Adaa Art Dealers Association Of America Paintings
Art Dealers Association of America (ADAA)
Founded in 1962, the Art Dealers Association of America is a vetted community of more than 180 top-tier galleries across the United States. Working with these member galleries, ADAA appraisers offer assessment services for artworks spanning from the Renaissance to the present day. The ADAA also arranges public forums on important art-related topics and hosts The Art Show, presented each year at New York’s Park Avenue Armory, which stands out among art fairs for its acclaimed selection of curated booths — many of which are one-artist exhibitions.to
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Artist: Bob Stuth-Wade
Here with Bhakti
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...
Category
2010s American Realist Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Clouds Came In
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...
Category
2010s Realist Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil, Panel
Trail Between Thorns
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
Category
2010s Realist Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Tornillo Creek
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...
Category
1990s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Canvas, Oil
Stump
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...
Category
2010s American Realist Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Down River from Buck Point
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..”
Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Below Ceide Fields
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
Category
21st Century and Contemporary Realist Adaa Art Dealers Association Of America Paintings
Materials
Paper, Acrylic, Panel
Empty Afternoon
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
Category
21st Century and Contemporary American Realist Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Rio De Chelly
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses ...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Acrylic, Panel
Casa Grande from Juniper Flats
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
Category
Early 2000s Realist Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Mill Before Burning
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
Category
2010s American Realist Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Going In, Looking Up
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Paper, Acrylic
Up on Down Patrick Head
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses ...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Paper, Acrylic, Panel
Vidya Maya
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses ...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Acrylic, Charcoal, Paper
Poppy, Bottle
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Roadie
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
Born By Water
By Bob Stuth-Wade
Located in Dallas, TX
"We spend our first nine months comfortably submerged, following mother-rhythms, sleeping to the liquid sound of breathing and heartbeat. The sea of origin is forever in us. These paintings of Nassau, Western Ireland...
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Acrylic, Linen
Las Tres Gunas from a Distance
By Bob Stuth-Wade
Located in Dallas, TX
Media is charcoal on Ceconite fabric with acrylic paint on backside of fabric
Category
21st Century and Contemporary Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Acrylic, Charcoal
Roadeater
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
Category
2010s Realist Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
The Emperor's New Clothes
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
Category
2010s Contemporary Adaa Art Dealers Association Of America Paintings
Materials
Oil, Panel
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Rose Freymuth-Frazier
Quiet Evening
oil on panel
16h x 20w in
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RFF040
Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary exploration, I seek to add a fresh voice to the sometimes venerable, sometimes dusty and archaic tradition of large-scale figurative painting, while subtly addressing the mythology, objectification and subjugation of women. My subjects are at first glance close to home-new mothers, friends, lovers, artists, dancers-but are then quickly placed at a distance via edgy modification, rigorous technique, minimal contexts and composition, and idiosyncratic use of color. I am also interested in social presentation, artifice, and simulation as they relate to my subjects. I hope to peel away a gossamer thin layer of reality, not just to document the real but also to reveal what might be. BIOGRAPHY Given my restless history, it is curious that I became a figurative painter in New York City. My maternal Grandparents fled Hitler's Germany in the late 1930's. After being refused entry to the United States, they were welcomed into the Dominican Republic, where they happily resided in a small orderly bungalow of their own design and made their living as studio photographer and cheese maker for seven years. Amid this exotic island milieu, my mother was born. Similarly, my fraternal grandparents, he being a US medic stationed in New Zealand and she, a seventeen year old Kiwi, met just long enough in the back of an ambulance in the early 1940's for her to come to the US on a steamer eighteen months later with their nine-month-old baby boy: my father. My eventual parents found each other in Nevada City, California, a small Gold Rush town flanked by a river and nestled in the foothills of the Sierra Nevada Mountains. There they fashioned a life according to their own rules and beliefs, free from the rigid standards of mainstream society. I was born on the floor of an old miner's cabin on a frigid November night in 1977. The midwife, who had learned the art of delivering babies while assisting her grandfather across the moors of Scotland, lived atop an icy ridge, did not own a telephone, and was summoned just in time. She made her living as a welder and considered her midwifery skill a gift. She refused to take money for her services. As payment, my mother, a ceramic sculptor, crafted her a large salad bowl with which to catch future placentas. So for the price of a handcrafted, multi-use salad bowl, (my first brush with art), I came into the world. I grew up in a free-spirited, idyllic wilderness until my existence was reported to the authorities in the form of a birth certificate. At eight years old, after some home schooling and experimental education, I was finally sent to public school. By sixteen I left the small town and moved in with my older brother who lived by the sea. A year later I applied and was accepted to the Interlochen Arts Academy in Northern Michigan where I spent my senior year of high school. At eighteen years old, I came to New York City on a scholarship to study theater. The city dazzled me, but after completing the term of study-and perhaps echoing my mother's flight from Barnard on a motorcycle years before-I headed back west, this time to Los Angeles where I landed in a Hollywood Boulevard youth hostel. It was in the culturally diverse atmosphere of Southern California, amid the palms, cars, and birds of paradise that I began to paint. In a twist of fate that only Hollywood could deliver, I was "discovered" stuck in traffic on Ventura Boulevard and given a record deal, (although I was not a singer). For six months I was under contract as "Ruby Blonde" and was paid to do nothing. Mercifully, the album was never made but I chose to use the free time and money to paint. Inspired by trips through Mexico and Guatemala, I fashioned giant faces from memory, which I painted on oversized pieces of scavenged plywood. I found the act of painting both hypnotic and meditative. So I returned to New York, (via Argentina), to further pursue the serious study of figurative painting technique. We know that in the past realism was discredited as kitsch and blamed for it's ability to appeal to and affect the masses. This inherent accessibility is the reason I choose to paint in the realist tradition.
Education
Private Study with and assistant to Steven Assael, New York City, 2004-2006
Private Study with and assistant to Odd Nerdrum, Norway, 2005
Independent Study in Europe, Summer 2005
New York Academy of Art, Master Class with Steven Assael, 2004
The Art Students League of New York, Gregg Kreutz, 2002-2004
American Musical and Dramatic Academy, New York City, 1996-1998, Graduate
Interlochen Arts Academy, Interlochen, Michigan, 1996, Graduate
Solo Exhibitions
Rose Freymuth-Frazier: The Virgin and the Unicorn, Ann Nathan Gallery, Chicago IL, December, 2012
Rose Freymuth-Frazier: Whispering Sisters and the Female Figurative Image, Cress Gallery, University of Tennessee at Chattanooga, 2010
Rose Freymuth-Frazier: Variation, Ann Nathan Gallery, Chicago IL, October 2007
Select Group Exhibitions
On Adornment - Pen & Brush, New York City, 2018
Five and Under - Arcadia Contemporary, Pasadena, CA, 2018
35th Anniversary Show - AFA-NYC, New York City, 2018
Realism: Then and Now - Cavalier Galleries, New York City, 2018
Art on Paper Fair - Gallery Victor Armendariz booth, New York City, 2018
Figure 8 - Gallery Victor Armendariz, Chicago, IL, 2017
Coming Attractions - Gallery Victor Armendariz, Chicago, IL, 2017
Summer's Ghost - Parlor Gallery, Asbury Park, NJ, 2016
BeinArt Collective Surreal Art Show - Copro Gallery, Santa Monica, CA, 2016
American Realism: Past to Present - Cavalier Galleries, New York City, 2015
Les Petit Fours, International Group Exhibition, (co-curated by Beautiful Bizarre Magazine and Friend's of Leon Gallery) - Friends of Leon Gallery, Sydney, Australia, 2015
Inaugural Group Show - Haven Gallery, New York, 2015
In the Way of Beauty - Parlor Gallery, Asbury Park, NJ, 2015
Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2015
Rose Freymuth-Frazier, “Prints” at Lay-Low Fine Art in Balearic Islands, Spain, 2015
Contemporary Realism - Cavalier Galleries, Greenwich, Connecticut, 2014
Benefit Show for the Southampton Animal Shelter - Richard J. Demato Gallery, Sag Harbor, NY, 2014
Contemporary Realism - Cavalier Galleries, New York City, 2014
Infusion - Roq La Rue Gallery, Seattle, Washington, 2014
Laluzapalooza - 28th Annual Group Show - La Luz De Jesus Gallery, Los Angeles, CA, 2014
20th Anniversary Group Show - Copro Gallery, Santa Monica, CA, 2013
Mums The Word, curated by Hilary Harkness, Mills Pond House Gallery, New York, NY, 2012
SOFA New York, Park Avenue Armory, New York 2012
Two Faces of Beauty, Ann Nathan Gallery, Chicago IL, 2010
Art Chicago, Chicago IL, 2010
SOFA New York, Park Avenue Armory, New York 2010
Art Chicago, Chicago IL, 2009
SOFA New York, Park Avenue Armory, New York 2009
Portraits, Ann Nathan Gallery, Chicago, IL, 2009
Art Chicago, Chicago IL, 2009
SOFA New York, Park Avenue Armory, New York 2009
Art Chicago, Chicago IL, 2008
Palm Beach III, Ann Nathan Gallery, Palm Beach, Florida, 2008
SOFA New York, Park Avenue Armory, New York, 2008
The Painters, Bill Lowe Gallery, Atlanta Georgia, 2007
SOFA New York, Park Avenue Armory, New York, 2007
Art Chicago, Chicago IL, 2007
Above & Beyond, Ann Nathan Gallery, Chicago IL, 2007
Select Publications and Press
Playboy Magazine, Interview - March 30th, 2016
Ms. Magazine, Online Feature - March 10th, 2016
Beautiful Bizarre Magazine, Interview - November 5th, 2015
Featured in “Uno de los Nuestros”, Barcelona, 2015
Hi-Fructose, Online Feature - June 17th, 2014
Beautiful Bizarre Magazine, 12 page Feature, Issue 006, September, 2014
Beautiful Bizarre Magazine, Online Feature, April 18th, 2014
Line & Stylish Art Magazine, “Artist of the Month”, April, 2014
iARTistas Summer Nude Issue, 2014
The Nerdrum School - Orfeus Publishing, 2013
Huffinton Post - May 24th, 2013
The 22 Magazine - Feb. 8th, 2013
Combustus Magazine, December 15th, 2012
Poets and Artists, October, 2012
American Artist Magazine, September, 2012
Creative Quarterly, Winter 2011/2012
Direct Art Magazine, Fall, 2011
Art Papers, January, 2011
American Art Collector Magazine, September, 2010
American Art Collector Magazine - Second Annual Art of the Nude, 2010
Chattanooga Times Free Press, August 29th, 2010
ArtNews, October, 2007
Chicago Tribune, November 9th, 2007
Direct Art Magazine, Spring, 2007
Select Collections
The Bennett Collection of Women Realists
Seven Bridges Foundation, Greenwich, CT
Diane and John Marek Collection, Chattanooga, TN
Billy Hunt Collection, Chicago, IL
Phil Burgess & Jim Nutter, Chicago, IL
Rick Shoemaker & James Ruud, Chicago, IL
Joan Berger, Chicago, IL
Jack & Gail Witlin, Palm Desert, CA
Bill & Tavi Flanagan, Irvine, CA
Brian Westphal & Michael McVicker, Chicago, IL
Awards and Honors
Art Renewal Center’s International Salon - Figurative Category - Finalist, 2013/2014
European Museum of Modern Art, MEAM - Figurativas '13 - Barcelona, Spain - Finalist, 2013
The American Chinese Oil Painting League - Butler Museum Exhibition - Finalist, 2011
John and Diane Marek Visiting Artist Lecture Series, University of TN, Chattanooga, 2010
Chairman of the Board Award, Salmagundi Club, 2006
Al Barker...
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Located in Paris, IDF
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H 13.78 in W 17.72 in D 1.58 in
Navajo Camp
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Located in Palm Desert, CA
"Navajo Camp" is an oil on panel painting by Gerard Curtis Delano. The painting is signed lower left "Delano". The framed piece measures 31 x 36 3/4 x 1 7/8 inches.
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Located in Pasadena, CA
Provenance
Acquired by the gallery directly from the artist
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High Plains Drifter II
Located in Salt Lake City, UT
High Plains Drifter II, oil on panel, 37 x 57 inches (Framed size: 41 x 61 inches), $7,000
Raised in the Bear River Valley, Tom Howard has an atta...
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'Pink Skies' Contemporary Seascape painting of water, rocks, pebbles and waves
Located in Shrewsbury, Shropshire
'Pink Skies' truly conveys Linares amazing attention to detail. The sea foam is extraordinary and the beautiful detailing in the water and skis. Like looking through a window. You ca...
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Previously Available Items
Moving Around Stone
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
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2010s Contemporary Adaa Art Dealers Association Of America Paintings
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Sandy Walk
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
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Up From the Lake
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
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2010s American Realist Adaa Art Dealers Association Of America Paintings
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Canvas, Oil, Panel
Blue Tribute (Tribute to Morandi)
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
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Big Bend, West Side
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
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Our Lady of Corpus Christi
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
Category
2010s Academic Adaa Art Dealers Association Of America Paintings
Materials
Oil, Board
Rain in the Desert
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
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2010s Contemporary Adaa Art Dealers Association Of America Paintings
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Nautilus and Friend
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
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2010s Realist Adaa Art Dealers Association Of America Paintings
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Oil, Board
Castolon Peak from Cottonwood
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
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21st Century and Contemporary Realist Adaa Art Dealers Association Of America Paintings
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Mill from Tracks
By Bob Stuth-Wade
Located in Dallas, TX
Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade:
“Over the course of his career, Bob Stuth-Wade has examined his responses to...
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Grey Day to Blue
By Bob Stuth-Wade
Located in Dallas, TX
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Storm, Canyon de Chelly
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