired by the work of Nicolas de Staël. An avid reader, Arman sought inspiration through books and art reviews, as well as during frequent road trips throughout Europe with his artist friends from Nice, Claude Pascale and Yves Klein. 1972 Arman, Paris, Fernand Hazan, collection "Ateliers d'aujourd'hui" Otto Hahn 1973 Arman, New-York, Harry N. Abrams French Edition : Pierre Horay, with text by Pierre Restany. Henry Martin 1982 Arman: Conscious Vandalism / Vandalismo cosciente, Vérone, Edizioni Factotum-Art Sarenco 1984 Arman, New-York, Abbeville Press Jan Van der Marck The Public Sculpture of Arman, New-York, Marisa del Re Gallery Frederic Ted Castle Arman, Galerie Beaubourg, reprinted from the journal CiMayse, Paris, no. 170, May-July 1984. "Accumulations by Arman", Art in America, New-York, vol. 71, no. 11, December 1983. Frederic Ted Castle 1987 Arman, Paris, La Différence Bernard LaMarche-Vadel 1988 Arman. 13 peintures / Arthur Rimbaud. Lettres du Voyant, Paris, La différence, collection "Tels qu'en eux-mêmes" (livre publié à l'occasion de l'exposition "Arman. Peintures 87-88", Galerie Beaubourg, Paris, 1988). Jan Van der Marck 1990 Arman Estampes, Paris, Editions Marval Jane Otmezguine, Corice Canton Arman and Marc Moreau 1991 Arman, Catalogue raisonné II, Paris, La Différence Denyse Durand-Ruel 1992 Mémoires accumulés d'Arman, Paris, Belfond Otto Hahn 1993 Arman, Paris, La Différence, collection "Classiques du XXIème siècle" Pierre Cabane 1994 Arman, Catalogue raisonné III, Paris, La Différence Denyse Durand-Ruel 2004 Arman Inclusions, Bordighera, Edizioni Cudemo Tita Reut EXHIBITION CATALOGS 1959 Piccolo gioco administrativo del caso, Arman, Pierre Restany, Milan, Galleria Apollinaire 1960 À toute allure, Arman. Allures d'objets, Pierre Restany, Paris, Gallerie Saint-GerMayn 1962 Arman et la logique formelle de l'objet, Arman, Pierre Restany, Los Angeles, Dwan Gallery 1963 Arman, Arman, Alain Jouffroy, Milan, Galleria Schwarz 1964 Introduction à la peinture d'Arman , Arman, Claude Pascal. Amsterdam, Stedelijk Museum 1964 Arman, Yves Klein, Amsterdam, Stedelijk Museum Arman and Esthetic Change, Arman, Gene R. Swenson, New-York, Sidney Janis Gallery 1965 Arman, Paul Wember, Krefeld, Museum Haus Lange 1967 Arman: un acte de foi dans la spiritualité de la matière , Arman, Pierre Restany, Paris, Galerie Illeana Sonnabend 1968 Arman, John Ashbery, New York, Sidney Janis Gallery Arman, Pierre Restany, Milan, Galleria Schwarz 1969 Arman 1960-1965, Grégoire Müller, Paris, Galerie Mathias Fels Arman. Accumulations Renault, François Mathey, Paris, Union centrale des Arts décoratifs 1970 Arman Accumulations Renault, Karl-Heinz Hering, Zurich, Kunsthaus Arman piu' pittore che natura, Arman, Pierre Restany, Milan, Galleria dell'Ariete ​ 1972 Objets de luxe et fétiches raisonnables, Arman, Pierre Restany, Milan, Galleria Arte Borgogna Arman : Les Moments d'Arman, Jacques Putman, Paris, Galerie de l'Œil 1973 Selected Activities, Peter Schjedahl, New-York, John Gibson Gallery Oggetti di lusso e feticci ragionevoli, Arman, Pierre Restany, Galleria Arte Borgogna Arman: An Archeologist of the Present, Arman. Jan Van der Marck, New-York, John Gibson Gallery 1974 Le juste poids d'un homme et d'une œuvre, Arman, Pierre Restany, Arles, Salles romanes du Cloître Saint-Trophime Logician of Form / Magician of Gesture , Arman. Selected Works : 1958-1974, Jan Van der Marck, La Jolla, La Jolla Museum of Contemporary Art Arman. Concrete Lyrics, Andrew J. Crispo, New York, Andrew Crispo Gallery Arman et la logique formelle de l'objet , Arman, L'Œuvre graphique, Pierre Restany, Saint-Paul-de-Vence, Galerie Alexandre de La Salle 1975 Arman, Objets armés, 1971-1974, Jacques Lassaigne, Paris, Musée d'Art Moderne de la ville de Paris Arman. Lyrical Surfaces, Andrew J. Crispo, New York, Andrew Crispo Gallery Arman's Violin-Service, A Game of Correspondances , Arman, Violin-Service, Pierre Restany, Paris, Galerie Claude Tchou Arman, Surgeon of the Mass-Productive Civilization, Arman, Yoshiaki Tôno, Nagoya, Galerie Valeur 1978 Arman. Hard & Soft, Jan Van der Marck, New-York, Andrew Crispo Gallery The Iron Age and its Monuments, Arman. L’Age de fer et ses monuments, Daniel Abadie, Paris, Galerie Beaubourg Accumulations : Radiant and Wretched, Arman. Accumulations, Shunkichi Baba, Nagoya, Galerie Valeur 1980 Petite histoire du collage et de l’assemblage , Arman. Sélection rétrospective, Otto Hahn, Cluse, Centre d’Art et de Culture de Flaine Arman, Sélection rétrospective, Pierre Restany, Cluses, Centre d'Art et de Culture de Flaine Zucche in carroze, Arman, Jan Van der Marck, Portofino, Galleria Civica d'Arte Moderna 1981 Arman : uno sguardo sempre nuovo sul mondo , Arman. Opere del 1979, Pierre Restany, Rome, Le Point Art Studio 1982 Fünfundszwanzig Jahre als Erfolg / Vingt-cinq ans de bonheur , Arman, Parade der Objeckte, Retrospektive 1955 bis 1982, Pierre Restany, Hanovre, Kunstmuseum Hannover mit Sammlung Sprengel Arman. Le Traité du violon, Maurice Roche, Paris, Galerie Abel Rambert Arman , Arman. Carvings and Drawings, Otto Hahn, Dublin, The Salomon Gallery Arman. Papiers découpés 1982, Ted Castle, Paris, Galerie Beaubourg Arman Retrospektiv , Arman. Parade der Objekte, Retrospektive 1955 bis 1982, Joachim Büchner et Bernhard Holeczeck, Hanovre, Kunstmuseum Hannover mit Sammlung Sprengel Arman o l'oggetto come alfabeto , Arman o l'oggetto come alfabeto, Walter Schönenberg, Lugano, Museo Civico di Belli Arti 1984 Vinticinque anni di felicità , in Arman o l'oggetto come alfabeto, Pierre Restany, Lugano, Museo Civico di Belle Arti L’allure d’Arman , Arman, Daniel Abadie, Knokke le Zoute, Christian Fayt Art Gallery Arman’s Apocalypse, Arman. The Day After, Sam Hunter, New York, Marisa del Re Gallery A la recherche du concert perdu , Arman. Recent Sculptures, Michel Butor, Monte Carlo, Galerie Le Point Arman, scultore del'réalisme sociétal , Arman o l'oggetto come alfabeto, André Verdet, Parme, Palazzetto Eucherio Santivale 1985 Un délire spiralé d'Arman , Arman, André Verdet, Zurich, Schöner Wohnen Haus Galerie Transformation of Things, Arman, Mashashi Miura, Seoul, Walker Hill Art Center A la recherche du concert perdu, Arman, Michel Butor, Genève, Galerie Sonia Zannettacci Le jour après la colère, Arman, François Bazzoli, Toulon, Musée de Toulon Arman, Claude Fournet, Toulon, Musée de Toulon Arman Retrospektive, Adolph Hanspeter, Zurich, Galerie Pavillon Werd 1986 Arman’s Gods and Goddesses , Arman. Gods and Goddesses, Henry Geldzahler, New York, Marisa del Re Gallery Arman: Hard & Soft Ware, Arman. Hard & Soft Ware, Pierre Restany, Paris, Courrèges 1987 Arman. Rythmes et Couleurs, Claude Fournet. Nice, Galerie Ferrero 1988 Opéras – rituels , Arman. Désordres lyriques, Georges Aperghis. Paris, Opéra de Paris, Salle Favard Désordres lyriques, Arman. Michel Beretti, Paris, Opéra de Paris, Salle Favard Arman as a Painter: From Guts to Geist, Arman Paintings, Pierre Restany, New-York, Marisa del Re Gallery 1989 La seconde parade des objets , Arman Retrospektiv, Pierre Restany, Lunds, Lunds Kunsthall, Malmö, Galleri GKM Arman. Shooting Colors, Pierre Restany, Paris, Galerie Beaubourg Le montreur , Arman. Works 1955-1989, Jeffrey Robinson, Londres, The Mayor Gallery Arman Sculpteur Designer, Jeffrey Robinson, Roanne, Galerie La Taille Douce Arman. A Retrospective, Manuela Rossi, Seoul, Gana Art Gallery Deux ans plus tard, Arman. Retrospektiv, Siwert Bergström, Lunds, Lunds Konsthall, Malmö, Galleri GKM 1990 Arman's Dirty Paintings , Arman. Dirty Paintings, Donald Kuspit, New-York, Marisa del Re Gallery Arman, Monochrome Accumulations 1986-1989, Donald Kuspit, New-York, Vrej Baghoomian Gallery Arman: au pays de son inspiration, Dora Llipoulou-Rogan, Athènes, Galerie 3 Per Arman : un accumulo di ragioni, Arman, Manuela Rossi, Milan, Galleria Arte Borgogna Grande Musique et Fortes Allures, Arman, Pierre Restany, Tokyo, Fuji Television Gallery 1991 Arman: A Radical Portrait of Modernity , Arman 1955-1991 : A Retrospective, Pierre Restany, Houston, The Museum of Fine Arts Arman: Bétons 1970-1974, Catherine Francblin, Paris, Galerie Georges-Philippe Valois Arman: An Artist of Our Time , Arman 1955-1991: A Retrospective, Allison de Lima Greene, Houston, The Museum of Fine Arts Painting as Object Art / Oggettistica in pittura, Arman in Italy, Achille Bonito Oliva, Milan, Fondazione Mudima Arman: a Search for Beauty, Arman in Italy, Henry Martin, Fondazione Mudima 1993 Arman. Cycles, Donald Kuspit. New York, Marisa del Re Gallery Arman, de l’objet…à la couleur-objet , Arman, Georges Dussaule, Cagnes sur Mer, Château-Musée / Galerie Beaubourg Association d’image, Arman, André Froumessol, Cagnes sur Mer, Château-Musée / Galerie Beaubourg Arman, Maxime Longrée, Charleroi, Galerie Pascal Retelet De la peinture à la fleur, Arman, Michel Santinelli, Cagnes-sur-Mer, Château-Musée / Galerie Beaubourg 1994 La Nuit étoilée et Arman, Arman. La Nuit étoilée, Isabelle Sobelman, Pierre Nahon, Vence, Galerie Beaubourg L’elenco appunto , La ceramica di Arman, Umberto Eco, Bologne, Palazzo delle esposizioni, Edizioni Maggiore 1995 La ceramica di Arman, Henry Martin, Bologne, Palazzo delle esposizioni, Edizioni Maggiore Arman, un homo ludens en Grèce, Arman, Manos Stefanidis, Athènes, Galerie 3 La ceramica di Arman , La ceramica di Arman, Flaminio Gualdoni, Bologne, Palazzo delle esposizioni, Edizioni Maggiore 1996 Arman. Interactives, Caroll Janis, New York, Sidney Janis Gallery 1997 Arman: Accumulations in Relation, Patrick Pacheco, Londres, James Mayor Gallery 1998 Arman, Arman. Désordres Lyriques, Bernard LaMarche-Vadel, Paris. Opéra de Paris, Salle Favart Esthétique du dandy des gadoues , Arman. Désordres Lyriques, Michel Tournier, Paris, Opéra de Paris, Salle Favart 1998 Arman, Galerie nationale du Jeu de Paume, Paris, France Arman, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germany Arman, Culturgest, Lisboa, PORTUGAL Arman: Variations sur un Lénine, Galerie Patrice Trigano, Paris France Arman: Concerto pour quatre pianos, Galerie John Gibson, November, 1999, New York United States Arman: Nec mergitur, Galerie Piltzer, Paris, France Arman, Tel Aviv Museum of Art, Tel Aviv, Israël Arman, Museu de arte moderna do Rio de Janeiro, Rio de Janeiro, Brazil Arman, Museu de Arte de Sao Paulo Assis Chateaubriand (MASP), Sao Paulo SP, Brazil Arman: Fragmentation of Pianos, Galerie John Gibson, New York United States 2000 Arman, Museo de Monterrey, Monterrey, Mexico Arman: Racine carrée de fragments, Galerie Daniel Templon, Paris, France Arman, National Museum of History, Taipei, CHINA Arman: Anatomie del Tempo, Reggio Emilia, Italy Arman: Fragmentations, Galerie Georges-Philippe & Nathalie Vallois, Paris, Arman: Works on Paper, Ludwig Museum, Koblenz, Germany Arman: La Traversée des Objets, Chateau Musée de Villeneuve, Vence, France Arman: Vingt Siècles vus par Arman, Couvent des Cordeliers, Paris, France 2001 Arman, Fundaciò “la Caixa”, Barcelone, Spain Arman, Zürichsee Auktionen, Erlenbach, Switzerland Arman, Galerie Belmont, Films, Switzerland Arman: Superpositions, Guy Pieters Gallery, Knokke-le-Zoute, Belgium Arman, Sandwich Combos, Malborough Gallery, New York, United States Arman: En tout cas c’est de l’art, Galleria Dante, Padova, Italy Arman: La Traversée des Objets, Palazzo delle Zitelle, Venise, Italy Arman: Vingt Stations de l’Objet, Chantier Naval Opéra, Antibes Arman: Works on Paper, Vila Zanders Bergisch-Gladbach, Germany Arman: Through and Across Objects, Boca Raton, Florida, United States Arman: Des Cycles de la Vie, Galerie Anne Lettree, LUXEMBOURG Arman, Galeria De Arte Isabel Aninat, Santiago, CHILE Arman, Die Galerie, Zurich, Switzerland Arman: Vingt Siécles vus par Arman, Exposition au Chantier Naval Opera, Port Vabanantibes Arman: Passage a L’Acte, MAMAC, Nice, France, June 14 – October 14, 2001. 2002 Arman: Musique, Kunsthaus Grenchen, Grenchen, Switzerland Arman: Africarmania, Arman et l’Afrique, Galerie Beaubourg, Vence, France Arman: Dix Mots Pour, Sonia Zannettachi Gallery, Switzerland Arman: Œuvre Monumentale, Ville du Lavandou, Le Lavandou, France Arman: Works on Paper, Villa Haiss Museum, Zell, Germany Arman: Fragmentations, FIAC Galerie Beaubourg, Paris, France 2003 Arman: A Survey, Marlborough Gallery, New York, United States Arman: Centomilacenerentole, Dante Vecchiato Galleria d’Arte, Padova, Italy Arman: Arman, Museum of Contemporary Art of Teheran, Teheran, IRAN Arman: Le plein de l’art, Galleria Fonte d’Abisso, Milano, Italy Collection: Obelisk, 1983, (Towering accumulation of bronze cellos...

Antoine Poncet Unique Granite Sculpture. Black Patina Signed Dimensions: 62,5 cm L : 35 cm P : 25 cm Antoine Poncet, Swiss (1928 - ) Born in 1928 Member of the Institute Grands...

ROBERT KULICKE (1924-2007) Pear Pendant, 1966 Cloisonné enamel pendant in silver setting 1 ½ x 1 1/8 inches (enamel) Chain length: 12 inches Signed and da...

ROBERT KULICKE (1924-2007) Flower Pin (Tie Tack), 1962 Cloisonné enamel pin in silver setting 7/8 inches (diameter) Signed, dedicated and dated verso: TO HM /...

The Ballerina Before the Mirror of Life, Eduardo Oropeza, woman, ballerina The Ballerina Before the Mirror of Life, Eduardo Oropeza bronze sculpture brown limited bronze edition of 25 Cast in the USA Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. After the many years he had been working at his chosen profession, he saw being an artist as a tremendous gift, which honored and humbled him. A native of California's San Joaquin Valley and long time resident of East Los Angeles, Oropeza's academic training began with the study of Sociology. After taking an art course, he ultimately changed majors and received a Master of Fine Arts degree in sculpture from San Jose State. Postgraduate work followed at San Jose, San Diego State at Long Beach, and Palomar College. Oropeza’s contribution to public art in Los Angeles can be seen in a ceramic mosaic covering the 2 story Self Help Graphics Workshop building located at Ceasar Chavez and Gage streets in East Los Angeles. Oropeza donated his time and artistic talent to complete this multi-year project. The second phase of this project was the creation of a Virgin of Guadalupe shrine, for the community. Selected collections: Los Angeles County Museum of Art (LACMA), Hispanic Research Center, Arizona State University, City of Sacramento, California, Mary Tyler Moore, Eartha Kitt, Juanita Jordan, BET Television, St. Regis Hotel, San Francisco Time draws a line across the end of the day like a sunset and gently approaches the woman. The reflection on the mirror finds her leaning on the ballet bar...