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Paul Wunderlich
Paul Wunderlich - Leaf - Signed Bronze Sculpture

1979

About the Item

Paul Wunderlich Leaf Bronze Sculpture Signed, Numbered 248/350 Dated 1979 Paul Wunderlich, (1927 - 2010) Born in Eberswalde on 10 March 1927. The German painter studied at the Kunstschule in the orangery of the castle of Eutin. In 1947 he went to the Hochschule fur Bildende Kunste, Hamburg, and studied graphic art. He extended his training by another semester to work under Willem Gremm. In 1951 he was offered a teaching post at the school, which he held until 1961. In 1963 he became Professor for the Graphic Arts and Painting. Between 1951 and 1952, under the instruction of Emil Nolde and Oskar Kokoschka, he produced prints after their originals. In 1957 he created a series of Tachist paintings, for example S111/57 but he destroyed most of them later. Towards the end of the 1950s he produced his first figurative prints and paintings. In the beginning their subjects were events from more recent German history, for example the set of lithographs 20 July 1944 (1959; Berlin, Gal. Brusberg), which depicted the execution of the men who had conspired against Adolf Hitler. This subject-matter was increasingly replaced by an eroticism that is partly Surrealist, partly decorative. In 1960 the public prosecutor of Hamburg confiscated such a series of prints. Paul Wunderlich is professor of graphic art and painting at the University of Fine Arts, Hamburg, is a painter, sculptor and lithographer who lives and works for part of the year in Hamburg and the rest in France. Married in 1963 to the photojournalist and fine art photographer Karin Szekessy (b. 1939, Essen), he sometimes paints and makes prints from the nude photographs made by Szekessy. Wunderlich belongs to the second generation of Fantastic Realists, sometimes called Magical Realists. These artists have remained faithful to the tradition although the imagery has remained contemporary. Paul Wunderlich, the most prominent among them, has developed a style slightly cooler in temperament and more analytical. Often borrowing from classical mythology, he emphasizes the human form within a context that blends together contemporary and historical references. With cool aloofness, Wunderlich transports the viewer into a world of surreal eroticism and aesthetic symbolism. Again and again, Wunderlich spices his Fantastic Realism with a startling dose of irony. After Picasso and Max Ernst no other artist has contributed as much to the sculpture of painters as Paul Wunderlich. The themes for his sculptures and objects are closely linked to his paintings, drawings and lithographs. Wunderlich sculptures and objects combine the simplicity of an idea with the refinement of the material, and imagination with perfection in shaping something into a perfect form. As an artist, Paul Wunderlich has remained faithful to his own artistic visions. Over a period of several decades, Wunderlich’s complex and comprehensive body of work has led to numerous exhibitions in museums worldwide. In 1994-95, he had retrospectives in several Japanese museums (Tokyo, Osaka, Hokkaido, Gifu). Wunderlich has been successful in numerous international print competitions and has received many awards. In 1964, he was awarded the Japan Cultural Forum Award, Tokyo; in 1967, he received the Award Premio Marzotti, Italy; in 1970, he was awarded the Gold-Medal in Florence, Italy; in 1978, he received Gold-Medals at the Grafik-Biennale in Taiwan and in Bulgaria. He lived and worked in Hamburg and Saint-Pierre-de-Vassols (Provence), where he died after a short illness
  • Creator:
    Paul Wunderlich (1927, German)
  • Creation Year:
    1979
  • Dimensions:
    Height: 13.78 in (35 cm)Width: 7.09 in (18 cm)Depth: 3.94 in (10 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Collonge Bellerive, Geneve, CH
  • Reference Number:
    1stDibs: LU16121901653
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    Located in Collonge Bellerive, Geneve, CH
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During this period, he explored creation via destruction. The "Coupes" and the "Colères" featured sliced, burned, or smashed objects arranged on canvas, often using objects with a strong "identity" such as musical instruments (mainly violins and saxophones) or bronze statues. The son of an antiques dealer and amateur cellist, the artist absorbed an intense appreciation for music, the art of collecting and the cultivation of discriminating taste from an early age. After studies at the Ecole Nationale des Arts Décoratifs in Nice, Arman decamped to Paris to study art history at the Ecole du Louvre. His work in these early years focused on abstract paintings inspired by the work of Nicolas de Staël. An avid reader, Arman sought inspiration through books and art reviews, as well as during frequent road trips throughout Europe with his artist friends from Nice, Claude Pascale and Yves Klein. 1972 Arman, Paris, Fernand Hazan, collection "Ateliers d'aujourd'hui" Otto Hahn 1973 Arman, New-York, Harry N. Abrams French Edition : Pierre Horay, with text by Pierre Restany. Henry Martin 1982 Arman: Conscious Vandalism / Vandalismo cosciente, Vérone, Edizioni Factotum-Art Sarenco 1984 Arman, New-York, Abbeville Press Jan Van der Marck The Public Sculpture of Arman, New-York, Marisa del Re Gallery Frederic Ted Castle Arman, Galerie Beaubourg, reprinted from the journal CiMayse, Paris, no. 170, May-July 1984. "Accumulations by Arman", Art in America, New-York, vol. 71, no. 11, December 1983. Frederic Ted Castle 1987 Arman, Paris, La Différence Bernard LaMarche-Vadel 1988 Arman. 13 peintures / Arthur Rimbaud. Lettres du Voyant, Paris, La différence, collection "Tels qu'en eux-mêmes" (livre publié à l'occasion de l'exposition "Arman. Peintures 87-88", Galerie Beaubourg, Paris, 1988). Jan Van der Marck 1990 Arman Estampes, Paris, Editions Marval Jane Otmezguine, Corice Canton Arman and Marc Moreau 1991 Arman, Catalogue raisonné II, Paris, La Différence Denyse Durand-Ruel 1992 Mémoires accumulés d'Arman, Paris, Belfond Otto Hahn 1993 Arman, Paris, La Différence, collection "Classiques du XXIème siècle" Pierre Cabane 1994 Arman, Catalogue raisonné III, Paris, La Différence Denyse Durand-Ruel 2004 Arman Inclusions, Bordighera, Edizioni Cudemo Tita Reut EXHIBITION CATALOGS 1959 Piccolo gioco administrativo del caso, Arman, Pierre Restany, Milan, Galleria Apollinaire 1960 À toute allure, Arman. Allures d'objets, Pierre Restany, Paris, Gallerie Saint-GerMayn 1962 Arman et la logique formelle de l'objet, Arman, Pierre Restany, Los Angeles, Dwan Gallery 1963 Arman, Arman, Alain Jouffroy, Milan, Galleria Schwarz 1964 Introduction à la peinture d'Arman , Arman, Claude Pascal. Amsterdam, Stedelijk Museum 1964 Arman, Yves Klein, Amsterdam, Stedelijk Museum Arman and Esthetic Change, Arman, Gene R. Swenson, New-York, Sidney Janis Gallery 1965 Arman, Paul Wember, Krefeld, Museum Haus Lange 1967 Arman: un acte de foi dans la spiritualité de la matière , Arman, Pierre Restany, Paris, Galerie Illeana Sonnabend 1968 Arman, John Ashbery, New York, Sidney Janis Gallery Arman, Pierre Restany, Milan, Galleria Schwarz 1969 Arman 1960-1965, Grégoire Müller, Paris, Galerie Mathias Fels Arman. Accumulations Renault, François Mathey, Paris, Union centrale des Arts décoratifs 1970 Arman Accumulations Renault, Karl-Heinz Hering, Zurich, Kunsthaus Arman piu' pittore che natura, Arman, Pierre Restany, Milan, Galleria dell'Ariete ​ 1972 Objets de luxe et fétiches raisonnables, Arman, Pierre Restany, Milan, Galleria Arte Borgogna Arman : Les Moments d'Arman, Jacques Putman, Paris, Galerie de l'Œil 1973 Selected Activities, Peter Schjedahl, New-York, John Gibson Gallery Oggetti di lusso e feticci ragionevoli, Arman, Pierre Restany, Galleria Arte Borgogna Arman: An Archeologist of the Present, Arman. Jan Van der Marck, New-York, John Gibson Gallery 1974 Le juste poids d'un homme et d'une œuvre, Arman, Pierre Restany, Arles, Salles romanes du Cloître Saint-Trophime Logician of Form / Magician of Gesture , Arman. Selected Works : 1958-1974, Jan Van der Marck, La Jolla, La Jolla Museum of Contemporary Art Arman. Concrete Lyrics, Andrew J. Crispo, New York, Andrew Crispo Gallery Arman et la logique formelle de l'objet , Arman, L'Œuvre graphique, Pierre Restany, Saint-Paul-de-Vence, Galerie Alexandre de La Salle 1975 Arman, Objets armés, 1971-1974, Jacques Lassaigne, Paris, Musée d'Art Moderne de la ville de Paris Arman. Lyrical Surfaces, Andrew J. Crispo, New York, Andrew Crispo Gallery Arman's Violin-Service, A Game of Correspondances , Arman, Violin-Service, Pierre Restany, Paris, Galerie Claude Tchou Arman, Surgeon of the Mass-Productive Civilization, Arman, Yoshiaki Tôno, Nagoya, Galerie Valeur 1978 Arman. Hard & Soft, Jan Van der Marck, New-York, Andrew Crispo Gallery The Iron Age and its Monuments, Arman. L’Age de fer et ses monuments, Daniel Abadie, Paris, Galerie Beaubourg Accumulations : Radiant and Wretched, Arman. Accumulations, Shunkichi Baba, Nagoya, Galerie Valeur 1980 Petite histoire du collage et de l’assemblage , Arman. Sélection rétrospective, Otto Hahn, Cluse, Centre d’Art et de Culture de Flaine Arman, Sélection rétrospective, Pierre Restany, Cluses, Centre d'Art et de Culture de Flaine Zucche in carroze, Arman, Jan Van der Marck, Portofino, Galleria Civica d'Arte Moderna 1981 Arman : uno sguardo sempre nuovo sul mondo , Arman. Opere del 1979, Pierre Restany, Rome, Le Point Art Studio 1982 Fünfundszwanzig Jahre als Erfolg / Vingt-cinq ans de bonheur , Arman, Parade der Objeckte, Retrospektive 1955 bis 1982, Pierre Restany, Hanovre, Kunstmuseum Hannover mit Sammlung Sprengel Arman. Le Traité du violon, Maurice Roche, Paris, Galerie Abel Rambert Arman , Arman. Carvings and Drawings, Otto Hahn, Dublin, The Salomon Gallery Arman. Papiers découpés 1982, Ted Castle, Paris, Galerie Beaubourg Arman Retrospektiv , Arman. Parade der Objekte, Retrospektive 1955 bis 1982, Joachim Büchner et Bernhard Holeczeck, Hanovre, Kunstmuseum Hannover mit Sammlung Sprengel Arman o l'oggetto come alfabeto , Arman o l'oggetto come alfabeto, Walter Schönenberg, Lugano, Museo Civico di Belli Arti 1984 Vinticinque anni di felicità , in Arman o l'oggetto come alfabeto, Pierre Restany, Lugano, Museo Civico di Belle Arti L’allure d’Arman , Arman, Daniel Abadie, Knokke le Zoute, Christian Fayt Art Gallery Arman’s Apocalypse, Arman. The Day After, Sam Hunter, New York, Marisa del Re Gallery A la recherche du concert perdu , Arman. Recent Sculptures, Michel Butor, Monte Carlo, Galerie Le Point Arman, scultore del'réalisme sociétal , Arman o l'oggetto come alfabeto, André Verdet, Parme, Palazzetto Eucherio Santivale 1985 Un délire spiralé d'Arman , Arman, André Verdet, Zurich, Schöner Wohnen Haus Galerie Transformation of Things, Arman, Mashashi Miura, Seoul, Walker Hill Art Center A la recherche du concert perdu, Arman, Michel Butor, Genève, Galerie Sonia Zannettacci Le jour après la colère, Arman, François Bazzoli, Toulon, Musée de Toulon Arman, Claude Fournet, Toulon, Musée de Toulon Arman Retrospektive, Adolph Hanspeter, Zurich, Galerie Pavillon Werd 1986 Arman’s Gods and Goddesses , Arman. Gods and Goddesses, Henry Geldzahler, New York, Marisa del Re Gallery Arman: Hard & Soft Ware, Arman. Hard & Soft Ware, Pierre Restany, Paris, Courrèges 1987 Arman. Rythmes et Couleurs, Claude Fournet. Nice, Galerie Ferrero 1988 Opéras – rituels , Arman. Désordres lyriques, Georges Aperghis. Paris, Opéra de Paris, Salle Favard Désordres lyriques, Arman. Michel Beretti, Paris, Opéra de Paris, Salle Favard Arman as a Painter: From Guts to Geist, Arman Paintings, Pierre Restany, New-York, Marisa del Re Gallery 1989 La seconde parade des objets , Arman Retrospektiv, Pierre Restany, Lunds, Lunds Kunsthall, Malmö, Galleri GKM Arman. Shooting Colors, Pierre Restany, Paris, Galerie Beaubourg Le montreur , Arman. Works 1955-1989, Jeffrey Robinson, Londres, The Mayor Gallery Arman Sculpteur Designer, Jeffrey Robinson, Roanne, Galerie La Taille Douce Arman. A Retrospective, Manuela Rossi, Seoul, Gana Art Gallery Deux ans plus tard, Arman. Retrospektiv, Siwert Bergström, Lunds, Lunds Konsthall, Malmö, Galleri GKM 1990 Arman's Dirty Paintings , Arman. Dirty Paintings, Donald Kuspit, New-York, Marisa del Re Gallery Arman, Monochrome Accumulations 1986-1989, Donald Kuspit, New-York, Vrej Baghoomian Gallery Arman: au pays de son inspiration, Dora Llipoulou-Rogan, Athènes, Galerie 3 Per Arman : un accumulo di ragioni, Arman, Manuela Rossi, Milan, Galleria Arte Borgogna Grande Musique et Fortes Allures, Arman, Pierre Restany, Tokyo, Fuji Television Gallery 1991 Arman: A Radical Portrait of Modernity , Arman 1955-1991 : A Retrospective, Pierre Restany, Houston, The Museum of Fine Arts Arman: Bétons 1970-1974, Catherine Francblin, Paris, Galerie Georges-Philippe Valois Arman: An Artist of Our Time , Arman 1955-1991: A Retrospective, Allison de Lima Greene, Houston, The Museum of Fine Arts Painting as Object Art / Oggettistica in pittura, Arman in Italy, Achille Bonito Oliva, Milan, Fondazione Mudima Arman: a Search for Beauty, Arman in Italy, Henry Martin, Fondazione Mudima 1993 Arman. Cycles, Donald Kuspit. New York, Marisa del Re Gallery Arman, de l’objet…à la couleur-objet , Arman, Georges Dussaule, Cagnes sur Mer, Château-Musée / Galerie Beaubourg Association d’image, Arman, André Froumessol, Cagnes sur Mer, Château-Musée / Galerie Beaubourg Arman, Maxime Longrée, Charleroi, Galerie Pascal Retelet De la peinture à la fleur, Arman, Michel Santinelli, Cagnes-sur-Mer, Château-Musée / Galerie Beaubourg 1994 La Nuit étoilée et Arman, Arman. La Nuit étoilée, Isabelle Sobelman, Pierre Nahon, Vence, Galerie Beaubourg L’elenco appunto , La ceramica di Arman, Umberto Eco, Bologne, Palazzo delle esposizioni, Edizioni Maggiore 1995 La ceramica di Arman, Henry Martin, Bologne, Palazzo delle esposizioni, Edizioni Maggiore Arman, un homo ludens en Grèce, Arman, Manos Stefanidis, Athènes, Galerie 3 La ceramica di Arman , La ceramica di Arman, Flaminio Gualdoni, Bologne, Palazzo delle esposizioni, Edizioni Maggiore 1996 Arman. 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Désordres Lyriques, Michel Tournier, Paris, Opéra de Paris, Salle Favart 1998 Arman, Galerie nationale du Jeu de Paume, Paris, France Arman, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germany Arman, Culturgest, Lisboa, PORTUGAL Arman: Variations sur un Lénine, Galerie Patrice Trigano, Paris France Arman: Concerto pour quatre pianos, Galerie John Gibson, November, 1999, New York United States Arman: Nec mergitur, Galerie Piltzer, Paris, France Arman, Tel Aviv Museum of Art, Tel Aviv, Israël Arman, Museu de arte moderna do Rio de Janeiro, Rio de Janeiro, Brazil Arman, Museu de Arte de Sao Paulo Assis Chateaubriand (MASP), Sao Paulo SP, Brazil Arman: Fragmentation of Pianos, Galerie John Gibson, New York United States 2000 Arman, Museo de Monterrey, Monterrey, Mexico Arman: Racine carrée de fragments, Galerie Daniel Templon, Paris, France Arman, National Museum of History, Taipei, CHINA Arman: Anatomie del Tempo, Reggio Emilia, Italy Arman: Fragmentations, Galerie Georges-Philippe & Nathalie Vallois, Paris, Arman: Works on Paper, Ludwig Museum, Koblenz, Germany Arman: La Traversée des Objets, Chateau Musée de Villeneuve, Vence, France Arman: Vingt Siècles vus par Arman, Couvent des Cordeliers, Paris, France 2001 Arman, Fundaciò “la Caixa”, Barcelone, Spain Arman, Zürichsee Auktionen, Erlenbach, Switzerland Arman, Galerie Belmont, Films, Switzerland Arman: Superpositions, Guy Pieters Gallery, Knokke-le-Zoute, Belgium Arman, Sandwich Combos, Malborough Gallery, New York, United States Arman: En tout cas c’est de l’art, Galleria Dante, Padova, Italy Arman: La Traversée des Objets, Palazzo delle Zitelle, Venise, Italy Arman: Vingt Stations de l’Objet, Chantier Naval Opéra, Antibes Arman: Works on Paper, Vila Zanders Bergisch-Gladbach, Germany Arman: Through and Across Objects, Boca Raton, Florida, United States Arman: Des Cycles de la Vie, Galerie Anne Lettree, LUXEMBOURG Arman, Galeria De Arte Isabel Aninat, Santiago, CHILE Arman, Die Galerie, Zurich, Switzerland Arman: Vingt Siécles vus par Arman, Exposition au Chantier Naval Opera, Port Vabanantibes Arman: Passage a L’Acte, MAMAC, Nice, France, June 14 – October 14, 2001. 2002 Arman: Musique, Kunsthaus Grenchen, Grenchen, Switzerland Arman: Africarmania, Arman et l’Afrique, Galerie Beaubourg, Vence, France Arman: Dix Mots Pour, Sonia Zannettachi Gallery, Switzerland Arman: Œuvre Monumentale, Ville du Lavandou, Le Lavandou, France Arman: Works on Paper, Villa Haiss Museum, Zell, Germany Arman: Fragmentations, FIAC Galerie Beaubourg, Paris, France 2003 Arman: A Survey, Marlborough Gallery, New York, United States Arman: Centomilacenerentole, Dante Vecchiato Galleria d’Arte, Padova, Italy Arman: Arman, Museum of Contemporary Art of Teheran, Teheran, IRAN Arman: Le plein de l’art, Galleria Fonte d’Abisso, Milano, Italy Collection: Obelisk, 1983, (Towering accumulation of bronze cellos...
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