{"id":316931,"date":"2018-08-14T06:41:05","date_gmt":"2018-08-14T10:41:05","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=316931"},"modified":"2021-12-15T07:14:33","modified_gmt":"2021-12-15T12:14:33","slug":"mixed-marble","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/mixed-marble\/","title":{"rendered":"These Creators Are Leading the Mixed-Marble Trend"},"content":{"rendered":"\n
\"The
The Tusckan table by Oeuffice<\/a> combines Rosso Verona, Travertine, and Luzerna stones.<\/figcaption><\/figure><\/div>\n\n\n\n

Designers love to look to the past for inspiration, as recent revivals of Art Deco<\/a> and Memphis<\/a> make clear. But lately they\u2019re going back even further, to the classical age of the Greek and Roman Empires, when marble<\/a> was a favored decorative material.
<\/p>\n\n\n\n

\u201cThere is a history and a longevity to marble, which pushes the product into the realm of a modern heirloom,\u201d say Avantika Agarwal, Jess F\u00fcgler and Tino Seubert, of the global furniture firm Other Kingdom<\/a>. Accessible production techniques allow them to \u201cuse and sculpt the material in any way imaginable,\u201d they explain. And despite marble’s inherent challenges \u2014 it is heavy and brittle, which can make transport difficult \u2014 its natural aesthetic feels timeless and offers a welcome reprieve from technology.
<\/p>\n\n\n\n

\u201cHomo sapiens are still animals \u2014 not machines yet \u2014 and sometimes we like to take it slow, contemplate and produce handcrafts that will last generations,\u201d says Matteo Cibic<\/a>, whose high-profile collaborations with brands like Scarlet Splendour<\/a> rely on natural materials. Here are six inventive designers whose marble creations are doing just that.<\/p>\n\n\n\n

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Atelier Lachaert Dhanis<\/h2>\n\n\n\n
\"Twin
Atelier Lachaert Dhanis’s Twin tables<\/a><\/figcaption><\/figure>\n\n\n\n

Atelier Lachaert Dhanis<\/a>\u2019s Twin tables (which are not identical) may look as if they were cobbled together using leftover scraps of stone. However, upon closer inspection, you\u2019ll find that these \u201cprecious, natural segments are meticulously put together, with great respect for craftsmanship,\u201d say Sofie Lachaert and Luc d\u2019Hanis, founders of the Belgium-based firm.<\/p>\n\n\n\n

After the designers render a series of models in wood, the fragments of rare stone, including Belgian marble, are carefully assembled and finished using diamond grinding discs and sandpaper. \u201cIn a computer-controlled time, artists and designers are returning to nature,\u201d note Lachaert and d\u2019Hanis. \u201cMateriality has become important again.\u201d<\/p>\n\n\n\n

\n\n\n\n

Campbell-Rey<\/h2>\n\n\n\n
\"Campbell-Rey's
Campbell-Rey’s Thierry octagonal tables<\/a><\/figcaption><\/figure>\n\n\n\n

\u201cWe\u2019ve always been drawn to the octagonal shape \u2014 it\u2019s found throughout history as an architectural motif in various cultures,\u201d says Charlotte Rey, one half of the London design duo of Campbell-Rey<\/a>. She’s speaking of the shape of the firm’s Thierry line of furniture, which debuted to much acclaim last year during Salone del Mobile in Milan.<\/p>\n\n\n\n

The designers also wove in Italian and Brazilian mid-century-modern touches, like warm brass and tapering legs, but the real standout factor is the combination of luxurious stones. \u201cMateriality is very important in our work, and one of the ideas with the tables was to allow the marble to be the star,\u201d says Duncan Campbell, Rey\u2019s business partner. \u201cWe chose contrasting colors and made an almost invisible join to create the most striking effect we could.\u201d<\/p>\n\n\n\n

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Other Kingdom<\/h2>\n\n\n\n
\"Other
Other Kingdom’s Uniform side table<\/a><\/figcaption><\/figure>\n\n\n\n

The \u201cplayful works\u201d of the German-French sculptor Jean Arp<\/a> and French Impressionist painter Henri Matisse<\/a> inform the organic, hand-cut marble shapes of the Uniform side table, say Other Kingdom designers Avantika Agarwal, Jess F\u00fcgler and Tino Seubert<\/a>. <\/p>\n\n\n\n

\u201cWe were working with a palette of off-cut marble pieces, and chose colors and textures that we felt would complement each other best.\u201d After a client selects the colors and composition they like, the designers send their drawings to their craftsmen in India, where the parts are then hand cut and inlaid in the surface using a custom mixed epoxy that matches the stones\u2019 natural color. The result? A showpiece with a \u201cwarmth and ornate veining\u201d that can only be found in nature.<\/p>\n\n\n\n

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Silvia Fanticelli<\/h2>\n\n\n\n
\"Silvia
Silvia Fanticelli for Salvatori Plat-Eau tray<\/a><\/figcaption><\/figure>\n\n\n\n

Tactility has always been a driving force for Silvia Fanticelli<\/a>. In 2012, her Underpressure series of ceramic vases employed the texture of tire treads, woven baskets and cobblestone. More recently, the Italian architect partnered with local stone specialists Salvatori<\/a> for a series of trays to be used anywhere in the home.<\/p>\n\n\n\n

Titled Plat-Eau, French for \u201ctray,\u201d the collection explores the varied textures of marble, augmented by colorful glass and hand-polished brass. In perhaps the most striking of the five-piece collection, a splash of yellow pops against a backdrop of gray-colored stones.<\/p>\n\n\n\n

\n\n\n\n

Michele De Lucchi<\/h2>\n\n\n\n
\"Sholapur
Sholapur sculpture by Michele De Lucchi<\/a><\/figcaption><\/figure>\n\n\n\n

Nearly 40 years after co-founding the Memphis Group, design legend Michele De Lucchi<\/a> still believes objects have something to say. For a series of sculptures with the Italian marble firm UpGroup, the Italian designer and architect found inspiration in geometric elements, like Solapuri Chaddar, traditional Indian cotton linens. Similar to their dizzying patterns, the Sholapur sculpture features contrasting discs \u2014 in white Carrara and black Portoro marble \u2014 with dramatic black spikes jutting out from each side. A black-and-white tube that resembles a swizzle stick nods to De Lucchi\u2019s mentor Ettore Sottsass<\/a>.<\/p>\n\n\n\n

\n\n\n\n

Studio Superego<\/h2>\n\n\n\n
\"Studio
Studio Superego’s Cosmos coffee table<\/a><\/figcaption><\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

Studio Superego Cosmos coffee table<\/a> A hulking disc of rose-pink rhodonite is the star of Studio Superego<\/a>‘s dazzling table, inspired by the plebeian-style tomb of Eurysaces the Baker in Rome.<\/p>\n\n\n\n

Cylindrical brass legs mimic the Romans\u2019 monolithic columns, while raw materials sourced around the world \u2014 such as agate<\/a> from Brazil and malachite<\/a> from Zambia \u2014 lend the table a supernatural feel. Sure, it may be composed of materials found on our planet, but its looks are out of this world.<\/p>\n\n\n\n

\n\n\n\n

Matteo Cibic<\/h2>\n\n\n\n
\"Mixed-marble
Mixed-marble creations from Matteo Cibic’s line for Mmairo<\/a><\/figcaption><\/figure>\n\n\n\n

The urge to make something timeless drew Italian designer Matteo Cibic<\/a> to marble. Well, he also wanted to pay homage to the fraudsters who in 1984 sunk three sculpted heads \u2014 done in the style of Modigliani \u2014 in a canal in Livorno, Italy.<\/p>\n\n\n\n

Italian manufacturer Mmairo<\/a> suggested a collaboration, and Cibic found inspiration in the Carrara<\/a> of his home and the historic Basque region of Biscay, Spain.<\/p>\n\n\n\n

Ultimately, he settled on three different types of marble: white Michaelangelo, \u201cwith its soft, almost translucent white,\u201d he says; red Levanto, \u201cwith its contrasting veins and dots,\u201d which he felt was impossible not to use; and black Marquina, which made \u201can ideal companion to the white Michaelangelo to represent the contrast and the complexity of life.”<\/p>\n\n\n\n

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Designers love to look to the past for inspiration, as recent revivals of Art Deco and Memphis make clear. But lately they\u2019re going back even further, to the classical age of the Greek and Roman Empires, when marble was a favored decorative material. \u201cThere is a history and a longevity to marble, which pushes the 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