{"id":297343,"date":"2018-05-08T12:43:00","date_gmt":"2018-05-08T16:43:00","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=297343"},"modified":"2021-12-15T07:24:41","modified_gmt":"2021-12-15T12:24:41","slug":"kips-bay-decorator-show-house-2018","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/kips-bay-decorator-show-house-2018\/","title":{"rendered":"Inside This Year\u2019s Sumptuous Kips Bay Decorator Show House"},"content":{"rendered":"
\"kips

Entryway by Michael Herold Design. Photos by Nickolas Sargent, unless otherwise noted<\/p><\/div>\n

The emergence of a zeitgeist is a mysterious thing. Sometimes, a new monograph or biography is the spark. Other times, it\u2019s a younger generation excavating a bygone phenomenon (like hipsters falling in love with Nina Simone). Often, though, the roots are less scrutable, as is the case with the 46th Annual Kips Bay Decorator Show House<\/a>. To what can we attribute, for example, a renewed interest in the Viennese Wiener Werkst\u00e4tte<\/a> movement, Josef Frank<\/a> furniture, curvaceous sofas<\/a> and rosy pink shades?<\/p>\n

These characteristics were by no means ubiquitous. In fact, the most salient impression this year is the absolute uniqueness of each designer’s voice \u2014 but it was nevertheless interesting to note the way these popped up on the various floors of the townhouse at 110 East 76th Street in Manhattan. (Running through May 31st, the showcase benefits the Kips Bay Boys & Girls Club.)<\/p>\n

None of the \u201ctrends,\u201d for want of a better word, are in evidence in Michael Herold<\/a>\u2019s entry hall. What is most palpable here (and throughout most rooms) is the rekindled appreciation for historic styles that has been brewing for some time. Herold wrapped the space in a 17th-century Nicolas Poussin\u2013inspired landscape painting scaled-up by London-based Iksel Decorative Arts, which even reproduced the crackled surface of the original work (the wall covering will be available through Schumacher<\/a>).<\/p>\n

This grounds more modern touches such as black-and-white striped upholstery, Curtis Jere<\/a> sculptures, Joan Mir\u00f3<\/a> prints and an Alexander McQueen<\/a> Monarch rug. The latter, says Herold, \u201csymbolizes the metamorphosis of the process this house, and all we designers, go through each year.\u201d<\/p>\n

\"Dan

Garden floor space by Dan Fink Studio<\/p><\/div>\n

Dan Fink skews more Deco in his gallery at the bottom of the neoclassical stairs. The Rococo Italian bomb\u00e9<\/em> chest from Chinese Porcelain Company notwithstanding, the furnishings are mostly French 1930s and \u201940s: a Jules Leleu<\/a> table from Gallery BAC<\/a>, Andr\u00e9 Sornay<\/a> chairs from Bernd Goeckler<\/a> and a plaster relief panel of Diana from Newel<\/a>. The custom metallic wallpaper is by Gracie<\/a>.<\/p>\n

\u201cI love taking classical ideas and reinventing them as something modern,\u201d says Fink. Ergo 20th- and 21st-century touches like a modernist floor lamp from Wyeth<\/a> and various contemporary objects on the table.<\/p>\n

\"Garden

Garden floor room by Steilish Interiors & Architecture<\/p><\/div>\n

The first appearance of pink comes in Stefan Steil\u2019s rooms, a paean to the Merchant Ivory film A Room with a View<\/em>, which he calls \u201ca pause between the urban exterior and the private interior of the home.\u201d In this former pantry, Steil angled one of the walls and covered them all in a gray stri\u00e9 wallpaper to create the sense of a classical stone facade.<\/p>\n

The room, ironically windowless, nevertheless frames \u201cviews,\u201d one of them Markus Brunetti<\/a>\u2019s large-scale photo of Santa Maria Assunta in Siena (from Yossi Milo Gallery<\/a>), which set the palette for the spaces. The work\u2019s pink is picked up in a sofa in the style of Cesare Lava covered in \u00c9litis velvet mohair and made by Lost City Arts<\/a> that is, of course, all curves.<\/p>\n

\"Clive

Kitchen by Clive Christian<\/p><\/div>\n

From here one moves into the Clive Christian kitchen, with an adjacent breakfast room by David Netto. Christian marries one of his more modern lines \u2014 Metro Deco in mahogany \u2014 with shelves lined in aqua leather. The cabinetry frames Dacor appliances from their Modernist collection and envelops two Baccarat chandeliers<\/a> over the island.<\/p>\n

\"David

Breakfast room by David Netto<\/p><\/div>\n

Netto paired all Christian\u2019s walnut with walls painted in a glossy red tortoise shell, a color he associates with the 1980s, when he came of age.<\/p>\n

Above a custom curvilinear sofa hangs a silver gelatin print of a Venetian scene by photographer Vera Lutter. He completes the seating area with a pair of zebrawood Art Deco chairs from Alan\u2019s Antique Restoration and a Louis XV<\/a> fauteuil from C\u00f4t\u00e9 Jardin<\/a>.<\/p>\n

A Charlotte Perriand<\/a> table for Cassina<\/a> anchors the other side of the room and, around it, bentwood chairs reminiscent of Thonet<\/a> connect the room to Vienna, though to an earlier period than the Wiener Werkst\u00e4tte<\/a>, which would blossom there a half century later.<\/p>\n

\"Nievera

Patio by Nievera Williams Landscape Architecture<\/p><\/div>\n

Josef Frank<\/a> comes into play in Mario Nievera<\/a> and Keith Williams\u2019s garden, with abundant use of the architect\u2019s Citrus Garden fabric. Though Frank was associated with Sweden, where he became a citizen in 1939, he was actually born in Vienna and surely experienced the work of the Secessionists<\/a>.<\/p>\n

Yet he took a more lighthearted approach to textile design, which stemmed from his love of nature. The Citrus Garden pattern covers the cushions on the Stori Modern outdoor furniture and a tent over one seating area. The whimsy continues with a faux bois<\/em> cement birdcage from Fleur<\/a> and faux bois<\/em> planters by Nievera.<\/p>\n

\"Juan

Cellar floor space by Juan Montoya Design<\/p><\/div>\n

Coincidentally, more Josef Frank fabrics appear in Juan Montoya<\/a>\u2019s patio downstairs, which is reached through a series of rooms inspired, he says, by \u2014 you guessed it \u2014 the Wierner Werkst\u00e4tte movement. \u201cIt\u2019s not a copy of that time,\u201d he cautions, \u201cbut a modern touch to the period.\u201d<\/p>\n

The room has era-appropriate pieces \u2014 reproductions of Josef Hoffmann<\/a> chairs from Montoya\u2019s collection and a chandelier attributed to Koloman Moser<\/a> and Hoffmann (from Kimcherova<\/a>) at the bottom of the stairs, and Secessionist-style grids on several pieces of furniture.<\/p>\n

Yet the mix is pretty freewheeling, too, and includes a 1940s Swedish cabinet by Otto Schulz<\/a> from Hostler Burrows<\/a>; Montoya\u2019s own Petal table, coffee table and custom sofas; and sculpture by Brazilian artist Saint Clair Cemin<\/a> from Paul Kasmin Gallery<\/a>.<\/p>\n

\"Sasha

Stairway by Sasha Bikoff Interior Design<\/p><\/div>\n

At the second-floor landing, we first encounter Sasha Bikoff<\/a>\u2019s eye-popping Memphis Group\u2013inspired<\/a> stairwell, which continues to the top (up to this floor, the stair walls were covered by Fink in the silvery Gracie<\/a> paper). \u201cI wanted to put the \u2018show\u2019 in showhouse,\u201d she says. That she did. Furnishings are almost beside the point, yet her choices \u2014 from Cosulich Interiors & Antiques<\/a>, Bernd Goeckler<\/a> and Venfield<\/a> \u2014 acquit themselves elegantly against the riot of pattern and color.<\/p>\n

\"Wesley

Parlor floor bar by Wesley Moon Inc. Design & Decoration<\/p><\/div>\n

Off this landing, Wesley Moon<\/a> created \u201ca trifecta of jewel boxes\u201d: his take on a Gilded Age butler\u2019s pantry; a wet bar (where an Ingrid Donat cabinet from Carpenters Workshop Gallery stands against walls covered in a blown-up illuminated manuscript from the Metropolitan Museum of Art); and an elevator landing (where a show-stopping mirror festooned with duck feathers by photographer Billy Cunningham, unearthed at Jonathan Burden, is flanked by Italian sconces from Gaspare Asaro<\/a>).<\/p>\n

\"Bunny

Parlor floor space by Bunny Williams Associates<\/p><\/div>\n

Next door, a living room by Bunny Williams (who once bid on the Cunningham mirror herself) and Elizabeth Swartz riffs on treehouse living with faux bois<\/em> wall panels, an etched bronze table by Willy Darrow from Newel<\/a> resembling a gilded, laterally cut tree stump, and a leafy chandelier by Brooklyn-based Rosie Li<\/a>. Curved sofas function like parentheses around a spectacular faceted coffee table by Newel.<\/p>\n

\"Barbara

Dining room and library by Barbara Ostrom<\/p><\/div>\n

Across the hall is Barbara Ostrom\u2019s dining room-library, which is wrapped in ornate millwork the designer lacquered a salmony pink. For the thoroughly modern ceiling, she had Andrew Tedesco reproduce a Frank Stella<\/a> painting. On this floor, we also find Scott Sanders\u2019s jewel box powder room, rich with wood and an embossed and hand-painted de Gournay wallcovering.<\/p>\n

\"Alessandra

Third-floor bedroom by Alessandra Branca<\/p><\/div>\n

Up a flight of stairs, Alessandra Branca<\/a>\u2019s bedroom purveys her customarily well-traveled mix of old and new, continental and exotic. The unifying factor? \u201cIt\u2019s all about quality,\u201d she says. \u201cWe have to continue to embrace quality, hold it, promote it.\u201d<\/p>\n

Centering the grass cloth-lined space is a contemporary acrylic-and-brass bed from Bernhardt, which is intriguingly juxtaposed with ravishing Anglo-Indian pieces (in particular a 19th-century breakfront from Newel), Karl Springer<\/a> end tables and antique bamboo chairs from Liz O\u2019Brien<\/a>, and a giltwood console from Dessin Fournir<\/a>.<\/p>\n

\"Marcia

Third-floor bathroom by Marcia Tucker Interiors<\/p><\/div>\n

The dressing room and bath of this bedroom, outfitted by Brazilian Marcia Tucker<\/a>, becomes a venue for bringing art into the most private of spaces. Ornare millwork and pink-padded walls in the dressing room house Brazilian modernist furnishings by Sergio Rodrigues<\/a> (from R and Company<\/a>) and Jorge Zalszupin<\/a> (Espasso<\/a>), while the bath also showcases a Zalszupin stool (Espasso) and a Haas Brothers stool (R and Company), along with Saint-Louis crystal lighting and accessories.<\/p>\n

\"Drake\/Anderson

Third-floor salon by Drake\/Anderson. Photo by Marco Ricca<\/p><\/div>\n

Drake\/Anderson<\/a>\u2019s mustard-yellow salon across the hall is a suave olio that invites luxurious lounging. Caleb Anderson designed the curved sofa that faces off, across contemporary French coffee tables inlaid with tiger eye from Bernd Goeckler<\/a>, a pair of Aesthetic period chairs from Carlton Hobbs. The latters\u2019 Lelievre fabric, though not perhaps purposefully, nevertheless has an affinity for Viennese Secessionist sensibilities. The adjacent bar, illuminated by Apparatus sconces, has walls lined in random squares of smoked, clear and gold glass mirror. Ornate candlesticks from Newel top the bar itself, also custom-designed by Anderson.<\/p>\n

\"Mark

Fourth-floor bedroom by Mark D. Sikes<\/p><\/div>\n

On the fourth floor, three designers conjure strikingly different takes on bedrooms. Mark D. Sikes created \u201ca boudoir fit for a princess,\u201d he says. Wrapped in hand-painted Gracie<\/a> wallpaper and featuring fabrics from his own new collection for Schumacher, the mix includes antiques formerly owned by princesses in their own right \u2014 Bunny Mellon and C.Z. Guest \u2014 including an 1870 Maeiji lacquered stand and Louis XV mirror and commode from James Sansum Fine & Decorative Art<\/a>. Vladimir Kanevsky created delicate potted porcelain flowers for the room as well.<\/p>\n

\"Katie

Fourth-floor bedroom by Katie Ridder<\/p><\/div>\n

Katie Ridder\u2019s bedroom next door was initially inspired by a Wiener Werkst\u00e4tte exhibit at Neue Gallerie, though it draws on other periods as well: an Austrian Biedermeier desk from Newel, plaster bedside lamps from Liz O\u2019Brien<\/a> and works from Pace Prints<\/a> by Donald Baeschler, Arturo Herrera and Louise Nevelson. The pink scheme derives from Doris Leslie Blau<\/a>\u2019s Oushak carpet. This room also has a love seat that, yes, curves around a Gio Ponti<\/a>-style table from Eric Appel. And Mark del Toro mixes the palest of pinks with celadon for a comfortable, serene scheme in his bedroom, which began with del Toro\u2019s own 1960s Robert Crowder room screen as headboard. Various pieces from Newel (a French chandelier, Deco semanier, sculpture and art), a Murano mirror from Cosulich<\/a> and a Flessas Design<\/a> bench round out the offerings.<\/p>\n

\"Alexa

Fourth-floor space by Alexa Hampton of Mark Hampton, LLC<\/p><\/div>\n

Also on this floor we find Alexa Hampton\u2019s \u201cOlympia Folly,\u201d a campaign-themed space where de Gournay wallpaper makes the sitting room appear tented. But the Napoleonic War campaigns had nothing on the furnishings here, which include a secretary from Newel<\/a> and a vestibule console from Niall Smith Antiques<\/a>.<\/p>\n

\"B.A.Torrey

Fifth-floor lounge by B.A. Torrey<\/p><\/div>\n

B.A. Torrey\u2019s moody blue fifth-floor \u201cAfterparty\u201d \u2014 a 1970s-inspired lounge showcasing a flush-mount chandelier from Gaspare Asaro<\/a> and various 1930s French and Italian pieces from Bernd Goeckler<\/a> \u2014 could not be more of a contrast to Phillip Mitchell\u2019s room across the hall. Collections of export porcelain, glass paperweights, brass candlesticks and more crowd tables and an \u00e9tag\u00e8re, while a cast bronze sheep from David Duncan<\/a> grazes by a games table. What the neighboring rooms have in common is art. Lots of it.<\/p>\n

\"Sixth-floor

Sixth-floor wellness retreat by Charles Pavarini III Design Associates Inc. Photo by Marco Ricca<\/p><\/div>\n

Finally, on the top floor, a soothing anomaly: Charles Pavarini III\u2019s home wellness retreat. Natural crystals abound, along with Eastern-themed items like lotus side tables from Maison Gerard<\/a> and the 3 Souls<\/em> sculpture by Jo\u00ebl Urruty<\/a> from Isabella Garrucho Fine Art<\/a>. Wellness rooms have not been a staple of designer showcases (though fitness rooms have).<\/p>\n

Clearly, the ever-expanding global consciousness about holistic health has finally hit the show house circuit, and the fact that designers are beginning to tackle it with aesthetic sophistication its a good thing. And guess what? At least in Pavarini\u2019s room, curved chaise and a pink light turn out to be perfect elements here, too.<\/p>\n","protected":false},"excerpt":{"rendered":"

The emergence of a zeitgeist is a mysterious thing. Sometimes, a new monograph or biography is the spark. Other times, it\u2019s a younger generation excavating a bygone phenomenon (like hipsters falling in love with Nina Simone). Often, though, the roots are less scrutable, as is the case with the 46th Annual Kips Bay Decorator Show […]<\/p>\n","protected":false},"author":1,"featured_media":299583,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[15522073],"tags":[2062,11732543,15546763,15546753,15546683,6523,12151143,15546773,358093,15538183,15546673,15546713,13480553,15546663,12837793,15527683,15546743,15546633,2032,8302493,15419793,15546733,2973,15546703,15546643,15546653,9050143,15527063,15546693,9778023,15546783,12836763],"dibs-categories":[],"dibs-designs":[],"dibs-styles":[],"dibs-creators":[],"dibs-sellers":[],"class_list":["post-297343","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interiors","tag-alessandra-branca","tag-alexa-hampton","tag-b-a-torrey","tag-barbara-ostrom","tag-bernd-goeckler","tag-bunny-williams","tag-cassina","tag-charles-pavarini-iii","tag-charlotte-perriand","tag-clive-christian","tag-dan-fink","tag-david-netto","tag-drakeanderson","tag-iksel-decorative-arts","tag-jorge-s-arango","tag-juan-montoya","tag-keith-williams","tag-kips-bay-boys-girls-club","tag-kips-bay-decorator-show-house","tag-kips-bay-show-house","tag-lost-city-arts","tag-mario-niviera","tag-mark-d-sikes","tag-markus-brunetti","tag-michael-herold","tag-nicholas-poussin","tag-sasha-bikoff","tag-schumacher","tag-stefan-steil","tag-thonet","tag-weiner-werkstatte","tag-wesley-moon"],"acf":{"post_format":"article","subtitle":"Solo star turns and a few surprising design threads characterize this year\u2019s interiors.\r\n","interstitial_banners":false,"slideshows":false,"contributors":{"hide_byline":false,"columnist":[{"ID":361900,"post_author":"1","post_date":"2021-12-14 22:36:25","post_date_gmt":"2021-12-15 03:36:25","post_content":"","post_title":"Jorge S. Arango","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"jorge-s-arango","to_ping":"","pinged":"","post_modified":"2021-12-14 22:36:25","post_modified_gmt":"2021-12-15 03:36:25","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.1stdibs.com\/blogs\/the-study\/contributors\/jorge-s-arango\/","menu_order":0,"post_type":"contributors","post_mime_type":"","comment_count":"0","filter":"raw"}],"photographer":"","custom_byline":false},"show_date":true,"show_related_items_footer_popup":false},"dibs_designs_tags":null,"dibs_sellers_tags":null,"dibs_creators_tags":null,"dibs_styles_tags":null,"dibs_categories_tags":null,"featured_image_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/David-Netto-Design-LLC-photo-credit-Nickolas-Sargent-1-2-e1525377582544-640x450.jpg","post_title":"Inside This Year\u2019s Sumptuous Kips Bay Decorator Show House","fimg_url":{"thumbnail":{"source_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/David-Netto-Design-LLC-photo-credit-Nickolas-Sargent-1-2-e1525377582544-120x79.jpg","width":120,"height":79},"medium":{"source_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/David-Netto-Design-LLC-photo-credit-Nickolas-Sargent-1-2-e1525377582544-529x350.jpg","width":529,"height":350},"full":{"source_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/David-Netto-Design-LLC-photo-credit-Nickolas-Sargent-1-2-e1525377582544.jpg","width":680,"height":450}},"jetpack_featured_media_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/David-Netto-Design-LLC-photo-credit-Nickolas-Sargent-1-2-e1525377582544.jpg","apple_news_notices":[],"yoast_head":"\nInside This Year\u2019s Sumptuous Kips Bay Decorator Show House | The Study<\/title>\n<meta name=\"description\" content=\"Solo star turns and a few surprising design threads characterize this year\u2019s interiors.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/kips-bay-decorator-show-house-2018\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inside This Year\u2019s Sumptuous Kips Bay Decorator Show House\" \/>\n<meta property=\"og:description\" content=\"Solo star turns and a few surprising design threads characterize this year\u2019s interiors.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/kips-bay-decorator-show-house-2018\/\" \/>\n<meta property=\"og:site_name\" content=\"The Study\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/1stdibs\" \/>\n<meta property=\"article:published_time\" content=\"2018-05-08T16:43:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-12-15T12:24:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/David-Netto-Design-LLC-photo-credit-Nickolas-Sargent-1-2-e1525377582544.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"680\" \/>\n\t<meta property=\"og:image:height\" content=\"450\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jorge S. 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