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  • Bottles, Ceramic Sculpture with Lighting by Ilena Finocchi
    By Ilena Finocchi
    Located in Long Island City, NY
    Artist: Ilena Finocchi Title: Bottles Year: circa 2009 Medium: Plaster-Cast Ceramic Molds, Lights, Wooden Display Light Box Size: 16 x 20 x 20 in. (40.6...
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    Early 2000s Conceptual Still-life Sculptures

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    By Robert Mapplethorpe
    Located in Long Island City, NY
    A pair of limited edition ceramic plates incorporating Robert Mapplethorpe’s Cala Lily and Poppy Flower photographic images. This set is new, ...
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    Early 2000s Modern Still-life Sculptures

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  • Children Playing, Chinese Painted Urn
    Located in Long Island City, NY
    Origin: Chinese Artist: Unknown Title: Children Playing Medium: Porcelain Urn Size: 16 x 9.5 x 9.5 in.
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    20th Century Ming Still-life Sculptures

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    Porcelain

  • Women in the Garden, Porcelain Vase
    Located in Long Island City, NY
    This painted porcelain vase is of Chinese origin. Women can be seen socializing in an ancient Chinese garden. The analogous color scheme creates a serene and comfortable design. Or...
    Category

    Mid-20th Century Expressionist Still-life Sculptures

    Materials

    Porcelain

  • Robert Mapplethorpe, Calla Lily Porcelain Plate
    Located in Long Island City, NY
    Artist: after Robert Mapplethorpe, American (1946 - 1989) Title: Calla Lily Date: circa 2000 Medium: Porcelain Plate, printed signature verso Edition Size: 500 Diameter: 8.25 inches ...
    Category

    Early 2000s Modern Still-life Sculptures

    Materials

    Porcelain

  • Robert Mapplethorpe, Poppy Flower Porcelain Plate
    Located in Long Island City, NY
    Artist: after Robert Mapplethorpe, American (1946 - 1989) Title: Calla Lily Date: circa 2000 Medium: Porcelain Plate, printed signature verso Edition Size: 500 Diameter: 8.25 inches ...
    Category

    Early 2000s Modern Still-life Sculptures

    Materials

    Porcelain

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  • "RAKU RED AND WHITE", wheel formed white glaze, copper red, gold leaf, sculpture
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    "RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...
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