{"id":73073,"date":"2024-09-26T12:10:00","date_gmt":"2024-09-26T16:10:00","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=73073"},"modified":"2024-10-29T06:48:55","modified_gmt":"2024-10-29T10:48:55","slug":"new-england-homes-2","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/new-england-homes-2\/","title":{"rendered":"41 Impeccable New England Homes"},"content":{"rendered":"\n
\"Library<\/a>
Photo by Nicole Franzen<\/figcaption><\/figure>\n\n\n\n

In their update of a monumental house in Fairfield County<\/a>, Connecticut, Amanda Jesse and Whitney Parris-Lamb, of design firm Jesse Parris-Lamb<\/a>, conceived the library as a multipurpose room for the owners and their three young kids.<\/p>\n\n\n\n

\u201cThe materials were chosen to feel elevated but approachable for the parents and their children to use,\u201d Jesse says. \u201cThe center table is made of dyed parchment<\/a>, which is beautiful and rich but also delicate. We added a custom leather pad fabricated by Dualoy on top so the kids could use the room freely without parents worrying about damage!\u201d<\/p>\n\n\n\n

Other sturdy, high-end furnishings include a French antique book stand<\/a> from Maison Gerard<\/a>, twin vintage rosewood cabinets<\/a> from Todd Merrill<\/a> and walnut-framed Eugenio chairs<\/a> by Luteca<\/a>.<\/p>\n\n\n\n

\u201cThe grand scale and classic proportions of this library are well-suited to a New England home,\u201d Jesse says \u201cBut the bold jewel-toned colors in the materials give it a modern edge and a fresh take.\u201d<\/p>\n\n\n\n

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\"Coastal<\/a>
Photo by William Jess Laird<\/figcaption><\/figure><\/div>\n\n\n

For the interiors of a vacation house situated on a picturesque island in Maine<\/a>, the owners turned to a firm they knew well. \u201cHaving previously collaborated with GACHOT<\/a> on their Upper West Side townhouse<\/a>, the clients envisioned their Maine residence as a more laid-back iteration of their elegant New York home,\u201d says John Gachot, who cofounded the eponymous studio<\/a> with his wife, Christine Gachot.<\/p>\n\n\n\n

The firm prioritized relaxation and social connection in the media room. \u201cThe rich white-oak paneling and deep seating create a sense of warmth, making it an inviting area for family and friends,\u201d the designer explains. \u201cThe waterfront just outside provides a striking backdrop and a natural contrast to the rich interior color palette of rust, chocolate and camel tones.\u201d<\/p>\n\n\n\n

To get the right combination of classic coziness and contemporary cool, GACHOT custom designed the sofa, upholstering it in Fortuny <\/a>velvet, and covered the Artistic Frame<\/a> chair with a plaid Holland & Sherry<\/a> wool. The lacquer floor lamp, from Studio Schalling<\/a>, is attributed to Werner Schou<\/a>, and Christophe Delcourt<\/a> made the curvy cocktail table<\/a>, upon which rests a Louise Roe<\/a> bowl.<\/p>\n\n\n\n

\u201cThis residence incorporates New England design characteristics by embracing natural materials and classic styles,\u201d John says. \u201cThe design also blends modern elements, achieving a harmonious combination of contemporary style and timeless sophistication.\u201d<\/p>\n\n\n\n

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\"Glass<\/a>
Photo by Eric Roth<\/figcaption><\/figure><\/div>\n\n\n

\u201cOur firm led the sensitive renovation of this fine 1895 example<\/a> of Boston\u2019s architectural revival period,\u201d says Lisa Tharp<\/a>. \u201cThe design goal was to preserve the original floor plan of separate rooms, yet creatively reimagine the home to flexibly support both modern daily life and large-scale entertaining.\u201d<\/p>\n\n\n\n

She reconceived the English-style conservatory as an energetic and adaptable space for hosting a crowd. For instance, the restored 1940s rattan furniture can be easily relocated to accommodate dining for 30 guests. The George Nelson Bubble pendants<\/a> continue the mid-century<\/a> motif and work equally well as soft illumination for a dinner party or for lounging under the stars.<\/p>\n\n\n\n

\u201cThe black stone fountain<\/a> lends soothing sounds of water,\u201d Tharps notes. \u201cGreenery includes favorite specimens collected during clients\u2019 travels. An outdoor rug<\/a> keeps things cozy, even in the cooler months.\u201d<\/p>\n\n\n\n

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\"Maine<\/a>
Photo by Jonathan Wallen<\/figcaption><\/figure><\/div>\n\n\n

\u201cThis house<\/a>, which we designed with Peter Pennoyer Architects<\/a>, sits with a wonderful view of Vinalhaven, in Maine,\u201d says Thomas Jayne<\/a>. \u201cThe client loves traditional architecture, so throughout the entire home, we make references to historic Maine houses, from the 18th century into the 20th.\u201d<\/p>\n\n\n\n

The sculptural Waterworks<\/a> bathtub serves as the focal point of the bathroom, evoking all the romantic connotations of a nice tub. The seashells<\/a>, floral rug<\/a> and hexagonal wood stool<\/a> ground the space, while the sunburst light fixture<\/a> and Cole & Sons birds-and-branches wallpaper on the ceiling add touches of whimsy.<\/p>\n\n\n\n

\u201cNew England houses have to be relatively simple because of the harsh weather,\u201d Jayne says. \u201cThis room is a bit more elaborate than a typical New England bathroom, but it has a directness that is well related to its place.\u201d<\/p>\n\n\n\n

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\"Cape<\/a>
Photo by Tim Williams<\/figcaption><\/figure><\/div>\n\n\n

In a traditional Cape Cod house<\/a>, Liz Caan<\/a> subtly tweaked the Massachusetts tradition of decorating beach homes in hydrangea blue and bright white.<\/p>\n\n\n\n

\u201cThe project is somewhat classic and has some blue, but we try to use it in fresher ways,\u201d Caan says. \u201cIn this bedroom, we paired a more teal blue with lilacs and pinks and grays\u201d to go with the changing colors of the sea and sky outside the window.<\/p>\n\n\n\n

Hence, the Phillip Jeffries<\/a> grasscloth wallcovering and cushy Soane Britain rattan chairs flanking a vintage trunk<\/a> and stool<\/a>. \u201cWe wanted the home to feel elevated yet approachable, collected yet meaningful,\u201d Caan says, \u201cand just a little quirky, like the clients themselves.\u201d<\/p>\n\n\n\n

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\"Soft<\/a>
Photo by Joyelle West<\/figcaption><\/figure><\/div>\n\n\n

Kristine Irving, design principal and creative director of Koo de Kir Architectural Interiors<\/a>, had several directives for revamping this 1890s Boston brownstone<\/a>: Make it feel fresh, create flexibility for entertaining, and showcase the client\u2019s extensive art collection.<\/p>\n\n\n\n

One room posed a particular challenge. \u201cParlors tend to be complicated to decorate for modern families, due to the long, narrow layout,\u201d she says. \u201cWhen we designed this space, we not only furnished it for daily use but also supplied multiple layout options for parties ranging from a sit-down dinner for 16 to a passed-hors-d\u2019oeuvre party for 20-plus people.\u201d <\/p>\n\n\n\n

Within this sumptuous scheme, Irving papered the walls in a blush Phillip Jeffries silk, accompanying it with a pale Rug Company<\/a> carpet on the floor. The bubble chandelier<\/a> is by Apparatus, the floor lamp is FLOS<\/a>, the antique mirror<\/a> came from 1stDibs, and the cocktail table and side table are both Lawson-Fenning<\/a>. Koo de Kir custom created the pair of white chaise longues.<\/p>\n\n\n\n

As for the art, Irving and her client chose two contemporary landscape paintings to flank the Statuario-marble fireplace mantle. \u201cWe used rich contrasting colors like teal and pink with neutrals to provide a bold backdrop for the art collection,\u201d the designer says. \u201cThe room itself feels like you are sitting inside of a pretty picture.\u201d<\/p>\n\n\n\n

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\"Contemporary<\/a>
Photo by Warren Jagger<\/figcaption><\/figure><\/div>\n\n\n

For a yacht-construction manager\u2019s residence on a 300-year-old working farm near Rhode Island\u2019s Narragansett Bay, architects Jim Estes and Peter Twombly<\/a> created a modern, horizontal, no-frills home that\u2019s built to last. \u201cYou don\u2019t see a lot of extraneous moves in this house,\u201d Twombly told Introspective<\/a><\/em>.<\/p>\n\n\n\n

Echoing more traditional New England farmhouses, the firm used wooden shingles on the exterior walls and standing-seam metal on the roof.<\/p>\n\n\n\n

For the chimney, however, they went with the contemporary material board-formed concrete, which continues down to and around the living room\u2019s wood stove. A lounge chair by the hearth complements the home\u2019s mid-century-style<\/a> asymmetrical rooflines.<\/p>\n\n\n\n

The rest of the decor is fairly austere, with stark plaster walls and white-oak flooring and cabinetry keeping the visual emphasis on the natural surroundings. As Twombly puts it, \u201cThe views through the structure are as important as the structure itself.\u201d<\/p>\n\n\n\n

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\"The<\/a>
Photo by Francesco Lagnese<\/figcaption><\/figure><\/div>\n\n\n

Charlotte Barnes<\/a> took inspiration from her journeys when decorating her own Greenwich, Connecticut, carriage house<\/a>. \u201cThe eye really does need to travel,\u201d she says. \u201cI am always shopping, always looking, even if I am in a place where I can\u2019t buy anything.\u201d<\/p>\n\n\n\n

For the dining room, she custom designed swooping chairs and placed them around a French table from the 1940s<\/a>. She looked to a rustic woven basket<\/a> as her muse when conceiving a pendant light and ended up hanging the basket itself as a fixture.<\/p>\n\n\n\n

How would she describe her personal taste in interior design?<\/p>\n\n\n\n

\u201cI always say my work is \u2018traditional, but not,\u2019 and by that, I mean I focus on a clean, modern yet eclectic mix of the contemporary and the antique,\u201d she says. \u201cA good combination of things in a room, be it decor or objects, has a cadence. And that is what creates the interest and vitality.\u201d<\/p>\n\n\n\n

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\"Rowayton,
Photo by Peter Margonelli <\/figcaption><\/figure>\n\n\n\n

For a waterfront house in Rowayton, Connecticut<\/a>, the designers behind Foley & Cox<\/a> took their direction from the seascape outside.<\/p>\n\n\n\n

“This gracious living room has 180-degree views of the Long Island Sound, which became the source of inspiration for the interior color palette,” says firm principal Michael Cox. “While the stained wood beams add warmth to the space, the color story is quiet and serene.”<\/p>\n\n\n\n

Further warmth is added by the client’s collection of antique and vintage pieces, which Cox layered into the aqueous decor. <\/p>\n\n\n\n

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\"Back
Photo by Joshua McHugh<\/figcaption><\/figure>\n\n\n\n

The wood-paneled office Heather Wells designed in a Back Bay, Boston, townhouse<\/a> recalls the home libraries of the early 20th century \u2014 “but with a twist,” she says.<\/p>\n\n\n\n

Wells tweaked the traditional template with clean-lined vintage pieces, including the desk chair<\/a>, table<\/a> and sideboard<\/a>, bringing in a bit of funk with the Arne Jacobsen<\/a> Egg chairs<\/a> and contemporary elegance in the form of the Lindsey Adelman<\/a> light fixture.<\/p>\n\n\n\n

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\"Guest
Photo by Emily Gilbert<\/figcaption><\/figure>\n\n\n\n

The living room is one of Kate Davis’s favorite spaces in a sylvan Maine guest cottage<\/a> designed by her firm, Davis Desgins<\/a>. The color scheme started with the vintage yellow lamps<\/a>, which were original to the house.<\/p>\n\n\n\n

“Because the woods can be dark at times, we wanted a light and airy feeling,” explains Davis, who enhanced the vibe with cheerfully buoyant pieces like the floral-cushioned cane armchairs<\/a> and the rattan sofa<\/a> covered in a Schumacher<\/a> yellow zebra print.<\/p>\n\n\n\n

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\"Vermont
Photo by Ryan Bent<\/figcaption><\/figure>\n\n\n\n

Charlotte Barnes (whose own Connecticut home we saw previously) worked closely with her international clients and the architect in designing a modern Vermont getaway<\/a> among the trees.<\/p>\n\n\n\n

“The homeowners use it during the summer, but I wanted it to feel appropriate during all of the seasons,” Barnes says. The living room, with floor-to-ceiling windows that reveal the surrounding woodland, features an eclectic array of furniture, including several mid-century icons, like the classic Charles and Ray Eames lounge chair and ottoman<\/a> and stainless-steel arc lamp<\/a>.<\/p>\n\n\n\n

Other pieces that Barnes incorporated belonged to the previous owners. “The little rustic stool is so charming, so I kept it,” she says. The glass-topped coffee table and bright blue sofa are collaborations she worked on with Room. <\/p>\n\n\n\n

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\"Boston
Photo courtesy of De Choix Design<\/figcaption><\/figure><\/div>\n\n\n

“It was very important to have the room remain both visually soft and bright,” says De Choix Design<\/a> principal Charles Fletcher, describing this elegant bedroom in a Boston brownstone<\/a>. “The client prefers carefully selected vintage pieces in order to retain a rich, classic feel.”<\/p>\n\n\n\n

Fletcher pandered to this predilection by curating a collection of vintage gems \u2014 among them, the loveseat<\/a> and matching chairs<\/a>, which flank a Holly Hunt<\/a> side table, not to mention the Venini Murano<\/a> chandelier from High Style Deco<\/a>.<\/p>\n\n\n\n

Fletcher made sure these pieces appear in an equally classic architectural frame: “We were able to retain the original detailing in the room \u2014 crown, trim and marble fireplace<\/a>.”<\/p>\n\n\n\n

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\"Falls
Photo by Fritz von der Schulenburg<\/figcaption><\/figure><\/div>\n\n\n

When designing her charming house<\/a> in Falls Village, Connecticut, Bunny Williams<\/a> knew there was one element she definitely wanted to keep. “The screened porch was already there,” she told Introspective<\/em>. “I think screened porches are the most important thing you can have in any place, because you can feel like you’re outside in the summer \u2014 minus the bugs and weather \u2014 and feel cozy in the winter.” And to make sure this one is just as comfortable in a snowstorm as in a heat wave, she had it winterized.<\/p>\n\n\n\n

“I call it a transition place,” says Williams<\/a>, who furnished the space with vintage wicker chairs<\/a> and a set of 1920s Mexican armchairs<\/a>, bought separately and years apart. Winner for most interesting backstory: the Robert Jackson garden painting. Originally part of a mural in a Park Avenue apartment, it was presented to Williams by Jackson when the apartment owners moved, in the early 1980s.<\/p>\n\n\n\n

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\"Airbnb
Photo by Claire Esparros<\/figcaption><\/figure><\/div>\n\n\n

In Kennebunk, Maine, Pieces by An Aesthetic Pursuit<\/a> has created a fun vacation rental<\/a> that’s 100 percent shoppable. Populated, like the rest of the house, by furnishings featuring gentle curves and easy-on-the-eyes hues, the dining room centers on a Pieces by An Aesthetic Pursuit Court series dining table, surrounded by Jasper Morrison<\/a> for Vitra<\/a> All Plastic chairs and grounded by the Pieces Wavy runner.<\/p>\n\n\n\n

“It was always a challenge to find pieces I liked and that fit correctly. So, we started making bespoke furniture and accessories for clients and launched Pieces in 2017,” says Jenny Kaplan, one of the three brains behind the brand.<\/p>\n\n\n\n

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\"Back
Photo by Heidi’s Bridge<\/figcaption><\/figure>\n\n\n\n

“As always, I drew my inspiration from my clients: their lives, their interests and their aspirations,” says Indigo & Ochre Design<\/a>‘s Shanti Crawford, whose clients here were a cosmopolitan couple with children and dogs, plus a love of travel and different cultures. “That, combined with the gracious scale of this beautiful old Back Bay townhouse<\/a>, anchored all of our design choices.”<\/p>\n\n\n\n

One central choice was to strew the home with antiques and vintage pieces. Many of the latter are Danish<\/a>, including the rosewood Kai Kristiansen<\/a> table and ladder-back dining seats, the Hans J. Wegner<\/a> side chair, the colorful rug<\/a> and the candlesticks<\/a> on the console<\/a>.<\/p>\n\n\n\n

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\"Stamford,
Photo by Eric Piaseki<\/figcaption><\/figure><\/div>\n\n\n

“The design inspiration for this Stamford, Connecticut sunroom was the architecture of Thomas Jefferson<\/a> and his triple-hung windows,” says Cullman & Kravis<\/a> cofounder Ellie Cullman, adding, “Interpreted by architect John Murray.”<\/p>\n\n\n\n

Cullman put her own spin on the space with a touch of the unexpected: vintage game boards<\/a> on the walls instead of the more traditional art. “I was attracted to them,” she says of the boards, “because of the Pop art<\/a> sensibility that they convey.”<\/p>\n\n\n\n

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\"Maine
Photo by Photo by William Waldron<\/figcaption><\/figure><\/div>\n\n\n

Suzanne Kasler<\/a> is not afraid of color<\/a>. And this kitchen in a coastal Maine house proves it. “What\u2019s really fun about this one is that because it\u2019s not in the main house, we were able to do something a bit different,” Kasler says.<\/p>\n\n\n\n

A monochromatic look is hardly ever a bad idea<\/a>, and in this sweet space, she went big with the glossy blue-on-blue palette.<\/p>\n\n\n\n

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\"Frank
Photo by Richard Powers<\/figcaption><\/figure><\/div>\n\n\n

Frank Roop<\/a> channeled an “Old World club” vibe in designing this living room inside a stately Boston home. He perfectly balanced the grand interior architecture \u2014 consisting of a coffered ceiling, paneled walls and a massive marble fireplace \u2014 with a vivid palette of rich hues.<\/p>\n\n\n\n

He also offset the bold lines of the woodwork with a refined mix that includes sumptuous custom upholstery, a mesmerizing traditional carpet and gleaming gold and lacquer finishes. “The existing walnut paneling needed furniture that would balance its strength,” Roop says.<\/p>\n\n\n\n

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\"Kara
Photo by Richard Powers<\/figcaption><\/figure><\/div>\n\n\n

Combining a clean-lined canopy bed, earthy natural-fiber rug and ornate floral carpet, Kara Mann<\/a> captures the simple sophistication of New England farmhouse style<\/a> in this bedroom in a Connecticut home.<\/p>\n\n\n\n

The white backdrop and unadorned walls add to the rustic-romantic vibe of the room.<\/p>\n\n\n\n

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\"Greek
Photo by Michael J. Lee<\/figcaption><\/figure><\/div>\n\n\n

Located in a Greek Revival house, this breakfast room exemplifies Lisa Tharp<\/a>\u2019s guiding philosophy for the project: \u201cLuxury is found in the form of elegant simplicity.\u201d<\/p>\n\n\n\n

It underscores the crisp palette and curated mix of furnishings, which include a dining banquette from Tharp\u2019s own collection, accompanied by a Swedish table<\/a>, Harry Bertoia<\/a> chairs and a vintage pendant light<\/a>, all found on 1stdibs.<\/p>\n\n\n\n

\u201cEvery decision balanced honoring the architecture of the home with a hip, young family\u2019s desire to live comfortably,\u201d Tharp tells us.<\/p>\n\n\n\n

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\"Billy
Photo by Tina Tyrell<\/figcaption><\/figure><\/div>\n\n\n

When renovating his family’s 19th-century home in Vermont, Billy Cotton<\/a> contrasted the den’s classic interior architecture with a bold purple wall color \u2014 Brinjal by Farrow & Ball \u2014 and a colorful layering of earthy Suzani<\/a> and Navajo<\/a> textiles.<\/p>\n\n\n\n

“That is the dichotomy of New England: the richness of the land and the austerity of Colonial<\/a> architecture,” he says.<\/p>\n\n\n\n

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\"Billy
Photo by Stephen Johnson<\/figcaption><\/figure><\/div>\n\n\n

In quintessential New England vernacular, Billy Cotton set a calm and collected scene in the sunroom of a Connecticut house<\/a>. <\/p>\n\n\n\n

Slipcovered sofas<\/a> and armchairs<\/a>, ceiling-height ivory drapery, and a delicate white rug<\/a> imbue the space with pure pristine elegance.<\/p>\n\n\n\n

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\"Fawn
Photo by Costas Picadas<\/figcaption><\/figure><\/div>\n\n\n

For a family home located in Cornwall, Connecticut, Fawn Galli<\/a> added a modern barn consisting of \u201ca simple, inviting room, purposefully designed for dinners and ping-pong<\/a> tournaments, jam sessions and lazy afternoons,\u201d she says.<\/p>\n\n\n\n

Referred to as the “party barn,” the open-plan room is outfitted with a Cappellini<\/a> sofa and a mid-century Danish<\/a> dining set that is a family heirloom \u2014 all amid windows that highlight the New England landscape.<\/p>\n\n\n\n

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\"Marty
Photo by Eric Roth<\/figcaption><\/figure><\/div>\n\n\n

In a 1920s Georgian<\/a> manor in Boston\u2019s Chestnut Hill, Marty Dykas<\/a> created this airy dining space to \u201cresemble an Old World orangerie<\/em>.\u201d<\/p>\n\n\n\n

Walls of glass seamlessly \u201cbring a modern connection between the interior and its bucolic wooded property,\u201d he says, describing the juxtaposition of the clean-lined dining table<\/a> and chairs<\/a> with the verdant backdrop.<\/p>\n\n\n\n

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\"Allan
Photo by Wade Zimmerman<\/figcaption><\/figure><\/div>\n\n\n

Classical architect Allan Greenberg<\/a> designed this house in Greenwich, Connecticut, which incorporates Greek Revival\u2013inspired plaster moldings and millwork in its circular, three-story rotunda.<\/p>\n\n\n\n

The decor is by Mariette Himes Gomez of Gomez Associates, and features an antique pie crust table<\/a> and a Chippendale side chair<\/a>, both from the late 18th century<\/a>.<\/p>\n\n\n\n

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\"ASH
Photo by Christian Harder<\/figcaption><\/figure><\/div>\n\n\n

In designing The Dean<\/a> hotel in Providence, Rhode Island, ASH NYC<\/a> sought to create modern and sophisticated rooms that exuded warmth and comfort.<\/p>\n\n\n\n

The pair of woven chairs<\/a> are 1960s French pieces by Pierre Gautier-Delaye<\/a>, the 1960 V desk chair is by Ynske Kooistra<\/a> for Marko<\/a> and the light fixture is a custom piece by ASH NYC<\/a>.<\/p>\n\n\n\n

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\"Jayne
Photo by Pieter Estersohn<\/figcaption><\/figure><\/div>\n\n\n

Thomas Jayne<\/a> was asked to create a \u201cserene\u201d setting for a museum-quality collection of postwar art<\/a> in this 1889 Georgian Colonial home, located on Philadelphia\u2019s Main Line.<\/p>\n\n\n\n

The rich green walls and woven rattan sofas reference the verdant natural setting and provide a suitably unfussy backdrop for pieces by Roy Lichtenstein<\/a>, Jeff Koons<\/a> and Andy Warhol<\/a>.<\/p>\n\n\n\n

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\"Thad
Photo by Scott Frances<\/figcaption><\/figure><\/div>\n\n\n

Thad Hayes of Ries Hayes<\/a> designed this formal living room in an 1880s Boston residence to be an elegant, adult respite in a family-friendly home.<\/p>\n\n\n\n

Hayes custom created the sofas, plush armchairs and silk-and-wool rug, which are set among a 1970s Paul Evans <\/a>side table, a Felix Agostini<\/a> gilt-bronze table lamp<\/a> and four circa-1880 American Aesthetic Movement<\/a> window benches.<\/p>\n\n\n\n

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\"ASH
Photo by Christian Harder<\/figcaption><\/figure><\/div>\n\n\n

ASH NYC placed an oversize wooden ship model in the games rooms of this 1795 Nantucket home, the only room with ceilings tall enough to accommodate the piece.<\/p>\n\n\n\n

The home\u2019s nautical references are balanced with spare, minimalist notes, like the 1930s Danish dining chairs<\/a> by Frits Schlegel<\/a> and the 19th-century fruitwood farm table<\/a>. The monkey chandelier is a 1990s work by Bill Huebbe<\/a>.<\/p>\n\n\n\n

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\"Robert
Photo by Tim Street-Porter<\/figcaption><\/figure><\/div>\n\n\n

Hung with linen curtains custom embroidered in a Mughal motif by Lesage, the French doors in Robert Couturier<\/a>\u2019s Connecticut dining room<\/a> flood the space with natural light.<\/p>\n\n\n\n

\u201cI wanted something like an orangerie, with the double exposure,\u201d says Couturier. The 17th-century chandelier<\/a> is Dutch, and the dining chairs are Louis XIV<\/a> pieces.<\/p>\n\n\n\n

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\"Annie
Photo by Tim Street-Porter<\/figcaption><\/figure><\/div>\n\n\n

Annie Kelly<\/a> used a mix of contemporary and period pieces to furnish this 18th-century cottage in Litchfield, Connecticut.<\/p>\n\n\n\n

In the living room, a 19th-century American stool<\/a>, an 18th-century sofa<\/a> and a 17th-century chest<\/a> sit alongside a wingback armchair<\/a> by Kelly and a striped jute rug<\/a>.<\/p>\n\n\n\n

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\"Glen
Photo by Gross & Daley<\/figcaption><\/figure><\/div>\n\n\n

This airy Martha\u2019s Vineyard home, decorated by Glenn Gissler<\/a>, includes a Poul Henningsen<\/a> Artichoke lamp<\/a> from Lost City Arts<\/a>, a pair of T.H. Robsjohn-Gibbings<\/a> armchairs and a custom daybed by Gissler.<\/p>\n\n\n\n

A bluestone-paved hallway leads to a collection of antique Italian oil jars.<\/p>\n\n\n\n

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\"Shawn
Photo by Steve Freihon<\/figcaption><\/figure><\/div>\n\n\n

This trestle-ceiling barn in Litchfield County, Connecticut, dates back to the 1700s. Designer Shawn Henderson<\/a> referenced American agrarian life via an earthy palette and industrial materials.<\/p>\n\n\n\n

The daybed and sofa are custom pieces by Henderson.<\/p>\n\n\n\n

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\"Marcia
Photo by Karissa Van Tassel<\/figcaption><\/figure><\/div>\n\n\n

Marcia Tucker<\/a>\u2019s clients requested that this sunroom \u2014 a recent addition to an 18th-century Connecticut farmhouse \u2014 feature organic and sustainable materials with an American provenance, and also include multiple seating<\/a> areas.<\/p>\n\n\n\n

The home has no televisions. Instead, an antique bagatelle board rests on the central pedestal table<\/a>.<\/p>\n\n\n\n

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\"Matthew
Photo by John Gruen<\/figcaption><\/figure><\/div>\n\n\n

The sitting room of Matthew Patrick Smyth<\/a>‘s former Connecticut Colonial house, which dates back to 1790, featured a sumptuous seating area, where would he spend weekends reading, relaxing and receiving guests. \u201cThis room was always meant to be the center of the house,\u201d he says.<\/p>\n\n\n\n

He used flea-market finds, a Schumacher<\/a>-upholstered sofa and a cowhide rug<\/a> to create this cozy corner nook. An antique needlework landscape from David Duncan Antiques<\/a> hung above the fireplace, which was custom made to appear original to the home.<\/p>\n\n\n\n

\n\n\n
\n
\"Groves
Photo by Eric Piasecki<\/figcaption><\/figure><\/div>\n\n\n

In rural Washington, Connecticut, Groves & Co.<\/a> oversaw a modern renovation of a 19th-century farmhouse (transported from Canada). In a bedroom, original ceiling beams and wide-plank flooring are offset by an eclectic combination of custom and vintage furniture, patina finishes and heavily textured fabrics.<\/p>\n\n\n\n

The firm worked with a millworker who specialized in authentic Shaker<\/a> pieces, but tweaked the proportions and finishings to make them feel of-the-moment.<\/p>\n\n\n\n

\n\n\n
\n
\"Jayne
Photo by Jonathan Wallen<\/figcaption><\/figure><\/div>\n\n\n

This Maine library by Thomas Jayne (part of the same house in which we saw the bathtub with a view) was painted an \u201cold-fashioned\u201d turquoise to evoke an 18th-century room and highlight the classical woodwork.<\/p>\n\n\n\n

Red linen curtains offer a pleasing color contrast while a late-Victorian<\/a> oak pedestal desk, an 18-arm 1920s bronze chandelier<\/a> and four Martha Washington-style<\/a> armchairs maintain the air of elegant traditionalism.<\/p>\n\n\n\n

\n\n\n
\n
\"Suzanne
Photo by Simon Upton<\/figcaption><\/figure><\/div>\n\n\n

Suzanne Kasler\u2019s design for this Greenwich, Connecticut, family home uses strategic pops of color \u2014 the orange pillows<\/a> and Herm\u00e8s blanket<\/a> \u2014 and linen-upholstered seating to create a chic, cozy living room. The custom-colored rug is patterned in a \u201cChinese maze\u201d motif.<\/p>\n\n\n\n

\n\n\n
\n
\"Matthew
Photo by John Gruen<\/figcaption><\/figure><\/div>\n\n\n

This elegant-yet-inviting Westport, Connecticut, bedroom by Matthew Patrick Smyth makes use of soft shades of green and pink, as well as 18th-century antiques<\/a>, at his client’s behest.<\/p>\n\n\n\n

\n\n\n
\n
\"Frank
Photo by Eric Roth<\/figcaption><\/figure><\/div>\n\n\n

Frank Roop used an oversize tufted bench<\/a> to add an \u201cunexpected or dramatic\u201d element to the entryway of this Boston-area colonial home.<\/p>\n","protected":false},"excerpt":{"rendered":"

In their update of a monumental house in Fairfield County, Connecticut, Amanda Jesse and Whitney Parris-Lamb, of design firm Jesse Parris-Lamb, conceived the library as a multipurpose room for the owners and their three young kids. \u201cThe materials were chosen to feel elevated but approachable for the parents and their children to use,\u201d Jesse says. […]<\/p>\n","protected":false},"author":392,"featured_media":421189,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"2021-09-28T19:53:10Z","apple_news_api_id":"70a6edce-de70-4bc4-8abd-2ac7b8b5dc1d","apple_news_api_modified_at":"2024-10-19T16:07:41Z","apple_news_api_revision":"AAAAAAAAAAAAAAAAAAAAMg==","apple_news_api_share_url":"https:\/\/apple.news\/AcKbtzt5wS8SKvSrHuLXcHQ","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[992,106,15522073],"tags":[4243213,4243153,15528243,14654923,13787943,88943,15540583,14656243,4243203,6523,15567284,4243173,15568298,15568308,15532253,7663,15571242,7648543,15548431,7648623,15570268,369183,5080313,1392,15550614,15568309,11465783,15567324,15566666,9772263,15550202,15568210,15545173,15569497,13967313,15549763,15570463,14719963,4243183,762,7893623,1852,4243163,12657873,15551011,15527063,2157143,15539973,1343553,4243193,13487353,12548043,15568289,15550286],"dibs-categories":[],"dibs-designs":[],"dibs-styles":[],"dibs-creators":[],"dibs-sellers":[],"class_list":["post-73073","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture","category-design-2","category-interiors","tag-aesthetic-movement-design","tag-allan-greenberg","tag-allan-greenberg-architect","tag-annie-kelly","tag-arne-jacobsen","tag-ash-nyc","tag-back-bay","tag-billy-cotton","tag-boston","tag-bunny-williams","tag-charlotte-barnes","tag-connecticut-interior-design","tag-davis-design","tag-de-choix-design","tag-dickson-wong","tag-eames","tag-estes-twombly","tag-fawn-galli","tag-foley-and-cox","tag-frank-roop","tag-gachot","tag-glenn-gissler","tag-groves-co","tag-hans-wegner","tag-heather-wells","tag-high-style-deco","tag-holly-hunt","tag-indigo-and-ochre","tag-jasper-morrison","tag-jayne-design-studio","tag-jesse-parris-lamb","tag-kai-kristiansen","tag-kara-mann-design","tag-kristine-irving","tag-lindsey-adelman","tag-lisa-tharp","tag-liz-caan","tag-marcia-tucker","tag-marthas-vineyard-interior-design","tag-matthew-patrick-smyth","tag-murano","tag-nantucket","tag-new-england-interior-design","tag-peter-pennoyer","tag-pieces-by-an-aesthetic-pursuit","tag-schumacher","tag-shawn-henderson","tag-studio-dykas","tag-suzanne-kasler","tag-thad-hayes","tag-thomas-jayne","tag-venini","tag-vermont","tag-vitra"],"acf":{"subtitle":"From 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