{"id":334612,"date":"2021-04-28T15:02:00","date_gmt":"2021-04-28T19:02:00","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=334612"},"modified":"2021-12-15T05:22:34","modified_gmt":"2021-12-15T10:22:34","slug":"process-decorative-objects","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/process-decorative-objects\/","title":{"rendered":"The Process: 11 Makers of Exquisite Decorative Objects"},"content":{"rendered":"\n
\"Simone
Simone Crestani<\/a> works on his Trophy bottle set<\/a> in his Camisano Vicentino, Italy, atelier.<\/figcaption><\/figure>\n\n\n\n

Every interior designer will tell you that decorative objects<\/a> are what make a house a home<\/em>. Without them, a space can feel like a movie set \u2014 full of the requisite furniture but lacking any trace of the people who live there.<\/p>\n\n\n\n

Decorative objects trumpet the homeowner\u2019s personality while bringing a room to life. For designers, they present an opportunity to express their creative vision.<\/p>\n\n\n\n

\"Elyse<\/a>
Elyse Graham<\/a> creates a resin vase in her Los Angeles studio. Photo by Peter Bohler<\/figcaption><\/figure>\n\n\n\n

Here, we highlight 11 established makers of unforgettable decorative pieces. From colorful perfume flacons to steel vases inspired by the geometric works of Russian suprematism, each makes a lasting impression. <\/p>\n\n\n\n

\n\n\n\n

Reflections Copenhagen<\/h2>\n\n\n\n
\"Perfume<\/a>
Perfume flacons by Reflections Copenhagen<\/a><\/figcaption><\/figure><\/div>\n\n\n\n

Black-and-white photographs of flamboyant Art Deco<\/a> boudoirs from the 1920s inspired these graphic crystal perfume flacons designed by Reflections Copenhagen<\/a>\u2019s Danish cofounders, Julie Hugau and Andrea Larsson. The pair was intrigued by the idea of an oversize decorative object living among everyday beauty items like makeup and combs.<\/p>\n\n\n\n

Old doors, vintage graphics and magazine cutouts provided even more inspiration. No two pieces are ever alike \u2014 each is made by hand in a crystal factory just outside Shanghai.<\/p>\n\n\n\n

Before that, they lived as a series of colorful sketches in Larsson\u2019s notebook. Asked if they would ever create a simple minimalist piece, the playful designers demur. \u201cYes, maybe,\u201d they say. \u201cWe have no rules. But we do tend to shy away from the totally simple style.\u201d<\/p>\n\n\n\n

\n\n\n\n

MADEINBRITALY<\/h2>\n\n\n\n
\"Andrea<\/a>
Composizione 40100 #04 (Discanto),<\/em> 2019, by Andrea Salvatori, offered by MADEINBRITALY<\/a><\/figcaption><\/figure><\/div>\n\n\n\n

Is the role of an artist to \u201cput problems forth\u201d and not solve any, as Oscar Wilde so cleverly pondered in his 1890 theatrical essay \u201cThe Critic as Artist\u201d? It\u2019s a provocative idea, and one the Italian ceramic artist Andrea Salvatori<\/a> found ripe for a peculiar experiment with terraglia<\/em>, or Tuscan clay, and a cutting-edge 3D printer by WASP.<\/p>\n\n\n\n

The aim, says MADEINBRITALY<\/a> curator Marco Venturi, was to make the machine go bonkers, cramming dozens of spheres inside as it dutifully printed layer upon layer while following instructions.<\/p>\n\n\n\n

\u201cThere was an aspect of unpredictability of the overall structure holding up and not collapsing, something which partially happened in one of his first trials,\u201d says Venturi, whose impressive roster of creators \u2014 all of whom have personal ties to Britain and Italy \u2014 includes decorative artist Francesco Raimondi<\/a> and ceramicist Claudia Frignani<\/a>. \u201cThe hope was to create a totally novel, never-seen-before sculptural object.\u201d Several months, ad hoc plaster molds of ceramic spheres and cycles of drying, glazing and firing later, Salvatori\u2019s oddball experiment has taken a shape of its own.<\/p>\n\n\n\n

\n\n\n\n

Kiki & Joost<\/h2>\n\n\n\n
\"Kiki<\/a>
Kiki & Joost Cut and Paste clock on table, new<\/a><\/figcaption><\/figure><\/div>\n\n\n\n

When the Dutch designer Kiki van Eijk<\/a>, of Kiki & Joost<\/a>, found a discarded mesh sleeve for a wine bottle lying around her Eindhoven studio, she knew what she had to do \u2014 tinker. \u201cIt felt like I was creating almost a 3D drawing or a skeleton of an object,\u201d she says of the whimsical Floating clock<\/a> that came into being from her twists and knots. \u201cIt was a sweet process of playing with a simple material that brought me to a magical object.\u201d<\/p>\n\n\n\n

With each aluminum clock carefully constructed by hand, no two pieces are ever the same, and each feels imbued with its own personality. Which is just as van Eijk likes it, as her clients are constantly requesting personal touches like different colors or shapes. \u201cThe most challenging part is keeping a good proportion without constricting them,\u201d van Eijk says. \u201cI always want the clocks to have an organic feeling as if they broke free from the wires.\u201d<\/p>\n\n\n\n

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Atelier Crestani <\/h2>\n\n\n\n
\"Atelier<\/a>
Polpo collection by Atelier Crestani<\/a><\/figcaption><\/figure>\n\n\n\n

As the son of a bonsai artist, Simone Crestani<\/a> was surrounded by mystical little trees growing up. Their meticulously shaped forms left an impression on him, and to this day the young glassmaker is drawn to re-creating them in his work. From his home in Camisano Vicentino, Italy, Crestani crafts exquisitely detailed glass bonsai sculptures<\/a> using the ancient lampworking technique made famous by Murano glassmakers<\/a> in nearby Venice.<\/p>\n\n\n\n

\u201cI\u2019m an artisan before being an artist,\u201d says Crestani, who first encountered glass working as a boy and apprenticed under Massimo Lunardon. \u201cGlass is my material, and it\u2019s the only medium I can use to express my thoughts,\u201d be it a decanter topped with an octopus<\/a>, a manhattan glass<\/a> inspired by a chem lab or a candelabra<\/a> dotted with pale pink roses. <\/p>\n\n\n\n

Countless hours spent in the workshop have taught him to trust his instincts. <\/strong>\u201cI don\u2019t try to follow [an idea] strictly, but I just use it as a guideline and then I follow the flow,\u201d he says. The end result could be summed in one word: magical.<\/em><\/p>\n\n\n\n

\n\n\n\n

Helle Mardahl <\/h2>\n\n\n\n
\"Helle<\/a>
Helle Mardahl Bon Bon containers<\/a><\/figcaption><\/figure><\/div>\n\n\n\n

As a little girl, Danish designer Helle Mardahl<\/a> dreamed of owning her own candy shop. So it\u2019s only natural that she turns to candy for inspiration as a grown-up. Her playfully misshapen vessels, aptly called Bon Bons<\/a>, are an \u201cembodiment of dreamy candy colors\u201d in melty glass \u2014 perfect for resting on nightstands or anywhere else a dose of pretty is needed.<\/p>\n\n\n\n

\u201cTo me, colors are a refreshing source of positive energy, and I love being surrounded by colors,\u201d Mardahl says. Imagining a \u201ccandy universe really allowed me to use colors in a delicious and sensuous way.\u201d<\/p>\n\n\n\n

Noting the most rewarding aspect of the process for her is designing, Mardahl says she takes her time when walking her production team through her vision. \u201cThe thing I hope most to achieve with my glass design is to create something unique that makes people happy.\u201d<\/p>\n\n\n\n

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Bitossi Ceramiche<\/h2>\n\n\n\n
\"Ettore<\/a>
Ettore Sottsass for Bitossi Rocchetto vase, 2020<\/a> and Vase goblet, 2020<\/a><\/figcaption><\/figure><\/div>\n\n\n\n

In 1956, Irving Richards made an intro for the ages. After hiring Ettore Sottsass<\/a> to design ceramics for his New York imports company, Raymor<\/a>, he connected the Milanese design polymath to Bitossi\u2019s art director, Aldo Londi, who introduced Sottsass to ceramics.<\/p>\n\n\n\n

Sottsass was hooked, and for years he would travel to the Bitossi<\/a> factory in Florence to visit his good friend Londi. There, at Londi\u2019s insistence, he experimented with clay \u2014 a fanciful one-off vessel here, an ambitious series of cylindrical goblets inspired by Egyptian and Indian artifacts there. \u201cSottsass and Londi were a match in terms of enthusiasm and courage,\u201d says Bitossi chief executive and art director Ginerva Bocini Bitossi. \u201cThey had no reservations about venturing into daring experiments.\u201d<\/p>\n\n\n\n

Noting that both men suffered from PTSD after serving in the Italian army during World War II, he says, \u201cthey shared a strong emotional understanding and an idea of life, of creative life, as a continuous battle against the horrors of war, of death.\u201d This graphic black-and-white totem<\/a>, made the old-fashioned way in that storied factory in Florence, is a testament to their powerful vision.<\/p>\n\n\n\n

\n\n\n\n

Vetro Vero <\/h2>\n\n\n\n
\"Vetro<\/a>
Vetro Vero blown-glass vases, new<\/a> <\/figcaption><\/figure><\/div>\n\n\n\n

In their studio in West Grove, Pennsylvania, Josie Gluck and Michael Schunke, of Vetro Vero<\/a>, craft all the gorgeous pieces they sell. \u201cWe are the designers and the makers. We are the source,\u201d says Gluck. \u201cWe make everything right here in Pennsylvania.\u201d<\/p>\n\n\n\n

Their vibrant blown-glass vessels<\/a> \u2014 or flat pitchers, as Gluck likes to calls them \u2014 draw on color theory and the relationship between shapes. While their asymmetry subtly gives them character, it\u2019s the interplay between colors that creates the sense of conversation.<\/p>\n\n\n\n

\u201cWe are always looking for refinement, clarity and a form that has both and upward and outward lift,\u201d Gluck says. Here, they\u2019ve accomplished all three.<\/p>\n\n\n\n

\n\n\n\n

Noom<\/h2>\n\n\n\n
\"Noom<\/a>
Kateryna Sokolova for Noom Malevich CSL2 vase, new<\/a><\/figcaption><\/figure><\/div>\n\n\n\n

\u201cI often say that if you are a creative who works and walks the same path that Kazimir Malevich once did, it\u2019s only a matter of time before his presence starts to inspire you,\u201d says industrial designer and Noom<\/a> cofounder Kateryna Sokolova. She ought to know: The firm\u2019s office, in Kiev, Ukraine, is on a street named after the Russian suprematist.<\/p>\n\n\n\n

And the geometric structure of Sokolova\u2019s Malevich vase<\/a>, made of perfectly oxidized copper and turquoise-colored steel, does indeed echo its namesake\u2019s distinctive works. \u201cMany people think steel is a great structural and decorative element primarily for architecture,\u201d Sokolova says. \u201cTo me, as an industrial designer, it has always been a highly sustainable and eco-friendly material for creating timeless design pieces.\u201d<\/p>\n\n\n\n

\n\n\n\n

Elyse Graham <\/h2>\n\n\n\n
\"Elyse<\/a>
Elyse Graham Kyoto vase from the Black Magic collection<\/a><\/figcaption><\/figure><\/div>\n\n\n\n

\u201cWe\u2019ve designed a good deal of chaos into our process, so each piece is a bit of a surprise,\u201d Los Angeles artist Elyse Graham<\/a> says of the vases in her Black Magic<\/a> collection. \u201cI love how the cohesive color palette allows for the patterns to meld where the layers intersect.\u201d<\/p>\n\n\n\n

Unlike most creatives, Graham determines her process first, then identifies what she wants to create. For the resin vases, which embody the idea of revealing what is hidden, she chose a rough mold that enabled her to mask the interior colors until the pieces were cut and sanded to their final shape. \u201cWe are constantly experimenting while casting the vessels,\u201d Graham says, \u201cso the challenge is in embracing the unknown.\u201d<\/p>\n\n\n\n

\n\n\n\n

Maison Fragile <\/h2>\n\n\n\n
\"\"<\/a>
Safia Ouares for Maison Fragile Eden Garden plate, 2017<\/a><\/figcaption><\/figure><\/div>\n\n\n\n

Maison Fragile<\/a> founder Mary Castel takes her tableware seriously. \u201cTwo years ago, I invited seven artists, including Safia Ouares<\/a>, to interpret the idea of the rue de Paradis, in Paris,\u201d says Castel, who is based in Limoges.<\/p>\n\n\n\n

\u201cMy great-grandmother had a porcelain shop, and the sellers on this street also specialized in French porcelain and crystal. So, in a way, this plate with a pattern by Safia Ouares is a tribute to my great-grandmother and to the French manufacturers.\u201d<\/p>\n\n\n\n

Coming from a family of gourmets \u2014 her uncle and father run a restaurant in Paris, and one cousin is a sommelier \u2014 she makes sure her plates are practical. \u201cAn artisanal, artistic and gastronomic moment\u201d is how Castel describes the work on her site. <\/p>\n\n\n\n

\n\n\n\n

Gumdesign <\/h2>\n\n\n\n
\"Gumdesign<\/a>
Gumdesign Avvolti vessel<\/figcaption><\/figure><\/div>\n\n\n\n

\u201cComplicated, long and difficult to make\u201d \u2014 so Gumdesign<\/a> designer Laura Fiaschi describes the company\u2019s surreal Avvolti collection. A mind-bending pairing of industrial cardboard and Carrara marble, the pieces are produced via an arduous and mathematically complex process that begins with making hundreds of cut elements that must fit together precisely.<\/p>\n\n\n\n

A specialized tool is built to fasten the closed cardboard shape with glue. Then, the designers coordinate with artisans to patiently craft the marble. \u201cUsually, cardboard is used to protect precious objects,\u201d Fiaschi says. \u201cThe Avvolti collection is very special \u2014 it flips the materials.\u201d Here, the box is the most important part.<\/p>\n\n\n\t

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\n\t\t\t\t\t\tFind Thousands of Premium Decorative Objects on 1stDibs\t\t\t\t\t<\/div>\n\t\t\t\t\t
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Every interior designer will tell you that decorative objects are what make a house a home. Without them, a space can feel like a movie set \u2014 full of the requisite furniture but lacking any trace of the people who live there. Decorative objects trumpet the homeowner\u2019s personality while bringing a room to life. For […]<\/p>\n","protected":false},"author":1,"featured_media":354669,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"2021-04-21T22:25:59Z","apple_news_api_id":"8d29a062-6516-4fed-ab08-8554f8ed82dc","apple_news_api_modified_at":"2021-04-28T19:33:57Z","apple_news_api_revision":"AAAAAAAAAAAAAAAAAAAAEw==","apple_news_api_share_url":"https:\/\/apple.news\/AjSmgYmUWT-2rCIVU-O2C3A","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[260,106,15522093],"tags":[15567940,15567930,15567933,15567936,12548123,76,15567939,15526093,15550369,15550365,612,7983,15550366,15567938,9807463,15567929,15550370,15550367,15567934,15567935,15567932,15550371,15567931,15550372,15550534,15550364,486013,15567941,15567927,15550373,15567937,11327073,15550368,15550363],"dibs-categories":[],"dibs-designs":[],"dibs-styles":[],"dibs-creators":[],"dibs-sellers":[],"class_list":["post-334612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fine-art","category-design-2","category-furniture","tag-aldo-londi","tag-andrea-larsson","tag-andrea-salvatori","tag-atelier-crestani","tag-bitossi","tag-contemporary","tag-contemporary-desgn","tag-contemporary-designer","tag-decorative-objects","tag-elyse-graham","tag-ettore-sottsass","tag-glass","tag-gumdesign","tag-helle-mardahl","tag-jill-krasny","tag-julie-hugau","tag-kateryna-sokolova","tag-kazimir-malevich","tag-kiki-joost","tag-kiki-van-eijk","tag-madeinbritaly","tag-maison-fragile","tag-marco-venturi","tag-mary-castel","tag-new-custom","tag-noom","tag-objets","tag-raymor","tag-reflections-copenhagen","tag-safia-ouares","tag-simone-crestani","tag-trend","tag-vases","tag-vetro-vetro"],"acf":{"post_format":"article","subtitle":"From colorful blown-glass vessels to paper-wrapped vases inspired by packaging, these works make a lasting impression.","show_date":false,"interstitial_banners":[{"acf_fc_layout":"collection","interstitial_banner_shortcode":"decorative-objects","interstitial_banner_background_image":354860,"interstitial_banner_heading":"Find Thousands of Premium Decorative Objects on 1stDibs","interstitial_banner_subheading":"","interstitial_banner_button_text":"Shop All","interstitial_banner_button_url":"https:\/\/www.1stdibs.com\/furniture\/decorative-objects\/"}],"show_related_items_footer_popup":false,"slideshows":false,"contributors":{"hide_byline":false,"columnist":[{"ID":361869,"post_author":"1","post_date":"2021-12-14 22:36:17","post_date_gmt":"2021-12-15 03:36:17","post_content":"","post_title":"Jill Krasny","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"jill-krasny","to_ping":"","pinged":"","post_modified":"2021-12-14 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