{"id":415252,"date":"2024-01-19T14:00:00","date_gmt":"2024-01-19T19:00:00","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=415252"},"modified":"2024-01-20T08:17:28","modified_gmt":"2024-01-20T13:17:28","slug":"arthur-dove-yours-truly-abstract-painting","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/arthur-dove-yours-truly-abstract-painting\/","title":{"rendered":"With Works Like \u2018Yours Truly,\u2019 Arthur Dove Pioneered Abstract Art in America"},"content":{"rendered":"\n
\"An<\/a>
Arthur Dove<\/a>\u2019s Yours Truly<\/a><\/em>, 1927, is likely named for a Broadway show that was popular at the time. <\/figcaption><\/figure>\n\n\n\n

In the Roaring Twenties, Arthur Dove<\/a> (1880\u20131946) was a painter in his prime and in the middle of a hot streak. The Western New York native had, more than a decade and a half earlier, begun introducing abstract painting<\/a> to the United States, letting shapes and colors largely overtake representation in his canvases, and he found critical acclaim in the process. He forged a key relationship with Alfred Stieglitz<\/a>, the most important dealer for modernist artists<\/a> (and a legendary photographer<\/a> in his own right), who showed Dove’s work in his Manhattan galleries.<\/p>\n\n\n\n

During the 1920s, Dove was living for the most part on a houseboat with his mistress in Long Island\u2019s Huntington Harbor. (Good reviews had never translated to financial success. Fortunately, the watery life produced perhaps his most-seen picture, Ferry Boat Wreck<\/em>, 1931, now in the collection of the Whitney Museum of American Art<\/a>.) In 1927, he painted a striking abstract composition in brown, blue and muddy shades of green called Yours Truly<\/a>, <\/em>currently being offered by Hirschl & Adler<\/a> at the Winter Show<\/a>, which runs January 19 to 28 at New York\u2019s Park Avenue Armory. <\/p>\n\n\n\n

Hirschl & Adler sold the picture once before, in the late 1970s. \u201cThat happens when you\u2019ve been in business as long as we have,\u201d says the gallery\u2019s senior vice president, Eric Baumgartner (Hirschl & Adler was founded in 1952 and has been exhibiting at the Winter Show for nearly half a century).<\/p>\n\n\n

\n
\"A<\/a>
Photographer and gallerist Alfred Stieglitz<\/a> took this portrait of Dove in 1912. Photo by Heritage Art\/Heritage Images via Getty Images<\/figcaption><\/figure>\n<\/div>\n\n\n

Yours Truly<\/em> has a distinct whiff of Wassily Kandinsky<\/a>\u2019s black markings, which seem to riff on musical notations, and the piece is named for a Broadway show of the day. \u201cAround that time, Dove was doing a series of works inspired by popular music,\u201d says Baumgartner. <\/p>\n\n\n\n

Dove was largely self-taught, but he did take an early-career trip to Europe and found himself inspired by Picasso<\/a>, Braque<\/a> and Matisse<\/a>. His abstraction and highly stylized figuration echoed paintings by key American contemporaries, including Alfred Maurer<\/a> and Max Weber<\/a>. Two other peers, Marsden Hartley<\/a> and Edward Hopper<\/a>, are also represented in Hirschl & Adler\u2019s Winter Show booth. Close observers will see Dove\u2019s influence on many later painters, including Milton Avery<\/a>, whose work is an art-fair staple. <\/p>\n\n\n\n

Dove was ahead of his time in many ways, which makes him particularly collectible today. \u201cThe nice thing about Dove, being abstract, is that he\u2019ll marry well with a collection of postwar art<\/a>,\u201d says Baumgartner. \u201cThis is the rich context of modernism.\u201d<\/p>\n\n\n\t

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In the Roaring Twenties, Arthur Dove (1880\u20131946) was a painter in his prime and in the middle of a hot streak. The Western New York native had, more than a decade and a half earlier, begun introducing abstract painting to the United States, letting shapes and colors largely overtake representation in his canvases, and he […]<\/p>\n","protected":false},"author":394,"featured_media":415583,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"2024-01-19T19:04:02Z","apple_news_api_id":"dcfa4048-6f9b-435e-8f69-bbcdf65e9f98","apple_news_api_modified_at":"2024-01-19T19:04:03Z","apple_news_api_revision":"AAAAAAAAAAD\/\/\/\/\/\/\/\/\/\/w==","apple_news_api_share_url":"https:\/\/apple.news\/A3PpASG-bQ16PabvN9l6fmA","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[260,15568218],"tags":[457423,15570785,15201843,15570783,15569688,8130143,15550402,15570786,15570784],"dibs-categories":[15565860,15565858,15565859],"dibs-designs":[],"dibs-styles":[],"dibs-creators":[15570781],"dibs-sellers":[15570782],"class_list":["post-415252","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fine-art","category-obsession-of-the-week","tag-abstract-art","tag-alfred-stieglitz","tag-american-abstract-artists","tag-arthur-dove","tag-eric-baumgartner","tag-hirschl-adler-galleries","tag-ted-loos","tag-the-winter-show","tag-yours-truly","dibs-categories-dibs-a_pai_abs","dibs-categories-dibs-a","dibs-categories-dibs-a_pai","dibs-creators-dibs-arthur-dove-1880-1946-american","dibs-sellers-dibs-hirschl-and-adler-galleries"],"acf":{"post_format":"article","subtitle":"New York gallery Hirschl & Adler is exhibiting the bold composition by Dove \u2014 who\u2019s hailed as the first American abstract painter \u2014 at this year\u2019s Winter Show. 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