{"id":427767,"date":"2025-05-28T13:16:17","date_gmt":"2025-05-28T17:16:17","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=427767"},"modified":"2025-05-28T13:16:19","modified_gmt":"2025-05-28T17:16:19","slug":"wes-anderson-original-artwork","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wes-anderson-original-artwork\/","title":{"rendered":"Wes Anderson\u2019s Latest Film Features Artworks by Renoir, Magritte and More"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"950\" height=\"633\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-950x633.jpg\" alt=\"Wes Anderson on the set of The Phoenician Scheme with actors Mathieu Amalric, Mia Threapleton and Benicio del Toro\" class=\"wp-image-427768\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-950x633.jpg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-525x350.jpg 525w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-120x80.jpg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-768x512.jpg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-1536x1024.jpg 1536w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-2048x1365.jpg 2048w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-1400x933.jpg 1400w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/><figcaption class=\"wp-element-caption\">Wes Anderson (second from left) on the set of <em>The Phoenician Scheme<\/em> with (from left) actors Mathieu Amalric, Mia Threapleton and Benicio del Toro. Photo courtesy of Roger Do Minh\/TPS Productions\/Focus Features \u00a9 2025 All Rights Reserved<\/figcaption><\/figure>\n\n\n\n<p>Wes Anderson\u2019s films are known for their distinctive aesthetic. He transports viewers to different worlds, not with heavy-handed CGI effects or futuristic visions but with layered spaces, controlled color palettes and, yes, considered symmetry. The director\u2019s latest film, <em>The Phoenician Scheme<\/em>, is no exception, although it includes a few details that are very much of this world \u2014 namely, a handful of original paintings, by <a href=\"https:\/\/www.1stdibs.com\/creators\/pierre-auguste-renoir\/art\/\">Pierre-Auguste Renoir<\/a>, <a href=\"https:\/\/www.1stdibs.com\/creators\/rene-magritte\/art\/\">Ren\u00e9 Magritte<\/a> and Floris Gerritsz van Schooten.<\/p>\n\n\n\n<p>In the movie, these works are the property of Zsa-Zsa Korda (portrayed by Benicio del Toro), a wealthy businessman whose mansion is impeccably decorated. The decision to use originals was Anderson&#8217;s. \u201cI thought it would mean something to the actors to be with these real objects, and you would feel in the movie that they were real; you can feel it on the set,\u201d Anderson stated in the film\u2019s production notes, per <a href=\"https:\/\/news.artnet.com\/art-world\/phoenician-scheme-wes-anderson-art-curator-jasper-sharp-2647625\">Artnet News<\/a>. \u201cYou can tell the difference and it has an aura to it.\u201d<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"950\" height=\"950\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-950x950.jpg\" alt=\"Enfant assis en robe bleue, 1889, by Pierre-Auguste Renoir\" class=\"wp-image-427782\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-950x950.jpg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-350x350.jpg 350w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-120x120.jpg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-768x768.jpg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-300x300.jpg 300w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-933x933.jpg 933w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889-216x216.jpg 216w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/1024px-Renoir_-_ENFANT_ASSIS_EN_ROBE_BLEUE_1889.jpg 1024w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/><figcaption class=\"wp-element-caption\"><em>Enfant assis en robe bleue<\/em>, 1889, by <a href=\"https:\/\/www.1stdibs.com\/creators\/pierre-auguste-renoir\/art\/\">Pierre-Auguste Renoir<\/a><\/figcaption><\/figure><\/div>\n\n\n<p>The specific selections, which include Renoir\u2019s <em>Enfant assis en robe bleue<\/em> and Magritte\u2019s <em>The Equator, <\/em>were made by the film\u2019s art curator, Jasper Sharp. Sharp was tasked with securing appropriate works in a matter of months, from sources close to where the film was being shot, in Potsdam, Germany.<\/p>\n\n\n\n<p>According to Artnet, the actors did feel the aura Anderson described. Del Toro admitted that he was nervous around the Renoir. \u201cHis eyes widened,&#8221; Sharp informed Artnet, &#8220;and he gasped when I told him that <a href=\"https:\/\/www.1stdibs.com\/buy\/greta-garbo\/\">Greta Garbo<\/a> had owned the picture for about 50 years.\u201d<\/p>\n\n\n\t<div class=\"interstitial-banner interstitial-banner-collection interstitial-container\">\n\t\t<div class=\"interstitial-content\">\n\t\t\t<div class=\"interstitial-background-image\">\n\t\t\t\t<img decoding=\"async\" width=\"853\" height=\"300\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/Magritte_La_Valse_Hesitation_master-copy-853x300.jpg\" class=\"attachment-interstitial size-interstitial\" alt=\"Rene Magritte work\" \/>\t\t\t<\/div>\n\t\t\t<div class=\"container interstitial-text\">\n\t\t\t\t<a class=\"interstitial-link-around-text\" href=\"https:\/\/www.1stdibs.com\/art\/\" target=\"_blank\" rel=\"noopener\">\n\t\t\t\t\t<div class=\"interstitial-heading\">\n\t\t\t\t\t\tShop for Art on 1stDibs\t\t\t\t\t<\/div>\n\t\t\t\t\t<div class=\"interstitial-subheading\">\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t\t\t<a class=\"gold-button\" href=\"https:\/\/www.1stdibs.com\/art\/\" target=\"_blank\" rel=\"noopener\">\n\t\t\t\t\t<span>View All<\/span>\n\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Wes Anderson\u2019s films are known for their distinctive aesthetic. He transports viewers to different worlds, not with heavy-handed CGI effects or futuristic visions but with layered spaces, controlled color palettes and, yes, considered symmetry. The director\u2019s latest film, The Phoenician Scheme, is no exception, although it includes a few details that are very much of [&hellip;]<\/p>\n","protected":false},"author":459,"featured_media":427768,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"2025-05-28T17:19:23Z","apple_news_api_id":"d1e83587-83e4-406c-818a-eeb3d883e177","apple_news_api_modified_at":"2025-05-28T17:19:23Z","apple_news_api_revision":"AAAAAAAAAAD\/\/\/\/\/\/\/\/\/\/w==","apple_news_api_share_url":"https:\/\/apple.news\/A0eg1h4PkQGyBiu6z2IPhdw","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[260],"tags":[7,301373,15571743,15539523],"dibs-categories":[15565858],"dibs-designs":[],"dibs-styles":[],"dibs-creators":[],"dibs-sellers":[],"class_list":["post-427767","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fine-art","tag-art","tag-film","tag-renoir","tag-wes-anderson","dibs-categories-dibs-a"],"acf":{"post_format":"article","subtitle":"The movie had its very own art curator, tasked with securing pieces by major artists.","contributors":{"hide_byline":false,"columnist":[{"ID":422894,"post_author":"456","post_date":"2024-12-12 15:30:19","post_date_gmt":"2024-12-12 20:30:19","post_content":"<!-- wp:paragraph {\"placeholder\":\"Add Bio...\",\"className\":\"custom-contributor-input\"} -->\n<p class=\"custom-contributor-input\">Rachel Davies is a Brooklyn-based writer and the creator of <a href=\"https:\/\/personalspace.substack.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Personal Space<\/a>, a newsletter that covers culture, design and home life. Their work has been published by Architectural Digest, Dwell, Wall Street Journal and Domino, among other publications. In a perfect world, their house would be furnished exclusively with pieces from <a href=\"https:\/\/www.1stdibs.com\/creators\/hay\/furniture\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>HAY<\/em><\/a>.<\/p>\n<!-- \/wp:paragraph -->","post_title":"Rachel Davies","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"rachel-davies","to_ping":"","pinged":"","post_modified":"2025-10-14 09:41:58","post_modified_gmt":"2025-10-14 13:41:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?post_type=contributors&#038;p=422894","menu_order":0,"post_type":"contributors","post_mime_type":"","comment_count":"0","filter":"raw"}],"photographer":"","custom_byline":false},"show_date":true,"interstitial_banners":[{"acf_fc_layout":"collection","interstitial_banner_shortcode":"art","interstitial_banner_background_image":427827,"interstitial_banner_heading":"Shop for Art on 1stDibs","interstitial_banner_subheading":"","interstitial_banner_button_text":"View All","interstitial_banner_button_url":"https:\/\/www.1stdibs.com\/art\/"}],"show_related_items_footer_popup":false,"slideshows":false},"dibs_designs_tags":null,"dibs_sellers_tags":null,"dibs_creators_tags":null,"dibs_styles_tags":null,"dibs_categories_tags":["dibs-a"],"featured_image_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-640x450.jpg","post_title":"Wes Anderson\u2019s Latest Film Features Artworks by Renoir, Magritte and More","fimg_url":{"thumbnail":{"source_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-120x80.jpg","width":120,"height":80},"medium":{"source_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme-525x350.jpg","width":525,"height":350},"full":{"source_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme.jpg","width":4819,"height":3212}},"jetpack_featured_media_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/ThePhoenicianScheme.jpg","apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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