Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Yayoi Kusama
Pumpkin Objects (Pair White & Yellow) -- Sculptures, multiples by Yayoi Kusama

2016

About the Item

Pumpkin Object (White) & Pumpkin Object (Yellow), 2016 Yayoi Kusama The set of two painted cast resin multiples Each stamped on the base Accompanied by the original boxes Diameter: 7.5 cm (3 in) Height: 9.5 cm (3.7 in) Box: 10.6 × 12.4 × 12.4 cm (4.2 × 4.9 × 4.9 in)
  • Creator:
    Yayoi Kusama (1929, Japanese)
  • Creation Year:
    2016
  • Dimensions:
    Height: 3.94 in (10 cm)Width: 3.15 in (8 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU80919059452
More From This SellerView All
You May Also Like
  • Colorburst Pinwheels, Pinned Paper Flowers in Green, Pink, Yellow, Purple
    By Jill Parisi
    Located in Kent, CT
    In this framed wall sculpture, digital prints and hand-colored lithography on hand-cut tissue weight kozo and gampi paper are cut to mimic botanical shapes and pinned with entomology...
    Category

    2010s Contemporary Still-life Sculptures

    Materials

    Tissue Paper, Foam Board, Pins, Digital, Lithograph

  • Miniature Soft Drum Set
    By Claes Oldenburg
    Located in Miami, FL
    Technical Information: Claes Oldenburg Miniature Soft Drum Set 1969 The complete set of 9 sewn screenprinted elements on canvas, some with washline, wood, plastic buttons, rope, metal eye screws and spray enamel with wood base covered with screenprinted paper in colors 9 3/4 x 19 x 13 3/4 in. Artist's Proof - A.P. XVI Initialed and numbered in black ink on the bass drum...
    Category

    1960s Pop Art Still-life Sculptures

    Materials

    Mixed Media

  • Set of Four Pressed Botanical Specimens, c. 1900
    Located in Chicago, IL
    These four botanical specimens from the herbarium of A. Brun were hand-picked, pressed and preserved in the late-19th century. Each plant specimen is elegantly presented within a fine hardwood frame and includes a hand-written taxonomy card with the plant’s scientific name, family, habitat, and date collected. Originally used to document the plant diversity of a particular geographic area, herbariums wonderfully preserve the beauty of nature, making them quite a captivating and charming addition to any wall. From the collection of Frances and Gary Comer.
    Category

    Early 20th Century Still-life Prints

    Materials

    Wood

  • Screening
    By Nurhan Gokturk
    Located in New Orleans, LA
    NURHAN GOKTURK is an artist and urban designer. Born in Istanbul, Turkey, Gokturk immigrated to New York City at the age of three. Raised in Queens and Brooklyn and educated in the p...
    Category

    21st Century and Contemporary Contemporary Mixed Media

    Materials

    Resin, Acrylic, Polymer

  • "The Art Of Noise" Genuine Sculpted Fender Stratocaster Guitar
    By Plastic Jesus
    Located in West Hollywood, CA
    Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and politics. His work is more about shining a small light into some of those dark corners of society then standing back and watching reactions and opinions. his work combines humor, irony, criticism and unique opinion to create art that engages on many levels. This sculptural work is available as signed Artist Proof (AP) 1 of 1 - the limited edition of 3 have now sold. This is a fully working electric guitar and can be plugged into an amp and played - a video with Dave Navarro playing melted guitar on you tube...
    Category

    21st Century and Contemporary Contemporary Still-life Sculptures

    Materials

    Metal, Enamel

  • “Video Editing Keyboard 1 - 2 - 3” (Archeology series) Video Keyboard Sculpture
    By Daniel Fiorda
    Located in New York, NY
    Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...
    Category

    2010s Contemporary Abstract Paintings

    Materials

    Concrete

Recently Viewed

View All