{"id":414003,"date":"2023-11-30T13:19:38","date_gmt":"2023-11-30T18:19:38","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=414003"},"modified":"2023-12-22T13:53:07","modified_gmt":"2023-12-22T18:53:07","slug":"smoke-bob-dylan-jerry-schatzberg","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/smoke-bob-dylan-jerry-schatzberg\/","title":{"rendered":"Photographer Jerry Schatzberg Remembers a Legendary Shoot with Bob Dylan"},"content":{"rendered":"
\n
\"Bob<\/a>
Photographer Jerry Schatzberg<\/a> invited Bob Dylan<\/a> to his studio, where he shot the portrait Smoke<\/a><\/em> in 1965.<\/figcaption><\/figure>\n<\/div>\n\n\n

\u201cIt\u2019s not as easy as it might look,\u201d says photographer and filmmaker Jerry Schatzberg<\/a> when asked how he\u2019s been able to take such intimate portraits<\/a> of rock stars, actors and other celebrities over the years. \u201cYou have to get someone in the mood. You have to have your camera ready. You can\u2019t make someone uncomfortable.\u201d<\/p>\n\n\n\n

He clearly had iconic folk-rock musician Bob Dylan<\/a> in the right frame of mind during a legendary shoot in his Manhattan photo studio in 1965. \u201cWe hit it off,\u201d Schatzberg recalls.<\/p>\n\n\n\n

The session yielded some of the most intimate and intense portraits ever taken of Dylan, including the black-and-white gelatin silver print Smoke<\/a><\/em>, which shows him pressing his fingers to his eyes, his brow furrowed and his lips clenching a lit cigarette. We seem to have caught Dylan in a private moment.<\/p>\n\n\n\n

\u201cI like the idea that you can make up your own mind about what\u2019s going on in the picture,\u201d Schatzberg says. \u201cHe wasn\u2019t posing. I don\u2019t think very many people are going to ask Bob Dylan to cover his face so they can take a picture. It happened, and I took it. And it became one of my favorite photographs.\u201d<\/p>\n\n\n\n

It\u2019s an unusual image. Here, we see his hand instead of his eyes. It’s a satisfying trade-off. <\/p>\n\n\n\n

This is the hand, after all, with its lithe fingers and long guitar-picking nails, that penned some of the most powerful and poetic lyrics of all time (for which Dylan was awarded a Nobel Prize in literature<\/a>) and strummed so many memorable songs. The way the light falls, it looks carved out of marble, giving a palpable sense of physicality to the famously elusive musician. <\/p>\n\n\n

\n
\"The
Bob Dylan: Mixing Up the Medicine<\/a><\/em>, published in October, is the most complete volume of Dylan-related photographs, ephemera and essays to date. Schatzberg shot the cover image<\/a> in 1965. <\/figcaption><\/figure>\n<\/div>\n\n\n

Smoke<\/em> is one of more than 50 portraits of Dylan in the exhibition \u201cBob Dylan: Mixing Up the Medicine\u201d at Peter Fetterman Gallery<\/a>, in Los Angeles. The show coincides with the launch of a major book of the same name<\/a>, published by Callaway Arts & Entertainment in October. The tome, which span\u2019s Dylan\u2019s career, includes some 600 images, many of which have never been published, as well as commissioned essays by esteemed writers and critics. It\u2019s a kind of unofficial catalogue for the Bob Dylan Center<\/a>, in Tulsa, Oklahoma, which opened in 2022.<\/p>\n\n\n\n

Schatzberg, now 96, is as celebrated for his photographs of pop cultural icons like Faye Dunaway<\/a>, Edie Sedgwick<\/a>, Jimi Hendrix<\/a> and the Rolling Stones<\/a> as he is for the gritty New York films he directed in the 1970s. He launched his career in the mid-1950s, after talking his way into a job as a photography assistant to William Helburn<\/a>, who shot for Vogue<\/a><\/em>, Glamour<\/em> and Harper\u2019s Bazaar<\/a><\/em>. <\/p>\n\n\n\n

A New York native, Schatzberg eventually set up his studio on Park Avenue South, where he worked with dozens of models, including the German singer Nico before she joined the Velvet Underground<\/a>. \u201cShe\u2019d call me and say, \u2018Jerry, did you listen to Bob Dylan?\u2019 \u201d he recalls. \u201cAnd I\u2019d say, \u2018I\u2019m always listening to him.\u2019 And she\u2019d say, \u2018No, Jerry, did you REALLY listen to him?\u2019 She wanted to make sure I was hearing his words.\u201d <\/p>\n\n\n\n

While shooting a band in 1965, Schatzberg overheard rock journalist Al Aronowitz talking about seeing Dylan in concert the previous night. \u201cI figured I had nothing to lose, so I said to Al, ‘Next time you see him tell him I\u2019d like to photograph him,’\u201d he remembers. The next day, Schatzberg got a call from Sara Dylan, the musician\u2019s wife at the time and a former model he had photographed years before. \u201cShe gave me the address where he was recording and told me to show up.\u201d <\/p>\n\n\n

\n
\"Photographer<\/a>
A filmmaker as well as a photographer, Schatzberg directed the 1971 drama The Panic in Needle Park<\/em>, among other movies. Photo by Nicolas Spiess<\/figcaption><\/figure>\n<\/div>\n\n\n

Schatzberg went with his camera the next day. Dylan was in the middle of recording Highway 61 Revisited<\/em> \u2014 one of his earliest electric albums bridging folk and rock music. \u201cI wanted to get him to my studio, and I knew the only way was to take some photos that day that he liked,\u201d says Schatzberg. Dylan did like them: He immediately chose one for the cover of his book Tarantula<\/em> (published a few years later), says Schatzberg. The photo shoot that yielded Smoke<\/em> ensued. <\/p>\n\n\n\n

\u201cHe did wonderful things. Surprising things,\u201d says Schatzberg. \u201cLike, I took my keys out of my pocket and gave them to him and said, \u2018Do something.\u2019 He took out a match and lit them. He was very playful.\u201d<\/p>\n\n\n\n

They developed a friendship, and Schatzberg continued photographing the singer. For the cover of the 1966 album Blonde on Blonde, <\/em>Dylan chose an image that Schatzberg took<\/a> during a wintry outdoor shoot on Manhattan\u2019s West Side. <\/p>\n\n\n\n

\u201cJerry has a kind of zeitgeist touch to him \u2014 whatever was going on in creative fields, Jerry was part of it,\u201d says dealer Peter Fetterman, who first met Schatzberg more than 50 years ago while working in the film industry and has represented the photographer for more than three decades. \u201cHe\u2019s not just doing commissions to make album covers. There are certain photographers who are not just doing it as a gig. They bring their own kind of personal gestalt. Jerry is one of them.”<\/p>\n\n\n\t

\n\t\t
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\n\t\t\t\t\t\tDiscover more rock and roll photography \t\t\t\t\t<\/div>\n\t\t\t\t\t
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\u201cIt\u2019s not as easy as it might look,\u201d says photographer and filmmaker Jerry Schatzberg when asked how he\u2019s been able to take such intimate portraits of rock stars, actors and other celebrities over the years. \u201cYou have to get someone in the mood. You have to have your camera ready. You can\u2019t make someone uncomfortable.\u201d […]<\/p>\n","protected":false},"author":394,"featured_media":414528,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"2023-11-30T18:19:43Z","apple_news_api_id":"d37d2096-3470-41cc-9216-9842e63451ec","apple_news_api_modified_at":"2023-11-30T18:19:43Z","apple_news_api_revision":"AAAAAAAAAAD\/\/\/\/\/\/\/\/\/\/w==","apple_news_api_share_url":"https:\/\/apple.news\/A030gljRwQcySFphC5jRR7A","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[260,15568218],"tags":[15550139,10353223,301663,15570209,15532823,15532833,128,15550758,2042,15038693,15550548,15567430],"dibs-categories":[15565858,15565868],"dibs-designs":[],"dibs-styles":[],"dibs-creators":[15570741],"dibs-sellers":[15570179],"class_list":["post-414003","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fine-art","category-obsession-of-the-week","tag-20th-century-photography","tag-black-and-white-photography","tag-book","tag-celebrity-memorabilia","tag-celebrity-photographer","tag-fine-art-photography","tag-music","tag-new-york-art","tag-new-york-city","tag-portrait","tag-rock","tag-rock-star","dibs-categories-dibs-a","dibs-categories-dibs-a_pho","dibs-creators-dibs-jerry-schatzberg-american","dibs-sellers-dibs-peter-fetterman-gallery"],"acf":{"post_format":"article","subtitle":"The acclaimed lensman and the folk-rock phenomenon clicked, and a captivating portrait followed.","contributors":{"hide_byline":false,"columnist":[{"ID":361877,"post_author":"1","post_date":"2021-12-14 22:36:18","post_date_gmt":"2021-12-15 03:36:18","post_content":"","post_title":"Meredith Mendelsohn","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"meredith-mendelsohn","to_ping":"","pinged":"","post_modified":"2021-12-14 22:36:18","post_modified_gmt":"2021-12-15 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