{"id":399595,"date":"2022-08-02T11:58:19","date_gmt":"2022-08-02T15:58:19","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=399595"},"modified":"2022-08-03T20:43:02","modified_gmt":"2022-08-04T00:43:02","slug":"most-stylish-movies","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/most-stylish-movies\/","title":{"rendered":"Style Inspiration from the Most Fashionable Movies"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.1stdibs.com\/collections\/cinema-style\/\"><img decoding=\"async\" width=\"950\" height=\"760\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-138634830-950x760.png\" alt=\"The Thomas Crown Affair\" class=\"wp-image-400632\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-138634830-950x760.png 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-138634830-438x350.png 438w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-138634830-120x96.png 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-138634830-768x614.png 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-138634830-1536x1229.png 1536w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-138634830-2048x1638.png 2048w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-138634830-1166x933.png 1166w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/><\/a><figcaption>Steve McQueen and Faye Dunaway in a publicity image issued for <em>The Thomas Crown Affair<\/em>, 1968. Photo by Silver Screen Collection\/Getty Images<\/figcaption><\/figure><\/div>\n\n\n<p>In 1931, Samuel Goldwyn offered Coco Chanel a guaranteed $1 million to come to MGM and design wardrobes for his films. Reluctant at first, she eventually agreed. For her first film, a Busby Berkeley musical titled <em>Palmy Days<\/em>, <a href=\"https:\/\/www.1stdibs.com\/creators\/gilbert-adrian\/\">Gilbert Adrian<\/a> was her assistant.<\/p>\n\n\n\n<p>Adrian was not yet the costume-design legend he was to become, but he certainly knew his way around the wardrobe department. And he tried to advise the French couturier that <a href=\"https:\/\/www.1stdibs.com\/introspective-magazine\/chanel\/\" target=\"_blank\" rel=\"noreferrer noopener\">her fashion&#8217;s characteristic subtlety<\/a> wouldn\u2019t work for film costumes.<\/p>\n\n\n\n<p>Above all, he explained, these pieces needed to photograph well and complement the actress, not necessarily the cut of the cloth. Such compromises did not suit <a href=\"https:\/\/www.1stdibs.com\/creators\/chanel\/fashion\/\">Chanel<\/a>. As a result, her costumes never excited audiences. The designer \u201cmade a lady look like a lady,\u201d wrote <em>The New Yorker<\/em>, but \u201cHollywood wants a lady to look like two ladies.\u201d <\/p>\n\n\n\n<p>After three films, she called it quits.<\/p>\n\n\n\n<p>The work has not gotten easier since those early days. In addition to accommodating the actors, costume designers must take into account the mise-en-sc\u00e8ne. \u201cAs soon as we have a sense of what the room or location will look like, we\u2019ll show the costume designer,\u201d says Andrew Baseman, set decorator for <em>Crazy Rich Asians<\/em>. \u201cBut it\u2019s not until the day of the shoot that everything comes together.\u201d<\/p>\n\n\n\n<p>As a result, multiple options must be prepared for each actor in every scene. After all, Baseman points out, \u201cyou&#8217;re not going to change the room, but you can change the dress.\u201d  <\/p>\n\n\n\n<p>Of course, when it all comes together, the result can be magic. Set decorators like Baseman are part of \u201ca small community of people that make a huge impact on design,\u201d says Jake Baer, CEO of <a href=\"https:\/\/www.1stdibs.com\/dealers\/newel\/\">Newel<\/a>, which often rents its furniture to movie and television productions. \u201cI love seeing how they work. They build these incredible sets, and then once they shoot the film, it&#8217;s all gone. But in a way they live forever on the big screen.\u201d<\/p>\n\n\n\n<p>So, what makes a fashion film? \u201cThere is a level of desire that gets attached to a character, lifestyle or an item,\u201d says Patrick Michael Hughes, an assistant professor at <a href=\"https:\/\/www.newschool.edu\/parsons\/\" target=\"_blank\" rel=\"noreferrer noopener\">Parsons School of Design<\/a>. \u201cIt takes an <a href=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/fashion-collectors-items\/\" target=\"_blank\" rel=\"noreferrer noopener\">iconic outfit or an accessory<\/a> that everybody wants.\u201d <a href=\"https:\/\/www.1stdibs.com\/dealers\/brent-edward\/\">Brent Amerman<\/a>, proprietor of an eponymous San Diego\u2013based boutique, puts it this way: \u201cIt\u2019s like you have a bunch of daisies and a single rose. One piece is the centerpiece. The daisies are pretty nice, but that rose is beautiful.\u201d <\/p>\n\n\n\n<p>Here, we look at a few of our favorite films and <a href=\"https:\/\/www.1stdibs.com\/collections\/cinema-style\/\">explore what makes them so fashionable<\/a>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><em><a href=\"https:\/\/www.1stdibs.com\/collections\/cinema-style-crazy-rich-asians\/\">Crazy Rich Asians<\/a><\/em><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"950\" height=\"633\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/2HHDDY5-950x633.png\" alt=\"Crazy Rich Asians\" class=\"wp-image-400574\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/2HHDDY5-950x633.png 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/2HHDDY5-525x350.png 525w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/2HHDDY5-120x80.png 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/2HHDDY5-768x512.png 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/2HHDDY5-1536x1024.png 1536w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/2HHDDY5-2048x1366.png 2048w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/2HHDDY5-1399x933.png 1399w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/><figcaption>Constance Wu in 2018&#8217;s <em>Crazy Rich Asians<\/em>. Photo by Sanja Bucko \/\u00a9 Warner Bros. Pictures \/Courtesy Everett Collection<\/figcaption><\/figure><\/div>\n\n\n<p>In a world of haute luxury, it\u2019s a battle of old money versus new, and combat is waged with dazzling homes and wardrobes that make fashion-conscious hearts flutter. This is the stage on which John Chu\u2019s 2018 <em>Crazy Rich Asians<\/em> plays out. Based on Kevin Kwan\u2019s satirical novel and starring Hollywood\u2019s first all-Asian cast in 25 years (the last was 1993\u2019s <em>Joy Luck Club<\/em>), it tells the tale of New York economics professor Rachel Chu (played by Constance Wu) who discovers that her handsome Singaporean boyfriend, Nick Young (played by Henry Golding), is filthy rich.<\/p>\n\n\n\n<p>\u201cFifty years from now, <em>Crazy Rich Asians<\/em> will stand out as our period\u2019s version of <em>Dinner at Eight<\/em>, a 1930s rom-com starring Jean Harlow,\u201d says Hughes. \u201cEverybody&#8217;s so dressed up, and to our modern eye, it looks crazy, kooky and fun.\u201d<\/p>\n\n\n\n<p>But this crazy, kooky style \u2014 perhaps best embodied by Rachel\u2019s college friend Goh Peik Lin (played by Awkwafina) \u2014 speaks volumes. \u201cThe easiest way to communicate [the wealth of] the Goh and Young families,\u201d costume designer Mary Vogt <a href=\"https:\/\/www.latimes.com\/fashion\/la-ig-crazy-rich-asians-costume-design-20180815-story.html\">explained<\/a> to the <em>Los Angeles Times<\/em>, \u201cwas to think about what designers they would wear and how they would dress. The Young family would never wear <a href=\"https:\/\/www.1stdibs.com\/creators\/versace\/\">Versace<\/a>, but the Goh family was dripping in Versace.\u201d<\/p>\n\n\n\n<p>And then there&#8217;s Rachel, who arrives in Singapore, this unfamiliar land of glamour, in a no-name, sensible shift. Her Cinderella makeover takes place in Peik Lin\u2019s private dressing room. Says Baseman, \u201cThe key [to this scene] was to have as many colorful, outrageous costumes as we could.\u201d<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><a href=\"https:\/\/www.1stdibs.com\/collections\/cinema-style-thomas-crown\/\"><em>The Thomas Crown Affair<\/em><\/a><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"950\" height=\"760\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-80440481-950x760.png\" alt=\"The Thomas Crown Affair\" class=\"wp-image-400580\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-80440481-950x760.png 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-80440481-438x350.png 438w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-80440481-120x96.png 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-80440481-768x614.png 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-80440481-1536x1229.png 1536w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-80440481-2048x1638.png 2048w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-80440481-1166x933.png 1166w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/><figcaption>Steve McQueen and Faye Dunaway relax on the set of <em>The Thomas Crown Affair<\/em>, circa 1968. Photo by Silver Screen Collection\/Getty Images<\/figcaption><\/figure><\/div>\n\n\n<p>In dressing costars Steve McQueen and Faye Dunaway for 1968\u2019s <em>The Thomas Crown Affair<\/em>, costume designer Theodora Van Runkle took great pains to get the effect just right. \u201cSometimes, we had to put 30 pairs of trousers on [McQueen],\u201d she told the <em>Los Angeles Times<\/em> in 1999, \u201cto get the right ones to make his behind look great.\u201d<\/p>\n\n\n\n<p>Dunaway presented a different challenge. \u201cFaye wanted the skirts to be right up to her crotch,\u201d said Van Runkle. \u201cWe got into a knock-down, drag-out over it, and she won.\u201d<\/p>\n\n\n\n<p>Reviews of the Norman Jewison film were mixed, but even detractors hailed its breathtaking style. It helped, of course, to work with two of the most stunning stars in Hollywood \u2014 one playing a millionaire who carries out high-stakes bank robberies just for fun and the other a beautiful insurance investigator trying to catch him at his game.<\/p>\n\n\n\n<p>While Dunaway\u2019s miniskirts, suits and wide-brimmed hats reflected the youthful spirit of late 1960s women\u2019s fashion, McQueen\u2019s wardrobe presaged new trends. His three-piece suits were created by legendary tailor Douglas Hayward, who defined sophisticated suiting for the most dashing men of the era. They represented \u201ca return to formality in menswear,\u201d says Hughes. \u201cIt\u2019s classic sportswear, not the anti-fashion of the late \u201860s. Moving into the 1970s, clothing takes on the idea of a \u2018new masculinity,\u2019 which was really about this dressed-up power suit.\u201d<\/p>\n\n\n\n<p>To many aficionados, McQueen&#8217;s accessories are the real standouts. His timepieces included a gold <a href=\"https:\/\/www.1stdibs.com\/creators\/patek-philippe\/jewelry\/watches\/\">Patek Philippe<\/a> pocket watch, a <a href=\"https:\/\/www.1stdibs.com\/creators\/jaeger-lecoultre\/\">Jaeger-LeCoultre<\/a> <a href=\"https:\/\/www.1stdibs.com\/buy\/jaeger-lecoultre-memovox\/\">Memovox<\/a>, and a <a href=\"https:\/\/www.1stdibs.com\/creators\/cartier\/jewelry\/watches\/wrist-watches\/\">Cartier<\/a> Tank Cintr\u00e9e. Then there was the eyewear \u2014 the <a href=\"https:\/\/www.1stdibs.com\/creators\/persol\/fashion\/\">Persol<\/a> 714 folding sunglasses with Light Havana frames and crystal blue lenses were the actor\u2019s personal favorite. Says Amerman, \u201cWhen you look that good, you can get away with anything.\u201d<\/p>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><a href=\"https:\/\/www.1stdibs.com\/collections\/cinema-style-blade-runner\/\"><em>Blade Runner<\/em><\/a><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"950\" height=\"635\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-110868094-950x635.png\" alt=\"\" class=\"wp-image-400587\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-110868094-950x635.png 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-110868094-523x350.png 523w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-110868094-120x80.png 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-110868094-768x514.png 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-110868094-1536x1027.png 1536w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-110868094-2048x1370.png 2048w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/GettyImages-110868094-1395x933.png 1395w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/><figcaption>&#8216;Blade runner&#8217; Rick Deckard (Harrison Ford) pursues the replicant Zhora through the streets of Los Angeles in a scene from Ridley Scott&#8217;s futuristic 1982 thriller <em>Blade Runner<\/em>. Photo by Warner Bros.\/Archive Photos\/Getty Images<\/figcaption><\/figure><\/div>\n\n\n<p>For 1982\u2019s <em>Blade Runner<\/em>, the task was to present a dystopian future in which enslaved robots, known as \u201creplicants,\u201d have lifetimes limited to four years lest they become powerful enough to overthrow humanity. Costume designer Michael Kaplan read the script and thought it was more Sam Spade, the private detective character in <em>The Maltese Falcon<\/em> and other films, than <em>Star Wars<\/em>. He sold director Ridley Scott on a film-noir approach to the wardrobes. \u201cIt was a bit of a whacked-out take on the 1940s that pushed the clothes into the future,\u201d he later told <em>The Independent<\/em>.<\/p>\n\n\n\n<p>So, Rachel (Sean Young) was given an updated Mildred Pierce hairstyle and swathed in fur, her hard wartime silhouette evoking Joan Crawford at her most disciplined. Daryl Hannah&#8217;s Pris, on the other hand, got a cyber-punk shock of cropped blonde hair, a leather dog collar and black-rimmed eyes. And then there\u2019s Deckard (Harrison Ford), dressed in slouchy earth-toned ensembles reminiscent of Dashiell Hammett\u2019s hero. Interestingly, as a blade runner, he\u2019s expert at distinguishing between humans and replicants, and he just might discern one important tell: Replicants seem to dress much better.<\/p>\n\n\n\n<p><em>Blade Runner<\/em> inspired multiple fashion collections, among them <a href=\"https:\/\/www.1stdibs.com\/creators\/vivienne-westwood\/\">Vivienne Westwood<\/a>\u2019s Spring\/Summer 1983 Punkature; <a href=\"https:\/\/www.1stdibs.com\/creators\/alexander-mcqueen\/\">Alexander McQueen<\/a> for <a href=\"https:\/\/www.1stdibs.com\/creators\/givenchy\/\">Givenchy\u2019s<\/a> 1998 Fall\/Winter haute couture; <a href=\"https:\/\/www.1stdibs.com\/creators\/jean-paul-gaultier\/\">Jean Paul Gaultier<\/a>\u2019s 2009 Fall\/Winter couture; <a href=\"https:\/\/www.1stdibs.com\/creators\/tomas-maier\/fashion\/\">Tomas Maier<\/a> for <a href=\"https:\/\/www.1stdibs.com\/creators\/bottega-veneta\/fashion\/\">Bottega Veneta<\/a> Fall\/Winter 2017 collection and <a href=\"https:\/\/www.1stdibs.com\/creators\/raf-simons\/\">Raf Simons<\/a>\u2019s Spring\/Summer 2018 menswear.<\/p>\n\n\n\n<p>\u201c<em>Blade Runner<\/em> really did have an impact on designers who brought its sartorial narratives to the runway,\u201d says Hughes, noting the slightly disturbing effect of the film\u2019s approach to costuming. \u201cPerhaps there will always be explorations of dystopia \u2014 but because they are not dressed in spacesuits, the end of the world feels like it may be a lot closer than we think.\u201d<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><em><a href=\"https:\/\/www.1stdibs.com\/collections\/cinema-style-marie-antoinette\/\">Marie Antoinette<\/a><\/em><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"950\" height=\"630\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/MCDMAAN_EC040-950x630.png\" alt=\"\" class=\"wp-image-400592\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/MCDMAAN_EC040-950x630.png 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/MCDMAAN_EC040-528x350.png 528w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/MCDMAAN_EC040-120x80.png 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/MCDMAAN_EC040-768x509.png 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/MCDMAAN_EC040-1536x1018.png 1536w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/MCDMAAN_EC040-2048x1358.png 2048w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/MCDMAAN_EC040-1407x933.png 1407w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/MCDMAAN_EC040-365x241.png 365w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/><figcaption>Kirsten Dunst (second from left) starred in 2006&#8217;s <em>Marie Antoinette<\/em>. Photo by \u00a9Sony Pictures\/courtesy Everett Collection<\/figcaption><\/figure><\/div>\n\n\n<p>A decade after its debut, the influence of Sofia Coppola\u2019s 2006 <em>Marie Antoinette<\/em> was evident on the runways of Paris, New York, and Milan. \u201cThe S\/S17 collections,\u201d <a href=\"https:\/\/www.anothermag.com\/fashion-beauty\/9282\/lessons-in-saccharine-style-from-marie-antoinette\">declared <em>AnOther<\/em> magazine<\/a>, \u201cprove that our love affair with sugar-coated style, like that of Sofia Coppola\u2019s delectable teen queen, has never been so strong.\u201d<\/p>\n\n\n\n<p>The choice of adjectives was well considered, as the pastel colors of Milena Canonero\u2019s Oscar-winning costumes were inspired by a box of Ladur\u00e9e macarons given her by Coppola. The candy-colored costumes embodied Coppola\u2019s focus on the pleasurable side of the young queen\u2019s adventures.<\/p>\n\n\n\n<p>Sure, there were long, troubled years when the court railed against a queen unable to seduce her king \u2014 but there were also parties, games, a handsome count, numerous pumps by <a href=\"https:\/\/www.1stdibs.com\/creators\/manolo-blahnik\/fashion\/\">Manolo Blahnik<\/a> and oh-so-many pretty dresses. Kirsten Dunst portrays Marie Antoinette as a spirited teen enjoying the good times before angry crowds begin chanting \u201cMadame Deficit.\u201d<\/p>\n\n\n\n<p>\u201c<em>Marie Antoinette<\/em> captures a very female perspective,\u201d says Hughes. Despite her royal title, the French monarch \u2014 in common with other women of her time \u2014 had very little real agency. Dress was both play and power. For the film&#8217;s audience, such indulgences provided vicarious thrills. \u201cThe fashion reflected the colors, embellishment and femininity that we were seeing in the early 2000s,\u201d explains Hughes, \u201cmaking this film an important marker of its time.\u201d<\/p>\n\n\n\n","protected":false},"excerpt":{"rendered":"<p>In 1931, Samuel Goldwyn offered Coco Chanel a guaranteed $1 million to come to MGM and design wardrobes for his films. Reluctant at first, she eventually agreed. For her first film, a Busby Berkeley musical titled Palmy Days, Gilbert Adrian was her assistant. Adrian was not yet the costume-design legend he was to become, but [&hellip;]<\/p>\n","protected":false},"author":293,"featured_media":400574,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"2022-08-02T15:58:24Z","apple_news_api_id":"acf04c3b-6682-4694-9c2a-62f2e2bc3cc8","apple_news_api_modified_at":"2022-08-04T00:43:08Z","apple_news_api_revision":"AAAAAAAAAAAAAAAAAAAAJg==","apple_news_api_share_url":"https:\/\/apple.news\/ArPBMO2aCRpScKmLy4rw8yA","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[15522063],"tags":[15569695,15550327,15569694,15569692,15523433,8343493,7687423,8401253,15551185,12788043],"dibs-categories":[15565982],"dibs-designs":[],"dibs-styles":[],"dibs-creators":[],"dibs-sellers":[],"class_list":["post-399595","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fashion","tag-andrew-baseman","tag-blade-runner","tag-brent-amerman","tag-crazy-rich-asians","tag-fashion-2","tag-lisa-santandrea","tag-marie-antoinette","tag-parsons-school-of-design","tag-patrick-michael-hughes","tag-versace","dibs-categories-dibs-v"],"acf":{"post_format":"article","subtitle":"Discover 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