{"id":428135,"date":"2025-06-19T08:45:13","date_gmt":"2025-06-19T12:45:13","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=428135"},"modified":"2025-08-12T04:05:08","modified_gmt":"2025-08-12T08:05:08","slug":"wes-anderson-original-artwork","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/de\/wes-anderson-original-artwork\/","title":{"rendered":"Wes Andersons neuester Film zeigt Kunstwerke von Renoir, Magritte und mehr"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"950\" height=\"633\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/\/ThePhoenicianScheme-950x633.jpg\" alt=\"Wes Anderson am Set von The Phoenician Scheme mit den Schauspielern Mathieu Amalric, Mia Threapleton und Benicio del Toro\" class=\"wp-image-427768\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-950x633.jpg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-525x350.jpg 525w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-120x80.jpg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-768x512.jpg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-1536x1024.jpg 1536w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-2048x1365.jpg 2048w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-1400x933.jpg 1400w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/><figcaption class=\"wp-element-caption\">Wes Anderson (zweiter von links) am Set von <em>The Phoenician Scheme<\/em> mit (von links) den Schauspielern Mathieu Amalric, Mia Threapleton und Benicio del Toro. Foto mit freundlicher Genehmigung von Roger Do Minh\/TPS Productions\/Focus Features \u00a9 2025 Alle Rechte vorbehalten <\/figcaption><\/figure>\n\n<p>Die Filme von Wes Anderson sind f\u00fcr ihre unverwechselbare \u00c4sthetik bekannt. Er entf\u00fchrt die Zuschauer in andere Welten, nicht mit schwerf\u00e4lligen CGI-Effekten oder futuristischen Visionen, sondern mit geschichteten R\u00e4umen, kontrollierten Farbpaletten und, ja, durchdachter Symmetrie. Der neueste Film des Regisseurs, <em>The Phoenician Scheme<\/em>, bildet da keine Ausnahme, obwohl er einige Details enth\u00e4lt, die sehr aus dieser Welt stammen &#8211; n\u00e4mlich eine Handvoll Originalgem\u00e4lde von <a href=\"https:\/\/www.1stdibs.com\/de\/creators\/pierre-auguste-renoir\/art\/\">Pierre-Auguste Renoir<\/a>, <a href=\"https:\/\/www.1stdibs.com\/de\/creators\/rene-magritte\/art\/\">Ren\u00e9 Magritte<\/a> und Floris Gerritsz van Schooten.  <\/p>\n\n<p>Im Film sind diese Werke Eigentum von Zsa-Zsa Korda (dargestellt von Benicio del Toro), einem wohlhabenden Gesch\u00e4ftsmann, dessen Villa tadellos dekoriert ist. Die Entscheidung, die Originale zu verwenden, stammt von Anderson. \u201eIch dachte, es w\u00fcrde den Schauspielern etwas bedeuten, mit diesen echten Objekten zu arbeiten, und man w\u00fcrde im Film sp\u00fcren, dass sie echt sind; man kann es am Set sp\u00fcren\u201c, so Anderson in den Produktionsnotizen des Films, laut <a href=\"https:\/\/news.artnet.com\/art-world\/phoenician-scheme-wes-anderson-art-curator-jasper-sharp-2647625\">Artnet News<\/a>. \u201eMan kann den Unterschied erkennen und es hat eine Aura.\u201c   <\/p>\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"950\" height=\"950\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-950x950.jpg\" alt=\"Enfant assis en robe bleue, 1889, von Pierre-Auguste Renoir\" class=\"wp-image-427782\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-950x950.jpg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-350x350.jpg 350w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-120x120.jpg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-768x768.jpg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-300x300.jpg 300w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-933x933.jpg 933w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-216x216.jpg 216w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889.jpg 1024w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/><figcaption class=\"wp-element-caption\"><em>Enfant assis en robe bleue<\/em>, 1889, von <a href=\"https:\/\/www.1stdibs.com\/de\/creators\/pierre-auguste-renoir\/art\/\">Pierre-Auguste Renoir<\/a><\/figcaption><\/figure><\/div>\n<p>Die Auswahl, zu der auch Renoirs <em>Enfant assis en robe bleue<\/em> und Magrittes <em>Der \u00c4quator geh\u00f6ren, <\/em>wurde vom Kunstkurator des Films, Jasper Sharp, getroffen. Sharp hatte die Aufgabe, innerhalb weniger Monate geeignete Werke aus Quellen in der N\u00e4he des Drehortes Potsdam, Deutschland, zu beschaffen. <\/p>\n\n<p>Laut Artnet haben die Schauspieler die von Anderson beschriebene Aura tats\u00e4chlich gesp\u00fcrt. Del Toro gab zu, dass er in der N\u00e4he des Renoirs nerv\u00f6s war. \u201eSeine Augen weiteten sich\u201c, teilte Sharp Artnet mit, \u201eund er schnappte nach Luft, als ich ihm erz\u00e4hlte, dass <a href=\"https:\/\/www.1stdibs.com\/de\/buy\/greta-garbo\/\">Greta Garbo<\/a> das Bild seit etwa 50 Jahren besa\u00df.\u201c  <\/p>\n\t<div class=\"interstitial-banner interstitial-banner-collection interstitial-container\">\n\t\t<div class=\"interstitial-content\">\n\t\t\t<div class=\"interstitial-background-image\">\n\t\t\t\t<img decoding=\"async\" width=\"853\" height=\"300\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/Magritte_La_Valse_Hesitation_master-copy-853x300.jpg\" class=\"attachment-interstitial size-interstitial\" alt=\"Rene Magritte work\" \/>\t\t\t<\/div>\n\t\t\t<div class=\"container interstitial-text\">\n\t\t\t\t<a class=\"interstitial-link-around-text\" href=\"https:\/\/www.1stdibs.com\/de\/art\/\" target=\"_blank\" rel=\"noopener\">\n\t\t\t\t\t<div class=\"interstitial-heading\">\n\t\t\t\t\t\tKaufen Sie Kunst bei 1stDibs\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"interstitial-subheading\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t\t\t<a class=\"gold-button\" href=\"https:\/\/www.1stdibs.com\/de\/art\/\" target=\"_blank\" rel=\"noopener\">\n\t\t\t\t\t<span>Alle ansehen<\/span>\n\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Die Filme von Wes Anderson sind f\u00fcr ihre unverwechselbare \u00c4sthetik bekannt. Er entf\u00fchrt die Zuschauer in andere Welten, nicht mit schwerf\u00e4lligen CGI-Effekten oder futuristischen Visionen, sondern mit geschichteten R\u00e4umen, kontrollierten Farbpaletten und, ja, durchdachter Symmetrie. Der neueste Film des Regisseurs, The Phoenician Scheme, bildet da keine Ausnahme, obwohl er einige Details enth\u00e4lt, die sehr aus [&hellip;]<\/p>\n","protected":false},"author":459,"featured_media":427770,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[15568814],"tags":[15571822,15571824,15571823],"dibs-categories":[15565858],"dibs-designs":[],"dibs-styles":[],"dibs-creators":[],"dibs-sellers":[],"class_list":["post-428135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kunst","tag-film-de","tag-renoir-de","tag-wes-anderson-de","dibs-categories-dibs-a"],"acf":{"show_related_items_footer_popup":false,"post_format":"article","show_date":true,"contributors":{"hide_byline":false,"columnist":[{"ID":422894,"post_author":"456","post_date":"2024-12-12 15:30:19","post_date_gmt":"2024-12-12 20:30:19","post_content":"<!-- wp:paragraph {\"placeholder\":\"Add Bio...\",\"className\":\"custom-contributor-input\"} -->\n<p class=\"custom-contributor-input\">Rachel Davies is a Brooklyn-based writer and the creator of <a href=\"https:\/\/personalspace.substack.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Personal Space<\/a>, a newsletter that covers culture, design and home life. Their work has been published by Architectural Digest, Dwell, Wall Street Journal and Domino, among other publications. In a perfect world, their house would be furnished exclusively with pieces from <a href=\"https:\/\/www.1stdibs.com\/creators\/hay\/furniture\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>HAY<\/em><\/a>.<\/p>\n<!-- \/wp:paragraph -->","post_title":"Rachel Davies","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"rachel-davies","to_ping":"","pinged":"","post_modified":"2025-10-14 09:41:58","post_modified_gmt":"2025-10-14 13:41:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?post_type=contributors&#038;p=422894","menu_order":0,"post_type":"contributors","post_mime_type":"","comment_count":"0","filter":"raw"}],"photographer":"","custom_byline":false},"interstitial_banners":[{"acf_fc_layout":"collection","interstitial_banner_shortcode":"art","interstitial_banner_background_image":427829,"interstitial_banner_heading":"Kaufen Sie Kunst bei 1stDibs","interstitial_banner_subheading":"","interstitial_banner_button_text":"Alle ansehen","interstitial_banner_button_url":"https:\/\/www.1stdibs.com\/art\/"}],"slideshows":false,"subtitle":"Der Film hatte seinen eigenen Kunstkurator, der die Aufgabe hatte, Werke von bedeutenden K\u00fcnstlern zu sichern."},"dibs_designs_tags":null,"dibs_sellers_tags":null,"dibs_creators_tags":null,"dibs_styles_tags":null,"dibs_categories_tags":["dibs-a"],"featured_image_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-640x450.jpg","post_title":"Wes Andersons neuester Film zeigt Kunstwerke von Renoir, Magritte und mehr","fimg_url":{"thumbnail":{"source_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-120x80.jpg","width":120,"height":80},"medium":{"source_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-525x350.jpg","width":525,"height":350},"full":{"source_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme.jpg","width":4819,"height":3212}},"jetpack_featured_media_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme.jpg","apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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