Dale Chihuly

Red Orange Ikebana with Flower

1992

Emiliano Zapata / Frog Revolutionary, 1981 By David Gilhooly (1943-2013) 20" x 11.5" Whimsical and irreverent, Mr. Gilhooly was internationally accla...

Frog and Swiss on Rye, 1981 By David Gilhooly (1943-2013) 4.75" x 3.5" x 4.5" Whimsical and irreverent, Mr. Gilhooly was internationally acclaimed for his imaginative ceramic works...

Burrito Frog, 1981 By David Gilhooly (1943-2013) 8" x 4" x 2" Signed Underneath Whimsical and irreverent, Mr. Gilhooly was internationally acclaimed for his imaginative ceramic work...

Jazz Players by Bill Hinz (1920-2009) Signature in Textile Bottom Left Unframed: 41.5" x 64" Framed: 42.5" x 64.75" Unique Piece made entirely out of a s...

Pickaxe (Spitzhacke) Superimposed on a Drawing of the Site by E.L. Grimm, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Unframed: 26" x 20" Framed: 28.75" x 22.75" Signed and Dated Lower Right Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...

Ernest Trova "The Encounter" 1994 Chrome Plated Steel Approx 24 x 26 x 24 inches Edition 1/8 Known for his Falling Man series in abstract figural sculpture, he created hard-edge ima...

Provenance: Part of an important collection that had work Both Benjamin Edols and Kathy Elliott were born in Sydney. The two began working together as recent graduates from the Canberra School of Art. Ben also studied at the Royal College of Arts in Sydney. The first exhibition of their collaborative work was in 1993. Since that time they have developed a body of work of blown and cold worked glass vessels and forms. Ben specialises in glassblowing and Kathy specialises in cold working techniques such as carving and engraving. In 2000 they built their own glassblowing and cold working studio in Sydney. In recent years, their work has been inspired by the botanical forms and patterns found in nature. One of the qualities of glass that they most appreciate is its ability to carry light. They have taught in Australia, America and Japan. Their work has been exhibited widely and is held in many public museums and private collections around the world including the Victoria and Albert Museum, the American Craft Museum, the National Gallery of Australia and the Auckland War Memorial Museum. Ben Edols & Kathy Elliott SELECTED SOLO EXHIBITIONS Tutti, Sabbia Gallery, Sydney, NSW Glance, Beaver Galleries, Canberra ACT Dwell, Collector Space, Jam Factory, Adelaide. SA Shelter, Sabbia Gallery, Sydney Benjamin Edols Kathy Elliott, Flame Run Gallery , Louisville KY Light Marks, William Traver Gallery, Seattle Studio Glass, Beaver Galleries, Canberra Benjamin Edols Kathy Elliott, Masterworks Gallery, Auckland Evolve, Sabbia Gallery, Sydney Edols & Elliott, Kirra Gallery, Melbourne, VIC Recent Work, deVera, New York, NY Cultivate II, Quadrivium , Sydney, NSW Botanicals, de Vera...

glass treasury, volume IX no. 13, smoky gray with a wooden lid Drago is a sculptural glassware that explores the concept of a treasury — the power of a container object to reflect ...

glass treasury, volume IX no. 10, steamy translucent Drago is a sculptural glassware that explores the concept of a treasury — the power of a container object to reflect the value ...

"Curved Form" by David Sprakes is an original table-top bronze sculpture that commands attention with its abstract interpretation of form and geometry. Crafted in bronze and offered ...

This is being sold as a piece of (functional?) decorator table sculpture for a kitchen or restaurant. I do not know if or how it works. the wheel and gears turn. It might be missing ...

Javier Calleja is showcasing a fresh crop of paintings and sculptures in NANZUKA’s 2G gallery and the dealer’s emerging outpost, 3110NZ by LDH Kitchen, ...