{"id":9642,"date":"2015-01-15T14:59:30","date_gmt":"2015-01-15T19:59:30","guid":{"rendered":"https:\/\/www.1stdibs.com\/blogs\/the-study\/?p=9642"},"modified":"2021-12-15T01:03:16","modified_gmt":"2021-12-15T06:03:16","slug":"kuramata-and-sugimoto","status":"publish","type":"post","link":"https:\/\/www.1stdibs.com\/blogs\/the-study\/kuramata-and-sugimoto\/","title":{"rendered":"Gallery Guide: Kuramata and Sugimoto at Wright"},"content":{"rendered":"<p>The only thing more impressive than the precision of Japanese design? The precision of Japanese design multiplied by two. Wright&#8217;s New York gallery presents such a show in \u201cShiro Kuramata and Hiroshi Sugimoto: Works from the Absent Past,&#8221; on view through January 29<span style=\"font-size: 11px;\">.<\/span>  The result is a not-to-be-missed exhibition of pivotal works by two of Japan\u2019s premier postmodern creators.<\/p>\n\t<div class=\"slideshow\">\n\t\t\t<div class=\"slideshow-slide\">\n\t\t\t<div class=\"slideshow-slide-image\">\n\t\t\t\t<img decoding=\"async\" width=\"950\" height=\"633\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_7-950x633.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_7-950x633.jpg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_7-526x350.jpg 526w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_7-120x80.jpg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_7-768x511.jpg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_7-150x99.jpg 150w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_7-1024x681.jpg 1024w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_7.jpg 1200w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/>\t\t\t<\/div>\n\t\t\t<div class=\"slideshow-slide-caption\">\n\t\t\t\t<div class=\"slideshow-slide-caption-description\">\n\t\t\t\t\t<p>Installation view, \"Shiro Kuramata and Hiroshi Sugimoto: Works from the Absent Past,\" New York, January 2015<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<div class=\"slideshow-slide\">\n\t\t\t<div class=\"slideshow-slide-image\">\n\t\t\t\t<img decoding=\"async\" width=\"950\" height=\"633\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_5-950x633.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_5-950x633.jpg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_5-526x350.jpg 526w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_5-120x80.jpg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_5-768x511.jpg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_5-150x99.jpg 150w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_5-1024x681.jpg 1024w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_5.jpg 1200w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/>\t\t\t<\/div>\n\t\t\t<div class=\"slideshow-slide-caption\">\n\t\t\t\t<div class=\"slideshow-slide-caption-description\">\n\t\t\t\t\t<p>Installation view, \"Shiro Kuramata and Hiroshi Sugimoto: Works from the Absent Past,\" New York, January 2015<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<div class=\"slideshow-slide\">\n\t\t\t<div class=\"slideshow-slide-image\">\n\t\t\t\t<img decoding=\"async\" width=\"950\" height=\"633\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_4-950x633.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_4-950x633.jpg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_4-526x350.jpg 526w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_4-120x80.jpg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_4-768x511.jpg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_4-150x99.jpg 150w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_4-1024x681.jpg 1024w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_4.jpg 1200w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/>\t\t\t<\/div>\n\t\t\t<div class=\"slideshow-slide-caption\">\n\t\t\t\t<div class=\"slideshow-slide-caption-description\">\n\t\t\t\t\t<p>Installation view, \"Shiro Kuramata and Hiroshi Sugimoto: Works from the Absent Past,\" New York, January 2015<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<div class=\"slideshow-slide\">\n\t\t\t<div class=\"slideshow-slide-image\">\n\t\t\t\t<img decoding=\"async\" width=\"950\" height=\"633\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_11-950x633.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_11-950x633.jpg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_11-526x350.jpg 526w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_11-120x80.jpg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_11-768x511.jpg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_11-150x99.jpg 150w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_11-1024x681.jpg 1024w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_11.jpg 1200w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/>\t\t\t<\/div>\n\t\t\t<div class=\"slideshow-slide-caption\">\n\t\t\t\t<div class=\"slideshow-slide-caption-description\">\n\t\t\t\t\t<p>Installation view, \"Shiro Kuramata and Hiroshi Sugimoto: Works from the Absent Past,\" New York, January 2015<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<div class=\"slideshow-slide\">\n\t\t\t<div class=\"slideshow-slide-image\">\n\t\t\t\t<img decoding=\"async\" width=\"950\" height=\"633\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_9-950x633.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_9-950x633.jpg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_9-525x350.jpg 525w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_9-120x80.jpg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_9-768x512.jpg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_9-150x100.jpg 150w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_9-1024x682.jpg 1024w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_9.jpg 1200w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/>\t\t\t<\/div>\n\t\t\t<div class=\"slideshow-slide-caption\">\n\t\t\t\t<div class=\"slideshow-slide-caption-description\">\n\t\t\t\t\t<p>Installation view, \"Shiro Kuramata and Hiroshi Sugimoto: Works from the Absent Past,\" New York, January 2015<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<div class=\"slideshow-slide\">\n\t\t\t<div class=\"slideshow-slide-image\">\n\t\t\t\t<img decoding=\"async\" width=\"950\" height=\"633\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_3-950x633.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_3-950x633.jpg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_3-526x350.jpg 526w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_3-120x80.jpg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_3-768x511.jpg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_3-150x99.jpg 150w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_3-1024x681.jpg 1024w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_3.jpg 1200w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/>\t\t\t<\/div>\n\t\t\t<div class=\"slideshow-slide-caption\">\n\t\t\t\t<div class=\"slideshow-slide-caption-description\">\n\t\t\t\t\t<p>Installation view, \"Shiro Kuramata and Hiroshi Sugimoto: Works from the Absent Past,\" New York, January 2015<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t<div class=\"slideshow-slide\">\n\t\t\t<div class=\"slideshow-slide-image\">\n\t\t\t\t<img decoding=\"async\" width=\"950\" height=\"633\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_2-950x633.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_2-950x633.jpg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_2-526x350.jpg 526w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_2-120x80.jpg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_2-768x511.jpg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_2-150x99.jpg 150w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_2-1024x681.jpg 1024w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/kuramata_sugimoto_install_2.jpg 1200w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/>\t\t\t<\/div>\n\t\t\t<div class=\"slideshow-slide-caption\">\n\t\t\t\t<div class=\"slideshow-slide-caption-description\">\n\t\t\t\t\t<p>Installation view, \"Shiro Kuramata and Hiroshi Sugimoto: Works from the Absent Past,\" New York, January 2015<\/p>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t<\/div>\n\t\n<p>To get a closer look at the show, we sat down with Brent Lewis, director of <a href=\"https:\/\/www.1stdibs.com\/dealers\/wright-now\/furniture\/\">Wright<\/a>, and discussed the dialogue between Sugimoto\u2019s fine art photography and Kuramata\u2019s one-of-a-kind and limited edition furniture pieces. Though they never met, both creators explored such themes as light, transparency, silence and the passage of time \u2014 and cited a piece of early modern Japanese literature, Junichiro Tanizaki\u2019s 1933 <em>In Praise of Shadows<\/em>, as a significant point of reference. Lewis posits that both \u201cartist and designer have become recognized for their mastery of their medium, [although] their approaches were very different.\u201d<\/p>\n<hr \/>\n<p><!--more--><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.1stdibs.com\/furniture\/storage-case-pieces\/cabinets\/furniture-irregular-forms-side-1-shiro-kuramata\/id-f_1658562\/%20\" rel=\"attachment wp-att-9722\"><img decoding=\"async\" class=\"aligncenter wp-image-9722 size-medium\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/106_1_l-350x350.jpeg\" alt=\"106_1_l\" width=\"350\" height=\"350\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/106_1_l-350x350.jpeg 350w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/106_1_l-950x950.jpeg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/106_1_l-120x120.jpeg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/106_1_l-768x768.jpeg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/106_1_l-300x300.jpeg 300w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/106_1_l-933x933.jpeg 933w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/106_1_l-216x216.jpeg 216w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/106_1_l-150x150.jpeg 150w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/106_1_l-1024x1024.jpeg 1024w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/106_1_l-50x50.jpeg 50w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/106_1_l.jpeg 1280w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><a href=\"https:\/\/www.1stdibs.com\/furniture\/storage-case-pieces\/cabinets\/furniture-irregular-forms-side-1-shiro-kuramata\/id-f_1658562\/%20\">Shiro Kuramata Furniture in Irregular Forms, Side 1, 1970<\/a><\/p>\n<p>&#8220;At this moment in his career, Kuramata was a &#8216;young and intensely serious designer,&#8217; already capable of producing furniture &#8216;powerful and pure in form,'&#8221; says Lewis. Though this wave-like cabinet predated the Memphis Design movement by more than a decade, Kuramata later produced colorful, gestural acrylic pieces in the 1980s under the tutelage of <a href=\"https:\/\/www.1stdibs.com\/creators\/ettore-sottsass\/furniture\/\">Ettore Sottsass<\/a>.<\/p>\n<a href=\"https:\/\/www.1stdibs.com\/furniture\/wall-decorations\/photography\/yellow-sea-cheju-hiroshi-sugimoto\/id-f_1652402\/\" rel=\"attachment wp-att-9772\"><img decoding=\"async\" class=\"aligncenter wp-image-9772 size-medium\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/113_1_l-350x350.jpeg\" alt=\"113_1_l\" width=\"350\" height=\"350\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/113_1_l-350x350.jpeg 350w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/113_1_l-950x950.jpeg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/113_1_l-120x120.jpeg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/113_1_l-768x768.jpeg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/113_1_l-300x300.jpeg 300w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/113_1_l-933x933.jpeg 933w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/113_1_l-216x216.jpeg 216w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/113_1_l-150x150.jpeg 150w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/113_1_l-1024x1024.jpeg 1024w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/113_1_l-50x50.jpeg 50w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/113_1_l.jpeg 1280w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.1stdibs.com\/furniture\/wall-decorations\/photography\/yellow-sea-cheju-hiroshi-sugimoto\/id-f_1652402\/\">Hiroshi Sugimoto, <em>Yellow Sea, Cheju<\/em>, 1992<\/a><\/p>\n<p>Beginning in the early 1980s, Sugimoto embarked on a self-described \u201cvoyage of seeing.\u201d By employing 19th-century photography equipment and techniques, Sugimoto used his seascapes \u201cto answer the question, \u2018Can someone today view a scene just as a primitive man might have?\u2019\u201d In contrast to the mutability of landscapes, Sugimoto viewed the sea as a constant. \u201cIt is a view which is timeless, yet always of the moment,\u201d declares Lewis.<\/p>\n<a href=\"https:\/\/www.1stdibs.com\/furniture\/seating\/lounge-chairs\/pair-of-sofa-arms-single-esprit-house-shiro-kuramata\/id-f_1652272\/\" rel=\"attachment wp-att-9882\"><img decoding=\"async\" class=\"aligncenter wp-image-9882 size-medium\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l-350x350.jpeg\" alt=\"102_1_l\" width=\"350\" height=\"350\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l-350x350.jpeg 350w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l-950x950.jpeg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l-120x120.jpeg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l-768x768.jpeg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l-300x300.jpeg 300w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l-933x933.jpeg 933w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l-216x216.jpeg 216w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l-150x150.jpeg 150w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l-1024x1024.jpeg 1024w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l-50x50.jpeg 50w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l.jpeg 1280w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.1stdibs.com\/furniture\/seating\/lounge-chairs\/pair-of-sofa-arms-single-esprit-house-shiro-kuramata\/id-f_1652272\/\">Shiro Kuramata pair of armchairs for the Esprit House, 1982-3<\/a><\/p>\n<p>In the 1980s, Tokyo\u2019s Esprit House served as the fashion label\u2019s primary venue for corporate parties and events. Esprit owner Doug Thompkins commissioned Kuramata to furnish the space&#8217;s interiors in 1982. These armchairs are emblematic of the designer&#8217;s ability to create pieces simultaneously \u201ccomfortable and livable while elegant, serious and sensual.\u201d<\/p>\n<a href=\"https:\/\/www.1stdibs.com\/furniture\/storage-case-pieces\/cabinets\/cabinet-de-curiositie-shiro-kuramata-ishimaru-co-ltd\/id-f_1652372\/\" rel=\"attachment wp-att-9892\"><img decoding=\"async\" class=\"aligncenter wp-image-9892 size-medium\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/108_1_l-350x350.jpeg\" alt=\"108_1_l\" width=\"350\" height=\"350\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/108_1_l-350x350.jpeg 350w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/108_1_l-950x950.jpeg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/108_1_l-120x120.jpeg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/108_1_l-768x768.jpeg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/108_1_l-300x300.jpeg 300w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/108_1_l-933x933.jpeg 933w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/108_1_l-216x216.jpeg 216w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/108_1_l-150x150.jpeg 150w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/108_1_l-1024x1024.jpeg 1024w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/108_1_l-50x50.jpeg 50w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/108_1_l.jpeg 1280w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.1stdibs.com\/furniture\/storage-case-pieces\/cabinets\/cabinet-de-curiositie-shiro-kuramata-ishimaru-co-ltd\/id-f_1652372\/\">Shiro Kuramata Cabinet de Curiosit\u00e9 for Ishimaru Co., Ltd., 1989<\/a><\/p>\n<a href=\"https:\/\/www.1stdibs.com\/furniture\/seating\/stools\/feather-stool-shiro-kuramata-ishimaru-co-ltd\/id-f_1652382\/\" rel=\"attachment wp-att-9782\"><img decoding=\"async\" class=\"aligncenter wp-image-9782 size-medium\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/feather_stool_1_l-350x350.jpeg\" alt=\"feather_stool_1_l\" width=\"350\" height=\"350\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/feather_stool_1_l-350x350.jpeg 350w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/feather_stool_1_l-950x950.jpeg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/feather_stool_1_l-120x120.jpeg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/feather_stool_1_l-768x768.jpeg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/feather_stool_1_l-300x300.jpeg 300w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/feather_stool_1_l-933x933.jpeg 933w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/feather_stool_1_l-216x216.jpeg 216w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/feather_stool_1_l-150x150.jpeg 150w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/feather_stool_1_l-1024x1024.jpeg 1024w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/feather_stool_1_l-50x50.jpeg 50w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/feather_stool_1_l.jpeg 1280w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.1stdibs.com\/furniture\/seating\/stools\/feather-stool-shiro-kuramata-ishimaru-co-ltd\/id-f_1652382\/\">Shiro Kuramata Feather Stool for Ishimaru Co., Ltd., 1990<\/a><\/p>\n<p>These two pieces exemplify Kuramata\u2019s more mature work. During Japan\u2019s economic boom, he was \u201cgiven the budgets to push the boundaries of technique and material.\u201d With the stool, Kuramata took feathers in various colors and suspended them in acrylic (a notably difficult-to-manipulate material). He later used this same technique to suspend rose petals within the structure of a clear acrylic armchair. Both pieces speak to Kuramata&#8217;s interest in the theme of timelessness.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.1stdibs.com\/furniture\/wall-decorations\/photography\/lake-superior-cascade-river-hiroshi-sugimoto\/id-f_1652392\/\" rel=\"attachment wp-att-9762\"><img decoding=\"async\" class=\"aligncenter wp-image-9762 size-medium\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/111_1_l-350x350.jpeg\" alt=\"111_1_l\" width=\"350\" height=\"350\" srcset=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/111_1_l-350x350.jpeg 350w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/111_1_l-950x950.jpeg 950w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/111_1_l-120x120.jpeg 120w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/111_1_l-768x768.jpeg 768w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/111_1_l-300x300.jpeg 300w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/111_1_l-933x933.jpeg 933w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/111_1_l-216x216.jpeg 216w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/111_1_l-150x150.jpeg 150w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/111_1_l-1024x1024.jpeg 1024w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/111_1_l-50x50.jpeg 50w, https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/111_1_l.jpeg 1280w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.1stdibs.com\/furniture\/wall-decorations\/photography\/lake-superior-cascade-river-hiroshi-sugimoto\/id-f_1652392\/\">Hiroshi Sugimoto, <em>Lake Superior,<\/em> <em>Cascade River<\/em>, 2003<\/a><\/p>\n<p>Sugimoto\u2019s travels have taken him around the world, from Jamaica\u2019s Caribbean Sea in 1980 to Michigan\u2019s Lake Superior in 2003. This photograph presents a subtle gray palette and soft transition between sea and sky, reminiscent of a two-toned Mark Rothko painting.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.1stdibs.com\/furniture\/tables\/dining-room-tables\/dining-table-tamotsu-yagi-shiro-kuramata\/id-f_1652302\/\" target=\"_blank\" rel=\"attachment wp-att-9732 noopener\"><img decoding=\"async\" class=\"aligncenter wp-image-9982 size-medium\" src=\"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/Shiro-Kuramata-Glass-Dining-Table-for-Tamotsu-Yagi-1987-705x350.jpg\" alt=\"Shiro Kuramata Glass Dining Table for Tamotsu Yagi 1987\" width=\"705\" height=\"350\" \/><\/a><\/p>\n<p style=\"text-align: center;\"> <a href=\"https:\/\/www.1stdibs.com\/furniture\/tables\/dining-room-tables\/dining-table-tamotsu-yagi-shiro-kuramata\/id-f_1652302\/\">Shiro Kuramata Dining Table for Tamotsu Yagi, 1987<\/a><\/p>\n<p>\u201cTamotsu Yagi and Shiro Kuramata were friends in the tight-knit design community in Tokyo. Yagi, a graphic designer, moved to California to become the art director for Esprit.\u201d Using his unique \u201cbroken glass\u201d technique, Kuramata designed this one-of-a-kind dining table as a present for his friend\u2019s new San Francisco home. In addition to offering his table, Yagi provided Wright with art direction for their catalogue and exhibition visuals.<\/p>\n<hr \/>\n<p>\u201cUltimately,\u201d says Lewis, \u201cI think these pieces will persist. The institutional museum support for [both Kuramata and Sugimoto] is a strong statement for the lasting import of their work.&#8221; View these iconic works at <a href=\"http:\/\/www.wright20.com\/exhibitions\/2015\/1\/kuramata\/\">Wright&#8217;s Madison Avenue gallery<\/a> now through January 29, 2015, and browse all <a href=\"https:\/\/www.1stdibs.com\/creators\/shiro-kuramata\/furniture\/\">Kuramata<\/a> and <a href=\"https:\/\/www.1stdibs.com\/creators\/hiroshi-sugimoto\/\">Sugimoto<\/a> currently available on 1stdibs.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The only thing more impressive than the precision of Japanese design? The precision of Japanese design multiplied by two. Wright&#8217;s New York gallery presents such a show in \u201cShiro Kuramata and Hiroshi Sugimoto: Works from the Absent Past,&#8221; on view through January 29. The result is a not-to-be-missed exhibition of pivotal works by two of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9882,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[260,15522093],"tags":[52,16,82,712,262,672,702,692,28,662,682],"dibs-categories":[],"dibs-designs":[],"dibs-styles":[],"dibs-creators":[],"dibs-sellers":[],"class_list":["post-9642","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fine-art","category-furniture","tag-contemporary-design","tag-dealers","tag-design","tag-exhibition","tag-fine-art-2","tag-hiroshi-sugimoto","tag-japanese","tag-new-york","tag-postmodern","tag-shiro-kuramata","tag-wright"],"acf":{"interstitial_banners":null,"post_format":null,"subtitle":null,"contributors":null,"show_date":null,"show_related_items_footer_popup":null,"related_items":null,"slideshows":null,"show_prefix":null,"prefix_text":null,"banner_ad_image":null,"banner_ad_url":null,"banner_ad_dealer_id":null,"banner_ad_start_date":null,"banner_ad_end_date":null,"banner_ad_shortcode":null},"dibs_designs_tags":null,"dibs_sellers_tags":null,"dibs_creators_tags":null,"dibs_styles_tags":null,"dibs_categories_tags":null,"featured_image_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l-640x450.jpeg","post_title":"Gallery Guide: Kuramata and Sugimoto at Wright","fimg_url":{"thumbnail":{"source_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l-120x120.jpeg","width":120,"height":120},"medium":{"source_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l-350x350.jpeg","width":350,"height":350},"full":{"source_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l.jpeg","width":1280,"height":1280}},"jetpack_featured_media_url":"https:\/\/www.1stdibs.com\/blogs\/the-study\/wp-content\/uploads\/102_1_l.jpeg","apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gallery Guide: Kuramata and Sugimoto at Wright | The Study<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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