19th Century Still-life Sculptures
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Period: 19th Century
Antique, 19th C. Peugeot Frères Brevetés French Coffee Grinder Table Sculpture
Located in Surfside, FL
This is being sold as a piece of (functional?) decorator table sculpture for a kitchen or restaurant. I do not know if or how it works. the wheel and gears turn. It might be missing ...
Category
Modern 19th Century Still-life Sculptures
Materials
Metal, Brass
19th Century Honey Glazed Provençal Confit Jar.
Located in Cotignac, FR
Exceptional good size 19th century French hand made honey glazed terra cotta confit jar from Provence in the south east of France.
Very beautiful patina to both the glaze and the te...
Category
Realist 19th Century Still-life Sculptures
Materials
Glaze, Terracotta
Pair of Terracotta Nubiens probably Goldsheider
Located in LA BOUILLE, FR
An exquisite set of a pair of North African orientalist/africanist terracotta sculptures of a man and female conveying water containers. Most likely by Goldsheider, incredibly molded...
Category
19th Century Still-life Sculptures
Materials
Terracotta
Nubian Water Carrier in Gilt & Patinated Bronze Attributed Graux-Marly Foundry
Located in New York, NY
Parcel gilt and patinated bronze figural statue of a Nubian Water carrier with a pitcher on her shoulder. The contrast between the deep bronze and bright gilding is incredibly striking. The woman drips in gold jewelry and drapery, wearing arm bangles, a large necklace and outrageous earrings. Beautifully casted, the piece's details are crisp and well defined, with beautiful even patinas and gilding. She stands atop an exquisitely carved, two toned, wooden base made of three sections. A fluted column with a small garland nestled within each flute makes up the main body, while a bellied band carved to mimic tufted cushions or upholstery is sandwiched between the column and a black hexagonal ped.
Attributed to the Graux-Marly Foundry. Based at 8 rue du Parc-Royal in Paris in 1860, started by Jules Graux-Marly and continued by his sons into the later 19th Century. The firm exhibited at the 1878 Paris Exhibition and was well-respected for both their figurative sculptures and decorative ornaments.
Dimensions:
Statue: 53.5" x 13"
Base: 25.5" x 17"
Overall: 79 in x 17"
Circa 1870
Sold with a carved wood pedestal plinth...
Category
19th Century Still-life Sculptures
Materials
Bronze
French Bronze Bust of an Algerian Beauty
Located in New York, NY
Bronze bust with brown patina on marble socle base. Red patina detail on head scarf. In beautiful condition, expertly cast and modeled. Perfect for an art collector looking for European work that depicts Black and African people...
Category
19th Century Still-life Sculptures
Materials
Marble, Bronze
Maiden with a Lute, Patinated Bronze Sculpture by Adrien Etienne Gaudez
By Adrien Étienne Gaudez
Located in New York, NY
A maiden holding a lute leaning on a tree trunk dappled with english ivy and cattails, all surmounted on a rouge royal marble base. Beautifully cast, crisp details.
Artist: Adrien ...
Category
19th Century Still-life Sculptures
Materials
Bronze
Pair of Polychrome-Patinated and Gilt Bronze Orientalist Princess Busts
Located in New York, NY
Artist: Adrien-Etienne Gaudez (1845-1902)
Origin: French
Date: 19th century
Dimension: 32 in(H) x 21 in(W); 29 1/2 in(H) x 22 in(W)
Adrien-Etienne Gaudez entered the Ecole des Beaux...
Category
19th Century Still-life Sculptures
Materials
Bronze
Italian Big Scale Hand Carved Table Top Wood Lion Sculpture
Located in Firenze, IT
This 19th century big scale Italian animalier sculpure features a lion striding forward on a root-wood base, snarling with open mouth and expressive eyes enlivening its rippling mane with an extremely realistic sense of motion. The wooden statue, wonderful as a table top, is entirely hand carved in the round in a single block of solid olive wood, sign of high quality and sculptural artisanal mastery. An original whimsical and impressive centerpiece clearly sculpted by a true artist who carved the block of wood creating this figure of the proudest feline boasting a detailed study of the lion's anatomy.The features on the face, mane, muscles, tail and the paws are still distinctive and full of character as well as the beautifully carved stand. This sculpture boasts smooth surface and a warm patina developed over centuries and exudes wonderful quality and timelessness of the ancient world. The rich original patina brings further intrigue to its intricately carved details.
This hand carved wooden lion statue is a great looking antique centrepiece...
Category
Realist 19th Century Still-life Sculptures
Materials
Wood
Bust of a Lady, Madame Comtesse Du Barry, Terracotta Bust, French Antique School
Located in Greven, DE
A powerful presentation piece, this stunning bust of Jean Bécu - Comtesse du Barry is both beautiful and tragic. Executed in terracotta that has been left natural and shows a complex...
Category
Rococo 19th Century Still-life Sculptures
Materials
Terracotta
French 19th century Animalier bronze of Two Hares on a naturalistic base
Located in Bath, Somerset
19th century bronze group of a standing and sitting hare by French animalier sculptor Alfred Dubucand (1823-1894). Finely detailed bronze with good dark brown patination. Signature '...
Category
Naturalistic 19th Century Still-life Sculptures
Materials
Bronze
Palissy Majolica Bowl Snake Spider Frog Caterpillar Butterfly Lizard
Located in Detroit, MI
This Jose A Cunha Portuguese Palissy Majolica plate features a snake, spider, frog, caterpillar, and butterfly on green shredded clay ground. The piece bears the maker's marks for Jose A Cunha pottery. Palissy ware is a style of ceramics that is also known as rusticware due to their earth-toned palettes and naturalistic plant and animal scenes that are cast to it. The style was coined in reference to the 16th century French potter Bernard Palissy and experienced a significant revival in the 19th century thanks to Charles-Jean Avisseau. It's strongest revival however was in Portugal where it was produced by the potteries of Mafra, Jose A. Cunha, Alves, José Francisco de Sousa...
Category
19th Century Still-life Sculptures
Materials
Majolica, Glaze, Earthenware
Sculpture of "A Rearing Bull" by animalier Antoine-Louis Barye
Located in New York, NY
Antoine-Louis Barye was acclaimed as the finest sculptor of the French Animaliers School. As a 19th century sculptor he was an advocate for both naturalism and romanticism. This rear...
Category
Academic 19th Century Still-life Sculptures
Materials
Bronze
Set of 3 cold painted Austrian bronze sculptures of Bulldogs
By Franz Xaver Bergman (Bergmann)
Located in Moreton-In-Marsh, Gloucestershire
In the manner of Franz Bergman
Austrian, (C1900)
Set of 3 Bulldogs
Bronze
A set of 3 Austrian cold painted bronze sculptures of bulldogs in the manner of by Franz Bergman with lovely...
Category
Victorian 19th Century Still-life Sculptures
Materials
Bronze
The Supreme Fisher Boy Carrara Marble statue
By Pio Fedi 1
Located in New York, NY
The Supreme Fisher Boy, is the elevation of what is an everyday task to a celebration of a boy who elegantly rides the back of a dolphin while netting the r...
Category
Rococo 19th Century Still-life Sculptures
Materials
Marble
Antique, 19th C. Peugeot Frères Brevetés French Coffee Grinder Table Sculpture
Located in Surfside, FL
This is being sold as a piece of (functional?) decorator table sculpture for a kitchen or restaurant. I do not know if or how it works. the wheel and gears turn. It might be missing ...
Category
Modern 19th Century Still-life Sculptures
Materials
Metal, Brass
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after Lorenzo Ghiberti
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The Story of Joseph from the Second Baptistery Doors,
Florence (“The Gates of Paradise”)
Signed at the lower right of the principal relief: F. BARBEDIENNE FONDEUR
Nine bronze reliefs set into a wooden frame
27 ½ x 27 ½ inches (70 x 70 cm)
The present work is a half-size reduction of nine panels from the famous Gates of Paradise by Lorenzo Ghiberti, made for the Baptistery of Florence and now housed in the Museo del Opera del Duomo. The central scene is one of the most remarkable, The Story of Joseph, comprised of seven episodes from the Biblical narrative integrated into one composition: Joseph cast by his brethren into the well, Joseph sold to the merchants, the merchants delivering Joseph to the pharaoh, Joseph interpreting the pharaoh’s dream, the pharaoh paying him honor, Jacob sending his sons to Egypt, and Joseph recognizes his brothers and returns home. The surrounding reliefs—two vertical figures in niches, two recumbent figures, and four portrait heads in roundels—are as well faithful reductions of Ghiberti’s original bronzes on other parts of the doors.
The maker of these casts was the renowned 19th-century French fondeur Ferdinand Barbedienne. Gary Radke has recently written of this great enterprise:
“The Parisian bronze caster Ferdinand Barbedienne began making half-sized copies of ancient and Renaissance sculpture in the 1830s. His firm benefitted enormously from the collaboration of Achille Collas, whom Meredith Shedd has shown was one of numerous pioneers in the mechanical reproduction of sculpture. Their competitors largely devoted themselves to reproducing relief sculpture, but Collas devised a process for creating fully three-dimensional copies. A tracing needle, powered by a treadle, moved over the surface of a full-sized plaster cast or bronze of the original and triggered a complementary action in a cutting stylus set over a soft plaster blank…He signed an exclusive contract with Barbedienne on November 29, 1838, and won medals for his inventions in 1839 and 1844.
Barbedienne’s half-sized copies of the Gates of Paradise were famous not only for their fidelity to the original, but also for the way their gilding…suggested the glimmering surface that was hidden under centuries of dirt. Some critics even saw Collas’s and Barbedienne’s work as ‘philanthropic, an exemplary adaptation of industry to the requirements of art, the artist, the workers, and the public alike.’
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WILSON POTTERIES. The vessels made at the Wilson potteries of Guadalupe County
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