{"id":402940,"date":"2022-11-10T12:00:00","date_gmt":"2022-11-10T17:00:00","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=402940"},"modified":"2022-11-10T16:38:39","modified_gmt":"2022-11-10T21:38:39","slug":"nycjw-2022","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/nycjw-2022\/","title":{"rendered":"NYC Jewelry Week Is Back, and Designers Are Sharing Their Favorite Gems with Us"},"content":{"rendered":"
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\"\"<\/a><\/figure><\/div>\n\n\n

Attention, jewelry lovers: the Here We Are collective<\/a>, a partnership between 1stDibs and New York City Jewelry Week<\/a> (NYCJW), will open for business on November 14. Now in its fourth year, the marketplace, which will be shoppable through February 2023, showcases 30 participating designers from across the U.S. All bring an array of cultural influences to their work, not to mention exceptional training at university and at the bench. <\/p>\n\n\n\n

The marketplace is an important arm of NYCJW\u2019s Here We Are initiative<\/a>, which offers professional development, mentorship and year-round programming to a diverse group of U.S. jewelers. The goal is to introduce their work to a larger audience while addressing the endemic inequality and lack of representation in the jewelry industry at large. <\/p>\n\n\n\n

It \u201cremains a platform for discovery,\u201d says Elliot Carlyle, NYCJW\u2019s director of cultural diversity and inclusion. \u201cSo many of our designers have gone on to be part of wonderful, forward-moving initiatives in the industry. We are proud to see their growth in business and as people.\u201d<\/p>\n\n\n\n

This year\u2019s cohort presents a unique opportunity for collectors to seek out what\u2019s new, now and next when it comes to the jewelry industry\u2019s unsung but steadily emerging talents. <\/p>\n\n\n\n

\u201cThe Here We Are marketplace is special because of the stories, the equity, the inclusivity and the values that are tied to making a purchase with this initiative,\u201d Carlyle says. \u201cThis collaboration wouldn\u2019t exist if there wasn\u2019t an opportunity to create change.\u201d<\/p>\n\n\n\n

Below, get to know the work of 10 standout designers from the marketplace. If you like what you see, don\u2019t hesitate \u2014 these stars are on the rise, and you\u2019d be among the first to discover their rare gifts.<\/p>\n\n\n\n

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Alexia Connellan<\/strong><\/h2>\n\n\n
\n
\"Orange<\/a>
Orange spessartite garnet, sapphire and diamond interchangeable halo earrings, 2016<\/a><\/figcaption><\/figure><\/div>\n\n\n

As a child, designer Alexia Connellan<\/a> spent her summers visiting her grandmother in Jamaica, where she was inspired by the elegance of Jamaican Georgian architecture and the beauty of tropical flowers and birds. Today, her fine-jewelry line emphasizes hard-to-find colored stones and colored diamonds that are artisanal and small-scale mined (by individuals or groups with minimal or no mechanization). Recognizing that many mining communities are BIPOC \u2014 just like her \u2014 Connellan is committed to ethics and sustainability in both sourcing and design. <\/p>\n\n\n\n

These Nigerian-spessartite and diamond earrings<\/a> \u201cincorporate several of my signature design elements,\u201d says Connellan, “such as exquisite ethical gemstones, high-quality diamonds, handmade New York City craftmanship, historical inspiration, botanical references and multiple ways to wear a piece.” She engineered the earrings to be worn as studs, as studs with dangle fringe and with any other stud earrings in the collection, using the fringe as an interchangeable earring jacket. \u201cThe dangle part of the earring is inspired by the traditional Chinese headdress known as the fengguan<\/em>, or \u2018phoenix crown,\u2019 which was worn by Ming dynasty empresses over 400 years ago,\u201d she adds. \u201cI love its sensual sway and mysterious drape: It\u2019s sexy and powerful all at once.\u201d<\/p>\n\n\n\n

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Chee Lee New York<\/strong><\/h2>\n\n\n
\n
\"Chee<\/a>
Crescent Crown band, 2022<\/a><\/figcaption><\/figure><\/div>\n\n\n

Cheena Mitchell is a self-taught New York\u2013based designer whose work is influenced by her artist parents and North African tribal cultures. Clean lines, geometry and spirituality characterize the pieces in her line, Chee Lee New York<\/a>, including the Crescent Crown band<\/a>, which fuses a row of crescent-shaped talismans in a regal ring meant to attract good luck and prosperity. An empowering female symbol, the crescent \u201cis the hallmark and signature of the Chee Lee brand,\u201d says Mitchell. \u201cThis talisman appears throughout the collection, as a solitaire, accent and insignia to all pieces. This band is also a modern take on the classic wedding band<\/a>, with the added value of its talismanic power.\u201d <\/p>\n\n\n\n

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Dan-Yell<\/strong><\/h2>\n\n\n
\n
\"Luar<\/a>
Luar ruby and 10-karat gold hoops, 2022<\/a><\/figcaption><\/figure><\/div>\n\n\n

\u201cThe Luar hoops<\/a> are a take on the classic huggie<\/a> but with more depth,\u201d says Brooklyn, New York, designer Danyell Rascoe<\/a>, who became fascinated with gems as a young child collecting rocks and stones from the Smithsonian Institution<\/a> gift shop in Washington, D.C. <\/p>\n\n\n\n

Representing an evolution in her signature Lua series, which is inspired by the moon, the Luar earrings \u201cstart as a flat crescent shape but become circular full moons when worn,\u201d says Rascoe. \u201cThe setting of the stones is delicate next to a slightly jagged engraving, which adds dimension to the metal \u2014 it quietly glows when light hits its curve.\u201d In general, she is inspired by \u201csoftened geometric forms\u201d that allow her to \u201cmerge classic, modern and ancient design elements.\u201d <\/p>\n\n\n\n

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Madre Hija Design<\/strong><\/h2>\n\n\n
\n
\"Gaia's<\/a>
Gaia’s Gold Path necklace, 2022<\/a><\/figcaption><\/figure><\/div>\n\n\n

Gaia\u2019s Gold Path<\/a> is a beautiful example of the handwoven beadwork that distinguishes the work of Caro Toro, of Madre Hija Design<\/a>. A Caribbean native, Toro holds degrees from the University of Puerto Rico and the Fashion Institute of Technology, where she fell in love with the intricacies of artisanal weaving. <\/p>\n\n\n\n

The necklace, which takes eight weeks to create, is \u201cthe largest and most significant piece in our catalogue,\u201d says the designer. \u201cIn Greek mythology, Gaia is the mother of all life and the personification of the earth. We all have our unique imprint on this earth, and this unique handmade statement necklace honors that path.\u201d <\/p>\n\n\n\n

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Cindy Liebel<\/strong><\/h2>\n\n\n
\n
\"D<\/a>
Sterling silver and white moissanite Koda hoop earrings, 2022<\/a><\/figcaption><\/figure><\/div>\n\n\n

Based in Fredericksburg, Virginia, Cindy Liebel<\/a> conceives and fabricates everyday fine jewelry inspired by Scandinavian design<\/a> aesthetics and Art Deco<\/a> and contemporary architecture. Crafted to outlast trends, her collection playfully remixes the classics with clean, geometric lines, soft angles and refined textures. <\/p>\n\n\n\n

Liebel gave her Koda hoops<\/a> a punctuated dual crescent D form to \u201chighlight the brilliance of movement and hints of bling,\u201d she says. She cites artist Bridget Riley<\/a>\u2019s 1963 Interrupted Circle<\/em> as an inspiration, explaining that \u201cthere\u2019s a curiosity with her painting<\/a> that draws my attention to the simplistic details in formation. The lovely part about these earrings is that they\u2019re a great conversation starter, a play on classic geometric shapes, linear curves and angles, that explores the balance of asymmetry, lightness and minimalist details.\u201d<\/p>\n\n\n\n

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Shape + Form<\/strong><\/h2>\n\n\n
\n
\"Painterly<\/a>
Painterly Simple round studs, 2022<\/a><\/figcaption><\/figure><\/div>\n\n\n

With her line Shape + Form<\/a>, Austin, Texas\u2013based Myranda Escamilla seeks to elevate the use of polymer clay \u2014 and continually explore its potential \u2014 in contemporary jewelry<\/a>. Like most of her designs, her Spectrum collection of simple stud earrings features striking colorways, minimalist designs and interesting textures. <\/p>\n\n\n\n

\u201cI like being captivated by simple ideas,\u201d says the self-described \u201ccurious maker.\u201d The Painterly Simple round studs<\/a> were inspired by the \u201csimple concept of movement within color,\u201d she notes, and feature a \u201cclean white background and a playful rainbow smear seemingly traveling upwards or downwards.\u201d<\/p>\n\n\n\n

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Ataumbi Metals<\/strong><\/h2>\n\n\n
\n
\"Dentalium<\/a>
Dentalium shell, black pearl and diamond necklace, 2022<\/a><\/figcaption><\/figure><\/div>\n\n\n

\u201cI am interested in value systems,\u201d says Ataumbi Metals<\/a> founder Keri Ataumbi. Raised on the Wind River Reservation, in Wyoming, Ataumbi attended Rhode Island School of Design before moving to Santa Fe to pursue further studies in the arts. Now based in nearby Cerrillos Hills, the indigenous designer says she wants her work to \u201ctransmute the philosophical and ceremonial continuums that are the backbone of our identities as Native Americans\u201d while exploring the values that different cultures place on materials and objects. <\/p>\n\n\n\n

Both ideas are represented in this necklace<\/a>, which features a three-inch-long dentalium shell. \u201cDentalium is an important shell among many Native American people across Turtle Island,\u201d explains Ataumbi. (Turtle Island is a name for North America, or sometimes the earth, originating in an indigenous creation story.) \u201cThe shells have been traded and valued in our adornment<\/a> from the Arctic to California to the Great Plains since pre-contact. Large ones like the one in this necklace are extremely difficult to find now because of the condition of the ocean. The ones I use are antiques or vintage.\u201d <\/p>\n\n\n\n

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Harlin Jones<\/strong><\/h2>\n\n\n
\n
\"White<\/a>
White gold, sapphire and baroque pearl drop earrings, 2021<\/a><\/figcaption><\/figure><\/div>\n\n\n

A participant in the 2021 Here We Are initiative<\/a>, designer Sumer Sayan continues to expand his imaginative breadth as he develops his line, Harlin Jones<\/a>. He also continues to earn acclaim: During the 2021 NYC Jewelry Week, he received the Emerging Entrepreneur Award, and his work has been featured in Vogue, Harpers Bazaar <\/em>and Vanity Fair<\/em>. <\/p>\n\n\n\n

Sayan’s work is distinguished by a rock \u2019n roll vibe, which is on display in these earrings<\/a>. \u201cI wanted to take the pearl earring and design it in a typical Harlin Jones fashion,\u201d he says. \u201cUsually the pearl<\/a> is the center of attention, but I give it some edginess and a punch of color.\u201d He achieves this by hanging the pearls from spiky stars set with orange baguette and lavender round sapphires. \u201cI love how the keshi pearls complement the top spike section rather than overpowering it.\u201d<\/p>\n\n\n\n

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Dominique Ren\u00e9e<\/strong><\/h2>\n\n\n
\n
\"3D<\/a>
Indecisive 3D-printed charm bracelet, 2022<\/a><\/figcaption><\/figure><\/div>\n\n\n

Dominique Ren\u00e9e\u2019s namesake line<\/a> \u201cis an authentic extension of who I am \u2014 a dynamic, emotional, sassy independent woman who can find humor in almost anything and has always marched to the beat of her own drum,\u201d says the Connecticut-born, Los Angeles\u2013based designer, who received a Here We Are Funding Award in 2020<\/a>. Having begun her career with funky nail-art sets, she brings that same esprit to her 3D-printed jewelry designs, which have become celebrity and magazine-editor favorites. <\/p>\n\n\n\n

\u201cMy Indecisive charm bracelet<\/a> is from my most recent collection, Love Jones Part II: Still Jonesing. It encapsulates my essence as a designer \u2014 it takes you on an emotional journey,” explains Ren\u00e9e. “I design from a very personal place, not only because it keeps me sane but because it\u2019s relatable and encourages others to embrace their own experiences. Its bright and colorful nature serves as a reminder to never take life too seriously!\u201d<\/p>\n\n\n\n

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Mon Pilar<\/strong><\/h2>\n\n\n
\n
\"Mon<\/a>
Large heart-shaped customizable Love You More pendant, 2022<\/a><\/figcaption><\/figure><\/div>\n\n\n

Brooklyn-based Chilean-American designer and goldsmith Brigid McNellis returns to the Here We Are collective with her brand, Mon Pilar<\/a>. Her latest collection, Love You More, she says, is \u201cmeant to be a celebration of love, a reminder to love ourselves a little more and an opportunity to cherish \u2014 and wear \u2014 our loved ones close.\u201d <\/p>\n\n\n\n

This pendant<\/a> is the centerpiece of the series, whose name, McNellis explains, comes from a \u201csweet phrase my late mother used to say whenever we said goodbye to each other: \u2018I love you more.\u2019 My mom was always looking for a way to give more in this world \u2014 a good principle to live by and the essence of my brand.\u201d McNellis originally created the heart-shape design as a custom piece, to comfort her grandmother as she grieved over the death of her daughter, McNellis\u2019s mother. \u201cI couldn\u2019t help but be drawn to the form of a heart \u2014 at first, I repressed the idea as it felt overly clich\u00e9ed,\u201d she says. <\/p>\n\n\n\n

But she found a way to make it her own. \u201cI had my mother\u2019s cremation ashes saved and decided I would fill and seal the heart with them inside,” McNellis explains. “Before being cast in metal, each heart is carved by hand in wax with a hollow interior for the option of encapsulating cremation ashes, a lock of hair or other small treasure. I leave it up to each client to decide whether they want to use it as an \u2018urn pendant\u2019 or not. The design feels weighty and modern. I also love that it has allowed me to experience firsthand the symbolic and magical power that jewelry has embodied since the beginning of time.\u201d <\/p>\n\n\n\t

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\n\t\t\t\t\t\tShop the NYCJW Here We Are Collective\t\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t\tView All<\/span>\n\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"

Chee Lee New York Crescent Crown gold vermeil band ring<\/p>\n","protected":false},"author":293,"featured_media":404044,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"2022-11-10T21:26:03Z","apple_news_api_id":"f21b337c-193e-461b-b723-a7cae4451e41","apple_news_api_modified_at":"2022-11-10T21:26:03Z","apple_news_api_revision":"AAAAAAAAAAD\/\/\/\/\/\/\/\/\/\/w==","apple_news_api_share_url":"https:\/\/apple.news\/A8hszfBk-Rhu3I6fK5EUeQQ","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[15523143],"tags":[15569985,15569995,15570000,15569991,15569986,15569987,15569992,15569988,15569989,15570001,15569984,15569997,15569983,15569996,15569990,15569999,15569994,15550733,15569993,15569998],"dibs-categories":[15565903],"dibs-designs":[],"dibs-styles":[],"dibs-creators":[],"dibs-sellers":[],"class_list":["post-402940","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jewelry-2","tag-alexia-connellan","tag-ataumbi-metals","tag-brigid-mcnellis","tag-caro-toro","tag-chee-lee-new-york","tag-cheena-mitchell","tag-cindy-liebel","tag-dan-yell","tag-danyell-rascoe","tag-dominique-renee","tag-elliot-carlyle","tag-harlin-jones","tag-here-we-are","tag-keri-ataumbi","tag-madre-hija-design","tag-mon-pilar","tag-myranda-escamilla","tag-new-york-city-jewelry-week","tag-shape-form","tag-sumer-sayan","dibs-categories-dibs-j"],"acf":{"post_format":"article","subtitle":"This year\u2019s Here We Are marketplace represents a breadth of diverse, unique perspectives \u2014 and might be its most elevated collective to date. ","contributors":{"hide_byline":false,"columnist":[{"ID":361857,"post_author":"293","post_date":"2021-12-14 22:36:15","post_date_gmt":"2021-12-15 03:36:15","post_content":"\n

Amy Elliott is a freelance writer who specializes in fine jewelry. A lively presence in the editorial community for more than two decades, she has held senior staff positions at the Knot<\/em>, Brides<\/em> and Lucky<\/em> magazines, was the engagement rings expert at About.com and currently writes jewelry stories for an array of print and online media, including JCK<\/em> (where she is a contributing editor), the Zing Report<\/em> and the New York Times<\/em>. Her byline has also appeared in DuJour<\/em>, Galerie<\/em>, Martha Stewart Weddings<\/em>, Wynn<\/em>, Gotham<\/em> and Hamptons<\/em>, among other publications.<\/p>\n","post_title":"Amy Elliott","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"amy-elliott","to_ping":"","pinged":"","post_modified":"2025-09-03 16:23:37","post_modified_gmt":"2025-09-03 20:23:37","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.1stdibs.com\/blogs\/the-study\/contributors\/amy-elliott\/","menu_order":0,"post_type":"contributors","post_mime_type":"","comment_count":"0","filter":"raw"}],"photographer":"","custom_byline":false},"show_date":true,"interstitial_banners":[{"acf_fc_layout":"collection","interstitial_banner_shortcode":"nycjw-here-we-are-collective","interstitial_banner_background_image":404112,"interstitial_banner_heading":"Shop the NYCJW Here We Are 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