Chris Bakay

Crystal Clear Converse - Original Pop Art Resin Sculpture by Chris Bakay

2019

Description Xu Ming (B.1983) Rabbit of the Moon No.2 Resin, electroplating 27 x 12x 12 cm Dated 2021 The artwork comes with an COA About Xu Ming Emerging artist Xu Ming was born in 1983 in Changchun, China. He earned his M.A at Jilin University of Arts. Xu once worked for famous established Chinese contemporary artist Fang Lijun...

Description Xu Ming (B.1983) Moon Rabbit Version Van Gogh No.1 Resin, electroplating 165 x 80 x 80 cm Dated 2021 The artwork comes with an COA About Xu Ming Emerging artist Xu Ming was born in 1983 in Changchun, China. He earned his M.A at Jilin University of Arts. Xu once worked for famous established Chinese contemporary artist Fang Lijun...

Description Xu Ming (B.1983) Friday Resin, electroplating 27 x 17 x 8 cm Dated 2021 The artwork comes with an COA About Xu Ming Emerging artist Xu Ming was born in 1983 in Changchun, China. He earned his M.A at Jilin University of Arts. Xu once worked for famous established Chinese contemporary artist Fang Lijun...

Description Xu Ming (B.1983) Moon Rabbit Version Van Gogh No.2 Resin, electroplating 165 x 80 x 80 cm Dated 2021 The artwork comes with an COA About Xu Ming Emerging artist Xu Ming was born in 1983 in Changchun, China. He earned his M.A at Jilin University of Arts. Xu once worked for famous established Chinese contemporary artist Fang Lijun...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including P...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including Pop and Classical art. Interested in street art, the self-taught artist references an array of cultural touchstones in his densely layered, often stencil-sprayed paintings; his allusions include corporate mascots, historical figures, actors, comic book characters, and artists. His sculpture similarly embraces popular culture, though it is also directly influenced by the work of the French artist Arman, who exhibited commercial objects as sculpture in the 1960s. Similarly insisting that popular culture and aesthetic production are linked, Alben inverts Arman’s structure by reimagining touchstones of art history such as the Venus de Milo as a configuration of crushed Coke cans