{"id":262593,"date":"2017-12-07T17:40:54","date_gmt":"2017-12-07T22:40:54","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=262593"},"modified":"2020-07-14T14:49:47","modified_gmt":"2020-07-14T18:49:47","slug":"neo-art-deco","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/neo-art-deco\/","title":{"rendered":"Designers Are Reviving Art Deco for the Digital Era"},"content":{"rendered":"
\"art

The foyer of a home in Paris designed by Dimore Studio<\/a>. Photo by Mai-Linh<\/p><\/div>\n

The biggest design trend of the year might just be a renewed romance with Art Deco<\/a> forms. But unlike the 1920s version, which favored mass production and streamlined geometries, this 21st-century redux \u2014 dubbed Neo Deco<\/a> \u2014 places more emphasis on swooping curves, bespoke embellishments, attention to detail and precious materials. Meet three of today’s innovators who are taking Deco style to the next level.<\/p>\n

\n

Masquespacio<\/h2>\n\"\"<\/a>\n

The bold colors and cartoonish shapes of Masquespacio\u2019s Toadstool collection<\/a> seem, at first blush, to be directly inspired by the Memphis Group<\/a>. But look closer at the Spanish brand\u2019s sofa<\/a> and the influence of Art Deco is readily apparent.<\/p>\n

\u201cThe movement is pure emotion,\u201d says creative director Ana Milena Hern\u00e1ndez Palacios, who was exposed to Art Deco by watching films. \u201cIt went against rational design, which we identify with. We like to defend the fact that there are other ways to think and see than what already exists.\u201d<\/p>\n

Above: Masquespacio Toadstool Collection sofa, new<\/a><\/em><\/p>\n

\n

Apparatus<\/h2>\n\"\"<\/a>\n

When he began thinking about new pieces for the Lantern collection, Apparatus<\/a> creative director Gabriel Hendifar found himself drawn to the first 30 years of the 20th century, particularly Art Deco, the Bauhaus<\/a> and works by Austrian architect Josef Hoffmann<\/a> and Irish furniture designer Eileen Gray<\/a>.<\/p>\n

Composed of several pendant variations in addition to floor and table lamps, the series\u2019 historical connection is most evident in the glow from the fluted slip-cast porcelain shades \u2014 \u201clight passing through a delicate protective form,\u201d Hendifar says, noting his love for the \u201csofter, poetic approach of French Deco.\u201d He says, \u201cThe Art Deco period was one that offered a striking progression of ideas about modernity. I admire its principles of superior craftsmanship . . . and strong faith in social and technological progress.\u201d<\/p>\n

Above: Apparatus Lantern 3 Pendant, new<\/a><\/em><\/p>\n

\n

Gio Tirotto<\/h2>\n\"\"<\/a>\n

Italian designer Gio Tirotto<\/a> never liked \u201cthe excessive repetition and frequent lack of a design message\u201d in Art Deco, so the emergence of Neo Deco comes as a relief. \u201cIn the last 10 years, design has come back to identifying closely with the craftsman,\u201d he says, which has \u201cchanged the general shape of objects and spaces.\u201d Take, for instance, his Wiener Werkst\u00e4tte<\/a>\u2013inspired Disarmante table lamp<\/a>, made of eye-catching, laser-cut brass, or his Rolling Dry Bar for Italian metal specialists Mingardo. Not only are these forms \u201cmore preciously detailed,\u201d he says, they\u2019re more distinctive and interesting. Josef Hoffmann would approve.<\/p>\n

Above: Gio Tirotto Disarmante brass and glass table lamp, new<\/a><\/em><\/p>\n

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The biggest design trend of the year might just be a renewed romance with Art Deco forms. But unlike the 1920s version, which favored mass production and streamlined geometries, this 21st-century redux \u2014 dubbed Neo Deco \u2014 places more emphasis on swooping curves, bespoke embellishments, attention to detail and precious materials. Meet three of today’s 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