Acrylic Still-life Sculptures

Hand finished resin - quartz matte white finish. Hand carved box signed. The artist resides in Italy where his studio is as well He is represented by many galleries worldwide inclu...

This piece is Vacuum formed with metal cards, painted and fabricated to be physically 3-D. All Yuki's works represent the 2-D while tricking our eyes in the 3-D physical world.

Hand finished resin - quartz matte white finish. Hand carved box signed. The artist resides in Italy where his studio is as well He is represented by many galleries worldwide inclu...

Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was among a select group of the esteemed Ken ...

This piece is Vacuum formed with plastic, painted and fabricated to be 3-D. All Yuki's works represent the 2-D while tricking our eyes in the 3-D physical world.

Red Grooms "Our First Brush With Red Grooms/ It Was Exciting!", 1968 Paint brush with paint inside acrylic casing 11 × 3 1/2 × 2 inches Unframed This paint brush - with original pain...

'Untitled 1' by David Kimball Anderson, 2021. Bronze, steel, and paint, 18 x 8 x 8 in. This sculpture features a rounded vase cast in bronze and finished in patinas of grey. It featu...

The images on the water towers are from the artist sketchbook. It was also a part of a wheatpaste street art initiative from 2020. During the COVID lockdown he wanted to inject a little bit of nature back in downtown New York. Referencing not only wildlife in general but also specifically from the neighborhood. In this series you might find dogs or cats from artists he personally knows but you might find a raccoon that somehow invaded the city. Ethan Minsker's descriptors include writer, filmmaker, artist, publisher, and zine creator. His work chronicles the lifestyles and cultures of overlooked and underappreciated artists. He was a founding member of the Antagonist Art Movement, a New York City-based group of artists, writers, and musicians who promoted work by up-and-coming talent between 2000 and 2011. Ethan was the recipient of the Acker Award for Visual Arts in 2017. He was also the creator and editor-in-chief of Psycho Moto Zine, which has been in publication from 1988–present. He received his B.F.A. in Film with honors from the School of the Visual Arts and his masters in Media from the New School. Ethan has written three novels, produced nine feature films, and continues his relationship with under-served artists as a board member and president of Citizens for the Arts, a nonprofit group whose mission is to promote art for kids...

Framed dimensions are 28 x 24 x 4 inches. Oil, acrylic, and resin on linen. Artist Bio Darius Yektai was born in Southampton NY, in 1973. He lives and works out of his home and st...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a video editing keyboard on a white background, embedded in resin and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 7 x 7 x 1.75 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Acrylic on hand-carved African mahogany Signed, titled, and dated, verso This artwork is offered by ClampArt, located in New York City. Philip Campbell writes: “August 2016 we trav...

Artist: Lucio del Pezzo, Italian (1933 - ) Title: Chair Year: circa 1970 Medium: Sculpture Assemblage with wood, upholstery and paint, signed and numbered in ink Edition: 26/70 ...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

A sculpture made with glass layers and painted with nail polish and acrylic, set on a wood pedestal. The glass leaves are separated by slits on the pedest...

A sculpture made with glass layers and painted with nail polish and acrylic, set on a cement pedestal. The glass leaves are separated by slits on the pedestal, giving the sculpture ...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculpture an extraordinary three-dimensional volume. The Turquoise Tree...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

With the distinctive medium of nail polish on glass, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. Her glass panel sculptures play ...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculpture an extraordinary three-dimensional volume. With the distinctive medium of nail polish on glass, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. Her glass panel sculptures play with the viewer’s perspective, changing with every angle to appear both two and three dimensional. Keywords: Glass, nail polish, pedestal, new york, interior design, plum tree...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...

A sculpture made with glass layers and painted with nail polish and acrylic, set on an acrylic pedestal. The glass leaves are separated by slits on the pedestal and give the sculptu...