Adaa Art Dealers Association Of America Prints and Multiples

ETERNAL CITY JERUSALEM by the Israeli artist Moshe Castel (1909-1991) is a unique, unsigned Trial Proof from a limited edition etching, hand printed using traditional intaglio printmaking techniques on archival Arches paper 100% acid free. ETERNAL CITY JERUSALEM presents a deep red and orange brown ochre colored stone tablet...

Francesco Clemente (Italian b. 1952), 'This side up / Telemone #2, 1981 Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...

Hand signed and numbered by the artist. Lithograph in colors. Edition of 300. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will...

Hommage à Guttuso - Natura Morta: Cesto e Sega (Still Life: asked and Saw) is an original print by the Sicilian artist Renato Guttuso (Bagheria 1911 - Rome 1987). A high-quality chr...

Artist: Toulouse Lautrec (1864 -1901) French Title: The Chestnut Vendor Medium: Lithograph, Year: 1897 Signature: Signed in Plate (TL) Lower Left Dimensions: 20” x 17” Framed, 11” x 8.5” Unframed A lithograph of a Toulouse Lautrec drawing...

Lithograph in colors on Arches paper. Hand signed and numbered by the artist. From the edition of 250. Artwork is in excellent condition. Certificate of authenticity included. Al...

Image dimensions: 41.5 x 53.5 cm. Flowers And Guitar is an original artwork realized by Jean Marzelle in the 1970s. Mixed colored lithograph. Hand-signed by the artist on the lowe...

Alphonse Mucha "Lorenzaccio, a play in five acts and an epilogue by Alfred de Museet" Plate #114 1896 Alphonse Mucha was born in Southern Moravia on July 24, 1860. At the age of seventeen the artist left his home, to work as a painter of stage decorations...

Watermelon is a mixed colored lithograph by the Sicilian artist Renato Guttuso in 1982 The artwork is from XXeme Siècle Paris/New York; Printer Graphis Arte Livorno/Roma. Referenc...

Hand Signed, titled and numbered by the artist in pencil. Edition of 300. Image size 11.75 X 14.75 inches. Artwork in Excellent Condition. Certificate of Authenticity Included. Al...

NEVELSON, LOUISE (1899-1988) "Dusk in August" Lithograph in colors, 1967 Signed, dated, titled, and numbered in pencil lower margin This impression is XVIII/XX Sheet Size: 17” x 22” Published by Hollander’s Workshop with their blindstamp This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg. Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades." Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue. For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...

ROSENQUIST, JAMES (1933 - 2017) F-111 (Castelli Gallery Poster) Offset Lithograph c. 1965 Signed and dated in pencil along lower edge Sheet Size: 28” x 22”, Fresh ...