Slad Society Of London Art Dealers
Society of London Art Dealer (SLAD)
Since 1932, the Society of London Art Dealers has demanded the highest standards from its community of more than 140 top-tier galleries. SLAD regularly hosts seminars on pressing issues facing the art world, and advocates on its dealers’ behalf, lobbying for policies that will secure their future. On these pages, you’ll find art ranging from Romantic-era paintings to works by today’s leading creators. You can read more about SLAD in Introspective.to
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Period: Early 1900s
La Fête Foraine by Ludovic-Rodo Pissarro
By Ludovic-Rodo Pissarro
Located in London, GB
La Fête Foraine by Ludovic-Rodo Pissarro (1878-1952)
Watercolour and charcoal on paper
49.4 x 64.6 cm (19 ½ x 25 ⅜ inches)
Signed with Estate stamp (monog...
Category
Early 1900s Fauvist Slad Society Of London Art Dealers
Materials
Charcoal, Paper, Watercolor
Les Deux Femmes Élégantes, Watercolour and Pencil on Paper, circa 1901
By Ludovic-Rodo Pissarro
Located in London, GB
Les Deux Femmes Élégantes by Ludovic-Rodo Pissarro (1878-1952)
Watercolour and pencil on paper
Signed with Estate stamp (monogram) lower right
Executed circa 1901
21.8 x 14.7 cm (8 ⁵...
Category
Early 1900s Post-Impressionist Slad Society Of London Art Dealers
Materials
Paper, Watercolor, Pencil
Madame Petitjean Assise, 19 mai 1901 by Hippolyte Petitjean
By Hippolyte Petitjean
Located in London, GB
Madame Petitjean Assise, 19 mai 1901 by Hippolyte Petitjean (1854-1929)
Sanguine on paper
52.8 x 38.6 cm (20 ³/₄ x 15 ¹/₄ inches)
Studio stamp and dated lower left, 19 mai 1901
Executed in 1901
Provenance
JPL Fine Arts, London
Exhibition
Monte Carlo, Artis Monte-Carlo, Maitres modernes et contemporaines, 31 July - 15 September, 1989
Artist biography
Born at Mâcon in France, artist Hippolyte Petitjean studied at the École des Beaux-Arts in Paris under the tutelage of academic artists Alexandre Cabanel and Pierre Puvis de Chavannes.
In 1884 Petitjean met and become close friends with the older Neo-Impressionist artist Georges Seurat – whose influence changed the course of Petitjean’s artistic career. Joining with the Neo-Impressionists, Petitjean was influenced by the Symbolists and employed Seurat’s Pointillist technique. He exhibited at the Salon des Indépendants, the Galerie Durand-Ruel in Paris and at Le Brac de Bouteville. Alongside his work as an art teacher, Petitjean also exhibited to wide critical acclaim in Brussels (1893,1898), Berlin (1898), Weimar (1903) and Wiesbaden (1921). Never prolific or indeed financially stable, Petitjean’s oeuvre of around three hundred and fifty painting...
Category
Early 1900s Post-Impressionist Slad Society Of London Art Dealers
Materials
Paper
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