Ifpda International Fine Print Dealers Association Landscape Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Zephyr - Ceramic
By William Tillyer
Located in London, GB
Archival giclée print
Edition of 70, Set of 8
Paper size: 57.2 x 56 cms (22 1/2 x 22 ins)
Image size: 40 x 40 cms (15 3/4 x 15 3/4 ins)
Starting from a belief that all forms, and li...
Category
2010s Other Art Style Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Archival Ink, Giclée
Zephyr - Stratos Cumulus
By William Tillyer
Located in London, GB
Archival giclée print
Edition of 70, Set of 8
Paper size: 57.2 x 56 cms (22 1/2 x 22 ins)
Image size: 40 x 40 cms (15 3/4 x 15 3/4 ins)
Starting from a belief that all forms, and li...
Category
2010s Other Art Style Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Archival Ink, Giclée
Grey Folded Clouds - II Blue and white
By Joe Goode
Located in London, GB
Joe Goode
Grey Folded Clouds - II Blue and white (blue paper sky)
1971
Lithograph, Edition of 50
41 x 61 cms (16 x 24 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
High Tide
By Hiroki Morinoue
Located in Lyons, CO
Color woodcut, Edition 30
The left panel of High Tide captures the reflections of the edge of a pond and surrounding trees and hills. The right panel depi...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
As the Moon Rises
By Susan Hall
Located in Lyons, CO
Color lithograph with pochoir, Edition25
Susan Hall lived and worked for many years in New York City before returning to her childhood home in Point Reyes Station, California. She depicts moments suspended in the mysterious light of this place of marshland, wave-broken coast line and tawny, rolling hills.
In Susan's latest prints Solitary Oak and As the Moon Rises...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
THE MAKING OF TORTILLAS - Mural Size 47 1/2 inches Long
By Leopoldo Méndez
Located in Santa Monica, CA
LEOPOLDO MENDEZ (1902 – 1969)
THE MAKING OF TORTILLAS 1954
Linocut. Edition unknown. This example signed in pencil and dated 1957. 14” x 47 3/8” ...
Category
1950s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Linocut
New Viaduct
By Louis Conrad Rosenberg
Located in Fairlawn, OH
From: The Cleveland Set (23 plates), No. 1
Edition: Small
Signed in pencil
Image: 7 3/4 x 11 1/2"
Category
1920s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
The Gate, Chelsea
By Theodore Casimir Roussel
Located in New York, NY
Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab and inscribed imp [also signed in the plate lowere right]. Reference: Hausberg 33, fourth state (of 4), from the total printing of about 43 impressions. In excellent condition, trimmed by the artist all around on the plate mark except for the tab, 8 1/8 x 6 1/2 inches.
A fine impression, printed on a light cream wove paper with plate tone (wiped to brighten the gate and doorway area) and substantial burr in the drypoint work.
According to Hausberg, “The gate and house behind it still stand today at No. 4 Cheyne Walk...
Category
1880s Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
Suite of 12 Views of Italy
By Franz Weirotter
Located in New York, NY
Franz Weirotter (1730-1771), Suite of 12 Views of Italy, etchings, 1759 [most signed in the plate by Weirotter]. Reference: Nagel 5. 10 printed in pairs on one sheet; one on a small...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Ocean View Wind Patterns, Camden Maine
By Yvonne Jacquette
Located in Lyons, CO
Color lithograph, Edition 30.
Jacquette also creates compelling images of the landscape and the sea from the air or atop hills or mountains. In this colorful print she depicts a view of the Maine...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
CENTER HARBOR, NH
By Ralph L. Boyer
Located in Portland, ME
Boyer, Ralph L. (American, 1879-1952).
CENTRE HARBOR, N.H. Etching, not dated.
Number 12 of the edition of 60. Signed in pencil and inscribed "imp rlb" just below the image.
Further inscribed in the lower margin with the Title, the edition size and number, and the artist's name and "Westport, Conn." where he lived and worked.
9 7/8 x 7 3/4 inches (plate), 13 x 10 1/2 inches (sheet).
Tape residue at the upper corners, else in very good condition.
Boyer was well known as a sporting artist. Derrydale...
Category
Early 20th Century Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
MORNING IN YOSEMITE
By Harold Lukens Doolittle
Located in Santa Monica, CA
HAROLD L. DOOLITTLE (1883 - 1974)
MORNING IN YOSEMITE c 1938
Aquatint, signed and titled in pencil by the artist. Plate size 13 3/8 x 9 3/4". Sheet 16 x 11 1/8" with deckle edges.
Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
Zephyr - Claude
By William Tillyer
Located in London, GB
Archival giclée print
Edition of 70, Set of 8
Paper size: 57.2 x 56 cms (22 1/2 x 22 ins)
Image size: 40 x 40 cms (15 3/4 x 15 3/4 ins)
Starting from a belief that all forms, and li...
Category
2010s Other Art Style Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Archival Ink, Giclée
'Skaters' — 1930s Woodstock, New York
By Emil Ganso
Located in Myrtle Beach, SC
Emil Ganso, 'Skaters', pochoir (color stencil) with hand painting, edition c. 50, 1938, Smith S-6. Signed in the image, lower right. A rich, painterly impression, with fresh colors, on buff wove paper; the full sheet with margins (7/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed.
Image size 11 3/4 x 15 1/4 inches; sheet size 18 3/4 x 13 3/4 inches.
An impression of this work is in the permanent collection of the Philadelphia Museum of Art.
ABOUT THE ARTIST
Born in Germany, Emil Ganso (1895-1941) came to the United States with his family in 1912. After settling in New York City, he found night work in a bakery and concentrated on his art in the daytime—mostly self-taught at this time, he studied only briefly at the National Academy of Design.
In 1924, Ganso showed his drawings to Carl Zigrosser, who organized the artist’s first solo exhibition, at the Weyhe Gallery. Soon afterward, Ganso enrolled in Eugene Fitsch’s printmaking class at the Art Students League.
Although he considered himself primarily a painter, Ganso made prints in all media, including relief and stencil prints and complex intaglios, and even experimented with color lithography in the late 1920s. He also developed, with an engineer, the design and fabrication of an innovative etching press.
In 1926, Ganso attended the Art Students League summer session in Woodstock, New York. There, he met Jules Pascin, and the two artists began a close friendship, briefly sharing a studio. Ganso followed Pascin to Europe in 1928.
In 1929, Ganso returned to New York and showed his work regularly in group exhibitions. He continued working in Woodstock in the summer months, often printing lithographs for other artists. The Cleveland Print Club...
Category
1930s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Gouache, Stencil
'Cleveland Public Square' — 1920s Urban Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Cleveland Public Square', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. Annotated 'Cleveland Public Square S489', in another hand, in the bottom right margin. A fine, richly-inked impression, in brown/black ink, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 3 inches), in excellent condition. Archivally sleeved, unmatted.
Image size 11 7/8 x 8 7/8 inches; sheet size 17 1/4 x 12 1/8 inches.
ABOUT THIS IMAGE
'Public Square' is the two-block (formerly four-block) central plaza of downtown Cleveland, Ohio. Based on an 18th-century New England model, it was part of the original 1796 town plan overseen by Moses Cleveland and remains today as an integral part of the city's center. The 10-acre (4.0 ha) square is centered on the former intersection of Superior Avenue and Ontario Street.[2] Cleveland's three tallest buildings, Key Tower, 200 Public Square, and the Terminal Tower, face the square.
Public Square was part of the Connecticut Land Company's original plan for the city, overseen by Moses Cleveland in the 1790s. The square is signature of the layout for early New England towns, which Cleveland was modeled after. While it initially served as a common pasture for settlers' animals, less than a century later in 1879 Public Square became the first street in the world to be lit with electric street lights—arc lamps designed by Cleveland native Charles F. Brush. The square was added to the National Register of Historic Places on December 18, 1975.
Public Square is often the site of political rallies and civic functions, including a free annual Independence Day concert by the Cleveland Orchestra...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
'Heart of San Francisco' — Vintage 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Heart of San Francisco', etching, c. 1927, edition not stated. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (2...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Bottle Gourds and Maple Leaves on Vertical Panels
Located in Storrs, CT
Bottle Gourds and Maple Leaves on Vertical Panels. c.1900. White and dark ground Japanese paper stencil on mulberry paper treated with persimmon juice. Reinforced with thread insertion. 7 3/4 x 14. (sheet 14 1/2 x 17). Housed in a 16 x 20-inch archival mat, suitable for framing.
Katagami are Japanese stencil patterns that were used for printing kimono patterns...
Category
Early 20th Century Edo Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Stencil
Rio Osmarin (boats on the canal Rio de S. Provolo o de l'Osmarin, Venice)
By Judith Rothchild
Located in New Orleans, LA
Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...
Category
21st Century and Contemporary American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
Landscape with Horses.
By James Abbott McNeill Whistler
Located in Storrs, CT
Kennedy catalog 36 state ii; Glasgow 45 state ii. Image: 4 7/8 x 7 3/4 (sheet 6 7/8 x 9 5/8).The Glasgow catalog records 32 known impressions. A scarce early etching -- there was no ...
Category
Mid-19th Century American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
JOSHUA TREE
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (American, 1869-1958)
JOSHUA TREE c. 1925-30
Color block print. Signed in pencil. 6 1/2 x 4 1/2 inches. Edition unknown, bur likely ab...
Category
1920s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Linocut, Woodcut
Bamboo Print
By Mathurin Meheut
Located in New York, NY
Meheut, Mathurin.
La Plante Exotique.
Pl 1: Bamboo.
Paris, 1931.
Heliochrome print.
Category
1930s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Paper
Edge of the Woods.
By William Harry Warren Bicknell
Located in Storrs, CT
Edge of the Woods. 1916. Drypoint. 7 7/8 x 9 3/4 (sheet 10 7/16 x 13 1/8). A rich impression in printed on Japanese paper with an oak leaf watermark. Signed and annotated '3rd state'...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
La Casita Azul
By Emilio Sanchez
Located in New York, NY
“LA CASITA AZUL”
Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casita Azul” circa 1970. The image size is 21.50 x 31.25 inches and the paper size 23.13 x 33 inches. Printed in an edition of 100 this impression is inscribed “91/100” - the 54th impression of 100. Pencil signed in the lower right and inscribed in the lower left.
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
Wall Street
By Joseph Pennell
Located in Storrs, CT
Wall Street. 1904. Etching. Wuerth 344. 11 3/4 x 7 7/16 (sheet 15 1/2 x 10 1/4). Edition about 75. A rich, tonal impression printed on Japanese mulberry paper. Signed in pencil. Hous...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
SEA TREASURES
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART and Sisters (THE GEARHARTS)
SEA TREASURES...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
The Nodding Renealmia from Temple of Flora
By Dr. Robert John Thornton
Located in New York, NY
"The Queen Flower" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, color...
Category
1810s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Paper
Wild Garden
By Robert Kushner
Located in Lyons, CO
Color lithograph/diptych, Edition 25.
The artist describes this project:
Two years ago, I had the very good fortune to be invited to paint in the South of France. My studio was an ...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…...
By Giovanni Battista Piranesi
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c 1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-E...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Foggy Night (the way home or a Stephen King setting)
By Carol Wax
Located in New Orleans, LA
This impression is #22
Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mez...
Category
2010s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving, Mezzotint
White Monday
By Martin Lewis
Located in Fairlawn, OH
Signed in the plate lower left
Note: Printed on September 26, 1980 in an edition of 4 restrikes.
Reference: Paul McCarron, The Prints of Martin Lewis: A Catalogue Raisonne (Bro...
Category
1970s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint
Morning Walk. [Central Park.]
By Harold Altman
Located in New York, NY
Signed and titled in pencil. Inscribed "192/285." Edition 285.
Category
1980s Naturalistic Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Lithograph
![Morning Walk. [Central Park.]](https://a.1stdibscdn.com/harold-altman-prints-works-on-paper-morning-walk-central-park-for-sale/a_3312/1584647925659/97561_master.jpg?width=240 "harold altman central park lithograph")
'Peking - Paifang Gate' — Mid-Century Watanabe Color Woodcut
By Cyrus Le Roy Baldridge
Located in Myrtle Beach, SC
Cyrus Le Roy Baldridge, 'Peking '25', woodblock print, published 1926. Signed, titled, dated, and annotated 'No 124' in pencil. A fine impression, with fresh, undiminished colors; the full sheet, in excellent condition. Watanabe 6 mm seal, lower right, indicating an impression printed between 1945 and 1957. Archivally sleeved, unmatted.
Image size 9 5/8 x 14 5/16 inches; sheet size 10 7/16 x 15 3/8 inches.
ABOUT THE IMAGE
A 'paifang', also known as a 'pailou', is a traditional style of Chinese architectural arch or gateway structure. It has been theorized that the paifang gate architecture was influenced by Buddhist torana temple gates. Paifang are designed with traditional Chinese architectural motifs including multi-tiered roofs, prominent supporting posts, and gracefully arched openings.
This is an unusual ukiyo-e or 'floating world' woodcut published by Watanabe Shozaburo, Tokyo, in that the subject is of an early 20th-century scene in Peking, China.
ABOUT THE ARTIST
Cyrus Leroy Baldridge...
Category
1920s Showa Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
421 Nights: Reach (Silos on Highway 421)
By Donald Furst
Located in New Orleans, LA
Donald Furst has created a series of 10 mezzotints based on Highway 421. U.S. Route 421 is a spur route of U.S. 21. It runs for 941 miles from Fort Fisher, North Carolina south of Wilmington to Michigan City, Indiana at U.S. 20. This image, "421 Nights: Reach", shows the reach of some storage tanks. This impression is #10 from an edition of just 30.
A member of the faculty since 1985, Donald Furst is Professor of Art and former chair (2002-2009) of the UNCW Department of Art and Art History. He has received the following recognitions for teaching: University of North Carolina Board of Governors Award for Excellence in Teaching, 1999; University Distinguished Professorship, UNCW, 1996-98; Board of Trustees Teaching Excellence Award, UNCW, 1996; College of Arts and Sciences Excellence in Teaching, UNCW, 1992.
Furst currently operates Ars Longa...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
Night Life at the Moulin Rouge
By Henry Somm
Located in Fairlawn, OH
Night Life at the Moulin Rouge
Pen and ink drawing, c. 1890
Signed lower left (see photo)
A scene of the night life near the Moulin Rouge, Paris. The Moulin Rouge is the famous cabaret located in the old wind mill building in the right distance of this image. It was the center of fin de siecle culture in Paris.
Condition: Slight yellowing to the sheet from age.
Sight size: 9 x 5 3/4 inches
Frame size: 14-1/8 x 10-3/4 x 1/2"
Provenance: Eric G. Carlson (1940-2016), art historian and noted art dealer
François Clément Sommier, best known under the pseudonym “Henry Somm,” was born in Rouen in 1844. He attended the local École municipale des beaux-arts and went on in 1867 to Paris, where he studied under Isidore Pils (1813-1875).
“Somm is above all a painter and his watercolors are much sought after; he has the painter’s eye to the highest degree imaginable.” Louis Morin, Somm’s fellow artist revealed in 1893 that while his training as an academic painter forged his draughsmanship and an acute eye for colors, Somm preferred and excelled in the graphic realm. Particularly prolific, he produced a very extensive corpus of 7,500 drawings and prints, many of which were widely reproduced in journals and magazines.
In 1867, Somm’s career reached a turning point with the discovery of Japanese culture through his friendship with French collector and critic Philippe Burty and a visit to the Paris International Exhibition. More generally, Japanese art and especially Japanese woodblock prints exerted a heavy influence on French artists at the time, and especially on the Impressionists, who were particularly inspired by the subject matter, as well as the innovative use of perspective, composition and color. Although technically not an Impressionist by pure definition, Somm’s interest in the effect of atmospheric light on shadow and color prompted Edgar Degas to invite him to participate in their 4th exhibition in 1879. However, Somm did not exhibit again with the Impressionists, and was never considered a member of the group. Rather, his work intersects between Impressionism, Symbolism and Japonism. In fact, while his drypoints and etchings reflect a more literal borrowing of Japanese elements than the work of Whistler or Monet, they also clearly anticipate the future work of Henri de Toulouse-Lautrec.
Although Somm was 20 years older than Toulouse-Lautrec, both artists developed a friendship, as habitués of the Chat noir, a cabaret founded by Rodolphe Salis and located 84 boulevard de Rochechouart in Montmartre. More than a cabaret, the Chat noir also became an important gathering place for writers, poets, composers, musicians, and artists living in Montmartre. For Somm, a founding member of this artistic circle, it also served as a unique environment, where he could express his limitless imagination as active participant to the events – notably the literary soirées organized by the hydropathic group – and illustrator of the Chat noir journal.
In 1886, Somm, in collaboration with Georges Auriol, initiated the Chat noir’s first puppet show, which subsequently evolved into shadow theater. Somm’s Japonism and sense of humor appealed to Toulouse-Lautrec, and this influence is echoed in Lautrec posters advertising two other Montmartre nightspots, namely Le Mirliton and Le Divan Japonais...
Category
Late 19th Century French School Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Ink
Ciel Gris II (Grey Sky II)
By (after) Georges Braque
Located in Storrs, CT
Ciel Gris. 1959. Lithograph printed in colors. Vallier, Dora. Braque. The Complete Graphics, London 1988, page 294, No. 1033. 9 x 3 3/8 (sheet 15 x 10 3/4). One of about 3000 imp...
Category
Mid-20th Century Cubist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Color, Lithograph
'Garyu no sakura' (The Lying Dragon Cherry Tree, Gifu) — Contemporary Japanese
Located in Myrtle Beach, SC
Hajime Namiki, 'Garyu no sakura (The Lying Dragon Cherry Tree, Gifu)', color woodcut, 2003, edition 200. Signed in pencil and with the artist’s red seal....
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Chelsea Old Church, London
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching, Aquatint
Late Night (Where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope)
By Frederick Mershimer
Located in New Orleans, LA
In "Late Night", Frederick Mershimer created a winter scene where Berkeley Place meets Seventh Avenue in Brooklyn's Park Slope. This image, the seventh in t...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint, Aquatint
Pink Mountain
By Isca Greenfield-Sanders
Located in Berkeley, CA
Color spitbite aquatint and aquatint with drypoint.
Edition of 35
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching, Intaglio
Chrysanthemums and Bands
Located in Storrs, CT
Chrysanthemums and Bands. c.1900. Dark ground Japanese paper stencil on mulberry paper treated with persimmon juice and smoked. Drill and punch carving. 8 x 13 7/8 (sheet 12 1/2 x 16 1/2). Ex-collection Arthur Wesley Dow. $300. Housed in a 16 x 20-inch archival mat, suitable for framing.
Katagami are Japanese stencil patterns that were used for printing kimono patterns...
Category
Early 20th Century Edo Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Stencil
The Gargoyle and His Quarry
By John Taylor Arms
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
Willow Border
By William Seltzer Rice
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 – 1963)
WILLOW BORDER, ca 1915-20 Color woodcut. Signed Wm. S. Rice and titled in pencil, both very lightly. Image 10 x 9 inches. On fibrous paper. Sheet...
Category
1910s Other Art Style Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
The Gothic Spirit
By John Taylor Arms
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Drypoint, Etching
The Beach at Kaiganji in Sanuki Province — Lifetime Impression, 1934
By Kawase Hasui
Located in Myrtle Beach, SC
The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama), from the series Collected Views of Japan II, Kansai Edition (Nihon fûkei shû II Kansai hen), woodblock print, 1934. A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe ‘D’ seal indicating an early impression printed between 1931 - 1941. Stamped faintly 'Made in Japan' in the bottom center margin, verso.
Horizontal ôban; image size 9 3/8 x 14 1/4 inches (238 x 362 mm); sheet size approximately 10 5/16 x 15 1/2 inches ( 262 x 394 mm).
Collections: Art Institute of Chicago; Austrian Museum of Applied Arts (Vienna); Honolulu Museum of Art; Museum of Fine Arts, Boston; National Museum in Warsaw; University of Wisconsin-Madison.
ABOUT THE ARTIST
“I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui
Hasui Kawase...
Category
1930s Showa Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Merry Beaglers: Hunting Lithograph
Located in New York, NY
Color printed aquatint engraving with additional contemporary hand-colored details. Engraved by John Harris after the painting by Harry Hall. London, 1897. ...
Category
1890s Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Paper
AMERICAE - Sive Novi Orbis, Nova Descriptio
By Abraham Ortelius
Located in Santa Monica, CA
ABRAHAM ORTELIUS (1527 - 1598)
AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTIO, 1587 (1603) (Van Den Broecke 11, Burden 64; Schwartz & Ehrenberg 69)
Engraving. A very good, well printed...
Category
16th Century Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Engraving
Exits II
By Lynn Shaler
Located in New Orleans, LA
This is a rare example of Shaler's early work. This piece was exhibited in Associated American Artists' exhibition on the Prints of New York City...
Category
1980s American Realist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching, Aquatint
Jonah
By Sadao Watanabe
Located in Santa Monica, CA
SADAO WATANABE (Japanese 1913-1996)
JONAH, 1959
Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...
Category
1950s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Stencil, Woodcut
Fountain of Sea Horses, Rome — Early 20th Century
By Rudolph Ruzicka
Located in Myrtle Beach, SC
Rudolph Ruzicka, 'Fountain of Sea Horses, Rome', wood engraving, c. 1915. Signed, dated, and titled in pencil. Initialed in the block, lower left. A fine, richly-inked impression, on...
Category
1910s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
To the Sea
By Jack Coughlin 1
Located in New Orleans, LA
Born in Greenwich, Connecticut, Jack Coughlin studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is b...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Aquatint
Barges, Dordrecht
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Barges, Dordrecht
Etching, c. 1886
Signed in the plate with the butterfly
Edition: One of 10 known impressions of this image. VERY RARE
Provenance:
Frederick Keppel & Co. with their ...
Category
19th Century Impressionist Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
Holiday Pine Cones
By Frederick Mershimer
Located in New Orleans, LA
This Holiday wreath adorns the door of a Brooklyn Mansion
Frederick Mershimer (American, b. 1958)
Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...
Category
1990s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
Lafitte's Blacksmith House (a bar named for a pirate on Bourbon St, New Orleans)
By Frederick Mershimer
Located in New Orleans, LA
Lafitte's Blacksmith Shop is a New Orleans landmark at 941 Bourbon St. Like most New Orleans legends, history of Lafitte's Blacksmith Shop is a gumbo of tru...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint, Aquatint
Une Fois Rien (Once Again / No Action)
By Christine Ravaux
Located in New Orleans, LA
Christine Ravaux created Une Fois Rien which is signed by pencil. This impression is #12 of 30
Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted wi...
Category
Early 2000s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Mezzotint
The Infant Christ and St. John Playing with the Lamb, after Peter Paul Rubens
By Christoffel Jegher
Located in Fairlawn, OH
The Infant Christ and St. John Playing with the Lamb,
after Peter Paul Rubens (1577-1640)
Woodcut, trimmed and tipped to support
Initialed in the block bottom ...
Category
1630s Old Masters Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
Ship Rock
By Norma Bassett Hall
Located in Santa Monica, CA
NORMA BASSETT HALL (1889 - 1957)
SHIP ROCK, c. 1940
Color woodcut signed and numbered in pencil, edition 40 on stiff fibrous paper.
10 x 14 inches, Sheet size 11 1/8 x 15 inches...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Woodcut
The Pilot Colde
By Nelson Dawson
Located in New Orleans, LA
This impression is signed and annotated as etched and printed by the artist.
Three vessels battle angry sea.
Nelson Ethelred Dawson (1859–1941) was an English artist and member of...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
La Casa Stregata (The Haunted House)
By Paolo Ciampini
Located in New Orleans, LA
This impression is signed and numbered #1 from an edition of 50
Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa...
Category
1990s Modern Ifpda International Fine Print Dealers Association Landscape Prints
Materials
Etching
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