{"id":423493,"date":"2025-02-06T13:47:44","date_gmt":"2025-02-06T18:47:44","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=423493"},"modified":"2025-02-06T16:10:09","modified_gmt":"2025-02-06T21:10:09","slug":"marlon-mullen-painting","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/marlon-mullen-painting\/","title":{"rendered":"With a Show at MoMA, Marlon Mullen Paints Pictures That Are beyond Words"},"content":{"rendered":"\n
\"Marlon<\/a>
Desert with Cactus<\/em><\/a>, 1997, by Marlon Mullen<\/figcaption><\/figure>\n\n\n\n

Marlon Mullen\u2019s Desert with Cactus<\/em><\/a> (1997) draws viewers into a landscape that\u2019s both familiar and unknowable.<\/p>\n\n\n\n

The painting\u2019s biomorphic forms \u2014 perhaps there\u2019s a cactus, perhaps a canyon, perhaps an adobe sweat lodge, maybe something else entirely \u2014 are rendered in thick layers of acrylic paint on paper. Mullen uses just four eye-catching colors, colliding in deep contrast: stark white, jet black, milk-chocolate brown and bubble-gum pink.<\/p>\n\n\n\n

The ambiguity of the piece is part of its allure, leaving viewers to wonder: Is this a literal desert scene, one from the imaginal realm or an interpretation of a picture Mullen saw in a book or magazine? <\/p>\n\n\n

\n
\"Photograph<\/a>
Portrait of Mullen. Courtesy of the artist and NIAD<\/figcaption><\/figure><\/div>\n\n\n

\u201cOne of the most captivating aspects of art is its ability to evoke mystery, and Marlon Mullen<\/a> exemplifies this power through his work,\u201d says Jayson Lawfer, director of Chicago-based gallery The Nevica Project<\/a>, which is offering the piece on 1stDibs.<\/p>\n\n\n\n

Born in Richmond, California, in 1963, Mullen, who has autism spectrum disorder and is mostly nonspeaking, has carved out a singular niche in the contemporary art world.<\/p>\n\n\n\n

For more than three decades, he\u2019s been painting at the acclaimed NIAD (Nurturing Independence through Artistic Development) Art Center<\/a>, a studio that supports all kinds of creators with neurodivergent diagnoses or disabilities. His work is in the permanent collections of major institutions, including the Whitney Museum of American Art, which featured one of his canvases in its 2019 Biennial<\/a>.<\/p>\n\n\n

\n
\"An
An installation view of \u201cProjects: Marlon Mullen<\/a>\u201d at the Museum of Modern Art in New York. Photo by Jonathan Dorado<\/figcaption><\/figure><\/div>\n\n\n

Many of Mullen\u2019s compositions involve him selecting covers or interior pages from art magazines \u2014 Artforum<\/em>, Sculpture<\/em>, Frieze<\/em> and so on \u2014 which he then reimagines in his own expressive style, rearranging, cropping, distorting and abstracting elements of the publications\u2019 layouts. (He even paints the spines of the magazines on the sides of the canvases.)<\/p>\n\n\n\n

This segment of his oeuvre is currently the focus of a solo show in the project space of the Museum of Modern Art in New York. On view through April 20, \u201cProjects: Marlon Mullen<\/a>\u201d spotlights a selection of his art-mag paintings from the past decade.<\/p>\n\n\n\n

Complementing the bold artworks, the exhibition design includes soft gray carpeting and movable podlike seats manufactured to absorb sound, perfect for museumgoers who get overwhelmed by too much sensory input.<\/p>\n\n\n

\n
\"Close-up<\/a>
A detail of Desert with Cactus<\/em><\/figcaption><\/figure><\/div>\n\n\n

Desert with Cactus<\/em>, created early in Mullen\u2019s career, is more enigmatic in its content and meaning. \u201cMullen\u2019s art opens a space for contemplation,\u201d Lawfer says, \u201callowing us to explore the unknown dimensions of his work.\u201d<\/p>\n\n\n\n

The painting speaks to the power of art to transcend words and conventional understanding.<\/p>\n\n\n\t

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\n\t\t\t\t\t\tExplore More Abstract Art\t\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t\tView Now<\/span>\n\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"

Marlon Mullen\u2019s Desert with Cactus (1997) draws viewers into a landscape that\u2019s both familiar and unknowable. The painting\u2019s biomorphic forms \u2014 perhaps there\u2019s a cactus, perhaps a canyon, perhaps an adobe sweat lodge, maybe something else entirely \u2014 are rendered in thick layers of acrylic paint on paper. Mullen uses just four eye-catching colors, colliding […]<\/p>\n","protected":false},"author":394,"featured_media":425010,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"2025-02-06T18:52:03Z","apple_news_api_id":"80a62e12-657f-408e-a1a5-dedf8dbd19e4","apple_news_api_modified_at":"2025-02-06T18:52:04Z","apple_news_api_revision":"AAAAAAAAAAD\/\/\/\/\/\/\/\/\/\/w==","apple_news_api_share_url":"https:\/\/apple.news\/AgKYuEmV_QI6hpd7fjb0Z5A","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[260,15568218],"tags":[15535063,15571475,15571479,2963,15530293,264,15568699,15571473,15571474,15532673,15524993,15571481,15571478,15571483,15541413,15571482,15571477,10469373],"dibs-categories":[15565858,15565859],"dibs-designs":[],"dibs-styles":[],"dibs-creators":[15571409],"dibs-sellers":[15570977],"class_list":["post-423493","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fine-art","category-obsession-of-the-week","tag-acrylic","tag-acrylic-painting","tag-autistic","tag-california","tag-canvas","tag-contemporary-art","tag-contemporary-artist","tag-desert-with-cactus","tag-marlon-mullen","tag-moma","tag-museum-of-modern-art","tag-mute","tag-niad-art-center","tag-nonverbal","tag-painter","tag-projects-marlon-mullen","tag-the-nevica-project","tag-whitney-museum-of-american-art","dibs-categories-dibs-a","dibs-categories-dibs-a_pai","dibs-creators-dibs-marlon-mullen","dibs-sellers-dibs-the-nevica-project"],"acf":{"post_format":"article","subtitle":"The nonspeaking California artist is having a moment, with vivacious paintings that play on art-magazine covers as well as more mysterious abstractions.","contributors":{"hide_byline":false,"columnist":[{"ID":361908,"post_author":"1","post_date":"2021-12-14 22:36:27","post_date_gmt":"2021-12-15 03:36:27","post_content":"","post_title":"Trent Morse","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"trent-morse","to_ping":"","pinged":"","post_modified":"2021-12-14 22:36:27","post_modified_gmt":"2021-12-15 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