Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Period: Mid-19th Century
Japanese Beauties Enjoy a Full Moon
By Utagawa Kunisada (Toyokuni III)
Located in Burbank, CA
"Sun, Moon and Stars". Three beauties enjoy a full moon on the veranda of a teahouse or restuarant. The woman on the left kneels and adjusts her lavishly printed kimono. The beauty in the center has her hair down, and behind her is a screen against which shadows are beautifully silhouetted, which adds an air of mystery. The seated woman on the right is perhaps a geisha, as we see a shamisen lying next to her. Before her is a tray with an assortment of foods. One may surmise that the beauties are being compared to the sun, the moon, and the stars. On the left we glimpse a full moon shining over the peaceful bay, and boats at harbor. Original first edition Japanese color woodblock print triptych...
Category
1840s Edo Ifpda International Fine Print Dealers Association
Materials
Mulberry Paper, Woodcut
Autoportrait de Gustave Le Gray. 1851.
Located in PARIS, FR
LE GRAY Gustave Villiers-le-Bel 1820 † 1884 Le Caire et MESTRAL Auguste Rans 1812 † 1884 id.
Autoportrait de Gustave Le Gray. 1851.
Photographie.
338 x 243 mm (épreuve). 450 x 314 mm (montage).
Feuille montée sur vélin. Manque important en pied, atteignant la pointe de la veste du photographe. Quelques très légères et fines griffures en surface. Au dos du montage : 3 gravures anciennes, et marque de collection mauve, « L. BONGARD » (lugt non décrit).
Épreuve sur papier salé, d’après un négatif papier ciré sec.
Numéroté « 540 » dans le négatif, dans l’angle supérieur gauche.
Marque des étaux bien visibles dans le négatif, dans l’angle supérieur droit, et dans l’angle inférieur gauche.
De toute rareté.
Une seule autre épreuve connue :
Pierre Bergé & Associés, vente du 19 mars 2015, lot n°101.
La mission héliographique :
Au mois de mai 1851, Gustave Le Gray est délégué par la commission des Monuments historiques pour photographier une liste de monuments remarquables du sud-ouest de la France. D’autres figures pionnières de la photographie participent à cette vaste campagne de recensement, et doivent couvrir le reste du pays : Hippolyte Bayard, Henri Le Secq, Édouard Baldus et Auguste Mestral. Le Gray décide de fusionner son itinéraire avec celui de son élève et ami, Auguste Mestral. Entre juillet et octobre 1851, équipé d’une voiture et de deux chambres noires, le tandem sillonne le territoire de la Loire aux Pyrénées, du château de Chambord à la cité de Carcassonne. Les deux hommes, qui se connaissent depuis 1848, réalisent ensemble les prises de vue - et se présenteront d’ailleurs en tant que coauteurs devant la commission.
Un champ d’expérimentation
Pour Gustave Le Gray, qui vient de mettre au point le « négatif papier ciré sec », la mission héliographique est un champ d’expérimentation inespéré. Pendant trois mois, les photographes exécutent jusqu’à trente prises de vue par jour, une véritable prouesse rendue possible par l’invention de Le Gray. En effet, celle-ci dispense de maintenir humides les négatifs papier, facilitant considérablement le travail en extérieur. Les feuilles peuvent être préparées jusqu’à quinze jours à l’avance, et développées plusieurs heures après la prise de vue. « Tout le monde comprendra combien ce nouveau procédé facilite les opérations en voyage », écrit Le Gray. Méthodiques, les deux hommes numérotent les négatifs dans l’ordre chronologique.
Cette numérotation, allant jusqu’à 605, témoigne d’une production soutenue et indépendante, débordant largement le cadre imposé par la commission des monuments historiques.
Progressivement, le recensement scientifique s’accompagne de véritables digressions artistiques. Entre leur séjour à Carcassonne – point culminant du voyage – et leur retour à Paris, les « photographistes » s’autorisent de nombreux clichés personnels : des vues d’Amélie les Bain, du Pont Palaldas et du pont du Gard. Dans les Pyrénées-Orientales, les cloîtres gothiques d’Elne et d’Arles-sur-tech servent d’écrin à deux autoportraits de Gustave Le Gray. Le premier, réalisé à Elne, est aujourd’hui en mains privées (nous n’en avons trouvé aucune reproduction dans la littérature). Le second, pris très peu de temps après, n’est connu pour l’heure que par deux épreuves, dont celle que nous présentons.
Un manifeste artistique
Vêtu d’un costume noir de ville, Le Gray pose sous une arche gothique, jambes croisées et cigarette à la main. La blancheur insolente des guêtres, du chapeau et du col, accroche irrésistiblement l’œil du spectateur, et rehausse l’austère architecture médiévale d’une touche de modernité et de dandysme. L’élégance et la familiarité subtile de la mise en scène rappellent, dans leur esprit, d’autres portraits de Le Gray, habitué de compositions libres et volontiers énigmatiques – nous pensons ici à son fantomatique Autoportrait dans le miroir de la table de toilette de la duchesse de Parme, réalisé la même année, où le photographe parvient à capter son ombre fuyante dans un miroir.
Contrairement à ses pairs, Le Gray s’est peu consacré au portrait, lui préférant le paysage. Il en a cependant maîtrisé tous les codes, et signé d’authentiques chefs-d’œuvre en la matière : citons ici le portrait rêveur et mélancolique du dramaturge Edmond Cottinet (1849), et celui du sculpteur Auguste Clésinger (1855), d’une vigueur éblouissante, qui fut longtemps donné à son élève Félix Nadar...
Category
1850s Photorealist Ifpda International Fine Print Dealers Association
Materials
Photographic Paper
Neapolitan Vesuvius Gouache
Located in New York, NY
Original hand-painted Neapolitan gouache entitled "Eruz de Gennajo 1839." An excellent example of the classic Neapolitan School view. Unsigned. Displayed in an archival mat with an o...
Category
1830s Ifpda International Fine Print Dealers Association
Materials
Paper, Gouache
Leucippus Fallax (Buffy Hummingbird) — Original 1849 Hand-colored Lithograph
By John Gould and Henry Constantine Richter
Located in Myrtle Beach, SC
John Gould, 'Leucippus Fallax' (Buffy Hummingbird), original lithograph with hand-coloring (not a reproduction), c. 1850. Signed in typeset 'J. Gould and H. C. Richter, del et lith.'...
Category
1850s Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Landscape with Horses.
By James Abbott McNeill Whistler
Located in Storrs, CT
Kennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...
Category
Mid-19th Century American Impressionist Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
Feminist Writers - I am the Author of This Remarkable Play!!
By Honoré Daumier
Located in Santa Monica, CA
HONORE DAUMIER (1808 – 1871)
LES BAS-BLEUS - THE BLUE STOCKINGS, 1844 (Daumier Register; Delteil, 1227 ii/ii)
Lithograph as published in "Le Charivari" March 17, 1844. Plate 17 from the series Les Bas Bleus on thin wove paper with text on verso. 7.36 x 8.62 inches. LES BAS-BLEUS is a series of 40 numbered lithographs, which appeared in the Charivari between January 30, 1844 and August 7, 1844.
The usual centerfold from the folded publication. A sheet of acid free black paper placed behind to minimize the text from the verso
Provenance: The Richard Vogler Collection. Vogler's Collection of the caricatures of George Cruikshank, now at UCLA, was the largest private collections of his work in America.
From the "Daumier Register" website:
TRANSLATION (The audience at the Odeon Theatre.) - Author... Author!.... Author!
- Gentlemen, your impatience is about to be rewarded.... You want to know the author of this remarkable play that has just obtained such a great, and I must say, justified success.... that author... is MEEEEE....!
LES BAS-BLEUS (The bluestockings) is a series of 40 numbered lithographs, which appeared in the Charivari between January 30, 1844 and August 7, 1844.
ALBUM LES BAS-BLEUS. The series (“Les Bas-Bleus”) proved to be of such a success with the public, that apart from the Charivari edition a separate edition was published on single white sheets and sold at an up-market price to collectors. Apart from that, an album LES BAS-BLEUS was published in the same year (1844).
ABOUT THIS PRINT. The Odéon theatre in Paris opened in 1797 and merged in 1946 with the Comédie Française. It reopened again in 1959 as an independent theatre under the name Théatre de France. This print shows an enthusiastic public applauding the author at the opening night. It seems that the female author had hidden behind a male name. The applause stops when the audience fully realizes the deception. This print can be seen in reference to George Sand's play "Cosima", which also had been rejected by the public under similar circumstances.
BLUESTOCKINGS. The expression "Bluestocking” (or suffragette) dates back to 18th century England. At that time, angry young gentlemen of society met in London at the Montague House to discuss literary and political questions of their time. As a sign of protest against the establishment they wore blue wool-socks instead of black silk stockings. The expression was taken over by 19th century France to ridicule the new movement carried by Jeanne Désirée (1832), Cécile Fourmel, Suzanne Vailquin, and Claire Demar. George Sand and Flora Tristan joined the group later. Leclerc de Buffon (1707-1788), famous writer and scientist, as well as Madame de Staël...
Category
1840s Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
San Francisco.
By Charles Meryon
Located in PARIS, FR
MERYON Charles
Paris 1821 † Saint-Maurice (Seine) 1868
San Francisco. 1856.
Original copper plate etched, beveled, bow angle.
H240xL1010mm.
Delteil, n°...
Category
1850s Ifpda International Fine Print Dealers Association
Materials
Copper, Steel
Eaux-fortes sur Paris, vers 1850-1854
By Charles Meryon
Located in PARIS, FR
Charles MERYON
Paris 1821 † 1868 Saint-Maurice
Eaux-fortes sur Paris. Vers 1850-1854.
Etchings of Paris. 1850-1854.
Original etchings and drypoint...
Category
1850s Ifpda International Fine Print Dealers Association
Materials
Etching
Ocelot by Audubon
By John James Audubon
Located in New York, NY
Original stone lithograph with hand-coloring from "The Quadrupeds of North America. Octavo Edition" by John James Audubon. Plate LXXXVI. P...
Category
1850s Ifpda International Fine Print Dealers Association
Materials
Paper
Pompeian Still Life Gouache
Located in New York, NY
Original gouache by an unknown Neapolitan artist, circa 1840. Upper right panel after a fresco in Casa dei Dioscuri, Pompeii.
Category
1840s Ifpda International Fine Print Dealers Association
Materials
Paper, Gouache
Hummingbird Lithograph
By John Gould
Located in New York, NY
Gould, John and Richard Bowdler Sharpe.
A Monograph of the Trochilidae, or Family of Hummingbirds.
London, 1849-61.
This plate: Orthorhynchus Ornatus.
Original lithographs hand-co...
Category
Mid-19th Century Ifpda International Fine Print Dealers Association
Materials
Paper
The Great Pylon at Edfou, Upper Egypt
By Francis Frith
Located in Fairlawn, OH
The Great Pylon at Edfou, Upper Egypt
Original gold toned albumin photograph, c. 1862
Unsigned as is usual
From: Upper Egypt and Ethiopia, c. 1862, Vol 1, ...
Category
1860s Romantic Ifpda International Fine Print Dealers Association
Materials
Photographic Paper
Le gué (The Ford).
By Charles François Daubigny
Located in Storrs, CT
Original cliché-verre. Delteil, Melot 139. 11 1/2 x 14 1/4 (image and sheet). Edition 150, #71. Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le Garrec...
Category
Mid-19th Century Barbizon School Ifpda International Fine Print Dealers Association
Materials
Photographic Paper
ACADEMIC MALE NUDE FIGURE STUDIES
Located in Portland, ME
Michallet (attributed). ACADEMIC MALE NUDE FIGURE STUDIES. Four Charcoal drawings, each on heavy wove paper, 19th Century. 24 1/2 x 19 1/8 inches (s...
Category
Mid-19th Century Academic Ifpda International Fine Print Dealers Association
Materials
Charcoal
'Tokaido' — Mt. Fuji Rising – Mid-Nineteenth Century Woodblock Print
By Utagawa Kunisada (Toyokuni III)
Located in Myrtle Beach, SC
Utagawa Kunisada (Tokoyuni III), 'Tokaido', color woodblock, 1863. Signed in the cartouche, lower right. A fine impression, with rich, fresh colors and pronounced woodgrain, the full...
Category
1860s Edo Ifpda International Fine Print Dealers Association
Materials
Woodcut
Cougar by Audubon
By John James Audubon
Located in New York, NY
Original stone lithograph with hand-coloring from "The Quadrupeds of North America. Octavo Edition" by John James Audubon. Plate XCVII. Ph...
Category
1850s Ifpda International Fine Print Dealers Association
Materials
Paper
Holiday in Camp -- Soldiers Playing "Foot-Ball"
By Winslow Homer
Located in Fairlawn, OH
Holiday in Camp -- Soldiers Playing "Foot-Ball"
Wood engraving, 1865
After Winslow Homer
Unsigned
(Signed in text in title caption, see photo)
Published in Harper's Weekly July 15, 1...
Category
1860s American Realist Ifpda International Fine Print Dealers Association
Materials
Engraving
Canada Lynx by Audubon
By John James Audubon
Located in New York, NY
Original stone lithograph with hand-coloring from "The Quadrupeds of North America. Octavo Edition" by John James Audubon. Plate XVI. Phila...
Category
1850s Ifpda International Fine Print Dealers Association
Materials
Paper
La Machine hydraulique (The Hydraulic Machine).
By Charles François Daubigny
Located in Storrs, CT
La Machine hydraulique (The Hydraulic Machine). 1862. Original cliché-verre. Delteil, Melot 147. Delteil 147. 8 3/8 x 13 1/2 (sheet 11 x 14). Edition 150, #85. A posthumous impressio...
Category
Mid-19th Century Barbizon School Ifpda International Fine Print Dealers Association
Materials
Photographic Paper
Trompe l'oeil [Punch and Judy].
By George Cruikshank
Located in New York, NY
Trompe l'oeil. [Punch and Judy].
Watercolor and drawing, undated, circa 1830. Paper size 10.25 x 14" (26.1 x 35.6 cm). On "J. Whatman" watermarked paper. Unidentified artist.
A 19th-century visual montage of Cruikshank's "Punch & Judy." The images are taken from the book "The Tragical Comedy, or Comical Tragedy of Punch and Judy." As told to John Payne Collier by Giovanni in 1827, illustrated by George Cruikshank and published by S. Prowlett, London 1828. The central circle illustrates a drawing showing two allegorical female figures with two putti. The text under this image: “E Musao Hugonis Howard Armig, from Guercino.” On top of that illustration is a handsome painting of a flintlock pistol. Trompe l’oeil is an art of illustration – the name translates to ‘Trick of the Eye.”
The puppet show of Pulcinella or Punch and Judy has a long and fascinating history. “A puppet play that would have featured a version of Punch was first recorded in England in May 1662 by the diarist Samuel Pepys. He noted seeing it in Covent Garden, London, performed by the Italian puppet showman Pietro Gimonde from Bologna, otherwise known as Signor Bologna.
The earliest script of a Punch and Judy show...
Category
1830s Realist Ifpda International Fine Print Dealers Association
Materials
India Ink, Watercolor, Pencil
![Trompe l'oeil [Punch and Judy].](https://a.1stdibscdn.com/a_3312/1620315874402/Trompe_L_Oeil_Punch_87325_master.jpg?width=240 "Trompe l'oeil [Punch and Judy].")
Unknown title (castle with wall, stream and footbridge)
By David Cox
Located in Fairlawn, OH
Unknown title (castle with wall, stream and footbridge)
Watercolor on laid paper, mounted to support of old Albumin photograph mount
Signed and dated lower left (see photo)
The watercolor is mounted on support that is the backing for a vintage albumin photograph of Moulin Huet, Guernsey, Channel Islands, c. 1850's
Condition: Mounted to verso of albumin photograph mount (see photo)
Glue residue outside of image/sheet on recto
Colors fresh
No other issues to note
David Cox (29 April 1783 – 7 June 1859) was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of Impressionism.
He is considered one of the greatest English landscape painters, and a major figure of the Golden age of English watercolour.
Although most popularly known for his works in watercolour, he also painted over 300 works in oil towards the end of his career, now considered "one of the greatest, but least recognised, achievements of any British painter.
His son, known as David Cox the Younger (1809-1885), was also a successful artist.
Early life in Birmingham, 1783–1804
Cox's birthplace in Deritend, Birmingham, illustrated by Samuel Lines
Cox was born on 29 April 1783 on Heath Mill Lane in Deritend, then an industrial suburb of Birmingham. His father was a blacksmith and whitesmith about whom little is known, except that he supplied components such as bayonets and barrels to the Birmingham gun trade. Cox's mother was the daughter of a farmer and miller from Small Heath to the east of Birmingham. Early biographers record that "she had had a better education than his father, and was a woman of superior intelligence and force of character." Cox was initially expected to follow his father into the metal trade and take over his forge, but his lack of physical strength led his family to seek opportunities for him to develop his interest in art, which is said to have first become apparent when the young Cox started painting paper kites...
Category
1840s Romantic Ifpda International Fine Print Dealers Association
Materials
Watercolor
Breaking up of the Agamemnon, No 1
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
Etching and drypoint. Schneiderman 133.v/xi. 7 3/4 x 16 3/8 (sheet 9 1/4 x 17 1/2). A rich impression with plate tone printed in black/brown in on antique cream wove paper. Signed in...
Category
Mid-19th Century Old Masters Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
Pair of Horse Lithographs
By David Low
Located in New York, NY
"The Old-Irish Hunter." and "The Cleveland Bay." from "The Breeds of the Domestic Animals of the British Islands." by David Low. London, Fairland, 1842.
Original lithograph hand-col...
Category
1840s Ifpda International Fine Print Dealers Association
Materials
Paper
A Heath (Hampstead Heath, Stormy Noon - Sand Diggers)'
By John Constable
Located in London, GB
John Constable
A Heath (Hampstead Heath, Stormy Noon - Sand Diggers)'
1830
Mezzotint by David Lucas, as directed by John Constable, printed on laid pap...
Category
1830s Ifpda International Fine Print Dealers Association
Materials
Mezzotint
View on the River Stour ('The White Horse, River Stour')
By John Constable
Located in London, GB
John Constable
View on the River Stour ('The White Horse, River Stour')
1830
Mezzotint by David Lucas, as directed by John Constable, printed on wove paper
Sheet Size: 26.7 x 35.8 cm...
Category
1830s Ifpda International Fine Print Dealers Association
Materials
Mezzotint
Actor Portrait
By Utagawa Kunisada III
Located in New York, NY
Kunisada, Utagawa.
[Actor portrait.]
Japan, ca. 1855.
Original woodblock print.
Category
Mid-19th Century Ifpda International Fine Print Dealers Association
Materials
Paper
CURRIER & IVES - 1860 LINCOLN ELECTION CAMPAIGN
By Currier & Ives
Located in Santa Monica, CA
CURRIER & IVES (LOUIS MAURER)
1860 LINCOLN ELECTION CAMPAIGN
THE IMPENDING CRISES - OR CAUGHT IN THE ACT, 1860 (C.3033, G.3270)
Lithograph...
Category
1860s Other Art Style Ifpda International Fine Print Dealers Association
Materials
Lithograph
Pelican with Fish Engraving
Located in New York, NY
Original hand colored engraving from "Dictionnaire Universel d'Histoire Naturelle." Paris, 1849. Sheet size: 6" w x 6" h. Displayed in a custom, archival gray mat.
Category
1840s Ifpda International Fine Print Dealers Association
Materials
Paper
THANKSGIVING IN CAMP
By Winslow Homer
Located in Santa Monica, CA
AFTER - WINSLOW HOMER (1836-1910)
THANKSGIVING IN THE ARMY - After Dinner: the Wishbone, 1864
Original wood engraving as published by Harpers Weekly December 3, 1864, after a drawing by Winslow Homer. Image 9 3/4" x 14, Sheet 10 3.\/4 x 15 3/4" . Generally good condition, a small stain in the upper right margin.
Homer contributed drawings to Harper's Weekly from 1857 to 1875. They were converted to wood engravings by Harper's craftsman and published in Harper's Weekly. Although after his original drawings, they are now accepted as an important part of his body of work by museums and collectors. They were very large editions. As such, they occur often in the marketplace. Harper's published during the Civil War years as this was, were widely read and kept as people followed the war first hand and its aftermath over the years continuing today as both Homer and Civil War collectables
Category
1860s American Realist Ifpda International Fine Print Dealers Association
Materials
Woodcut
The Yacht "Henrietta" 205 Tons. Modelled by Mr. Wm. Tooker, N.Y. Built by Mr. ..
By Charles Parsons
Located in New York, NY
Title continues: Built by Mr. Henry Steers, Greenpoint, L. I. Owned by Mr. James Gordon Bennett, Jr. Winner of the Great Ocean Yacht Race, With the ...
Category
1860s American Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
'En Plein Soleil' from the French Set, 'Douze eau-fortes d'apres Nature'
By James Abbott McNeill Whistler
Located in Myrtle Beach, SC
James Abbott McNeill Whistler, 'En Plein Soleil' from the French Set (Douze eau-fortes d'apres Nature), etching, 1858, edition 61, 4th state of 4, Kenn...
Category
1850s Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching
LAST MOMENTS OF PRESIDENT LINCOLN
Located in Santa Monica, CA
J. F. BUFFORD PUBLISHER and PRINTER
LAST MOMENTS OF PRESIDENT LINCOLN, April 15, 1865
Lithograph, very good impression. The 2 lower publishing lines ...
Category
1860s American Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Trompe L'oeil [untitled]. Homage... Ter Nagedachtenis van S. G. Wezel oud 76 Jar
Located in New York, NY
Trompe l'oeil [untitled]. Homage.... Ink drawing, multimedia, 1837. Paper size 13.13 x 16.44" (33.3 x 41.8 cm). On watermarked paper "Blauw and Briel." Overall good condition. Small tears and the occasional bit of paper missing at the paper edge. Original color. Center paper crease - as issued. We believe the artist created this artwork on a sheet of paper that had been previously bound in a book.
Dutch trompe l'oeil drawing with pen & ink, pencil, sepia, and black chalk, wax seal, and painted pigment. This montage of early 19th century ephemera depicts sheet music, scenic views, a sealed letter, cards, a portrait of an unknown sitter, and a penned sheet noting ... van S. G. Wezel Wassenaar, October 1837. Is this a homage to the individual portrayed, a metaphorical self-portrait, or just a random assortment of ephemera beautifully composed? The artist keeps us wondering and visually appeased by a striking harmony created through contrast. This piece starts with sheet music entitled; Romance Larghetto No 2. There is a Psalm and Op Jezus Geboorte (On Jesus Birth...
Category
Mid-19th Century Realist Ifpda International Fine Print Dealers Association
Materials
Conté, Ink, India Ink, Watercolor
![Trompe L'oeil [untitled]. Homage... Ter Nagedachtenis van S. G. Wezel oud 76 Jar](https://a.1stdibscdn.com/a_3312/a_80146321619885874600/Wezel_Tromphe_l_oeil_crop_82094_master.jpg?width=240 "emilio briel")
Kintai Bridge at Iwakuni in Suo Province (Suo iwakuni kintai-bashi), 1859
By Hiroshige II
Located in Myrtle Beach, SC
Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...
Category
1850s Edo Ifpda International Fine Print Dealers Association
Materials
Woodcut
Kensington Gardens (The Small Plate)
By Sir Francis Seymour Haden, R.A.
Located in New York, NY
Sir Francis Seymour Haden (1818-1910), Kensington Gardens (The Small Plate), drypoint, 1859, signed in pencil lower right. References: Harrington 12...
Category
1850s Realist Ifpda International Fine Print Dealers Association
Materials
Drypoint
Resting Bull Lithograph
By Thomas Sidney Cooper
Located in New York, NY
Original lithograph hand-colored at the time of publication from "Groups of Cattle Drawn from Nature" by Thomas Sydney Cooper. Mounted on artist's board. London, 1839.
Category
1830s Ifpda International Fine Print Dealers Association
Materials
Paper
SOUVENIR D'OSTIE
By Jean-Baptiste-Camille Corot
Located in Portland, ME
Corot, Jean-Baptiste-Camille. SOUVENIR D'OSTIE. Delteil 57, Melot 57. Cliche Verre, 1855. Second State of two, with the signature of Corot in reverse, low...
Category
1850s Ifpda International Fine Print Dealers Association
Materials
Black and White
Raccoon by Audubon
By John James Audubon
Located in New York, NY
Original stone lithograph with hand-coloring from "The Quadrupeds of North America. Octavo Edition" by John James Audubon. Plate LXI. Phil...
Category
1850s Ifpda International Fine Print Dealers Association
Materials
Paper
MISSOURI MOUSE - Large Folio "The Viviparous Quadrupeds of North America" Pl.100
By After John James Audubon
Located in Santa Monica, CA
(After) JOHN JAMES AUDUBON (1785 - 1851)
MISSOURI MOUSE, 1846 - Plate 100 (C) No. 20
Lithograph with original hand coloring. From Audubon's "The Viviparous Quadrupeds of North America...
Category
1840s American Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
The Wife of a Barber
Located in Fairlawn, OH
Paintings on mica originating in India were produced in standard sets for the colonial tourist market. They imitated paintings on glass, which were popular in Europe. Subject matter included Hindu...
Category
Mid-19th Century Ifpda International Fine Print Dealers Association
Materials
Oil
Le marais aux canards (Marsh with Ducks).
By Charles François Daubigny
Located in Storrs, CT
1862. Original cliché verre. Delteil, Melot 133. 6 1/2 x 7 7/8 (image and sheet). Edition 150, #85. Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le ...
Category
Mid-19th Century Barbizon School Ifpda International Fine Print Dealers Association
Materials
Photographic Paper
Union Pond, Williamsburgh, L. I. [sic].
By Winslow Homer
Located in New York, NY
UNION POND, WILLIAMSBURGH, L. I. [sic] is a lithograph printed in color in circa 1862. It was published by Thomas & Eno, 37 Park Row, N.Y. The printed image size is 16 3/4 x 27 in...
Category
1860s American Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
![Union Pond, Williamsburgh, L. I. [sic].](https://a.1stdibscdn.com/winslow-homer-prints-works-on-paper-union-pond-williamsburgh-l-i-sic-for-sale/a_3312/1595513020620/Homer_Union_Pond_frame_IMG_8498_master.jpg?width=240 "homer pours water on console gif")
Untitled (Study of a Lawyer)
By Honoré Daumier
Located in Fairlawn, OH
Unsigned
Provenance:
FAR Gallery, New York, NY
Private Collection, New Jersey
Reference and Notes:
Daumier was a prolific draftsman. This drawing of a lawyer was once part of a...
Category
Mid-19th Century Impressionist Ifpda International Fine Print Dealers Association
Materials
Charcoal
The Rising Moon' or 'An English Pastoral'
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer
The Rising Moon' or 'An English Pastoral'
1857
Etching
26.8 x 36.5 cms (10.6 x 14.8 ins)
Category
1850s Ifpda International Fine Print Dealers Association
Materials
Etching
CALIFORNIA GOLD DIGGERS
Located in Santa Monica, CA
CALIFORNIA GOLD RUSH - c. 1849 - Early
CALIFORNIA GOLD DIGGERS - Mining Operations on the Western Shore of the Sacramento River, 1849 (Finley 111) Lithogr...
Category
1840s Other Art Style Ifpda International Fine Print Dealers Association
Materials
Lithograph
Cherry Blossoms at Honmoku in Musashi Province (Musashi Honmoku no hana). From t
By Utagawa Hiroshige (Ando Hiroshige)
Located in London, GB
Utagawa Hiroshige
Cherry Blossoms at Honmoku in Musashi Province (Musashi Honmoku no hana). From the series Fuji sanjurokkei (Thirty-six Views of Mt. Fuji).
1858
Colour woodblock pri...
Category
1850s Ifpda International Fine Print Dealers Association
Materials
Woodcut
The Bluestocking’s Husband
By Honoré Daumier
Located in New York, NY
Honore Daumier (1808-79), The Bluestocking’s Husband, plate 46 from the series Moeurs Conjugales, published in 1842 in Le Charivari, and in the Album Moeurs Conjugales in 1843; an im...
Category
1840s Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Mytton Hall
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
Mytton Hall. 1859. Etching and drypoint. Schneiderman catalog 19 state .iii/v. 4 13/16 x 10 5/16 (sheet 5 3/4 x 10 15/16). As published in Études à l'eau-forte XXIV. Illustrated: Guichard, British Etchers, 1850-1940. An extremely rich impression printed on fine laid paper. Signed in the plate. Housed in a 16 x 20-inch archival mat.
Mytton Hall is a fifteenth century mansion house situated on the River Ribble, at Whalley near Blackburn, Lancashire. Haden used to stay there when he went salmon fishing.
R. Gutekunst, the dealer who inherited the rights to sell all of Francis Seymour Haden's remaining prints upon his death, noted on the front of his catalogue in July 1911: "It may be useful to add that those impressions of Sir Seymour Haden's early and rare etchings, which were published in portfolio form in Paris in 1865-66, under the title Études à l'eau-forte have, with the exception of one or two sets, never been signed in autograph by Sir Seymour, and do not, of course, bear any stamp of any kind." Although Gutekunst had impressions of the majority of Haden's works for sale, he had no remaining impressions of Mytton Hall.
Henry Taylor...
Category
Mid-19th Century Old Masters Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
Chiyogaike Pond, Meguro from 100 Famous Views of Edo
By Utagawa Hiroshige (Ando Hiroshige)
Located in Burbank, CA
A cascading waterfall fills Chiyo’s Pond, named after an ancient samurai’s wife. Cherry trees in full bloom line the banks of the pond. The reflections of the trees in the pond are a notable feature, as Hiroshige did not use reflections in very many of his prints, as it was something of an exotic import. From the series One Hundred Famous Views of Edo...
Category
1850s Edo Ifpda International Fine Print Dealers Association
Materials
Mulberry Paper, Woodcut
The Little Wheelwright's
By James Abbott McNeill Whistler
Located in Storrs, CT
The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...
Category
Mid-19th Century American Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching
THE GREAT FAIR GIVEN AT THE CITY ASSEMBLY ROOMS, NEW YORK, DECEMBER, 1861
By Winslow Homer
Located in Portland, ME
After Homer, Winslow. THE GREAT FAIR GIVEN AT THE CITY ASSEMBLY ROOMS, NEW YORK, DECEMBER, 1861 IN AID OF THE CITY POOR. Wood engraving after a drawing by Homer, published in Harper'...
Category
Mid-19th Century Ifpda International Fine Print Dealers Association
Materials
Engraving
A DIAMOND HYPNOTIST - Le Diamant Magnetiseur
By Honoré Daumier
Located in Santa Monica, CA
HONORE DAUMIER (1808 - 1879)
LE DIAMANT MAGNETISEUR.....1859 (DR 3227 iii/iii: LD 3227)
Original lithograph 9 1/2 x 11 incl. text. Published in Le Chariv...
Category
1850s Barbizon School Ifpda International Fine Print Dealers Association
Materials
Lithograph
Saved from Drowning
By Honoré Daumier
Located in New York, NY
Honore Daumier (1808-1879), [Saved from Drowning], lithograph, plate 7 from the series Les Canotiers Parisiens, a sur blanc impression from the album, with binding holes at left (als...
Category
1840s Realist Ifpda International Fine Print Dealers Association
Materials
Lithograph
CHASSEURS TYROLIENS A L'AFFUT DU CHEVREUIL
By Gustave Doré
Located in Santa Monica, CA
GUSTAVE DORE (French 1832-1883)
CHASSEURS TYROLIENS A L'AFFUT DU CHEVREUIL (Tyrolian Hunters at the end of the Hunt) c.
1856-7 (B...
Category
1850s Romantic Ifpda International Fine Print Dealers Association
Materials
Lithograph
Emotions Parisiennes
By Honoré Daumier
Located in Santa Monica, CA
Legal print by Honore Daumier (1808-1879)
Lithograph sur blanc (white paper without text on verso) D.726 ii/iii
8 1/2 x 7 1/2 plus text. Plate 48 from the Album Emotion Parisiennes.
Legal subjects are Daumier's most sought after prints. Aside from images in Gens du Justice he used the subject in several other series.. Good impression in excellent condition
Translation: Judge - You did have the means for existence, what did you do...
Category
1840s Barbizon School Ifpda International Fine Print Dealers Association
Materials
Lithograph
Venus
By James Abbott McNeill Whistler
Located in Storrs, CT
Venus. 1859. Etching and drypoint. Kennedy catalog 59 state ii; Glasgow catalog 60 state ii. 6 x 9 (sheet 8 x 11 3/16). Glasgow records 27 known impressions. A very rich impression p...
Category
Mid-19th Century American Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching, Drypoint
ESH-TA-HUM-LEAH.
By McKenney & Hall
Located in New York, NY
McKenney, Thomas and James Hall.
History of the Indian Tribes of North America.
Unknown publisher and date, probably 1840s.
ESH-TA-HUM...
Category
Mid-19th Century Ifpda International Fine Print Dealers Association
Materials
Paper
West Bow, Edinburgh
By George Cattermole
Located in Storrs, CT
West Bow, Edinburgh. c. 1847. Lithograph by Harding after a drawing by Cattermole. 16 3/4 x 11 9/16 (sheet 21 1/2 x 14). From the portfolio "Scotland Delineated in a Series of Views," originally produced for John Parker Lawson and published by E. Gambart in London and Edinburgh, 1849 - 1854. Lithographed by Day and Son. The popular series went through several printings. This is probably from the first edition, volume 1. Scattered foxing, unobtrusive vertical paper fold along the left-hand side. A good impression printed on heavy off-white wove paper Signed in pencil by Cattermole. Housed in a 22 x 20-inch archival mat, suitable for framing.
Cattermole was born at Dickleburgh, near Diss, Norfolk. At the age of fourteen he began working as an architectural and topographical draughtsman for the antiquary John Britton...
Category
Mid-19th Century Romantic Ifpda International Fine Print Dealers Association
Materials
Lithograph
Le bouquet d'aunes ((The Clump of Alders)
By Charles François Daubigny
Located in Storrs, CT
. 1862. Original cliché-verre. Counterproof. Delteil, Melot 145. 6 1/2 x 8 3/4 (image and sheet). Edition 150, #71. Posthumous impression from the 1921 edition of 150 printed in Pari...
Category
Mid-19th Century Barbizon School Ifpda International Fine Print Dealers Association
Materials
Photographic Paper
CALIFORNIA 1850 GOLD RUSH CARICATURE
By Charles Amedee de Noe (CHAM)
Located in Santa Monica, CA
CALIFORNIA GOLD RUSH CARICATURE
Charles Amédée de Noé, aka CHAM (1819 -1879)
CROQUIS CALIFORNIENS, ca. 1850
Lithograph image inc. text 10 ½ x 6, sheet 14 x 9 1/2 inches. French...
Category
1840s Barbizon School Ifpda International Fine Print Dealers Association
Materials
Lithograph
