Folk Art Art

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

Ford William is a self-taught folk/outsider artist, who began making art after coming to terms with chronic mental health issues that had plagued him all his life. The piece was made...

Embroidered textile painting Unique work, hand-signed by the artist Penelope or Parque of modern times, Barbara d’Antuono sews by hand like others recite mantras and decides nothing in advance. She lets images arise without any particular coherence with each other, but to which she gives substance in a kind of urgency, in the form of a strip not drawn but sewn. The exhibition, like the eponymous book, covers seven years of this assiduous and patient work through nearly 30 textile works, real freeze frames made of the emotions and memories of the artist, like so many portraits of humanity. . Her meeting in Haiti with Baron Samedi...

This painting is from the Matisse series created by Maurice Sullins in the late 1970s. Sullins' works, set in brilliantly imagined scenes in Tahiti, F...

Acrylic paint on paper Signed by the artist

Graphite and coloured pencil on paper Signed, dated and entitled on the back Unique work In Geneviève Seillé’s works, the word reigns in master. It fascinates her for its own appearance and becomes an esthetic entity in itself. When she was a child, she experienced an intense pleasure to hear the sound of the nib filled with ink on the paper. Later, she tried to experience this feeling again while creating. Since 1995, she started inventing her own words and was led by her mental fascinations. Lines and colours melt symmetrically and repeatedly. She leaves no place for emptiness. In the mysterious zone of creation, full of improvisations and chaos, she entirely fills the space with all sorts of signs and collages and it all harmonizes in the end. She offers a vision of creatures, invented anatomies and words that fit together and show a new way of seeing, fascinating and dizzying. Geneviève Seillé was born in France in 1951. From 1970 to 1977, she taught in primary and secondary schools in France and England. In 1981, she graduated in Fine Art (BA) at Wolverhampton Polytechnic. From 1979 to 1988, she worked on performances as Le Banquet & Le Jardinier...

Mixed media and collage on paper Signed and dated # 1502 Unique work In Geneviève Seillé’s works, the word reigns in master. It fascinates her for its...

Graphite, coloured pencil and collage on paper Signed and dated on the back Unique work In Geneviève Seillé’s works, the word reigns in master. It fascinates her for its own appearance and becomes an esthetic entity in itself. When she was a child, she experienced an intense pleasure to hear the sound of the nib filled with ink on the paper. Later, she tried to experience this feeling again while creating. Since 1995, she started inventing her own words and was led by her mental fascinations. Lines and colours melt symmetrically and repeatedly. She leaves no place for emptiness. In the mysterious zone of creation, full of improvisations and chaos, she entirely fills the space with all sorts of signs and collages and it all harmonizes in the end. She offers a vision of creatures, invented anatomies and words that fit together and show a new way of seeing, fascinating and dizzying. Geneviève Seillé was born in France in 1951. From 1970 to 1977, she taught in primary and secondary schools in France and England. In 1981, she graduated in Fine Art (BA) at Wolverhampton Polytechnic. From 1979 to 1988, she worked on performances as Le Banquet & Le Jardinier...

Acrylic paint on paper Signed lower right

Acrylic paint on canvas Signed lower left by the artist

This late 19th-century Mexican oil painting depicts the Christ child as ‘El Nino de Atocha’. El Nino de Atocha is a popular subject of Mexican retablo art and its roots can be trace...

This charming mid-19th-century oil painting by Austrian artist Johann Paul Eisenmeyer (act.1820-1846) depicts a gentleman wearing a black coat, white shirt and black bowtie. Eisenme...

This early 20th-century oil painting by Danish artist C Sorensen depicts a rustic interior with table, spinning wheel, chair, clock, and chest. Little is known about C Sørensen, whi...

One of a kind shaped painting by Noche Crist (1909 - 2004). Titled "The Kiss" and signed on reverse. Painting is casein paint and plaster on board. Catalogue of an exhibition in...

Painting by Noche Crist (1909 - 2004). Work is titled "The Sanctuary" and signed. Painting is casein paint and plaster on board. Catalogue of an exhibition in 2008 at the Katzen...

Bat in the meadow. 1982. Paper, linocut, 20x34 cm imprint size 10x25,5 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and ...

It's Light (Es de luz). . Folk Art, Acrylic on wood panel painting by Spanish author Raquel Fariñas. Dimensions: (H) 40 x (W) 50 x (D) 2cm. The pictures of Raquel Fariñas are prese...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box derby cars of his youth, eac...

This piece weaves climbing rope in with glass knots. Each piece is unique and slightly different. The cord is retired climbing rope, given another use by shining in this piece. Rob...

Will Moses (American, b. 1956) Turkey Trot, 2012 Oil on board 8 5/8 x 7 5/8 inches Signed lower right Soft, shadowy foothills dotted with traditional white farmhouses; weathered red barns tilted haphazardly on broad patchwork sweeps of green and hay-gold fields; small clusters of black and white cows grazing placidly in the distance…it's all part of Moses Country. And, the 200 year-old farmhouse, where Will Moses has his studio, is as solidly traditional as the surrounding landscape…the white house where the legendary Grandma Moses began her career. Born and raised here, in Eagle Bridge, New York, Will Moses creates paintings that reflect the quiet beauty of this tiny community nestled close to the Vermont border. Will has created a vivid, delightful miniature world, peopled with villagers who have stepped out of the past to charm us with their simple, everyday pastimes. As a fourth generation member of the renowned Moses family, painting is a natural tradition for Will, who began painting when he was four years old. Encouraged by his grandfather, a well-known folk painter in his own right, young Will was allowed to experiment freely with paints. Forrest K. Moses was totally committed to self-expression and passed this freedom of spirit along to his young grandson. Stimulated by his grandfather's confident approach, Will developed his own unique style of Americana. Today, Will continues to carry on the family tradition. Although his style is reminiscent of that of his celebrated great-grandmother, it is more complex and sophisticated. Basically self-taught, Will has honed his technique to capture all the most minute details in sharp-edged focus. It is a technique that has gained him considerable attention in art circles. Will Moses has had several well acclaimed exhibitions of his work in the United States, Canada and Japan. The Japanese are enthusiastic collectors of Will's art and Will has personally toured Japan with an exhibition of his work there. In North America, Will continues to make appearances at art galleries and folk art shows, meeting friends, collectors and admirers of his work. Recent public exhibitions of Will's work have taken place at the Cahoon Museum of American Art, The Everson Museum, The Bennington Museum, the North Shore Art Gallery and the President Ford and Reagan Libraries. Will continues his work illustrating and writing children's books. Philomel Books/Penguin Books for Young Readers, have now published ten books to date: Silent Night, The Legend Of Sleepy Hollow, Rip Van...

Lisa Houck is a highly established artist from Boston, recently re-located to Maine, with a very large following devoted to her exceptional paintings, watercolors, mosaics and prints reminiscent of Folk Art, Matisse and Aborigine art. Houck is widely admired and recognized for a gorgeous sense of color and a sensibility both playful and serious that is uniquely her own. Lisa Houck "Humming and Harmonizing" 2023 Linoleum Block Print Edition 10 34.25 x 24.25 This print is not framed. This is one of her 3 most recent large format bird prints in various shades of blue and aqua in a series which now consists of a total of 10 related prints. They are outstanding installed individually or as groups. Houck's highly sophisticated and complex sense of pattern and design is delightfully whimsical, as well as extraordinarily compelling for its knowledge of so many artistic forms which the artist is miraculously able to reference and incorporate, while maintaining a style so distinctively recognizable as her own. Lisa Houck has an outstanding reputation for not only her work as a printmaker but for achievements in painting, watercolor, mosaic and textiles as well. She has executed many large permanent public art commissions for interior and exterior sites in Boston and nationwide including ambitious murals for Dana Farber, The Children's Hospital, Frieda Garcia Park and numerous libraries, playgrounds and other public buildings. Her works have been featured in many museum and gallery exhibitions and are included in a multitude of public and private collections. Artist's Statement: "I work in watercolor, oil on wood, ceramics, mosaics and etching. Each medium allows me to invent new ways to express my view of nature through color and pattern. My artwork has been exhibited widely, and is in numerous public and private collections, including The Boston Athenaeum, Brigham and Women’s Hospital, Boston Children's Hospital, Fidelity Investments, four libraries in Broward County Florida, Hale and Dorr, Massachusetts General Hospital, and the Museum of Fine Arts, Boston." LISA HOUCK Education and Professional Affiliations: Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers Selected Solo Exhibitions: Beth Urdang Gallery, Boston, MA 2017, 2021 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. Selected Group Exhibitions: Cove Street Arts, “Menagerie a Trois”, Portland, ME, 2022 Fuller Craft Museum: “Mosaics Today”, Brockton, MA 2022 Turtle Gallery, “Summer Show”, Deer Isle, ME 2022 Gallery Twist, Lexington, MA “impressions” 2019 and 2020 Boston Athenaeum, New England on Paper, Boston, MA 2017 Cotuit Center for the Arts: Marking Time: 70 Years of the Boston Printmakers, Cotuit, MA 2017 Arsenal Center for the Arts, Big Prints, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 Highfield Hall, National Mosaic Exhibit on Cape Cod, Falmouth, MA, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. lisa houck Selected Collections: The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan Grants/Projects: Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ Wrapped a Radiology room with art at Boston Children’s Hospital 2019. Project consultant: Betty Bothereau, L’Attirude Gallery Boston “City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014. Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005. Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council. John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’. Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003. Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003. Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001. ”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee. Poster and button and display banners for First Night Boston, 1998. Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council. Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts. Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988. Grant from the Cambridge Arts Council for a mural for the Cambridge River Festival, installed in Inman Square, 1987. Poster for the Haystack Mountain School of Crafts, 1987. education and professional affiliations Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers New England Mosaic Society Publications: Maine Gallery...

Kate Ruiz is an American Artist living in Nicaragua. Leaving Los Angeles for central America in 2015 with her family, she now lives on a small farm they have carved out of the land. ...

Original mixed media painting on glossy paper. Hand signed on front by Purvis Young. Artwork size 9.87 x 7.87 inches. Frame size approx 16 x 14 inches. Artwork is in excellent co...

Original crayon drawing on paper. Hand signed on front by Purvis Young. Artwork size 11 x 8 inches. Frame size approx 17 x 14 inches. Artwork is in excellent condition. Certifica...

Signed with pencil. Technique: Serigraph printing Stamp measurements: 60 x 45 cms Number of inks: from 30 to 35 Paper: Biblos Guarro Español 100% cotton Edition: 500 pieces (250 + 25...

Signed with pencil. Technique: Serigraph printing Stamp measurements: 60 x 45 cms Number of inks: from 30 to 35 Paper: Biblos Guarro Español 100% cotton Edition: 500 pieces (250 + 25...

Signed with pencil. Technique: Serigraph printing Stamp measurements: 60 x 45 cms Number of inks: from 30 to 35 Paper: Biblos Guarro Español 100% cotton Edition: 500 pieces (250 + 25...

Signed with pencil. Technique: Serigraph printing Stamp measurements: 60 x 45 cms Number of inks: from 30 to 35 Paper: Biblos Guarro Español 100% cotton Edition: 500 pieces (250 + 25...

Mariage a la Campagne is an original, hand drawn, limited edition lithograph(not a photo reproduction or digital print) by the French artist Michel Delacroix, printed using tradition...

Mystery Indian Artist Untitled, 20th century Print Sight: 10 1/4 x 15 1/4 in. Framed: 18 x 22 1/4 in. Inscribed verso: Property of Alex Dorochovich as gift from Stella & Ken in India

Mystery Artist Untitled (Chinese Company/Export School Portrait), c. 1900 Watercolor on paper Sight: 19 x 9 1/4 in. Framed: 22 5/8 x 12 1/4 x 3/4 in. Portraits such as this were cre...

G. Kent Untitled, c. 1880-1910 Oil on canvas 10 x 12 1/4 in. 12 x 14 1/8 x 1 3/8 in. Signed lower right: G. Kent

Jane Wooster Scott (American, b. 1920) Autumn in New York, c. 20th Century Lithograph Sight: 15 x 12 in. Framed: 27 3/4 x 23 3/4 x 1 in. Signed and titled lower right in plate: Autum...

Eileen Schneider (Canadian-American, 1927-2022) A Sailor's Token of Love, 1967 Needlepoint composition - likely cotton Framed: 17 1/2 x 15 x 1 in. Eileen Theresa Hamilton was born o...

Garry Dorsainvil (Haitian) Cap-Haïtien, c. 1980s Acrylic on canvas Framed: 24 1/4 x 35 1/4 x 1 1/2 in. Signed and titled lower right This painting shows the port city of Cap-Haïtien...

Helen Foy Dreams of Old Pioneers, 20th Century Acrylic (?) on canvas 23 3/4 x 36 in. Signed lower right: Helen Foy Titled and signed verso: Dreams of Old Pioneers by Helen Foy Hele...

Tony Graham is a graphic artist known for his drawings and prints of New York City. “Manhattan” is the artist’s most iconic and collectible image published in 1978. Nicely framed. M...

Oil painting on canvas Original art by Grigori Ivanov. Grigoriy Ivanov is a famous Belarusian painter, who started his career from the Belarusian avant-garde and a member the famou...

Familiar II by Henry Wlash [2021] Familiar II by Henry Walsh is an original acrylic painting on a wooden board that features a man and dog at leisure on a wintry walk. Henry Walsh’s...

Annika Liljedahl (Swedish, b. 1946) After The Party, 1978 Mixed media in acrylic casing Frame: 30 3/4 x 25 x 1 1/2 in. Case: 33 1/4 x 27 1/2 x 3 1/4 in. Signature stitched lower righ...

Oil painting on canvas Original art by Grigori Ivanov. Grigoriy Ivanov is a famous Belarusian painter, who started his career from the Belarusian avant-garde and a member the famou...

A rare sculpture by Willitts Designs International and Shen Lung entitled " Moe Cheeks" from the "all that jazz" series. The sculpture is cold painted and made of hand cast resin. Th...

Kate Ruiz is an American Artist living in Nicaragua. Leaving Los Angeles for central America in 2015 with her family, she now lives on a small farm they have carved out of the land. ...

Guillaume Couffignal (French b. 1964) Theatre, 2014. Bronze. 19 7/8 x 13 1/2 x 7 1/4 inches. Signed on the base: Couffignal. Beautiful texture and patina. Guillaume Couffignal is a French Postwar & Contemporary self taught, outsider artist who was born in 1964. He works in bronze casting complex, fantastic, architecture models, abstract theater and boat models that look like relics from the past. He learned the art of lost wax casting with a traditional African foundry in Koudougou, Burkina Faso in Africa when he was 23, blessed to find his way so young. He felt the deep alchemy of the process combining the elements of Nature to produce a concept that did not previously exist in our world. He saw the potential of this earth magic. It forces chance and pushes the limits of bronze because each sculpture can never be exactly reproduced. Like the use of clay, this art has a deep connection with the primitive elements of Nature. There is the wind and the sky and the earth and the fire. There are ashes and dust. Here exists a collaboration with the spirit of the Illusionist, an artist in all his unpredictability. But it is not an art of chance. The Illusionist / artist masters the elements of accident and surprise. He is a magician who controls the secrets of his process. In the case of Couffignal, this has to do with the three-dimensional collage of carefully chosen fragments and shapes and with its earth-like textures, carefully perfected over many years of experimentation. Its textures make the materials lie. They have an irregular patina of wear and bad weather. They make bronze itself secondary with this creamy pigmentation of the earth burnt by the sun. The texture then becomes a painting. Couffignal sets the scene for the pure drama of the void. He fills it with memories and voices. This decor is visually minimal, but this very minimalism points to the importance of his other intentions. Its boats are "soul boats" caught between two universes. Its architectural pieces evoke ruins and nevertheless attest to their own existence. Although this process is ancient, and in this case learned from the African tradition, the true testimony of the power of Guillaume Couffignal is that not a single element of his work derives from something existing. As a true iconoclast, he has taken up a traditional language, learned this language, and starting from this language has created a poetry completely unique and unique to him. Randal Morris, 2013. His work is from the tradition of outsider art, art brut, folk art, naïve art, visionary art and intuitive art with a sophisticated subject matter. A kind of symbiosis of jean Dubuffet and Daniel Arsham. Sculptures as forgotten images of a world where the trace always precedes presence. As in the art of raku, ancestral Japanese pottery where the cooking accident and the patina of use - wabi and sabi - testify to an intimate cosmogonic geography. Omnipresent memory of the color and the smell of the earth - mud, noble material which in Africa is used to erect huts, houses, palaces and mosques. Historically and up to the margins of the caravan route, on the borders of the great Arabic Muslim...

MAURICE POZZETTO-French Primitive-Original Signed Oil-Corniche Harbor Marseille Maurice Pozzetto (1911-?) 20th Century French Primitive artist best known for paintings Original ...

Gildasio Jardim is from a very beautiful and poor region of Brazil, the Jequitinhonha Valley. He began in the visual arts in a self-taught way. When h...

Gerard Rigot (France, 1929-) Animeubles, Child's Chair Circa, 1980's Folk art, hand carved chair in the form of a cat. Hand signed on bottom Endorsed by the Musee des Arts Decorati...

Frédéric Bruly Bouabré, Zokou Gbeuli guerrier des traditions Bétè, 09-02-1980, Drawing in ballpoint pen and colored pencils on cardboard, 29 x 20 cm, Titled, signed and dated on the ...

Maurice Pozzetto (1911-?) 20th Century French Primitive artist best known for paintings Original signed oil painting on board Signed lower right--see photos Board:17.75"x 13.75...

Large striking Haitian acrylic painting on canvas of a lush jungle scene with animals, trees and flowers, executed in a distinctive naive style, signed by noted artist Jerome Polycar...