Post-War Art

A drawing by Irving Norman. "Women Welders, The Ship" is a social surrealist drawing, graphite on paper in black and white by Post-War artist Irving Norman. T...

A painting by Nathan Oliveira. "Mask" is a Post-War painting, acrylic, earth, and oil on canvas by Bay Area Figurative artist Nathan Oliveira. The artwork is signed and dated in the ...

A sculpture in wood depicting a woman holding an umbrella. "Woman with Square Umbrella" by Post War artist Alexander Calder is signed underneath, "Calder." "Woman with a Square Umbre...

A painting by Irving Norman. "The Lawmakers, The Legislators" is a social surrealist painting, oil on canvas by American artist Irving Norman. The artwork is signed on the verso, "Th...

A painting by Irving Norman. "Children #2" is a macabre, social surrealist painting, oil on canvas in a dark palette by American artist Irving Norman. The artwork is signed on the ve...

Guillaume Corneille screen prints 3 pieces + poem of Bert Schierbeek in portfolio Corneille was one of the founders and one of the most important representatives of the Cobra movemen...

**ANNUAL SUPER SALE TIL APRIL 25th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* 'Kobe Bryant Super Basketball' is THE one of a kind ...

Tête de Faune, Picasso, Unique work, 1960's, Terracotta, Tiles, Design, Sculptur Tête de faune Unique work 14.03.1961 Painted and glazed terracotta tile...

Sculpture combining a Plexiglass box displaying a plastic/resin character enhanced with acrylic paint and real customized candies are scattered around the base of the sculpture. Ins...

"Fall to Grace" is an original ink and watercolor painting on paper mounted to wood by artist Robert Kraiza measuring 19in height x 9in width. Artist Statement // In my work I invoke a whimsical world inspired by Victorian and Edwardian eras. To me they represent a romantic time period that has roots that extend directly into the modern world, both good and bad. The customs and aesthetics of the period are both fascinating and breathtaking but a vast portion of the population was victim to subjugation. It has since been eradicated on paper but still permeates to this day. I am exploring an imagined supernatural world hidden just out of sight where these woman could escape. This is an evolution from my earlier work set in the same time period with a continuous thread of humans and their animal companions. Through witchcraft these women find strength in their abilities and each other to leave the oppressive world they inhabit behind and escape to the woods to their Covendom, the boundary that defines the territory of their coven. They shed their customs, their corsets, and their concerns at the edge of the forest and gather among the trees to explore their magical potential with their familiars at the side. This body of work is exploring multiple media with a consistent theme and setting; combining watercolor painting, pen and ink illustrations, and graphite drawings. All pieces are created in monochrome on hot press watercolor paper mounted on wood with a gold painted border reminiscent of daguerreotype frames. Watercolor allows me to achieve results ranging from soft ethereal layered washes similar to oil glazes to precise minute details I include in all of my works. Bio // ROBERT KRAIZA (pronounced: cry-zuh) is an illustrator and fine artist who lives and works in Philadelphia, Pennsylvania. He studied Media Arts and Animation at the Art Institute of Philadelphia. Interested in many media, he often paints in monochrome watercolor on a small scale, inspired by the Victorian era and whimsical dreams in both his art and personal aesthetic. Depicting fantasy worlds from the hidden life of nineteenth century witches to miniature children...

Lithograph on wove paper. Inscription: Unsigned and unnumbered. Excellent Condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 210, published by Derrière le miro...

Alex Tschernjawski Self Portrait Oil on Canvas 1960s Size: 38x26x0.5in Signed by hand COA provided Ref.: 924802-1827 *Condition: Good vintage condi...