{"id":357654,"date":"2021-09-03T15:18:49","date_gmt":"2021-09-03T19:18:49","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=357654"},"modified":"2021-12-15T05:11:51","modified_gmt":"2021-12-15T10:11:51","slug":"salvatori","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/salvatori\/","title":{"rendered":"Salvatori Commissioned Several Famous Architects to Create Miniature Homes in Stone"},"content":{"rendered":"\n
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Salvatori’s the Village collection of miniature homes<\/figcaption><\/figure>\n\n\n\n

During Italy\u2019s first lockdown, in March of 2020, Gabriele Salvatori found himself thinking about the meaning of home. The result of his meditation is the Village. For this project, the Salvatori<\/a> CEO, whose Italian design firm specializes in natural stone, called on big names in architecture and design to create miniature stone sculptures embodying their concepts of home.<\/p>\n\n\n\n

\u201cItaly was one of the very first countries to experience a total closure where time simply came to a stop. We had this new slow, silent dimension. And after the initial shock had worn off, I was struck by two things,\u201d says Salvatori. \u201cThe first was rediscovering the value of a space that perhaps we\u2019d come to underappreciate, and that was home.\u201d The second was \u201can extraordinary sense of solidarity.\u201d<\/p>\n\n\n\n

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Gabriele Salvatori, CEO of his eponymous design brand, Salvatori<\/a><\/figcaption><\/figure><\/div>\n\n\n\n

\u201cThe Village collection,” he adds, “represents the world we inhabit on a daily basis, the backdrop of our day-to-day lives,\u201d says Salvatori. \u201cYes, it may be fragmented, colorful and diverse, but at heart it is united. I wanted to involve architects and designers from all around the world so that we could bring that multicultural aspect that is such a part of our life to this miniature global village.\u201d<\/p>\n\n\n\n

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Patricia Urquiola<\/a>‘s Kore (left) and Yabu Pushelberg<\/a>‘s Assembly (right)<\/figcaption><\/figure>\n\n\n\n

Among this international group of contributors are Patricia Urquiola<\/a>, Kengo Kuma<\/a>, John Pawson<\/a>, Vincent Van Duysen<\/a>, Yabu Pushelberg<\/a> and Rodolfo Dordoni<\/a>. The project was launched this past March with the release of Urquiola\u2019s Kore, a sophisticated, puzzle-piece-like pair of sculptures named Alma and Petra, in Rosa Portogallo<\/a> marble and travertine, respectively. \u201cA poetic nod to the Greek statues that depict young women on the cusp of adulthood,” the designer has said, “Petra and Alma evoke sentiments of domestic warmth and intimacy.” <\/p>\n\n\n\n

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John Pawson<\/a>‘s House of Stone<\/figcaption><\/figure><\/div>\n\n\n\n

Petra and Alba were followed by other Village structures, including Pushelberg\u2019s Assembly, in sandblasted Crema d\u2019Orcia; Pawson\u2019s House of Stone in Pietra d\u2019Avola and Kuma’s MA House candleholders in Carrara and travertine. Van Duysen\u2019s cement Casa M (based on his house in Portugal) and Elisa Ossino<\/a>\u2019s Utopia are the project\u2019s latest releases.<\/p>\n\n\n\n

\u201cFor me, home constitutes a nest, an abstract place in which to isolate myself from the outside world and get in contact with a deeper and dreamlike dimension,\u201d says Ossino, explaining her concept for Utopia<\/a>, a trio of abstract forms \u2014 in Bianco Carrara, Grigio Versilia and Palissandro Bluette \u2014 that evoke metaphysics, geometry, classicism and M.C. Escher<\/a>.<\/p>\n\n\n\n

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Elisa Ossino’s Utopia<\/a><\/figcaption><\/figure>\n\n\n\n

\u201cOn the one hand,” she notes, “a fantastic aspect guided me, small suspended architectures inspired by the projects of the utopians \u2014 hence, the name of the collection. On the other hand, I wanted to emphasize the playful aspect of the project. I find it very interesting that the stairs can be incorporated into the architecture or extracted and that all the modules can be composed in various ways as a construction game.\u201d<\/p>\n\n\n\n

The complete collection will be presented for the first time at this month\u2019s Fuorisalone, which marks the return of Milan Design Week<\/a> following its 2020 hiatus due to COVID-19. \u201cThe Village is a project that has rolled out at a slow pace, month after month,\u201d Salvatori says. <\/p>\n\n\n\n

\u201cWe took this approach because it seemed the right thing to do,” he continues, “not only to give each of the designers their deserved moment in the spotlight but also to reflect the way a real village develops: house by house, slowly over time. It\u2019s a project that is particularly dear to my heart, and Milan Design Week represents the perfect occasion to celebrate a return to a new normality that is based on solidarity and mutual respect.\u201d<\/p>\n\n\n\n\t

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Salvatori’ The Village collection of miniature homes in 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