{"id":433735,"date":"2026-03-03T13:57:00","date_gmt":"2026-03-03T18:57:00","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=433735"},"modified":"2026-05-11T08:20:35","modified_gmt":"2026-05-11T12:20:35","slug":"elyse-graham-prism-meta-light","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/elyse-graham-prism-meta-light\/","title":{"rendered":"Elyse Graham\u2019s Rainbow-Hued Pendant Light Gives Off a Joyful Glow"},"content":{"rendered":"
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\"Elyse<\/a><\/figure>\n<\/div>\n\n\n

Behind Elyse Graham\u2019s joyful candy-colored Prism Meta Pendant light<\/a> is a design practice that is rigorous, deeply thoughtful \u2014 and often frustrating. It’s that tension between frustration and fastidiousness which makes the work worthwhile for Graham.<\/p>\n\n\n\n

The way she tells it, she \u201ccollaborates\u201d with her materials, orchestrating a \u201ccontrolled chaos.\u201d As one would expect with chaos, things don’t always go her way. In fact, the rubber used to make the Prism Meta pendant was born from a colossal failure. \u201cWe had worked with rubber a few years prior to creating the Meta Pendants. The rubber proved to be too flexible for how we originally intended to use it, but absolutely perfect for the pendants.\u201d Graham expects such fiascos from her medium of choice, resin \u2014 a notoriously finicky substance that she treats with reverence.<\/p>\n\n\n\n

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Left: A Prism Meta pendant light<\/a> in progress. Right: Graham describes her process as a collaboration with the materials. Photos courtesy of Elyse Graham<\/figcaption><\/figure>\n\n\n\n

For her Meta series, her primary reference was traditional stained glass, seen through a distinctly contemporary lens. The pendant\u2019s panels are cast from a crystal-clear liquid rubber that is hand pigmented and poured into thin sheets. Because they are poured by hand, the panels possess a beautiful unevenness that creates subtle color gradations. They are then fused together with opaque, hand-pigmented epoxy resin, which acts like the lead lines in classic stained-glass windows.<\/p>\n\n\n\n

The true magic happens when you flick the switch. \u201cI love the transformation that occurs when the pendant goes from unlit to lit,\u201d Graham says. Unlit, the fixture is a sculptural mosaic of interacting hues, encouraging the viewer to walk around it. When illuminated, it transforms entirely. The rubber panels emit a radiant glow, while the opaque epoxy joints deepen, creating a sharp contrast. It\u2019s \u201clike having two pieces in one,\u201d says Graham.<\/p>\n\n\n

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As a Los Angeles native manipulating color and perception, Graham feels a deep kinship with the trailblazers of the 1960s California Light and Space movement \u2014 particularly Helen Pashgian, who began experimenting with resin more than four decades before her. Reading a recent interview in which the octogenarian Pashgian admitted that the substance still presented her with fresh challenges, \u201cI almost laughed out loud,\u201d she says, noting that resin \u201cis endlessly seductive and mysterious. It’s a material of infinite possibility \u2014 and infinite problems to solve.\u201d<\/p>\n\n\n\n

By embracing resin’s inevitable frustrations, Graham transforms missteps into next steps, leading to literal and metaphorical light-bulb moments. Today, the pendant stands as a testament to that creative perseverance. The Meta series embodies the ingenuity required to turn \u201cinfinite problems\u201d into moments of pure wonder.<\/p>\n\n\n\t

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\n\t\t\t\t\t\tShop Elyse Graham on 1stDibs\t\t\t\t\t<\/div>\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t\tView All<\/span>\n\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"

Behind Elyse Graham\u2019s joyful candy-colored Prism Meta Pendant light is a design practice that is rigorous, deeply thoughtful \u2014 and often frustrating. It’s that tension between frustration and fastidiousness which makes the work worthwhile for Graham. The way she tells it, she \u201ccollaborates\u201d with her materials, orchestrating a \u201ccontrolled chaos.\u201d As one would expect with […]<\/p>\n","protected":false},"author":293,"featured_media":433746,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"2026-03-03T18:57:59Z","apple_news_api_id":"9fce0a2d-d239-438e-be83-68401b7ac3fb","apple_news_api_modified_at":"2026-03-03T18:57:59Z","apple_news_api_revision":"AAAAAAAAAAD\/\/\/\/\/\/\/\/\/\/w==","apple_news_api_share_url":"https:\/\/apple.news\/An84KLdI5Q46-g2hAG3rD-w","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[15522093,15568218],"tags":[15550365,362843,6966683,13967193],"dibs-categories":[15565565,15565593],"dibs-designs":[],"dibs-styles":[],"dibs-creators":[15572399],"dibs-sellers":[],"class_list":["post-433735","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-furniture","category-obsession-of-the-week","tag-elyse-graham","tag-lighting","tag-lighting-design","tag-pendant-light","dibs-categories-dibs-f","dibs-categories-dibs-f_lig","dibs-creators-dibs-elyse-graham"],"acf":{"post_format":"article","subtitle":"Working with resin, a tricky material, has created moments of failure \u2014 and enlightenment. ","contributors":{"hide_byline":false,"columnist":[{"ID":431705,"post_author":"293","post_date":"2025-10-09 09:09:24","post_date_gmt":"2025-10-09 13:09:24","post_content":"\n

Axel Getz works on the Art + Design Research Team at 1stDibs. He studied archaeology at Brown and Cambridge, where he developed a lasting fascination with material culture and the stories objects carry across time. He is especially drawn to ancient jewelry and classical design systems, and to the ways their symbolism, craft, and ingenuity continue to surface in contemporary practice.

He loves digging into a singular work and learning from the inventive people behind it, looking for unexpected through-lines across design history. Whether thinking about a fragment of the ancient world or a daring new design, he gravitates toward pieces that feel charged with history, intention and personality.
<\/p>\n","post_title":"Axel Getz","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"axel-getz","to_ping":"","pinged":"","post_modified":"2026-02-13 14:13:49","post_modified_gmt":"2026-02-13 19:13:49","post_content_filtered":"","post_parent":0,"guid":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?post_type=contributors&p=431705","menu_order":0,"post_type":"contributors","post_mime_type":"","comment_count":"0","filter":"raw"}],"photographer":"","custom_byline":false},"show_date":true,"show_related_items_footer_popup":false,"interstitial_banners":[{"acf_fc_layout":"collection","interstitial_banner_shortcode":"elyse-graham","interstitial_banner_background_image":433754,"interstitial_banner_heading":"Shop Elyse Graham on 1stDibs","interstitial_banner_subheading":"","interstitial_banner_button_text":"View 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