Art Deco

DANIEL ARSHAM Hourglass (Blue), 2019 Glass, sand, cast miniature camera and quartz crystal in opaque white resin accompanied by its original box with guara...

Bedfellows refers to partnerships and celebrates relationships. This piece is subtle and beautiful. The pale, purple paint accentuates the carved texture. The piece is framed in wh...

In Lieu of a Fight is a wall-mounted, low relief sculpture made from cast hydrocal plaster and then painted with white acrylic paint. The piece is a minimalist in nature and consist...

This piece is made by casting Hydrostone on top of an oil clay pattern. Once cured, the oil clay is removed, then paint is applied to the surface. The piece is hung with an aluminu...

"I welcome the continual emergence of change, evolution, and the inevitable challenges that form a large part of a working artist’s life." With CHEF'S HAT, a recent and evolving work, I am moving into more dimensionality and space. My intention is to push patterned and embellished surfaces on paper from its naturally flat surface into a more structural and spatial plane. This involves making sculptural pieces from paper and experimenting with new construction methods using strips and lengths of paper over-lapped and fastened together, shaped into objects with physical presence. I feel I am migrating from the flat surface into the third dimension. I envision the paper constructions as a landscape to be wandered in and out of, through and around, a space that invites all and sundry to enter on their own terms. I hold firmly to the belief that my work exhibits a playfulness that belies a more serious assessment of our social world. I am interested in how something that is initially perceived as frivolous and celebratory can constitute a reaction against and resistance to the shadowy world of misfortune, hard luck, and weariness. Born in 1959, Lanie Gannon was predominantly inspired by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous 1960s. Process art branched...

Die Arbeit Eiskalt, markiert für mich einen wichtigen Punkt in der aktuellen Entwicklung der Serie. Ich bemerke, dass mein Wunsch mit Objekten zu arbeiten immer deutlicher wird. Die ...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and brass leaf are applied to the su...

An abstract sculpture by Post War artist Tim Hawkinson depicting yellow shoes encased in plaster in a red shoe box. Signed underneath, "Tim Hawkinson, Tim...

Kate Casanova is an interdisciplinary artist who explores the posthuman through sculpture and video. Casanova is exhibited nationally and internationally at venues such as the Barbican Centre (London), Le Poisson Rouge (New York), and the Weisman Art Museum (Minneapolis). She received an MFA from the University of Minnesota...

charcoal on paper mounted to silk foam core and wood Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as a metaphor for naturally occurring systems of reproduction and growth. When Pomilio begins a piece, he doesn’t know where it will lead; although his tools and marks are precise, the layering, repetition, rotation, and distribution of basic shapes are improvised to emulate a single cell dividing and compounding into a complex form. The process of cell growth influences Pomilio’s practice and is emphasized through his own process, the use of erasure, faint outlines, opacity and translucency, and deliberate marks. The resulting compositions are balanced, unified, and harmonious. His work is included in the collections of the University of Arizona Museum of Art, Baylor University Martin Museum of Art, Dupont Corporation, University of Michigan...

Rah-Rah is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. The oil clay is extruded to take on a "noodle form". The composition is laid out on pl...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and brass leaf are applied to the s...