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Style: Folk Art
Recognized Seller Listings
untitled (Returning Home with Supplies)
By Gustav Hagermann
Located in Fairlawn, OH
untitled (Returning Home with Supplies)
Signed in pencil by the artist lower right (see photo)
Signed by his printer, Otto Felsing lower left ((see photo)
Annotated in pencil: "In kupfer geschnitten von einen Lapplander"
Printed by Otto Felsing, one of Germany's master printers of the era
One of several engravings Hagemann made based upon actual drawings given to him by Laplanders.
Gustav Hagemann was born on February 17, 1891, in Engelnstedt, Salzgitter, Germany. Hagemann attended high school in Wolfenbüttel and studied at the art school, in Kassel, Germany. After graduating as an art teacher, he became a trainee teacher in Torgau in Saxony.
He fought in the First World War between 1914-1918. After the war he studied art from 1920...
Category
1930s Folk Art Art
Materials
Drypoint
Untitled (also known as "1811 THE BACKWOODSMAN'S CHRISTMAS")
Located in Fairlawn, OH
Untitled (also known as "1811 THE BACKWOODSMAN'S CHRISTMAS")
Oil on canvas, c. 1875-1925
Unsigned
Provenance: Found in Ohio
A charming American naive no...
Category
1870s Folk Art Art
Materials
Oil
Miss Prather's Class
By Winfred Rembert
Located in New York, NY
Color Reduction woodcut from 4 blocks with 4 silk screen colors and embossing on white Rives BFK paper
Edition 28/30, Unframed
MassArt welcomed artist Winfred Rembert for the 2014 Master Print Series, an artist in residency project during which, an established artist transforms an idea into physical artwork, and invites students to collaborate in the art-making process.
A self-taught artist, Winfred Rembert records a painful chapter of American history in autobiographical paintings, created on hand-tooled and dyed leather, which explore the lives of African Americans in Jim Crow-era Georgia. After taking part in civil rights demonstrations, he survived a lynching only to be sent to prison to do hard labor on a chain gang. Another inmate taught him leatherworking and Rembert began depicting his past in engaging compositions and vibrant color. In many scenes, Rembert offers a raw view of racism, inequality, and violence while celebrating his community’s resilience in the face of such overwhelming injustice.
Winfred Rembert also participated in the Adderley Lecture series, which features distinguished artists, historians, and writers and was established in 1995 in memory of Tyrone Maurice Adderley. Past Adderley lecturers have included Chakaia Booker, Melvin Edwards...
Category
2010s Folk Art Art
Materials
Woodcut, Screen
Descanso (Break)
By Jorge Dumas
Located in Fairlawn, OH
Signed, titled and numbered in pencil
Edition: 250 (5/250)
Signed, titled and numbered in pencil
Published by Circle Gallery Ltd.
Printer: Atelier Dumas, New York
Condition: Very good
Atelier Dumas opened in New York printing own work as well as
those of Peter Max, Agam, Romare Bearden, Dali, Erté, Peter Hurd,
Ting, Karl Appel...
Category
1970s Folk Art Art
Materials
Lithograph
Purvis Young, City Angel, Acrylic on Wood circa 1990
By Purvis Young
Located in Santa Monica, CA
Acrylic on wood painting of an angel over the city by Purvis Young.
From the artist to Vanity Novelty Garden, Tamara Hendershot To Rising Fawn F...
Category
Late 20th Century Folk Art Art
Materials
Acrylic, Wood Panel
Purvis Young, Jazz Angel, Acrylic on Wood circa 1990
By Purvis Young
Located in Santa Monica, CA
Acrylic on wood of an angel playing the piano by Purvis Young.
From the artist to Vanity Novelty Garden, Tamara Hendershot To Rising Fawn Folk Art, The Jimmy Hedges Collection of O...
Category
1990s Folk Art Art
Materials
Acrylic, Wood Panel
Purvis Young, Transcendence, Acrylic on Wood, 1989-1999
By Purvis Young
Located in Santa Monica, CA
Acrylic on wood of six heads by Purvis Young.
From the artist to Vanity Novelty Garden, Tamara Hendershot To Rising Fawn Folk Art, The Jimmy Hedges Collection of Outsider Art.
Category
1990s Folk Art Art
Materials
Acrylic, Wood Panel
Purvis Young, Textbook, circa 1990
By Purvis Young
Located in Santa Monica, CA
Works on paper glued into a school textbook by Purvis Young.
Category
Late 20th Century Folk Art Art
Materials
Paint, Mixed Media
Purvis Young, Untitled Pink Book circa 1990
By Purvis Young
Located in Santa Monica, CA
Painting and drawings glued into book by Purvis Young.
Category
Late 20th Century Folk Art Art
Materials
Paint, Mixed Media
Angels
By Ike Edward Morgan
Located in Dallas, TX
signed "Ike Edward Morgan" at lower left
Category
Late 20th Century Folk Art Art
Materials
Oil, Panel, Canvas
Purvis Young, Nine Heads, Acrylic on Canvas circa 1990
By Purvis Young
Located in Santa Monica, CA
Acrylic on canvas of nine heads by Purvis Young.
From the artist to Vanity Novelty Garden, Tamara Hendershot To Rising Fawn Folk Art, The Jimmy Hedges Collection of Outsider Art.
Category
1990s Folk Art Art
Materials
Acrylic, Wood Panel
Purvis Young, Untitled Sketchbook, circa 1990
By Purvis Young
Located in Santa Monica, CA
Painting glued into a sketchbook by Purvis Young.
Category
Late 20th Century Folk Art Art
Materials
Paint, Mixed Media
Purvis Young, Veranda Book, circa 1990
By Purvis Young
Located in Santa Monica, CA
Painting glued into a book of wallpaper samples by Purvis Young.
Category
Late 20th Century Folk Art Art
Materials
Paint, Mixed Media
Rare Gold Rush Caricature - Crossing Panama to California
Located in Santa Monica, CA
RARE CALIFORNIA GOLD RUSH / NATHANIEL CURRIER
THE WAY THEY CROSS THE ISTHMUS, 1849 (Conn. 6576, Gale 7105)
Lithograph, EXTREMELY RARE Gold Rush caricature. One of a small series o...
Category
1840s Folk Art Art
Materials
Lithograph
The I Can Not Station
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Folk Art Art
Materials
Canvas, Oil
Child Leaving Its Mother
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
Late 20th Century Folk Art Art
Materials
Canvas, Oil
Fossil Ship
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Folk Art Art
Materials
Rag Paper, Etching, Aquatint
Lost Vegas
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...
Category
1970s Folk Art Art
Materials
Canvas, Oil
A HALT BY THE WAYSIDE
Located in Santa Monica, CA
CURRIER AND IVES
A HALT BY THE WAYSIDE, ca 1870 (Conningham 2694)
Lithograph with original color. 1 - 1 1/2 inch margins. Image 8 x 12 1/2 Inches, sheet 10 3/4 x 14 3/4 inches. Ge...
Category
1870s Folk Art Art
Materials
Lithograph
Eagle's Nest
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
"Eagle’s Nest" is Plate Number 37, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
In "The First Fifty Prints," Reynolds provides the following quote from the artist regarding this print:
“The structure on the right is an architectural symbol for an eagle. It is also like a machine that is igniting the shape on the left. Below, the egg that is coming out of the chute is a child which will evolve into another architectural eagle...
Category
1970s Folk Art Art
Materials
Rag Paper, Etching, Aquatint
Neighborhood
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Folk Art Art
Materials
Paper, Etching, Aquatint
Hold On
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined p...
Category
1970s Folk Art Art
Materials
Canvas, Oil
Satilite Dance
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
20th Century Folk Art Art
Materials
Canvas, Oil
Just a Little Water Please
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Folk Art Art
Materials
Rag Paper, Etching, Aquatint
Heritage
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Folk Art Art
Materials
Rag Paper, Etching, Aquatint
Stop Playing and Get to Work
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Folk Art Art
Materials
Rag Paper, Etching
Avenue 11
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Folk Art Art
Materials
Rag Paper, Etching
The Face
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Folk Art Art
Materials
Canvas, Oil
Together We Are
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Folk Art Art
Materials
Rag Paper, Etching
Cre Cre Cre
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined pa...
Category
1970s Folk Art Art
Materials
Canvas, Oil
Love Me
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Folk Art Art
Materials
Rag Paper, Etching
Storage #2
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Folk Art Art
Materials
Rag Paper, Etching
Tri Col
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Folk Art Art
Materials
Canvas, Oil
Homage to Galileo
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Folk Art Art
Materials
Etching, Aquatint, Rag Paper
Environment Man
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Folk Art Art
Materials
Rag Paper, Etching
Yellow without Dots
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Folk Art Art
Materials
Canvas, Oil
Height Almost 34'
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
“Height...
Category
1970s Folk Art Art
Materials
Rag Paper, Aquatint
Still Life
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Folk Art Art
Materials
Rag Paper, Etching
Poke & Ponder
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1980s Folk Art Art
Materials
Oil, Canvas
World of Watermelons
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2)
Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City. He was three years old when the terrible explosion occurred there and can remember the terrifying confusion and 'the beautiful red sky and objects flying everywhere in the air.'" (Reynolds, p. 25) While growing up in Texas City, Valton's father worked in auto repair, and was known for his skill in mixing colors for paint jobs. After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36)
“World of Watermelons” is plate number 19, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972.
Of “World of Watermelons”, Tyler said “The title here does not represent my own associations with this print. Friends simply began referring to it as ‘the watermelon print...
Category
1970s Folk Art Art
Materials
Rag Paper, Etching, Aquatint
Do Not Touch
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Folk Art Art
Materials
Rag Paper, Etching, Aquatint
Freezing Point
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Folk Art Art
Materials
Rag Paper, Etching
Trapped
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Folk Art Art
Materials
Etching
Folk Art art for sale on 1stDibs.
Find a wide variety of authentic Folk art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Robert Richter, Stefanie Schneider, Stephen Basso, and Therese James. Frequently made by artists working with Paint, and Synthetic Resin Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Folk Art, so small editions measuring 2 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $70 and tops out at $125,000, while the average work sells for $1,615.
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