{"id":432092,"date":"2025-11-14T14:25:07","date_gmt":"2025-11-14T19:25:07","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=432092"},"modified":"2025-11-14T14:25:16","modified_gmt":"2025-11-14T19:25:16","slug":"habitat-lounger","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/habitat-lounger\/","title":{"rendered":"Nicholas Tilma\u2019s Habitat Lounger Is a Quirky, All-in-One Reading Nook"},"content":{"rendered":"
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\"Nicholas<\/a>
Nicholas Tilma Habitat lounger, 2023<\/a><\/figcaption><\/figure><\/div>\n\n\n

At first glance, Nicholas Tilma<\/a>\u2019s Habitat lounger<\/a> looks like an artifact from the future. Part monolithic throne, part biomorphic specimen, it defies easy categorization. A brutalist concrete base gives way to a powder-coated-steel armature, which in turn holds a hand-sculpted wood backrest and an amoeba-like epoxy-resin lamp. It is a striking, confounding and utterly captivating amalgamation \u2014 a chair that functions as a complete, self-contained habitat.<\/p>\n\n\n\n

This all-in-one cocoon effect was precisely Tilma’s goal. The undulating backrest, carved from poplar, evokes tree bark, creating a comforting tactile sensation that the Detroit-based designer cheekily compares to \u201chow a bear would feel rubbing its back against a tree.\u201d<\/p>\n\n\n\n

The lounger is a study in symbiotic tension. Industrial materials provide its structure, but its forms exude whimsy. Tilma\u2019s inspirations are a delightful clash: He’s mixing the oak leaves and frozen puddles of the natural world with the playgrounds, zoo enclosures and neon-colored fish-tank coral of the manufactured one. This artifice, neighboring the real, is key to the strange yet delightful design.<\/p>\n\n\n\n

Tilma was also inspired by the idea of a world where nature is reclaiming the man-made environment. Living in Detroit, he sees this reclamation beginning all around him \u2014 in, for example, wire fences overtaken by vines, reminding us that nature reigns supreme. He is ahead of the curve, imagining how future humans will memorialize a tree when their main reference isn\u2019t a forest but a plastic replica on a playground.<\/p>\n\n\n\n

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\"\"<\/figure>\n\n\n\n
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The chair’s frame holds amoeba-like epoxy-resin lamp.<\/figcaption><\/figure>\n\n\n\n

Created as his MFA thesis work for the Cranbrook Academy of Art, the Habitat lounger brings together Tilma’s woodworking, metal-fabrication and casting skills. Wonderfully weird and boundary-pushing, it fits right in at DUDD HAUS<\/a>, which represents him. The Philadelphia-based collective, co-founded by Chris Held and Charles Constantine, is committed to creating, as Tilma puts it, a \u201cweird space for people that really push the boundaries of design.\u201d<\/p>\n\n\n\n

DUDD HAUS doesn’t operate like a traditional gallery. Tilma was first drawn to its shows celebrating the kind of work he loves \u2014 objects that are serious craft but don’t take themselves too<\/em> seriously. For its designers, the collective functions as a crucial support system. Tilma highlights how it enables creators to build sustainable careers outside the mainstream by fostering camaraderie among them, helping them get press coverage, facilitating curator introductions and offering lectures on the business of design.<\/p>\n\n\n\n

He knows, of course, that his lounger won’t solve climate change. Instead, he says, it\u2019s a way to \u201ctest different futures,\u201d a playful meditation on an unknowable world. It\u2019s an approach that trades doom and gloom for a childlike wonder, tackling our deepest anxieties with imagination.<\/p>\n\n\n\t

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\n\t\t\t\t\t\tShop DUDD HAUS on 1stDibs\t\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t\tView All<\/span>\n\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"

At first glance, Nicholas Tilma\u2019s Habitat lounger looks like an artifact from the future. Part monolithic throne, part biomorphic specimen, it defies easy categorization. A brutalist concrete base gives way to a powder-coated-steel armature, which in turn holds a hand-sculpted wood backrest and an amoeba-like epoxy-resin lamp. It is a striking, confounding and utterly captivating […]<\/p>\n","protected":false},"author":293,"featured_media":432196,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"2025-11-14T19:29:25Z","apple_news_api_id":"10568a69-7a15-406d-8390-f3065ba85c8b","apple_news_api_modified_at":"2025-11-14T19:29:25Z","apple_news_api_revision":"AAAAAAAAAAD\/\/\/\/\/\/\/\/\/\/w==","apple_news_api_share_url":"https:\/\/apple.news\/AEFaKaXoVQG2DkPMGW6hciw","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[15522093,15568218],"tags":[],"dibs-categories":[],"dibs-designs":[],"dibs-styles":[],"dibs-creators":[],"dibs-sellers":[],"class_list":["post-432092","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-furniture","category-obsession-of-the-week"],"acf":{"post_format":"article","subtitle":"The Cranbrook-trained designer was inspired by the idea of a future where nature reclaims man-made structures.","contributors":{"hide_byline":false,"columnist":[{"ID":431705,"post_author":"293","post_date":"2025-10-09 09:09:24","post_date_gmt":"2025-10-09 13:09:24","post_content":"\n

Axel Getz works on the Art + Design Research Team at 1stDibs. He studied archaeology at Brown and Cambridge, where he developed a lasting fascination with material culture and the stories objects carry across time. He is especially drawn to ancient jewelry and classical design systems, and to the ways their symbolism, craft, and ingenuity continue to surface in contemporary practice.

He loves digging into a singular work and learning from the inventive people behind it, looking for unexpected through-lines across design history. Whether thinking about a fragment of the ancient world or a daring new design, he gravitates toward pieces that feel charged with history, intention and personality.
<\/p>\n","post_title":"Axel Getz","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"axel-getz","to_ping":"","pinged":"","post_modified":"2026-02-13 14:13:49","post_modified_gmt":"2026-02-13 19:13:49","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?post_type=contributors&p=431705","menu_order":0,"post_type":"contributors","post_mime_type":"","comment_count":"0","filter":"raw"}],"photographer":"","custom_byline":false},"show_date":true,"interstitial_banners":[{"acf_fc_layout":"collection","interstitial_banner_shortcode":"dudd-haus","interstitial_banner_background_image":432281,"interstitial_banner_heading":"Shop DUDD HAUS on 1stDibs","interstitial_banner_subheading":"","interstitial_banner_button_text":"View 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