{"id":236593,"date":"2017-08-20T08:37:59","date_gmt":"2017-08-20T12:37:59","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=236593"},"modified":"2021-12-15T07:54:18","modified_gmt":"2021-12-15T12:54:18","slug":"lyons-wier-home-tour","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/lyons-wier-home-tour\/","title":{"rendered":"Tour the Art-Filled Home of a New York Gallerist Couple"},"content":{"rendered":"\"\"\n

<\/p>\n

Lyons Wier Gallery directors Michael Lyons Wier and Deanne Shashoua live in New York’s Chelsea neighborhood with their black labrador, Georgia. At home, the couple has surrounded themselves with the same artists they champion, and visitors to their apartment are treated to a closer look at the vision that has made Lyons Wier Gallery such a dynamic presence in the contemporary art world<\/a>. <\/span><\/p>\n

Michael Lyons Wier opened the gallery in Chicago in 1993, and after completing his studies at the School of the Art Institute of Chicago, he relocated to New York in 2000. Shashoua did her graduate studies at Christie\u2019s in New York, and comes from a family of collectors. Together, they\u2019ve developed a vision of what Lyons Wier terms \u201cc<\/span>onceptual realism,\u201d attracting the gallery to artists who \u201cwork from photography as their source material but draw the essence of the photograph and not its exactness,\u201d says Lyons Wier. \u201cThe work that I deal with, for the most part, has a figure or something representational in it as a doorway to the composition, but then the onion starts to be peeled back.\u201d<\/span><\/p>\n\"\"\n

Many of the works engage with social and political issues, and s<\/span>ome also challenge our preconceptions of beauty. For example, there’s the Paul Mullins portrait of a scowling man in a suede vest that shows his nipples. \u201cIt\u2019s rough, and it\u2019s kind of ugly. But it has that really wonderful kind of painterly, luscious quality to it,\u201d says Lyons Wier. It hangs over the couple\u2019s Eero Saarinen Tulip table<\/a> and <\/span>Harry Bertoia chairs<\/a>. <\/span><\/p>\n

Brooklyn-born painter Fahamu Pecou<\/a> is a friend of the gallerists, and a self-portrait of his alter ego, \u201cThe Shit,\u201d presenting his middle finger, hangs in their living room. The piece used to hang in the sightline of the hallway to the couple\u2019s bedroom. \u201cWhen you got up in the morning, the first thing you\u2019d see was being flipped off, and it\u2019s like, \u2018Welcome to New York! Get your day on!\u2019\u201d says Lyons Wier. \u201cWe find it galvanizing and energizing.\u201d<\/span><\/p>\n\"\"\n

On another wall of the room is what Shashoua calls the \u201cKoons Cabinet of Curiosities.\u201d It\u2019s a Poul (Cado) Cadovius<\/a> wall unit displaying works by Damien Hirst<\/a>, Kehinde Wiley<\/a>, Jenny Holzer<\/a> and, of course, Jeff Koons<\/a>. Lyons Wier has been buying Koons\u2019s readymades since the artist-provocateur was a visiting lecturer at the Art Institute of Chicago in the 1990s. \u201cI like to say that Jeff Koons was to the end of the 20th century what Picasso was to the beginning,\u201d says Lyons Wier.<\/span><\/p>\n

In the center of the unit are two ceramic donuts by Lyons Wier artist Jae Yong Kim<\/a> (you\u2019ve probably spotted the delectable series on Instagram at some point.) Lyons Wier has a deeper take on what look like snackable sculptures at first glance. \u201c<\/span>Kim is<\/span> really talking about the gluttonous consumption of contemporary art \u2014 the vacuous calories and how people are just gorging themselves on it. And we\u2019re part and parcel of it,\u201d he says.<\/span><\/p>\n\"\"\n

In the corner next to the Cado is an oil painting by <\/a><\/span>Cheryl Kelley<\/a>, known for her hyperrealistic renderings of cars. In this particular painting, there\u2019s a figure swimming in the car\u2019s reflection. \u201cI\u2019m known as a figurative gallery. So it\u2019s kind of like the gallery influenced how she was looking at her work. And since that was the first painting she did of that ilk, I knew that was going to be fantastic,\u201d says Lyons Wier, who formerly represented Kelley and couldn\u2019t resist adding it to the collection. Opposite that is a topless woman portrayed by Aaron Nagel<\/a>. Even though she appears vulnerable, there is also power in her gaze, reinforced by the arrow she’s holding.<\/span><\/p>\n

\u201cWhen we bought that piece it kind of drove home the idea that yes, I collect figurative work, but more importantly, I collect eyes<\/em>,\u201d says Lyons Wier. The couple has been told that to visit their home is to be stared down by one or more of the portraits.<\/span><\/p>\n\"\"

<\/span><\/p>\n

\u201cWhen we first got together we both happened to collect mid-century modern furniture, so that was a nice fusion right there. When we moved in together and got married, we didn\u2019t have to argue or eliminate anything,\u201d says Shashoua. The furniture’s clean lines pair nicely with the abundant detail in their paintings and objects.<\/p>\n

Given how well the apartment has come together, you might think there\u2019s a decorating philosophy here to impart. Shashoua assures me that their only methodology is \u201cWe don\u2019t have any rules.\u201d Everything in the apartment is there because it inspires, and Lyons Wier brushes off any suggestion of sensory overload: \u201cWhere does the eye rest? I\u2019ll rest when I\u2019m dead.\u201d<\/span><\/p>\n

Then again, the case could be made that a Tim Okamura double-portrait of defiant young women in A-shirts paired with a vintage Overman lounge chair<\/a> in soft leather is a comforting vignette after all.<\/span><\/p>\n

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