Color-Field Art

Although he socialized with such famous abstract expressionist artists as Lee Krasner and Robert Motherwell, Doug Ohlson creates paintings that are restrained and geometric in nature...

American, b. 1948 My paintings are intuitive responses to the myriad forces that shape my life—emotions that translate into color, visual memories of forms and color relationships f...

Silkscreen from 1970 by Washington Color School artist Howard Mehring (1931-1978). Museum quality framed behind UV plexi. Measures 29.5" x 26.5". Framed 37.25" x 34.25".

Watercolor by Willem De Looper (1932-2009). Painting is signed "de Looper" and dated 76' lower right. Painting measures 20" x 8". Willem De Looper was a Washington D.C. abstract...

Francine Tint (b. 1943) Another Time Thick acrylic impasto on board, 1999, Hand signed 'Francine Tint' titled, dated Inscribed 'To Piri, Enjoy Much Love' on the reverse. 14 x 15 1/...

"Looking down towards Ludlow Castle" and "View of Bridgnorth" Oils on Canvas, laid on board 9 by 12 inches, Signed and Framed (Framed in handmade gold leaf frames 14 by 17 inches) £2...

"Looking down towards Ludlow Castle" and "View of Bridgnorth" Oils on Canvas laid on board 9 by 12 inches, Signed and Framed (Framed in handmade gold leaf frames 14 by 17 inches) £28...

"Yellow, blue and red-orange colors dominate the work, which has a lively and energetic character. • It is painted on a professional canvas with high quality oil paints. • The painti...

"Yellow, blue and red-orange colors dominate the work, which has a lively and energetic character. • It is painted on a professional canvas with high quality oil paints. • The painti...

An observing black dog is captured against a yellow and red Coca-Cola sign in Guaymas, Mexico. Shot in 1970, Mitchell Funk was innovating in color photography, which is what many col...

Jack Bush (1909-1977) is Canada's most successful abstract artist of the 20th century. Bush was a graduate of OCAD (Ontario College of Art & Design) and a key member of Painters Ele...

Landschaft mit Ziel, 2023 Watercolor and gouache on paper 19 5/8 x 25 3/5 in. (50 x 65 cm) Unique Signed, titled, and dated in pencil, lower margin

A bright and bold colorfield abstract by Martin Aguilar (American, 20th Century). Signed monogram signature on verso. Image size, 24"H x 18"W. Unframed. Growing up in New Mexico’s b...

Watercolors. Dancing Soul. VII, 2021 Watercolor on paper 30 x 14 in. (76.2 x 35.6 cm) Unique Signed, titled, and dated on the reverse

Natvar Bhavsar Untitled color-field abstract expressionist print (hand signed and numbered) Color silkscreen Pencil signed, dated and numbered 39/50 by the artist on the front Rare 1...

"Original painting, inspired by summery feelings, Andrei Sitsko has painted a picture with red, magenta, pink, blue, as well and white colors on his palette that has a lively and rel...

Danish oil on board painting of couples making their way in a landscape, by Poul Møller. Though not signed the painting has a dated artist's label to the side of the frame. Presented...

Recreation of business partners in the city park of a big city... • Linen canvas, high-quality oil paints. • Two coats of protective gloss varnish were applied to protect the painti...

Danish oil on board covered in a coarse canvas. A painting of houses in a coastal landscape by Poul Møller. The painting is signed PM and dated 76 to the bottom right and to the reve...

Provenance: Fischbach Gallery, New York Collection of A. Aladar Marberger Ray Parker, a New York School Abstract Expressionist, was a colorist influenced by Cubism in his early wor...

Danish oil on board painting of two women making their way home in a coastal landscape, by Poul Møller. The painting is signed PM and dated 76 to the bottom right corner. To the reve...

Introducing a new series including a captivating oval lime green wall sculpture, a harmonious blend of modern design and vibrant color. Crafted with meticulous attention to detail, t...

Among America’s leading abstract artists, Dan Christensen (1942-2007) was devoted over the course of forty years to exploring the limits, range, and possibilities of paint and pictor...

Various surfing gestures and rad moves are the subject matter here, in which the negative space becomes the subject. Printed on buff paper. Rascals in Paradise - Figurative Print -...

Danish oil on board painting of buildings in a landscape by Poul Møller. Though not signed the painting has a dated artists label to the back of the frame. Presented in a plain gold ...

Gerome Kamrowski Burnt Orange Seams, 1979 Acrylic on canvas 30 x 24 inches Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in the Saint Paul...

"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aestheti...

As a leading figure of the Color Field movement in the 1960s, Kenneth Noland (1924–2010) made an essential contribution to American abstraction. His iconic works feature signature fo...

Jack Bush (1909-1977) is known as one of Canada’s most successful abstract artists of the 20th century. In the 1960's he achieved international recognition for his works that positio...

Natvar Bhavsar Untitled mid 1960s abstraction, 1967 Silkscreen Pencil signed, dated and numbered 10/30 by Natvar Bhavsar on the front Frame included: Elegantly framed in a museum qua...

Wolf Kahn Brattleboro Seen as a "Flugstadt" (European river town), 1980 Pastel on paper painting. Framed with handwritten label by the artist and Grace Borgenicht label Hand-signed by artist, hand signed front; bears the artist's handwritten label as well as label from Grace Borgenicht verso and a sticker from original collector Frame included This work was acquired from the Brattleboro Museum in Vermont, which sold it to raise funds for their ongoing programming. As its title notes, it depicts the "Brattleboro Seen as a Flugstadt (European River Town)" - which has important autobiographical images. Wolf Kahn was born in Germany but he and his wife spent summers in Brattleboro Vermont...

Kenneth Noland Themes and Variations 1958-2000 (hand signed by Kenneth Noland), 2002 Softback monograph with stiff wraps (hand signed and dated by Kenneth Noland) Official hand signe...

As a student of Hans Hofmann (one biographer says she was one of his star pupils), Rothschild’s works reflect a woman who was immersed in the vanguard of abstraction in America at a...

"High Green, Version I" is an aquatint print by Richard Diebenkorn, made in 1992. It is number 46 from an edition of 65. The work is signed in pencil, lower right, "RD 92". The artwo...

Helen Frankenthaler Frankenthaler (Hand signed and inscribed), 1988 Offset lithograph (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Oil on canvas. Signed, titled, and dated verso. 40.25 x 34 in. 41.5 x 35.5 in. (framed) Custom framed in a solid maple floater, with a matte white finish. Provenance The Betty Par...

Jules Olistki Luminous Dawn (from Vera List Print Program, Mostly Mozart, Lincoln Center), 1997 Silkscreen on wove paper 24 1/2 × 35 inches Signed and dated in pencil and numbered 'A...

Paul Allen Reed Untitled #31, 1982 Oil pastel on paper Pencil signed dated and annotated "7 10 79 1" by Paul Reed on the lower front Frame included: Th...

from the smoke and ash - Abstract tantric stain painting, acrylic on raw canvas by contemporary artist Elisa Niva33 inches x 29 inches. One of the main i...

Jack Bush Jack Bush at Andre Emmerich, 1966 Offset lithograph exhibition poster. Postmarked to McNay Art institute director 22 1/2 × 17 3/4 inches Unframed This special mid century modern exhibition...

2022, Acrylic on canvas

Kenneth Noland Ojai Festival print (Deluxe signed limited edition), 1986 Offset Lithograph Hand signed and numbered 6/100 by Kenneth Noland on lower front Frame included: framed in ...

2022, Acrylic on canvas

Kenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Hand signed and dated with artist's copyright in pencil on the back; also with the blind stamp/chop mark lower...

2022, Acrylic on canvas

Light Blue gradient, abstract color field painting, in shadow box, white frame. A color field gradient abstract acrylic painting features smooth transitions of colors, often blending from one hue to another. The painting showcases a sense of depth and movement through the variations in color, creating a visually captivating experience. The color transitions are usually seamless, without sharp contrasts or defined shapes, allowing the viewer to interpret and immerse themselves in the soothing and harmonious composition. A light blue gradient painting...

School of Paul Feeley Untitled, c. 1960s Oil on canvas 20 x 59 5/8 in. Signed lower right Primarily a painter, Paul Feeley (American, 1910 - 1966) favored canvases with simple geome...

Earthen Tantric Painting #3- tantric soak stain meditation painting by abstract artist Elisa Niva 30”x40” Acrylic on cotton canvas. One of the main inspirations of this soak-stain ...

Acrylic on canvas. Signed and dated lower right, titled verso. 69 x 68.25 in. 70.5 x 70 in. (framed) Custom framed in a solid maple floater. Provenance Private Collection, Hilton ...

Kenneth Noland screenprint of "Virginia Site, 1959" printed in Belgium 2002. This is an unsigned edition. Paper dimensions are 27.5" x 27.5" and image dimensions are 19.5" x 19.5".

Wolf Kahn Red Barns, 1980 Color Lithograph on wove paper Hand signed, dated, and numbered 45/50 by the artist on the front Original vintage wood frame included Classic 1980 Wolf Kahn...

'summer solstice moon' 26"x24" acrylic and oil pigment stick on raw cotton canvas by Abstract painter Elisa Niva. This earthy and soft painting uses the soak- method created by He...

Artist: Gene Davis Title: Carousel Year: 1980 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 250 Image 13.5 x 20 inches Paper Size: 17 x 24 inches

Holi powder Tantra painting #4 - Colorful abstract tantric stain painting, acrylic and powder on raw canvas by contemporary artist Elisa Niva 42 inches x 32 inches. One of the main...

Acrylic on canvas. Signed, dated, and titled verso. 52.25 x 52.75 in. 54 x 54.25 in. (framed) Custom framed in a maple hardwood floater. Provenance Salander O’Reilly Galleries, Ne...

This artwork was made in the Colorfield concept with the character elements - the formulas on the painting are from mathematical game theory. In game theory, the battle of the sexes...

Wolf Kahn Wolf Kahn's America (Hand signed and inscribed), 2003 Hand signed and dedicated hardback monograph with dust jacket Boldly signed in ink with heartfelt personal dedication ...

Glow Tantra painting #2- soak stain color-field abstract meditation painting by contemporary painter Elisa Niva. 32"x40" acrylic on raw canvas. One of the main inspirations of this...